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Hi Summer Berries!
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We've also got our Venice Vibes FlipFlops in matching summer and tropical patterns!
Let's beat the heat together.
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xoxo
Blue
The conventional English translation appeared in John Heywood's collection of Proverbs in 1546. Brewer's Dictionary of Phrase and Fable also credits Erasmus, and relates it to other Latin proverbs, Planta quae saepius transfertus non coalescit, or Saepius plantata arbor fructum profert exiguum, which mean that a frequently replanted plant or tree (respectively) yields little fruit. It appears that the original intent of the proverb saw the growth of moss as desirable, and that the intent was to condemn mobility as unprofitable. The contemporary interpretation has turned the traditional understanding on its head.
Erasmus's proverb gave the name "rolling stone" to people who meet this description.
What would i do without Wickipedia!?
Anycheese, more interestingly, this is Wistmans Wood. A magical and enchanted woodland full of knarly, twisted, stunted Oak trees and mossy granite boulders. I have been here many times, never before with camera. It is soooo difficult to get a composition. The woodland is thought to be one of the few remnants of ancient woodland on Dartmoor dating from prehistoric times. Apparently the wood is haunted by a pack of Yeth hounds and it is from here that they start their wild hunt across the moorland. They follow their master, who may be the Devil, Odin, or any number of spectral huntsmen on the search for souls across the moorlands. The dogs are described as jet-black in colour snorting fire from their nostrils. Coooool! Didnt see any though.. I will go back on a full moon and really take some shots.
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The chapel features, on its three walls, frescoed scenes relating to the Universal Flood, the Entrance of the Animals into the Ark, the End of the Flood and Noah's Drunkenness. The compositions are characterised by outdoor visions marked by the presence of human figures and animals, both depicted on a small scale. The painter's attention seems to be focused on the description of the variety of animals and birds, without, however, failing to dwell on the more intensely dramatic scenes, such as the cases of those who drown, going as far as the cold analysis of the corpses strewn on the ground after the Flood. The stories of the Flood are linked to the fresco of the Baptism of Christ that faces them in the cloistered church, as a foreshadowing of that moment of salvation, according to what St Peter makes clear in the First Epistle (3:20-21): "God in his longsuffering waited in the days of Noah for the ark to be built, in which eight people in all found escape from the water, a figure, this one, of the Baptism that now saves us".
Historical-critical information: In these frescoes, Aurelio Luini displays an unprecedented propensity for storytelling and narration for its own sake, which results in a smug amusement directed above all at the descriptive rendering of the various animal species, rendered with an almost lenticular meticulousness. As the son of Bernardino Luini, who was active for many years in San Maurizio, Aurelio showed undisputed talent for painting, which led him to collaborate with his older brother Giovan Pietro from 1555 onwards. Here, as in other cases, Aurelio exhibits the peculiar characteristics of his painting, sustained by an exuberant expressive emphasis that is fully in line with contemporary 'Mannerism'. The naturalistic taste manifested in the frescoes of the Noah's Ark chapel also reflects the interest that Aurelio, a member of the Accademia della Val di Blenio (run by Giovan Paolo Lomazzo), had always shown in Leonardo's research.
Antelope Canyon, Arizona
In Sept/Oct 2013 my fiancee and me went on a roadtrip to discover the beautiful landscape of the us-westcoast.
On that day we visited the lower antelope canyon. This is a very strange and beautiful place.
The canyon is quite a dark place compared to the bright light, shining in from outside. Easy for the human eye, challenging even for latest cameras. So i'm happy, that i did at least a few shots with different exposure to get the sky back.
Need to remind myself for the next time to protect the lens from dust (filter), not (again) to change lens in the canyon and to follow the guide books recommendations relating to best visiting time ;-)
Can't wait to come back for the next roadtrip!
Best wishes from Potsdam, Germany
Markus
J'ai pris cette photo à Shibuya, célèbre pour son carrefour extrêmement fréquenté. Il est situé en face de la sortie Hachikō de la gare de Shibuya et les feux tricolores arrêtent les véhicules dans toutes les directions pour permettre aux piétons d'inonder l'intersection dans son intégralité. Trois grands écrans de télévision montés sur des bâtiments voisins donnent sur le carrefour, ainsi que de nombreux panneaux publicitaires. En raison de son trafic intense et de ses publicités tournantes, Shibuya a été comparé à l'intersection de Times Square à New York et de Dundas Square à Toronto. Le professeur d'architecture basé à Tokyo, Julian Worrall, a déclaré que le carrefour de Shibuya était "un excellent exemple de ce que Tokyo fait de mieux quand il n'essaie pas."
Ceci dit, un couple semble se poser d'autres questions que celles relatives à la beauté lumineuse du lieu.
I took this picture at Shibuya, which is famous for its scramble crossing. It is located in front of the Shibuya Station Hachikō exit and stops vehicles in all directions to allow pedestrians to inundate the entire intersection. Three large TV screens mounted on nearby buildings overlook the crossing, as well as many advertising signs. Its heavy traffic and inundation of advertising have led to it being compared to the Times Square intersection in New York City and Dundas Square intersection in Toronto. Tokyo-based architecture professor Julian Worrall has said Shibuya Crossing is "a great example of what Tokyo does best when it's not trying."
That said, a couple seems to be asking more questions than those relating to the luminous beauty of the place.
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Sorry comments that doesn't relate to the photo & copy paste will be deleted.
comment dont just views .
The International Bomber Command Centre (IBCC) a memorial relating the historical impact of and on Bomber Command during the Second World War. Located on Canwick Hill, overlooking the city of Lincoln in Lincolnshire.
The city of Lincoln was selected for the location of the IBCC because 27 RAF Bomber Command stations (over a third of all Bomber Command stations) were based in the county during World War II. The large amount of airfields led to Lincolnshire being nicknamed the "Bomber County".
Located at Canwick Hill, the centre is just under two and half miles from RAF Waddington, which suffered the greatest losses of any Bomber Command station, and close to the former Avro aircraft production facility at Bracebridge Heath. A view of Lincoln Cathedral, a prominent landmark for aircrews, forms an important part of the vista from the centre of the Memorial Spire.
The aim of the IBCC is to tell the personal stories of members of the RAF Bomber Command, ground crew and civilians impacted by the bombing campaigns during the Second World War. The centre will also provide a comprehensive record of the role of Bomber Command's squadrons and to digitally display historical documentation and photographs relating to the activity of Bomber Command.
Within the grounds of the International Bomber Command Centre the Spire Memorial was erected on 10 May 2015. The memorial is a spire, reflecting the connection to Lincoln Cathedral. Created out of Corten A weathering steel, it is based on the dimensions of the wingspan of a Lancaster bomber, being 102ft high and 16ft at the base. The Spire was officially unveiled in October 2015 to an audience of 3,600 guests including 312 Bomber veterans.
The spire is encircled by walls carrying the names of all 57,871 men and women who gave their lives whilst serving in or supporting Bomber Command. This is the only place in the world where all these losses are memorialised.
Information Source:
Check out the separate shot of the new vehicle!
(Yes, that is a custom trench coat that I made myself.) I have tried several purist ways to make one (without cutting or damaging LEGO capes), to no avail. Also didn't feel like buying one just for this MOC.
I had some time to build this weekend (break from college!), so I got this and another build done. Stay tuned for a bigger build, which relates to mythology. ;)
Also, the Last Jedi trailer came out last night, and it looks spectacular. Guess I need to add that to my list of things to build for...
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Through the creations that I build, I hope to inspire other young (or perhaps older) LEGO builders to unleash their inner creativity. We all need a positive way to express ourselves, so let's let LEGO to be an extension of us. Your creativity belongs to you, and nobody can take that away. Build what you want to build, and how you want to build it."
Relating to my previous image, information board at WWT Slimbridge giving details about the Crested or Southern Screamer www.flickr.com/photos/juliek1967/35849656142/in/dateposted/ (hope this is OK for Wing Wednesday too Ash) HWW & HSS!
After a good old climb up this steep hill there is a commemorative bench, relating to Dundonald Castle, to sit down and have a rest, if need be!
Flickr Lounge ~ Weekend Theme (Week 23) ~ Photographer's Choice ...
Stay Safe and Healthy Everyone!
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... Thanks to you all!
From Wikipedia, the free encyclopaedia
The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures. The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861, and partially opened in 1866, with a Victorian Venetian Renaissance facade and a grand central hall of cast iron construction that rises the full height of the building. This building underwent a major refurbishment and reopened on 29 July 2011 after a three-year, £47 million project to restore and extend the building led by Gareth Hoskins Architects along with the concurrent redesign of the exhibitions by Ralph Appelbaum Associates
The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland. As well as the national collections of Scottish archaeological finds and medieval objects, the museum contains artefacts from around the world, encompassing geology, archaeology, natural history, science, technology, art, and world cultures. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display. One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful clone of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John's extravagant suits and a large kinetic sculpture named the Millennium Clock. A Scottish invention that is a perennial favourite with school parties is The Maiden, an early form of guillotine.
In 2016, the museum had 1.81 million visitors over the year, making it Scotland's most popular visitor attraction during that period.
Feeling better and I do hope to get out and get photos instead of screen shots. But I love Aunty Acid and she gets the feelings of this Covid time in a way that never fails to make me laugh. And relate!
adj. *Auroral
1. characteristic of the dawn
2. of or relating to the atmospheric phenomenon auroras
Auroral Glow, Venice, Italy. (2003 archives)
PixQuote:
"Photograph is a picture painted by the sun without instruction in art."
-Ambrose Pierce
Ely, NV - Nevada Northern Railway Museum - The Executive Director of the Museum, relates the trials, tragedies, and tenacious efforts undertaken by staff and volunteers to restore Nevada Northern 4-6-0 No. 40 back into service. - In 2001, it looked like 40 might be sidelined for good. The Federal Railroad Administration issued new boiler rules and 40 was relegated to the engine house gathering dust. - No one should undertake the rebuilding of a steam locomotive lightly. - In February 2005, locomotive 40's whistle resonates across the Great Basin, repeating an audible announcement that dates to 1910—the Queen is under steam!
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There are plenty of things I could tell you about this image but what I am going to relate tonight is only going to involve the mistake I made.
One of the risks to habits is that you can come to rely on them overly much. A case in point would be that by an unofficial rule I generally keep my Hasselblad backs loaded with 400 ISO film, one back for color and the other for b&w. When I do load a different speed film in one of my backs I try to make a note because I am so used to 400 speed film in them that I have mis-exposed film before because of mistaken assumption.
Before this latest trip up to the Olympic Peninsula I had been working a lot and photographing only a little. As such by the time I got up there my black and white back was halfway through a roll of film I could not remember loading and so I could not remember which film was in it. Normally no note would mean 400 speed but something in my brain was tickling away that this was not true, that I had loaded something out of the ordinary in terms of film speed in this back.
So what are my options at this point with about six frames left to expose? Well I could trust my habits and expose at 400. I could attempt to second guess motives and backtrack through memory to deduce which film I might have loaded. I could meter somewhere in between. This latter is what I did. I figured the only other speed I would have loaded would have been 100 ISO film. So if I metered at 200 then I would only be wrong by a stop. If it was 100, I would be a stop under and considering that I normally overexpose by habit anyway, all would be ok. If it was 400, then I would be a stop over (or two with my usual overexposure). and film so readily forgives overexposure. Seriously, you can get away with three or four stops over and still produce reasonable images. Additionally I was going to be a bit less choosy with those six frames and try to blow through them quickly so I could confirm the film and if necessary backtrack to re-expose any images.
Thus I set off. Unfortunately it was sunny and clear and conducive to heavy ND shooting so "blowing through" half a roll takes on a slightly different meaning when shooting through 18 stops of neutral density. It took a few hours but I managed, wound the roll and unloaded it... to find a roll of Rollei RPX 25. Umm yeah. So metering for 200, maybe overexposing by design by a stop I was still going to be two stops under. That was a bit disappointing. Usually I defer to the decisions that past-Zeb makes. He often seems to think of things that present-Zeb appreciates. But this time I was wondering what in the heck that past me was thinking by loading a roll of 25 speed film in a camera that usually uses 400 speed and not putting a note on it to warn present-Zeb how to expose it properly. Sheesh.
So I had a bit of a sinking feeling in my stomach, figuring not even the forgiveness of film was going to save me this time. Luckily I was still on the same beach and did backtrack to re-expose the images I felt most strongly about. I debated having the roll pushed when I got back but then the first half had theoretically been exposed accurately and I couldn't really remember what was on it, so I didn't want to push process that stuff, so I just let it go, morbidly curious to see how thin the negs would be. Imagine my surprise when the stuff that came back turned out to be fairly usable... at least some of it. This image for example was metered somewhere around 100 to 200 ISO, which means I probably overexposed it to begin with due to the deep shadows in the frame. But that is ok, I wanted the cliffs to be black anyway.
So what to take from all this? I guess mostly that we all make mistakes. In fact you ought to find opportunities to make mistakes. They keep us sharp, they are opportunities to learn, they sometimes show us things we may not have discovered on our own, they remind us that we are fallible in our decision-making. And I tell you about this one in particular so that you know that I am not above making such silly errors. I tend to curate out most of the images I don't consider worth the time to post or your time to see. I edit down to the good stuff, which really means the stuff that I like for one reason and another. And I think with practice and by limiting how much I post I tend to only share the stuff that is noteworthy for good reasons. But that can easily lead to the mistaken perception that maybe I don't make the same mistakes you make. That I don't screw up my calculations or forget something simple and obvious. Well trust me, I do. And sometimes it works out and sometimes it doesn't. On this case I got lucky, no thanks to my past self.
Hasselblad 500C
Rollei RPX 25
Kotor, Montenegro, at the end of a very rainy day. I thought I'd give closure to the Kotor series by these final 3 photos from that evening, happy weekend to all, I'm in a much better mood now that I'm no longer on call for jury duty for a couple more years, only USA citizens can relate or understand the story, but it was a stressful week not knowing whether you're going to go to work or court the next day, they kept me hanging for the entire week.
Documents relating to the Spanish colonial empire are kept in the Archivo General de Indias in Seville. It is considered to be the most comprehensive and important archive for the Spanish colonial era. The building and archive have been a World Heritage Site since 1987.
The valuable files and documents are of course well protected these days, so that only mock-ups are on the shelves in the rooms that can be visited...
June 05, 2016
Villatic:
[vi-lat-ik]
adjective
1. of or relating to the country or to a farm; rural.
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It's a cool, gray and rainy Sunday here which is perfect for some quality time in the kitchen!
We desperately need the rain, and I really needed to get caught up and ready for the work week ahead by preparing food so the rain is working out just fine for me.
The garden is being watered and I'm not tempted to go sit out in the sun with a good book. Win, win!
I bought a lot of basil plants this week and so I was on the hunt for a recipe that would work for Sweet Sunday, then I got it in my head that I needed scones for the week which narrowed down my search until I came across this!
In the future, I think I would double the basil, lessen the strawberries and maybe throw some jam in the mix for additional flavour, but this reccipe is not a bad starting point!
Recipe:
Ingredients:
3 cups of flour
1/3 cup of sugar
1 teaspoon of salt
2 1/2 teaspoons of baking powder
1/2 teaspoon of baking soda
3/4 cup of unsalted butter, cut into small chunks
1 cup of buttermilk
1 cup chopped of fresh strawberries
1/4 cup of fresh chopped basil
1 tablespoon of buttermilk, for brushing
Brown sugar for sprinkling
Directions:
01. Preheat oven to 400 degrees F.
02. Mix together dry ingredients in a large bowl from flour - baking soda.
03. Add butter and mix using pastry cutter, a knife or your hands, until mixture resembles coarse meal.
04. Add buttermilk and mix until just combined. Fold in strawberries and basil.
05. Lightly dust flour onto work surface. Divide dough in half. Working with one batch at a time, shape dough into 3/4 inch thick circle. Cut into 8 wedges.
06. Lay on baking sheet lined with parchment paper.
07. Repeat with other dough.
08. Brush tops of scones with buttermilk and sprinkle with brown sugar.
09. Bake for 15-20 minutes or until golden brown.
Hope everyone is having a Sweet Sunday!
Click "L" for a larger view.
...relating to the first in comments!
A few things can be described about this. The location is Bingsjö in Sweden, Päckosgården to be more exact. Once the home of a musician...
This year I will try to stay away from the cruising nights and concentrate on this place ;) More to come on that...
Two photos today relate to an exhibition at the National Gallery of Australia, Canberra, in 2011. This first one is of a replica poster in our own collection. It is one of the costume designs by Russian artist Léon Bakst (1866-1924) for Sergei Diaghilev's Les Ballet Russes production of Shéhérazade (1910). The music was written by Nikolai Rimsky-Korsakov.
nga.gov.au/exhibition/balletsrusses/default.cfm?MnuID=4&a...
The costume was to be worn by the character Shah Zeman, the brother of the ruler of Persia, in one of the stories from "The Arabian Nights". nga.gov.au/exhibition/balletsrusses/Default.cfm?IRN=74158...
Sergei Diaghilev (1872-1929) was the impresario who founded Les Ballet Russes.
Il s'agit d'un château dont la fondation par la famille de Malval remonte au XIIe siècle. Il est construit dans un vallon au bord d'un gué de la Petite-Creuse dont il percevait les droits de passage. Les ruines actuelles très pittoresques datent essentiellement des XIV et XVe siècle.
L'historique du château relate que lors de la guerre de Cent-Ans, Louis de Malval resté fidèle au roi de France aurait accueilli les troupes de Bertrand du Guesclin. Le château fut assiégé par les anglais et restauré par la suite. Deux autres sièges dus à des querelles familiales l'endommagèrent. Enfin au XIXe siècle, le château fut utilisé comme carrière de pierres par les habitants du village.
It is a castle whose foundation by the Malval family dates back to the 12th century. It is built in a valley at the edge of a ford of the Petite-Creuse from which he perceived the rights of way. The present very picturesque ruins date mainly from the 14th and 15th centuries.
The history of the castle tells that during the Hundred Years War, Louis de Malval remained faithful to the king of France would have welcomed the troops of Bertrand du Guesclin. The castle was besieged by the English and later restored. Two other seats due to family quarrels damaged him. Finally in the 19th century, the castle was used as a stone quarry by the inhabitants of the village.
Yashica Electro 35 GS,
Film Rollei RPX 100
Développement Rodinal R09 1+50
Elysian (E•ly•sian): relating to, or characteristics of heaven or paradise. | Model: @ktmkvi
So I'm finally posting personal work. Took this awhile ago with my friend. I really really wanted to get out and go explore. We decided to go check out these waterfalls by my house & do a shoot. It was super cold. So cold that nobody was even at this park. We climbed down to the base and walked right over the ice. Large portions of the water was frozen so it made it easy getting over by the waterfall. After a while we both started getting cold and packed up.
______________________________________________________________________
lonely in a crowd
different from the rest
separate, apart
because of change
experiences they can’t understand
choices and experiments taken
can i fit within their world
relate on some common level
when my life and theirs
exist on different planes
8/18/04 23:28
the gulf so wide
land so foreign
in familiar surroundings
8/18/04 23:35
miles away
even at home
8/18/04 23:48
lonely
by raymond a. foss
Eidetic: relating to or denoting mental images having unusual vividness and detail, as if actually visible. Gainesville Florida 9/8/24
Smoke, so often associated with trains starting up or accelerating—behind both steam and diesel—can
also swirl around a brake application. Here, British Columbia Railway (BCR) train 26, a southbound laden with wood chips and other forest products, complains its way down toward Lillooet, BC, Canada, near BCR milepost 172, on June 3, 1987.
Judges’ Comments:
This stunning image is a photo that anyone who has spent time trackside in mountainous territory can relate to and conjures up the sights, sounds, and smells of this straining train. Stunning backlighting highlights the swirls of brake shoe smoke as a train works down a steep and twisting grade. A non-traditional view, this scene conveys the drama and danger of mountain railroading through its capture of brake smoke.
I don't know how that title relates to the picture but it's what came to mind.
And, as always, view large!!!
Also, what is your opinion of getty images? I got a message about it a long time ago inviting me to join but I feel like I don't know enough about it to participate. If anyone could give me more insight about it or, if they are/did use it, what they thought about it. If I do add some of my photos to the sight, I'm afraid of where they will end up..
Practically, most humans ears merely relate far less than 20% of truth through listening and our highly regard window of souls, the dependent eyes only sees 60% of absolute truth. Fundamentally, our weakest, disturbant mind render and analyse close to 20% of unrational facts in many circumstances incorrectly.
Sadly, we human being prefer to act 100% according to our unbalance, misery brain chemical signal, our separated left and right brain cell sent out very contradicting wave signal and therefore our final independent heart is determine to react accordingly in final stage. even 90% of great scientist miss out emphasize our critical functionality of heart incorrectly with mistake
In reality with all such complex human senses aid, we can only be less than 90% certain correct at most times as the other negative balance remain 10% was distributed and affect by our much prejudice, emotional core ownership - human solitude heart that stay much farther away from eyes ears and the brain. As a matter of fact, heart, eyes, mind and ears solely function individually and selfishly according to days and night different basically cause by the atmospheric transition of changing light phantom . Is still a mystical to scientist but much connected with your previous Karmathic field records why we are here. To argue, fight and destroy for own justice with the five distratrous senses we own from pass mistake.
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The 1890 Empress Flour Mill on Queen Street is category C industrial heritage building, which means that its removal is a permitted activity. There are two plaques on the front of the building, one relating to the 118 year old structure and the other to the 1921 grain silos. With a height of 35 metres the category B listed heritage silos are the town's most prominent landmark. They're still in use and will not be demolished.
The Villa La Pelucca frescoes are a c. 1520–1523 cycle of frescos by Bernardino Luini, commissioned by the Milanese nobleman Gerolamo Rabia for his villa near Monza, known as 'La Pelucca'. Most of the surviving fragments are in the Pinacoteca di Brera in Milan, though others are in the Wallace Collection in London, the Louvre in Paris, the Musée Condé in Chantilly and other private collections. Stylistically they shown the influence of Bramantino - Women Bathing the figure's shoulders is a homage to the Trivulzio Tapestries, particularly February from that cycle.
In the Napoleonic era the villa was used by viceroy Eugene de Beauharnais, before passing into the lands of the Kingdom of Lombardy–Venetia in 1816. Shortly after that it was sold to private owners. The frescoes were removed between 1821 and 1822 by Stefano Barezzi, who transferred them to canvas supports, leading to several cracks which are still visible. Vast pieces of the cycle are lost, particularly those relating to the framing architecture, irredeemably altering the legibility of the cycle.
Day 64 / 180
Out with the old, in with the new.
This photo was inspired by David Talley's image "True Self". His image is important to me and relates a lot to me at this time in my life.
In his image, he is trying to spread the message to be yourself and nothing else. Don't ever try and be something you are not. Be your True Self.
That is something I have too began to realize. I haven't been my true self. I've been something I am not and I am now in the process of changing that.
(I guess you can call it growing up).
This photo is a representation of that process. I have finally figured out who I really am. I know what I want in life and am taking the steps necessary to get that.
To do this, I basically have to begin to destroy who I was in order to become who I AM. I have to shatter the things of the past and let in room for the things of the future.
Sometimes, you have to break yourself to make yourself.
[polska wersja niżej]
This photo relates to the flood in Gdańsk, about which I have written here, but I think I will rewrite the story again and provide a better view on the story background.
It's one of trains diverted from electrified mainline into secondary diesel route: originally nigh train no. 38209 from Kraków Płaszów to Koszalin. SU46-039 on the train head yet in original paint scheme from Żagań depot. After the diesel - here "cold" originally employed to this train EP07-338. The train is passing Gdańsk Osowa station entering two-track section towards Gdynia. July 11, 2001.
Photo by Jarek / Chester
9 lipca 2001 roku w Gdańsku to był całkiem ładny dzień, przynajmniej taki się zaczął i trwał do południa. Koło niego nadciągnęły ciemne chmury, zapowiadając kolejną letnią gwałtowną burzę. Jak spadały pierwsze krople deszczu, nikt nie przeczuwał, że w ciągu popołudnia na miasto lunie dwa razy więcej wody, niż w całym typowym lipcu. Każdy metr kwadratowy przyjął prawie 130 litrów, a tylko między 15 i 17 spadło, a w zasadzie dosłownie polało się strumieniem z nieba 90 litrów na metr kwadratowy. Ulice leżące na zboczach moreny dennej falistej, bo miasto to nie tylko wybrzeże, ale i morenowe pagórki, zamieniły się w dna potoków spływających w dół. No a w dole, głównie na południu, u brzegu płaskiego terenu ujścia Wisły zaczęło tworzyć się jezioro.
Wpływająca od południa z Kaszub niewielka Radunia przerwała w paru miejscach kanał, w którym biegła i zalała południowa część miasta, dzielnice od Oruni (dolnej), przez Lipce do Świętego Wojciecha. Powódź dotknęła też nasypy linii kolejowej, uszkadzając torowisko w paru miejscach. Pod wodą były też tory samego Gdańska Głównego. Ruch kolejowy między Pruszczem Gdańskim (a w zasadzie Tczewem) i Gdańskiem na kilka dni zamarł.
Ponieważ jednak mówimy o czasach, gdy kolej była jedna, wielka i niepodzielna (choć podzielona na sektory), naprędce wypracowano rozwiązanie, które w dzisiejszych czasach byłoby nie do pomyślenia - skierowano objazdem wszystkie dalekobieżne pociągi pasażerskie na trasy objazdowe. I tak pociągi z Gdyni w kierunku Bydgoszczy jechały starą Magistralą Węglową przez Kościerzynę i Wierzchucin i dalej na Łódź, czy Katowice. Pociągi w kierunku Malborka i dalej Olsztyna czy Warszawy jechały zaś przez Kościerzynę, Bąk, Czersk i dalej "Ostbahnem" do Tczewa, gdzie powracały na normalne trasy. Oczywiście na trasach objazdowych zastosowanie miała trakcja spalinowa, a elektrowozy ciągnące pociągi nie zostawały odczepiane (oprócz paru wyjątków) i odbywały podróż "na zimno" na objazdach.
Z punktu widzenia podróżnego te objazdy to rozwiązanie tylko po części rozsądne - dzisiaj zapewne wprowadzono by komunikację autobusową od Tczewa do Gdyni, przez co nastąpiłoby wydłużenie jazdy może sumarycznie o godzinę. Wtedy, przez wprowadzone objazdy, pociągi doznawały kilkugodzinnych opóźnień, a całkiem niedawna likwidacja niektórych stacji na "węglówce" drastycznie pogorszyła przepustowość dwutorowej linii. Z drugiej strony, pasażer w kuszetce, czy sypialnym z głębi kraju na Hel, dotarł do celu podróży w tym samym łóżku, tyle, że 3-6 godzin później.
Sytuacja awaryjna trwała parę dni, po czym przywrócono ruch po głównej linii, z pewnymi ograniczeniami (ograniczenie prędkości w miejscach podmycia nasypu). Jeszcze parę dni po przywróceniu ruchu część pociągów towarowych kursowała niezelektryfikowanym objazdem z uwagi na problemy z przepustowością.
Na zdjęciu SU46-039, jeszcze w oryginalnych żagańskich szatach, z nocnym pociągiem 38209 z Krakowa Płaszowa do Koszalina, opuszcza stację w Gdańsku Osowie. Za dieslem - elektrowóz oryginalnie ciągnący nocnego "kuriera" - EP07-338. 11 lipca 2001 roku.
Fot. Jarek / Chester
Magnus relating the history of the Viking realm of the Southern Isles (ie: the Western Isles of Scotland and I of Man)
Relating to a blog I posted today about how I'm fine taking my clothes off in abandoned buildings yet totally afraid to pose clothed in public view, I went outside to take a photo. Granted, it was just on the corner of my street, but someone even walked by while I was setting up the camera and nothing bad happened! Baby steps. That's what it's all about.
"she paints her eyes as black as night, now
pulls those shades down tight
yeah, she gives a smile when the pain comes,
the pains gonna make everything alright.."
A classic 50s-early 60's Ford steering wheel and speedometer. I can relate to this era of cars. Although no one in our family would ever own a Ford. It was always Chevy with us.
While I support the artform known as graffiti, I do not condone any act or form of vandalism or any illegal activity relating to such whether it be to private, commercial, or public property.
A particular situation that relates to Poverty;
Gregory White - is a homeless man in Louisiana who was arrested for stealing food from a grocery store. The retail
value of the food was $39. He was assessed $339 in fines and fees and was jailed. His charges were later changed
to community service because he could not pay the fines. But when he could not pay the bus fare to complete his community service, he went back to jail. He spent a total of 198 days behind bars, and his incarceration cost the City of New Orleans $3,500.
(American Civil Liberties Union, “IN FOR A PENNY: The Rise of America’s New Debtor’s Prisons.”)
Our last stop in Cappadocia was the old town of Mustafapasha. Once a Christian town, it was converted to Islam, and residents were given the option to either convert or leave. Today it is a modern town with nice shops and restaurants, and the old relics serve as tourist attractions.
These are old Greek buildings that are still intact. Perhaps these old buildings are maintained so European tourists can relate to them – I don’t know! But looking at the people in the area, they seem pretty cosmopolitan, so these are not just for tourists, I think.
Can anybodyout there relate to this adult burrowing owl (dad)? I feel that I can ... seems to me that it's just looking for a little bit of shade from the heat and a bit of solitude from its routine busy day duties.
See, this dad had numerous burrowing owlets to provide for and a mate that also requires a bit of attention. The owlets can be quite demanding at times ... not to mention noisy. Where better can there be than to fly off to a nearby tree that the young can't quite navigate yet. LOL
It's an absolutely gorgeous day here on the western slope of Colorado, though I honestly wish it would be a bit cooler. Hopefully it won't be that long, though the cold weather from a few weeks ago got me anxious for more.
Happy Weekend everyone. Hope that you're out there enjoying it.
© 2017 Debbie Tubridy / TNWA Photography
Yesterday I went off to do a photo shoot, but it was just one of those days where the sun was not my friend. I am sure many of you can relate. On the bright side, I captured this beauty, and I was able to get a couple good photographs of my model. I guess you have to either love the sun in your photographs or absolutely hate it depending on the objective.
I hope you all have a wonderful weekend!