View allAll Photos Tagged relateable
I know I say this every time, but I think I’ve found my “I’m in love I’m wearing this every day” skin. Dixie.
From Glam Affair, at Equal10.
You gotta get it, I’m wearing it on Lelutka Raven and hoooollllyyyy weooowww she’s STUNNING.
Equal10 maps.secondlife.com/secondlife/equal10/233/126/89
Glam Affair mainstore maps.secondlife.com/secondlife/Beauty%20Avatar%20couture/...
Did you get the HD Hot Lipstick (for Lelutka EvoX) by Top1Salon from Level yet?
I did.
You definitely should have this in your inventory. Fer sher.
Get your peach to Level
I assume a lot of people who see this photo will relate to the circumstances in which it was taken - getting intel about a very interesting train, hopping on an overnight train journey in a normal coach for over 600km, going to the desired spot and finding out the train had already passed it. By sheer coincidence we managed to change course and chase it to a different spot.
Here a loaded sand train from Kotlarnia can be seen upon leaving the post EW (near the Rybnik power plant) while heading towards the station in Leszczyny. Machines on duty that day were 21D-008 (ex-TEM2-093) and 21D-006 (ex-TEM2-277). In Leszczyny, the train enters the public PKP railway network, and it will continue from there onwards to Katowice Murcki. The sand from the Kotlarnia mine will be used for construction works on the railway line, which suffered a slump due to the ongoing coal mining in the region. Such places, where terrain is visibly shifted or slumped are commonplace in Silesia and the railway needs to account for that by regularly maintaining embankments on the railroads. Such sand transports, leading out of Kotlarnia only happen less than 10 times a year and I have been lucky enough to have photographed a lot of them in 2024. Those pictures, along with their stories, you can see in our TEM2 album.
This post is a good occasion to talk about more developements in the Kotlarnia sand mine. The production there is still being scaled down and an end is innevitable. The quarry does no more night shifts (the pictured train has been loaded the day before and waited for the crew on the morning of 18.07.2025). Additionally, KPK has started selling a large chunk of its rolling stock (either for scrap or further reusing), and it seems like their main souce of income nowadays is lending TEM2 locomotives to various private carriers, who seek heavy diesel locomotives, which are now in high demand.
Photo by Piotrek/Toprus
Diese junge Silbermöwe war am Strand von Helgoland unterwegs. Es ist ein Foto aus ihrem Alttag, sie war mit Futtersuche und Körperpflege beschäftigt. Zum Glück juckt es gerade an einer Stelle, wo sie gut hinkommt. Der Fotograf kann mitfühlen 😋 - und freut sich über ein Vogelfoto mit einer etwas anderen Pose.
This young herring gull was on the beach at Heligoland. It is a photo from its everyday life; it was busy looking for food and grooming itself. Luckily, it is itching in a spot that the gull can reach easily. The photographer can relate😋 - and is happy about a photo of a bird in a slightly different pose.
This is where I take my best shots from. Storms and other patterns relating to the sky, sunsets, and a sunrise. I don’t have a way to get to my spot lickety-split anymore. It’s quite unlikely to see a sunrise here on my stream since I am without transport.
"Mad Month" is a Collection of Images that relate to its Title...."MAD"
"M" stands for Minimal
"A " stands for Abstract
"D " stands for I don't know what yet?...….
I will think of a few Reasons as the Month progresses.
So have Happy New Year.....to you all.
Conventional photography by definition relates to the surface of things. This is because it is a visual record of light reflected from the surface of things. There are, of course, other forms of photography connected to forms of radiation other than visible light (x-rays e.g.). But in general, our photos show surfaces, not what is underneath. You would need to be told that underneath, just where the silhouette of the WWI soldier stands, the River Ver is crossing the road - in a pipe and still very small. From there, it flows via Redbourn to St. Albans, the Roman city which in antiquity was called Verulamium. And here comes the thing: our minds are not satisfied with surfaces only. Even if surfaces are all we have got visually, we still try to extract "meaning" from the image, that is, we go underneath or "behind" the image. We are built like that. We human beings are extremely good at making associations. We are creators of meaning. Most of us, I guess, would have no problems with connecting the soldier's silhouette with the large lorry to the right and tell a story. It is just not true that we believe only those things we can see. Our world of imagination is more like a dancer using the surface as a playground. Leica M Mono, Voigtlander CS 2.2/50.
1
: of, relating to, or suitable for the country : RURAL
rustic rolling farmland
2
a
: made of the rough limbs of trees
rustic furniture
b
: finished by rusticating
a rustic joint in masonry
3
a
: characteristic of or resembling country people
b
: lacking in social graces or polish
4
: appropriate to the country (as in plainness or sturdiness)
heavy rustic boots
don't relate to you
I don't relate to you, no
'Cause I'd never treat me this shitty
You made me hate this city
And I don't talk shit about you on the internet
Never told anyone anything bad
'Cause that shit's embarrassing, you were my everything
And all that you did was make me fucking sad
So don't waste the time I don't have
And don't try to make me feel bad
I could talk about every time that you showed up on time
But I'd have an empty line 'cause you never did
Never paid any mind to my mother or friends
So I shut 'em all out for you 'cause I was a kid
Fuji X-Pro1 plus Helios 44M-7 at F8. Our furniture is a kind of bricolage - bits and pieces from different places and often relating to particular stories, lives re-arranged and expressed through our eclectic interior, a composite entity just as my mind is. Therefore, should it be true that the outside is a reflection of the inside, then this should also hold for my hobby, photography. I am not creating anything when making images. I am re-arranging what I see. Different from, say, a painter, I do not create something new. I am actually interpreting or translating what I see. Most of the time, that is. Sometimes, I design something and then take the picture. Usually, however, I am looking at things that are already out there and then give this a visual expression. Basically, I am a translator. And I am keenly aware that there can be very fine and also less convincing translations.
LODT# 977
Dress:::#error - roxanne dress @equal10
Poses:::[B.G] Rem @ Blanc. Event End January 20
Hair:::FAGA - Emma Hairstyle @Kustom9
Erring::e.marie // Aimi Earrings - Golds
Hornz:::The Horror!~ Hawny Hornz
Fishnet:::MIWAS / Waist Fishnet tights
Lips:::Dazed. Whimsy Lipstick Darks Set - lel EVOX
Boots:::Blueberry - Can't Relate - Boots Flat & High Heels
Skin:::[theSkinnery] Jeanne (LeLutkaEvoX) honey
Head::LeLUTKA Ceylon Head 3.1
Body::: Legacy Perky
Vincent of Beauvais relates that at this time there was a young cleric at Lyons who had a dream in which he beheld a mountain with a beautiful city standing on the top of it. This city attracted him mightily so that he longed to get there. But between him and the mountain was a river, and in the river he saw twelve men washing their garments. With them was another, different from them, in a shining white robe who was helping them in their task. The cleric asked the stranger who they all were, and He replied that He was Jesus Christ and that those were men doing penance with His aid, and as soon as their robes were clean, they would be able to go on to the city which they all desired, that is, to heaven. Some time later the cleric told his dream to the Bishop of Châlons, who advised him on the strength of it to enter Cîteaux. He accordingly made his way to the woods where the monks were dwelling, and finally found the enclosure of the little monastery. The gate was made of wattles, and there was an iron hammer hanging there for a knocker. When the porter responded to his summons, what was the astonishment of the cleric to recognize him as one of the men in his dream. He also recognized all the other members of the community too, and he was not long in becoming one of them.
-Thomas Merton, OCSO In the Valley of Wormwood Cistercian Blessed and Saints of the Golden Age CISTERCIAN STUDIES SERIES: NUMBER TWO HUNDRED THIRTY-THREE, (Saint Alberic, Second Abbot of Cîteaux, France)
Astronomical spring relates to the position of the earth in relation to the sun, while meteorological spring relates to the warming temperatures from March through May. For meteorologists and climatologists, spring begins March 1.
Greymouth, NOVA ZELANDA 2023
History House Museum is a collection of photographic and archival records and historical objects relating to Grey District on the West Coast of New Zealand. The museum opened in the former Grey County Council Chambers in 1996, but the building was deemed unsafe in the event of an earthquake and forced to close in 2017. A new home for the collection is being sought
History House Museum was housed in the former Grey County Council Chambers at 27 Gresson Street, Greymouth. The Grey County Council was formed in 1877, and built the Grey County Council Chambers in 1924. In 1989 the building was vacated when the County Council amalgamated with the boroughs of Greymouth and Runanga and the Greymouth Harbour Board to form the Grey District Council.
The project to turn the empty building into a history museum was instigated by former deputy mayor Kevin Brown, Mayor of Grey Ron Hibbs, and Kevin Beams of Grey District Council. Kevin Brown recruited volunteers from the Lions, family, and local community to fit out the building and assemble a collection. The museum opened in 1996, with Brown as manager. When Brown was elected Mayor in 1998, volunteer Bob Naisbitt took over the running of the museum, along with assistant historian Margaret Mort. By 2013 Margaret Mort and Karen Prendergast were running the History House.
Volunteers Jack Flood and George Gardner apply a paint job to the Standard Austin-Western Grader outside History House Museum. The Grey County Council purchased the grader in 1920 for £225.
In February 2017 a seismic assessment of the Grey County Council Chambers found it was at only 10 per cent of the new building standard (NBS), well below the 34 per cent required for a public building; the standards had been revised following the 2010–2011 Christchurch earthquakes. The cost to strengthen the building would be $142,000, and it is in a flood zone. The museum was closed and the archives moved to the Grey District Library. Several options were pursued: eventually incorporating the museum into a "Discovery Centre", disbanding the collection, or moving to another space – the former Dick Smith premises at 130 Mackay Street at a cost of $50,000/year – in conjunction with an iSite visitor centre.
The location of the museum (at the other end of town from the railway station where most tourists arrived) and the lack of signage were blamed for the low visitor numbers: about 6–8 people a day.[3][8] The Greymouth iSite manager Phil Barnett claimed tourists were simply not interested in its collections.
In any event the Protected Objects Act and Public Records Act required the collection to be catalogued before moving, at a cost of over $100,000. One consultant suggested the bulk of the collection was not "of sufficient merit" to be archived. The archives at the museum also needed to be properly stored; the Council Chambers are unsuitable and in a flood zone. There is no regional archive on the West Coast, although Shantytown near Greymouth had offered to host one.
James Tunnicliffe cleaning the gold-mining Kershaw Pump outside History House Museum
After a stocktake of the collection, items relevant to other West Coast districts were sent to the Hokitika Museum and Coaltown Museum. The museum operated from a pop-up space in the former Dick Smith premises, operating Wednesday to Sunday afternoons from 20 December 2017. The space had to close in July 2018 but had 1200 visitors in the first month and 9000 visitors in total, compared to the 1200 visitors a year at its former home.
In September 2018, the Council budgeted $140,000 to strengthen the Gresson Street building, but resolved to move the museum to a new discovery centre combining a library and museum some time in the future. The cost to reopen History House was estimated at $455,000, and just to make the building safe would be $170,000: even strengthened the former Council building would still have problems with climate control, fire safety, and storage. The former manager Kevin Brown took back his extensive photograph collection in protest at the lack of progress in strengthening the building. In 2020 the building was emptied and the collection moved into two climate-controlled shipping containers at a cost of $90,000.
Wikipedia
♫
I can't relate to desperation
My 'give a fucks' are on vacation
♫ - Espresso - Sabrina Carpenter
🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･ﾟ ･ﾟ·:｡･ﾟﾟ･ ꜱᴘᴏɴꜱᴏʀᴇᴅ･ﾟ ･ﾟ·:｡･ﾟﾟ･ﾟ ･ﾟ·:｡･ﾟﾟ･🍯
Top - Loki - Angie Heart Top - Available @ ACCESS (April)
Skirt - Loki - Valerie Bow Skirt
🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･ﾟ ･ﾟ·:｡･ﾟﾟ･ᴄʀᴇᴅɪᴛꜱ ʜᴇʀᴇ･ﾟ ･ﾟ·:｡･ﾟﾟ･ﾟ ･ﾟ·:｡･ﾟﾟ･🍯
Kudos to the birders who figure out who these drifters are and then take the trouble to help other birders find them.
This guy was way off his patch.
"While today’s vagrant might be tomorrow’s model citizen, destined to become a colonizer and perhaps an established resident, as Grinnell (1922) asserted, most vagrants might be viewed as “failed colonization attempts”. Newton (2008: 267–299) summarized quite well the various explanations of the causes of vagrancy put forward over the past century or so. They include: normal dispersal over long distances, population growth or expansion, drift by winds, migration overshoots, deviant directional tendencies (right time but wrong direction), mirror-image migration, and reversed direction migration. While all explanations probably play a role and explain the occurrence of some vagrant individuals, we address the latter three explanations as they likely involve the vast majority of landbirds. The mirror-image misorientation theory, originally developed by DeSante (1973), and described by Diamond (1982), proposed that vagrants are misoriented by confusion of right and left in relating an inherited migration direction to a compass reference direction. Mirror-image misorientation theory accounts for observations made by DeSante (1983a) that in certain situations large-angle misorientations seem more frequent than small or intermediate deviations from the normal migration course (Alerstam, 1990). Misorientation by the wind has long been suggested as a cause of accidentals (Austin, 1971), but Thorup et al. (2012) found differently, as the authors used radio telemetry to track individual migratory flights of several species of songbirds from the Faroe Islands, approximately halfway between Norway and Iceland, far west of their normal migration route. Birds with expected easterly and south-easterly migration direction departed westward out over the Atlantic Ocean, indicating that these birds are actively flying in the “wrong” direction and that their occurrence is not caused by wind drift. However, on Attu Island, in the Aleutian Islands off Alaska, Hameed et al. (2009) found statistical evidence that the occurrence of spring Asian vagrants on this North Pacific island were correlated with storm winds from the west."
The story relates that Bishop Aubert (Saint-Aubert) of the city of Avranches, founded a shrine in 708 at Mont-Tombe (former name of Mont Saint-Michel), after three apparitions of the archangel Saint Michael (Saint-Michel in French) . Consecrated in 709, the church has since never ceased to attract visitors and pilgrims from all over the world. The architecture of Mont Saint Michel and its bay make it the most frequented tourist site in Normandy and the second most frequented in France after Paris
[polski opis niżej]
The title relates to the previous photo. The event from which this picture comes, was the first one organized by Pomeranian Railfans Society with the old Ganz-MÁVAG's SN61-183. The journey took one day and covered some used and unused railway lines in North-Western Poland. Here, the diesel motor car in Złocieniec, before depart to Grotniki Drawskie. October 28, 2000.
Złocieniec is a knot point station built in 1877 and originally named Falkenburg, with the suffix (Pommern) added later. It used to have a steam locomotive depot for three locomotives to serve the two railway lines 210 (Chojnice - Runowo Pomorskie) and 410 (Grotniki Drawskie - Choszczno), which meet here, with the latter originally running from Grzmiąca, 61 kilometers further.
Photo by Jarek / Chester
Tytuł nawiązuje do poprzedniego zdjęcia. To natomiast pochodzi z pierwszej imprezy zorganizowanej przez Pomorskie Towarzystwo Miłośników Kolei Żelaznych z udziałem szczecińskiego SN61-183 (ex-189). Jako że to była pierwsza impreza, potrwała "tylko" jeden dzień i obejmowała linie w woj. zachodniopomorskim. Na fotce "ganz" w Złocieńcu, przed odjazdem do Grotnik Drawskich. 29 października 2000 r.
Fot. Jarek / Chester
Wow...how I relate to this passage:
Through spiritual exchanges with Tibetan Buddhists during his retreat in Darjeeling, near the majestic mountain of Kanchenjunga, Merton saw that there was “another side of the mountain.” 103 For him, the mountain was a symbol of that which he had sought on his pilgrimage to Asia. He realized that “God speaks, and God is to be heard, not only on Sinai, not only in my own heart, but in the voice of the stranger” on the other side of the mountain.
-Thomas Merton’s encounter with Buddhism and beyond: his interreligious dialogue, inter-monastic exchanges, and their legacy / Jaechan Anselmo Park, OSB.
“The full beauty of the mountain is not seen until you too consent to the impossible paradox: it is and is not. When nothing more needs to be said, the smoke of ideas clears, the mountain is SEEN.”
-Thomas Merton, AJ, 156–157 (Asian Journal)
This work relates to an analogy made by Glabush between paintings and individuals: "there is no starting point within the painting and it appears all at once, similar to the way we perceive a person. A person has a history and is the product of embodied memory and experience, and imagination. But when we seek to really see a persona we perceive a totality not a collection of parts."
I cannot relate the story behind this little scene, all I can do is to relate the circumstance.
I was enjoying my early morning walk to fetch the morning newspapers when this odd picture leapt into my vision. It was much too early for the site workers to have started their days work though.
It relates to 18th Century. As of the time of transfer to the museum, the house was the oldest in the village and belonged to Oros family. The house has two premises: house and mudroom. It is one of the most ancient types of house planning in Zakarpattia. Walls of the house are constructed with wide oak cut blocks. Its high four-sloping roof is covered with straw.
This house is the oldest Zakarpattia house in our museum. It displays specific features of national building in valley of Tereblia-river and the middle reaches of Tysa River. The house’s area is 35.4 square meters.
Look at the exterior of the hut:
Характерною ознакою житла лемків (етнографічної групи українського народу), як і бойків, були білий та синій кольори.
Хата із с. Теребля, Тячівського району Закарпатської області
Датується XVIII ст. На час перенесення до музею хата була найстарішою в селі і належала родині Оросів. Хата дводільна: хата, сіни – є одним із давніх варіантів планування житла на Закарпатті. Стіни хати складені з широких дубових колених брусів. Високий чотирисхилий дах вкритий соломою.
Це найстаріша хата Закарпаття в експозиції нашого музею. Вона розкриває особливості народного будівництва у долині ріки Теребля та середньої течії річки Тиси. Площа хати — 35, 4 кв.м.
Орос Ярослав (родина з Тячівського району) - журналіст, відомий у літературі як ідеолог українського арійства:
“Ментально і культурно українці належать до західної цивілізації. Сучасний конфлікт із Росією — насправді цивілізаційний конфлікт. Війна на Донбасі — це війна між західною цивілізацією та азійською, виразником якої є сучасна Росія. Захоплюючись мужністю у відстоюванні європейських цінностей під час Революції гідності, сучасний французький філософ Бернар-Анрі Леві сказав: «Я французький громадянин, я — європейський федераліст, але сьогодні на Майдані, який нагадав Європі про її першочергові покликання, я також українець».
Фактично Леві у такий спосіб потрактував ідею Освальда Шпенґлера про старіння європейської культури («Присмерк Європи»). Україна, Литва, Польща — надія старої Європи, її свіжа енергія. У питанні європейських цінностей і свободи ми готові воювати і покласти за це життя, а Західна Європа до цього вже не готова.
Вона занадто розбещена комфортом і достатком. Ідея арійства допоможе нам бути сильнішими, сміливішими, енергійнішими — компенсувати покірність, століттями нав’язувану російським православ’ям. Арійство не заперечує християнську любов чи мораль, а повертає до першо¬джерел. Сучасне українське суспільство хоче бути цивілізованим, культурно й економічно конкурентним. І арійство — та духовна сила, що допоможе нам такими стати.”
/Урядовий кур’єр, 9 листопада 2024./
Conversation relates to the two ladies and the inspection relates to the two people looking in the shop window.
There is a theory about stripes relating to sex workers and street entertainers. As you may also know, stripes have always been somewhat transgressive and associated with prisoners.
Additionally, it has been said that the 13th-century Carmelites who arrived in Paris from Palestine in two-tone cloaks so offended decorum that Pope Boniface VIII banned all religious orders from slipping into anything stripy.
But as you examine this very sexy YoU By GeMyles Arabella Robe, Bra & Panties Set, you will find yourself thinking about how stripes beautifully enhance the contours of a woman’s body - concluding in your mind that there is also something to these speculations about their sensual yet naughty vibe.
I paired this Arabella Set with YoU By GeMyles' Carlyne Boots which Color Hud works flawlessly with color-matching that of the Arabella Set.
Fits: Belleza genX Classic (+ curvy), Maitreya Lara (+ Petite + Mounds), Inithium Kupra, Legacy (+ Perky + Nerido), and Inithium Kupra mesh bodies.
Both the Arabella Set and the Carlyne Boots are exclusively available at the SWANK Fall into Autumn Event for November.
Swank Event Landmark:
A Artistically; in a way that relates to art; in a way that relates to the ability to enjoy or create art; in a skillful and attractive way.
La Cinémathèque royale de Belgique, CINEMATEK, a pour objet
de constituer et conserver une collection de films possédant un intérêt esthétique, technique et historique permanent
de réunir une documentation la plus large possible ayant trait à l'art cinématographique et
d'assurer, dans un but d'intérêt esthétique et scientifique, la consultation de ces films et documents
Dans la salle de lecture, les visiteurs peuvent consulter 5 000 magazines internationaux, 66 000 livres, 800 000 photos, 1280 000 de coupures de presse, des affiches, des catalogues de festivals, des scénarios de films ainsi que des archives privées ou institutionnelles.
The Royal Cinematheque of Belgium, CINEMATEK, aims
to constitute and preserve a collection of films of permanent aesthetic, technical and historical interest
to gather the widest possible documentation relating to cinematographic art and
to ensure, for purposes of aesthetic and scientific interest, the consultation of these films and documents
In the reading room, visitors can consult 5,000 international magazines, 66,000 books, 800,000 photos, 1,280,000 press clippings, posters, festival catalogs, film scripts as well as private or institutional archives.
Well the Jam's name is Can You Rock, so this is how i laced my shit down.
Check out the Blog post of Graff Jams by Killa-EF on www.mook-life.com/graff-jams/ and you'll see all about it. I basically break down the math behind my abusive approaches for graffiti jams. Any mook out there should be able to relate to those wicked words of wisdom.
Orchard Farmhouse is a Grade II listed building in the Wiltshire village of East Kennett, near the Avebury Stone Circle and Silbury Hill. It was originally built as a single story building, but now has a partial two-storey section. The deeds relate to an estate of 1543-4.
Kotor, Montenegro, at the end of a very rainy day. I thought I'd give closure to the Kotor series by these final 3 photos from that evening, happy weekend to all, I'm in a much better mood now that I'm no longer on call for jury duty for a couple more years, only USA citizens can relate or understand the story, but it was a stressful week not knowing whether you're going to go to work or court the next day, they kept me hanging for the entire week.
Meditating on "What is essential is invisible to the eye", by Antoine de Saint-Exupéry, I reason on the fact that actually being above my valley at night may seem like a non-essential activity... but for me it is, because only in these moments I relate to the invisible.
I notice more and more that today's trend is to homogenize everything, therefore an applause to that wholly personal quid that motivates our lives, each one special and different, therefore unique.
YouTube channel “Organo Santuario della Consolata”
YouTube channel “ALPS pictures & tales”
Instagram @roberto.bertero
_____________________
©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Said starway isn't what I was standing on while taking the picture, it rather relates to the current state of the locomotive presented on the picture. The ET42-025 shown here running alone through Kraków Mydlniki in the direction of Zabierzów is no more in service (presumably hasn't been for a couple of months now), and the railway station has undergone a massive modernisation, leading to a classically standardised look without the footbridge or any romanticism ;), as you can see by yourself over here.
In general the whole ET42 class of engines is coming to an inevitable end, as more and more Dragon locomotives are delivered from Newag to PKP Cargo. At the time of writing this description (12.01.2024) there are only 17 locomotives in service, from what used to be a series of 50 engines produced between 1978-1982 in НЭВЗ (Новочеркасск, Russia). They were innitially mostly deployed on the railway line connecting Silesia with the northern harbours in Gdynia and Gdańsk, but in recent years also spread to majority of the country, even becoming relatively common in Warsaw since around 2018, which was unthinkable beforehand.
From what I heard, the ET42 locomotives were generally a pretty successful series, thanks to being based on ВЛ10 engines, which had already been after years of service in the harshest conditions of the Soviet Union. Extremely reliable, easy to repair, but not without their downsides, the worst of which is that the locomotives could get extremely hot in summer, forcing drivers to provide different ways of cooling by themselves.
A little curiosity on all of the engines is their paint scheme, which differed from the standardised PKP livery. All ET42 locos had a big V-shape at the very front, presumably as a tribute to the ВЛ10 forefathers. The colour of the stripe making up the V differed across the years, together with the general paint schemes of PKP, but never really disappeared until the corporate scheme of PKP Cargo was introduced. Initially yellow on minty green background, then it turned to orange with the introduction of the 'yellow fronts' in 1989 and finally settled on red after the grassy-green livery was made the new standard. Despite generally liking the yellow fronts, I find that the red stripe on grassy green fits these Soviet monsters best.
The nicknames, which the railfans came up with included Czapajew and Rusek, generally very generic names which could theoretically be attributed to any locomotive of Soviet origin, just as Gagarin become a common way to call ST44.
Photo by Piotrek/Toprus
Featuring Burned Food (don't lie, we can all relate) Featuring Burned Turkey/ Sweet Potato Pie or Casserole, and Instant Mashed Potatoes, you monster! Includes decor dishes with the horrors you've cooked up! Demo's in store, interactive for bento held items when clicked!
Sea Princess Scenic Nature, Seals & Fjord Cruise tour out of Northeast Harbor Maine is a great way to see Nature and spectacular views of Mount Desert Island.
Loreena Mckennitt - Dante's prayer
Heartwarming story found on the internet about the birth of this amazing song:
"However, I was fortunate enough to see Loreena in concert at Massey Hall in Toronto in the late '90s. Prior to her singing her songs, she would often relate to the listening audience what inspired her to write it. As best I can recall, this was her story for Dante's Prayer. As many of you know, Loreena travels the world extensively to find inspiration for her music and expose herself to different cultures. Wouldn't we all want to do this, given the chance? In any case, on the occasion of her inspiration for Dante's Prayer, she was riding on a trans - Siberian train and indeed reading The Divine Comedy. She recounted that since there was no dining car on the train, it would stop at various towns along the way and the riders were given exactly 20 minutes to leave the train and buy food from the locals who lived in the town and would come to the train to greet and sell to the passengers. This would have happened perhaps once or twice throughout the day.
There was an attendant on the train, a woman, who would come around and seem very grumpy and rather miserable in general. At first, Loreena simply dismissed her demeanor as one of culture. One time, after Loreena had re-boarded the train after buying some food from locals, the woman came by. Loreena stopped her and gave her some of the food that she had bought, simply as an act of kindness. The woman remarked with a surprised smile and a countenance that reminded Loreena about the story that she was reading in the Divine Comedy. In that moment, she discovered her muse for the song and thought that she would never forget the look of gratitude on the attendants face, being sure that no one else had ever taken the time to consider the woman as she traveled back and forth, day after day, year after year through the dark harshness of Siberia. Loreena hoped that on some of those dark moments, the woman would remember her and perhaps return the smile to her face. And so the song was born."
A feeling likely every single one of us can relate to right now! I am definitely feeling a bit antsy, particularly wanting to get back out and head out for multiple days exploring and photographing our wonderful natural world. However, looks like I need to content myself with the digital form only for now (together with some walks around the neighborhood). This was from a visit to Boardman Tree Farm in Oregon a few years ago. It was a popular stop for photographers in the fall to shoot the rows of aspen, but sadly it was sold and the last trees harvested and converted to farmland.
This particular crop was from a much larger pano I took (9 or 10 frames wide I think). I was just experimenting, and when I got it on the computer some of the most interesting symmetries got lost in the wider angle but cropping it down made it more pleasing and also made the "bars" at the end of this row visible. I thought that was an interesting little detail.
It has in fact been a delight for me to spend time with my family in recent weeks, and I feel in some ways like it's made up for at least a little bit of the time I missed traveling for the job when the girls were younger. I am realizing just how disruptive the constant business travel was, not just to me but to our whole family. We have a practice now of stating what we appreciate and are grateful for at dinner each night which I think has been helpful. I am extremely grateful for such a loving and wonderful family. They have kept a fantastic sense of humor and a warm and cooperative spirit in a time when it's easy to let anxiety consume one's emotions. I hope everyone is able to find some light and color in their lives right now.
Stay safe!
The central hemispherical pavilion is an ode to light. As music relates to silence, reflection relates to transparency, and shadow to light. Hence the dome’s pattern, consisting of two types of “super crystal clear” glass. One half of the triangles consists of regular clear reflective glass, whereas the other half consists of the same glass, treated with a very lightly tinted coating.
This effect of endlessness and freedom is strengthened by the reflecting pool around the pavilion, visually giving it the scope of a full sphere.
Unprecedented techniques are being used for the construction and its equipment.
The frame of the dome consists of an isonode1 structure, discovered by Philippe Samyn, which solves an almost impossible geometric problem: to make a dome with quasi-identical three-dimensional requirements (that is, they have only one degree of freedom). Thin polished stainless steel profiles outline the frame and border the
triangular glazing, which also plays a role in the global stability by preventing lateral buckling of tubular profiles and damping the vibrations of the structure. This is done by the silicones joints that attach them to the structure.
I chose this name as the definition relates to regions beyond our earth/celestial and heavenly and it also happens to be the soundtrack that was used in the video I created (music by Stelladrone) see here on YouTube: www.youtube.com/watch?v=7MKCZJYChmE
Captured using a QHY600 60 Megapixel Full Frame Monochrome CMOS camera mounted on the Takahashi 130 FSQ that we have the honor of beta testing for QHYCCD.
This setup is available immediately for people wanting to subscribe to Grand Mesa Observatory's system 1.
grandmesaobservatory.com/equipment-rentals.
Some of the objects visible include NGC4438-NGC4435 are known as The Eyes Galaxies and are among the most prominently featured Galaxies in this image lying at a distance of around 52 Million Light Years from us. 3 galaxies from the messier catalogue M87, M86 and M84, 52 galaxies from the NGC-IC catalogues, but you have to zoom in to see the over 600 distant galaxies from the PGC catalogue.
View in High Resolution
Astrobin: www.astrobin.com/m3s2ui/
Captured bin 2x2 over 2 nights in April 2021 for a total acquisition time of 14 hours.
Technical Details
Captured and processed by: Terry Hancock
Location: GrandMesaObservatory.com Purdy Mesa, Colorado
Dates of Capture April 3rd and 8th 2021
LUM 216 min 108 x 120 sec
RED 210 min 105 x 120 sec
GREEN 218 min 109 x 120 sec
BLUE 198 min 99 x 120 sec
Filters by Chroma
Camera: QHY600 Monochrome CMOS Photographic version
Gain 60, Offset 76 in Read Mode Photographic 16 bit, bin 2x2
Calibrated with Dark, Bias and Flat Frames
Optics: Walter Holloway's Takahashi FSQ 130 APO Refractor @ F5
Mount: Paramount ME
Image Scale:2.39 arcsec/pix
Image Scale: 2x2 = 2.38 arcsec/pix
Field of View: 3d 7' 41.0" x 2d 3' 5.3 (127.3 x 190.1 arcmin)
Image Acquisition software Maxim DL6, Pre Processing in Pixinsight and Post Processing in Photoshop CC
Explore Dec 16, 2015 #66
In 1943 Dutch artist M. C. Escher created a reptile lithograph that depicts a desk on which there is a drawing of a pattern of reptiles. The reptiles come to life and crawl around the desk, over the objects on it and eventually re-enter the drawing.
Escher would love the colors and patterns here! The Common Agama, Red-headed Rock Agama, or Rainbow Agama (Agama agama) is a species of lizard from the Agamidae family, found in most of Subsaharan Africa.
It can often be seen in the heat of the day. In the breeding season, the males develop dramatically colorful markings, the head and neck and tail turning bright orange, and the body dark blue. Outside of the breeding season, the male is a plain brown. The females and juveniles are always more cryptically marked. This lizard can be found climbing rocks and walls. Its primary source of food is insects.
The males are territorial, claiming small to medium patches of land which they defend against other mature males. Juveniles and females reside within the territories unchallenged. The mature males become agitated when confronting each other; nodding vigorously, arching, skipping sideways, and clashing tails. The loser is chased out of the territory.
Fairchild Tropical Botanic Garden, Miami FL