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® All rights reserved Aida L.Plazzotta. Please do not use this image on any media and/or advertising, including blogs, websites without my explicit written permission. Thank you.
Built in 1870, the Archibald Mill in Dundas, Minnesota is located along the Cannon River. This was the second water powered gristmill built by the Archibald's, the first, built in 1857 was across the river and only has a foundation remaining. On the National Register of Historic Places.
Excerpt from heritageburlington.ca:
The Graham House at 1421 Lakeshore Road was built in 1894 as a two-storey front-gable frame structure with front verandah and gingerbread bargeboard.
The Clarksville Architectural District (as listed on the National Register of Historic Places) encompasses several buildings in the major portion of a 2½ square block area of Downtown Clarksville, Tennessee. This area includes a large group of 1870's and 1880's buildings, many of excellent & attractive design, together with a small cluster of mid-19th century buildings near the original center of the city. One of the specific buildings is the Clarksville City Hall, which records indicate originally was a bank building in the 1870's. The present facade, added in 1914, which is out of character with the rest of the district is, none the less, an interesting Romanesque composition anchored by a massive entrance way arch. Four terra-cotta medallions, in the spandrel panels, separate the conventional first floor windows from those on the second story which are each capped by a brick arch. And, Public Square Fountain located just across the street from City Hall building adds to the historical ambiance of the scene in the photograph above as the sun sets in the background.
The Clarksville Architectural District was added to the NRHP on May 13, 1976. All the information above and much more about the rest of the district was found on the original documents submitted for listing consideration that can be found here:
npgallery.nps.gov/NRHP/AssetDetail/c7063b4e-b3fd-4d70-935...
This photo was taken in 2013 during my previous Project 365…please visit my album for this “REMASTERED” Project 365 as I revisit each day of 2013 for additional photos to share!!
Three bracketed photos were taken with a handheld Nikon D5200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
1944 AEC Matador Timber Truck Re-Registered in 1967 HNM 435F T.C Fenson & Son
Photo taken at Old Warden Airshow Held at Shuttleworth Museum Old Warden Aerodrome Biggleswade Bedfordshire UK 4th Sept 2022
ZAA_7301
DLE280 SK68LTF seen at Harrow, Bus Station waiting to work on circular route H19 via Headstone Lane.
47 second long daylight exposure of the Old Aiken County Hospital. This building was abandoned in 1976 and has since been listed on the National Register of Historic Places.
Photo by Russell Eck
Nature's Erotic Nature Unfolds In Soft Pink Folds & Deep Dark Openings Of Lust, Hiding Stories Of Precious Gifts From My Beloveds —IMRAN®
The life God blessed me to live is a story too vast for a 10,000-page book. Every moment, every vision, every sound is its own chapter. Even a photograph of "just a flower" holds a universe of associated memories.
I feel compelled to write these stories down—for myself, for the day my own memory may fail me. For my loved ones and friends, so you may know me now and remember me later.
And for two incredible people—Z in Canada and A in DC—whom I hope will get to know me better through these and other words I've written over the last half century. Whispers meant for now, and echoes meant for later. Their own stories would be separate, incredible books in themselves.
I captured this magically evocative image of a lily indoors at my blessed Long Island "dream home" at the end of April in 2012. It was a pivotal time—exactly one month after a parallel search had led me to what would become my "fantasy home" in Florida. A moment captured between two dreams.
© 2012–2025 IMRAN®
All four of the GAL-registered Enviro 200 MMCs at Central Connect were repainted into the company’s pleasing, diagonally striped blue livery. Until then they’d been in the red and blue of Central Connect’s previous incarnation down south, before the name was adopted by the wider Vectare/TMS group.
Luckily I spotted all four before they withdrew from operating their East Midlands routes – although if you know where to look it’s still possible to find a Central Connect E200 MMC locally, as they currently still operate one on the 517. I’m not sure if they’re going to rebid for the school routes come next academic year.
Not long ago I did wonder if Central Connect would end up growing to rival the likes of Go Ahead or Arriva in size and national coverage. One day they still might, but so far 2026 has seen them almost disappear from the East Midlands and get into a rather sticky situation in Chelmsford. Plus people don’t seem to rate their operation in East Anglia very highly.
From a personal standpoint, I used the 90 and 93 on several occasions and they were perfectly fine, running reliably and mostly operating to time (the main delays being the incessant A52 road works in Radcliffe, which still go on to this day). However they didn’t seem like routes that could support an operator making payments to buy/lease sub-5 year old Sprinters and E200s.
Here repainted CC21 GAL is pictured on Carrington Street, Nottingham, with a 90 to Newark and Fernwood on 26.7.25
37540 YW19VUC (YW19VSE) seen at Brooklands Museum displaying new route 497 towards Harold Wood.
It's unknown why it was re-registered.
Completed in 1905 this church in Brookville, Pennsylvania is listed on the National Register of Historic Places.
Registered in northeast London, this has been without an MOT since February.
Supplied by Dagenham Motors.
©All photographs on this site are copyright: DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2020 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of DESPITE STRAIGHT LINES (Paul Williams) ©
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 34.549+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on October 6th 2018
CREATIVE RF gty.im/1049223120 MOMENT OPEN COLLECTION**
This photograph became my 3,974th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
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**** This frame was chosen on January 1st 2020 to appear on FLICKR EXPLORE (Highest Ranking: #264. This is my 155th photograph to be selected.
I am really thrilled to have a frame picked and most grateful to every one of the 34.485+ Million people who have visited, favourite and commented on this and all of my other photographs here on my FLICKR site. *****
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Photograph taken at an altitude of One hundred and two metres at 08:46am on Wednesday 9th May 2018 off Green Lane and Camer Park Lane, in the grounds of Camer Park Country Park, Meopham , Kent.
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Nikon D850 Focal length 24mm Shutter speed 1/60s Aperture f/4.0 iso64 RAW (14 bit uncompressed) Image size L 8256 x 5504 FX). Hand held. Colour space Adobe RGB. AF-C focus 51 point with 3-D tracking. Manual exposure. Matrix metering. Auto 0 white balance (8030K). Nikon Distortion control on. Vignette control Normal.
Nikkor AF-S 24-120mm f/4G ED VR. Phot-R ultra slim 77mm UV filter. Nikon EN-EL15a battery. Matin quick release neckstrap. My Memory 128GB Class 10 SDXC. Lowepro Flipside 400 AW camera bag. Nikon GP-1 GPS module.
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LATITUDE: N 51d 22m 42.30s
LONGITUDE: E 0d 22m 35.80s
ALTITUDE: 102.0m
RAW (TIFF) FILE: 130.00MB NEF: 94.0MB
PROCESSED (JPeg) FILE: 55.10MB
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PROCESSING POWER:
Nikon D850 Firmware versions C 1.01 (16/01/2018) LD Distortion Data 2.017 (20/3/18)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit (Version 1.2.11 15/03/2018). Nikon Capture NX-D 64bit (Version 1.4.7 15/03/2018). Nikon Picture Control Utility 2 (Version 1.3.2 15/03/2018). Adobe photoshop Elements 8 Version 8.0 64bit.
The Florida State Capitol in Tallahassee, Florida, is an architecturally and historically significant building listed on the National Register of Historic Places. The Capitol is at the intersection of Apalachee Parkway and South Monroe Street in downtown Tallahassee, Florida.
The Historic Capitol, sometimes called "The Old Capitol," built in 1845, was threatened with demolition in the late 1970s when the new capitol building was built. Having been restored to its 1902-version in 1982, the Historic Capitol is directly behind the new Capitol building. Its restored space includes the Governor's Suite, Supreme Court, House of Representatives and Senate chambers, rotunda, and halls. Its adapted space contains a museum exhibiting the state's political history, the Florida Historic Capitol Museum, which is managed by the Florida Legislature. On April 18, 2012, the AIA's Florida Chapter placed the Historic Capitol Building (Restoration) on its list of Florida Architecture: 100 Years. 100 Places.
The New Tower houses executive and legislative offices and the chambers of the Florida Legislature (consisting of the Florida Senate and Florida House of Representatives).
The buildings are universally, though informally, known as the Old Capitol and the New Capitol; the former is sometimes called the Historic Capitol, or also, confusingly, the Florida State Capitol. The latter was its official name prior to the construction of the New Capitol in 1977, and was so called by the National Park Service even after the New Capitol was operating. Its legal name today, however, is the Florida Historic Capitol Museum. The New Capitol, as a whole, does not have a legal name. When it was planned, the Capitol Complex (which is a legal name) was going to consist of the House and Senate chambers, and the twenty-two-story office building.
Credit for the data above is given to the following website:
en.wikipedia.org/wiki/Florida_State_Capitol#Architecture_...
© All Rights Reserved - you may not use this image in any form without my prior permission.
The Security Building is a historic site in downtown Miami, Florida. It is located at 117 Northeast 1st Avenue. On January 4, 1989, it was added to the U.S. National Register of Historic Places. The building has 16 floors with a height of 225 feet (69 m) and was built from 1926 to 1927.
The Dade County Security Company was organized in 1901 and moved to a nearby headquarters in 1923. By the mid-1920s the company needed a larger headquarters. In 1921, the Dade County Security Company had acquired the McKinnon Hotel which occupied a mid-block parcel on Northeast 1st Avenue and renamed it the Security Hotel. Dade Security had considered adding stories atop the hotel but opted in 1925 to raze the hotel and construct a new headquarters on the same site under the direction of architect Robert Greenfield.
Construction on the Security Building began in 1926. The building was known as the Security Building from its opening in 1927 until 1945. Upon opening, the first level and mezzanine were devoted to banking offices. The floors above provided 275 office suites and were reached by four "high speed" elevators.
The Security Building faces west onto NE 1st Avenue. It is located in mid-block with buildings on either side. Those buildings are considerably shorter than the Security Building. The building maintains a zero-foot (0 m) setback, and the entry doors open directly onto the sidewalk. There are no landscape features on the property. The building is composed of a main block parallel to the street, and a second block connected perpendicularly that extends to the east.
With only a 50-foot (15 m) frontage, the architect made a grand statement by creating an almost temple-like base, consisting of the first three stories. Engaged pilasters, that also frame the center bay, articulate the corners creating three distinct bays. Spandrels between the floors are bronze and feature relief ornament. The pilasters carry the entablature, with the name “Security Building” in incised letters. A dentilled molding ornaments the cornice that terminates this division of the building.
The fourth floor begins the transition to the high-rise portion of the building. Stone panels with a similar relief accent the corners and separate the bays. Above the windows of the fourth floor is another projecting element, a stringcourse that is ornamented with a guilloche pattern in relief.
Floors five through 13 continue the three bays with window arrangements that are grouped in pairs on each of the end bays, and are grouped in three in the center bay, emphasizing the importance of the center bay to the entire composition. The windows are a metal casement type.
Security Building (Miami) South and West Facades, top floors with mansard roof and cupola.
The 14th and 15th floors function as the base for the great mansard roof, which terminates the building. To balance the composition, the two floors are treated as if they were one by the use of a round arch at the 15th floor that is carried by the pilasters of the 14th floor, so that the two floors are visually united.
A bracketed cornice separates the building from the roof form that is so decidedly different from roof treatments in Miami during this period. A mansard roof is a double-pitched roof with a steep upper slope. The mansard roof was named for architect Francois Mansart (1598–1666). Mansart worked in the 17th century and introduced the roof form that extended attic space to provide additional usable area. The mansard roof is a character-defining feature of the Second Empire style that was named after Napoleon III, who took on major building projects in Paris during the 18th century.
The mansard roof of the Security Building is clad in copper and terminates in a series of antefixae. A series of arches containing windows and serving as dormers penetrates the roof. Bull's-eye windows are placed between the arched windows. An eight-sided cupola that extends from the center of the roof is fenestrated on each side with a multi-paned arched window. The dome of the cupola also is clad in copper.
The north and south ends of the building are not ornamented. The windows are a metal casement type. The quoining on the corners of the west elevation is repeated in the north and south elevations of the building. The extension to the east is flat-roofed and is terminated by a defined cornice. The majority of the wall surface contains windows that are either square or rectangular in shape. They contain metal casement windows.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/Security_Building_(Miami,_Florida)
miami-history.com/security-building-in-downtown-miami/
© All Rights Reserved - you may not use this image in any form without my prior permission.
Leave no trace of where you've gone
I ain't the one to point you out
'Cause together in concrete we stand
In this broken land
Gold why do you aspire to gold?
Why not something higher?
Ithamar Whipple House, 300 East 17th Street, Cheyenne, Wyoming. Ithamar Whipple built this house in 1883, 7 years before Wyoming Statehood. Radiant with beveled and stained glass windows, it was the Victorian-style showpiece of Cheyenne's famous Cattle Barons Row. Mr.Whipple was a wealthy merchant and cattle baron, who founded the Wyoming Stockgrowers Association. He supervised the construction of his home that would soon become known simply as Whipple House. Ithamar Whipple eventually sold this local Cheyenne landmark to Territorial Supreme Court Justice John Lacey. In 1986, Whipple House was completely restored to its original state, and listed on the National Register of Historic Places.
Uccellino® by Xavier Madera. Xavier Madera is most noted for his creative custom jewelery collaboration with Erykah Badu & Thundercat but he has worked with several high-profile celebrities & celebrity friends throughout recent years. Some of which include Khalil, Lil Nate Dogg, Kaya Jones, Gladys Knight, Kayley Stallings, Boo Boo Stewart, Big Chan, Chris Brown, Marla Gibbs, Jane Seymour, Kyle Richards, Wynona Judd, Yung OFB, Trinity Marquez, Mathew Wayne & Daniella Monet just to name a few. He's also worked with top photographers in the fashion industry; K-rish, Nave Elefano (Inspirawr Music), Sir Jones, D'andre Michael, Bob Delgadillo, Sheri Determan, Gisele (Party by 5) & Gino Studios. Xavier Madera has worked with models from Chris Brown's Legendary Faces Modeling Agency; as well as, top models Leslie Allen & Brianna Michelle. His work has been featured in boutiques and Fashion Houses; Mint Collection, Shoes for the Stars Fashion House, Orange Bone, COLORS and more. He's also had several interviews & write ups in Splash Magazine, Dope Chic Style & other publications. In conjunction with Cindy Marquez (LC1 PR).
Torekällberget, Södertälje, Sweden.
Old Cash Register at the Patonska house. Through the trade stall, the visitors also come to Södertälje City Museum, which has around 17,000 objects and about 90,000 images.
sv.wikipedia.org/wiki/Torek%C3%A4llberget#Patonska_huset,...
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Event: Morris Register National Rally
Location: Thoresby Hall, Budby, Nottinghamshire
Camera: Canon EOS 5
Lens(s): Canon EF 50mm f/1.4
Film: Adox HR-50
Shot ISO: 50
Light Meter: Camera
Exposure: Mostly f/2.8
Lighting: Overcast & some drizzle
Mounting: Hand held
Firing: Shutter button
Developer: Ilford DD-X(1+4) for 7m 30s
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Strobist info: Alien Bees B800 through a large softbox at camera right, Vivitar 285hv with an orange gel as a backlight... and aimed back at the lens to create a flare, and God light at camera right rear through a hand held diffuser. Triggered with Pocket Wizards
Uccellino® by Xavier Madera. Xavier Madera is most noted for his creative custom jewelery collaboration with Erykah Badu & Thundercat but he has worked with several high-profile celebrities & celebrity friends throughout recent years. Some of which include Khalil, Lil Nate Dogg, Kaya Jones, Gladys Knight, Kayley Stallings, Boo Boo Stewart, Big Chan, Chris Brown, Marla Gibbs, Jane Seymour, Kyle Richards, Wynona Judd, Yung OFB, Trinity Marquez, Mathew Wayne & Daniella Monet just to name a few. He's also worked with top photographers in the fashion industry; K-rish, Nave Elefano (Inspirawr Music), Sir Jones, D'andre Michael, Bob Delgadillo, Sheri Determan, Gisele (Party by 5) & Gino Studios. Xavier Madera has worked with models from Chris Brown's Legendary Faces Modeling Agency; as well as, top models Leslie Allen & Brianna Michelle. His work has been featured in boutiques and Fashion Houses; Mint Collection, Shoes for the Stars Fashion House, Orange Bone, COLORS and more. He's also had several interviews & write ups in Splash Magazine, Dope Chic Style & other publications. In conjunction with Cindy Marquez (LC1 PR).