View allAll Photos Tagged reflection
Vintage Beach Bike ;)
okay this is a different type of edit
but i think i liked it
and it looked hella badass..
so yea
bike rides are so much fun!
i love my nikon so much!
but i need a tripod now...gahh
I must still be in a reflective mood :) This is one from just before Christmas.
So, some bad news (not critical just a bit of a fingers-crossed moment). I got a remote for Christmas to help with the selfie side of things. After much procrastinating, I decided to try it out the other night. However, upon reading the instructions, I could see it fitted onto the hot shoe....only mine didn't. I suddently noticed that one clip of the hot shoe was not only bent down flat, it had become bent across too.
Having thought about it, I only remember dropping my camera once, in June when out shooting with Olivier. It didn't fall far, and I made sure lens and functionality were ok, but must have missed the shoe.
Yesterday, I had to leave my camera in the shop in Chester whilst the man sends it away for an estimation. You don't realise how second-nature your camera is, until you don't have it. :(
The last set of shots I uploaded were from a display I saw in Birmingham. I absolutely love them, just the quirk and surreal feel to them. Definately something I want to explore this year.
More archive shots to follow more than likely :)
In de Design Vlaanderen Galerie wordt de tentoonstelling "Reflections" herhaald die tijdens de vorige Milan Design Week in de Triënnale voor de eerste maal werd gepresenteerd. De tentoonstelling was een eerbetoon aan de Belgische ingenieurs Emile Foucault en Emile Gobbe die in 1903 het eerste mechanische systeem voor de productie van glas ontwikkelden, nl. het verticaal trekken van vlakglas. Dit zorgde wereldwijd voor een totale ommekeer in de glasnijverheid en het opende de weg naar de industriële productie van glas na de 1ste Wereldoorlog. Dat België aan de wieg ligt van de industrialisatie van vlakglas en er in België nog verschillende bedrijven zijn die samen met vele ontwerpers spiegels op de markt brengen was de aanleiding voor Reflections.
Maak kennis met niet enkel spiegels van Belgische designers maar ook andere voorwerpen met een spiegelend oppervlak, waarin het licht reflecteert en spiegelbeelden ontstaan. Eén voor één vormen ze hoogtepunten van design. Ontdek primeurs maar evengoed klassiekers van de hand van boeiende ontwerpers en bedrijven.
De ontwerpers: Leo Aerts (Alinea), Marina Bautier, Michaël Bihain, Susanna Campogrande & Lise Casalegno Marro (Allerretour), Xavier De Clippeleir, Alex De Witte, Simon Desmet & Timothy Macken (MaDe), Nathalie Dewez, Jean-François d’Or (Loudordesign studio), Luc Druez (LcD Textile Edition), Nedda El-Asmar & Erik Indekeu, Marie Gobert, Linde Hermans (Rode schoentjes), Bieke & Patrick Hoet, David Huycke, Bart Lens, Xavier Lust, Stefan Schöning, Diane Steverlynck, Ben Storms, Mathias Van De Walle (MVDW Workshop), Ann Van Hoey, Danny Venlet, Jules Wabbes, Sylvain Willenz.
De bedrijven: AGC Glass Europe, Dark, Deknudt Mirrors & Reflect+, Eternum, Fiam Italia, Ligne Roset, Linadura, Objekten, valerie_traan Gallery, Vervloet, Wever & Ducré, Zeri Crafts.
Taken with a Felita camera in week 421 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Expired Fuji Velvia ISO 100 colour slide film, cross-processed in the Tetenal C41 kit.
The July 15, 2012 Brighton cruise night in downtown Brighton, Michigan. Brighton is a small city about sixteen miles north of Ann Arbor at the crossing of U.S. 23 and I-96.
This mid-summer cruise-in was graced by a rather sudden storm with fairly heavy rain for fifteen minutes or so. During and after the storm we had some fantastic light and pavement reflections.
Another 2-hour training class today... this time on a new system that will be a HUGE improvement from the previous version... I'm actually excited about this one.
All the training desks have the monitors set under a glass-top desk ( as seen here). The screen in the picture is the reflection of the monitor on the glass (which is why it's upside down).
"Journey of Reflection"
This one of a kind assemblage featuring a hand cut metal labyrinth on a textured black background captures the essence of introspection through its labyrinth design.
44"H x 44"W x 2" deep. Ready to hang. $2,500.
Email LuAnnOstergaard@gmail.com for information or to purchase.
© 2025 LuAnn Ostergaard
#art#LuAnnOstergaard #artistluannostergaard #color #boxmounted #artconsultant #artconsulting #contemporaryart #abstractart #colorfulartwork #uniqueart #emotionalart #contemporaryart #ArtOfTheDay #mixedmediaart #creativeart#artwork#artist#artgallery#arte#artofinstagram #luannostergaardartist #pacificnorthwestartist #artistoninstagram #artofinstagram#unsualphotography#photography#abstractart
© 2025 LuAnn Ostergaard
I had won to tickets to Grand Designs Live at London Excell and at the last minute my partner in crime couldn't make it so I plucked up courage and went on my own. The train ride up there was fine and the show was very interesting and if money was no object I could have spent a fortune any way after a couple of hours I had had enough. I knew that the train back wasn't until after 7pm so decided to walk from Excell back to Victoria. Lots to see and a lot of things from a different point of view. So lots of images
More reflections than building
Im here to learn and share. Critiques, comments and suggestions are always welcome.
I could shoot reflections in glasses (and of course this beautiful model) all day long.
Strobist info:
ambient light
iso50/91mm/f4/ 1/100
In de Design Vlaanderen Galerie wordt de tentoonstelling "Reflections" herhaald die tijdens de vorige Milan Design Week in de Triënnale voor de eerste maal werd gepresenteerd. De tentoonstelling was een eerbetoon aan de Belgische ingenieurs Emile Foucault en Emile Gobbe die in 1903 het eerste mechanische systeem voor de productie van glas ontwikkelden, nl. het verticaal trekken van vlakglas. Dit zorgde wereldwijd voor een totale ommekeer in de glasnijverheid en het opende de weg naar de industriële productie van glas na de 1ste Wereldoorlog. Dat België aan de wieg ligt van de industrialisatie van vlakglas en er in België nog verschillende bedrijven zijn die samen met vele ontwerpers spiegels op de markt brengen was de aanleiding voor Reflections.
Maak kennis met niet enkel spiegels van Belgische designers maar ook andere voorwerpen met een spiegelend oppervlak, waarin het licht reflecteert en spiegelbeelden ontstaan. Eén voor één vormen ze hoogtepunten van design. Ontdek primeurs maar evengoed klassiekers van de hand van boeiende ontwerpers en bedrijven.
De ontwerpers: Leo Aerts (Alinea), Marina Bautier, Michaël Bihain, Susanna Campogrande & Lise Casalegno Marro (Allerretour), Xavier De Clippeleir, Alex De Witte, Simon Desmet & Timothy Macken (MaDe), Nathalie Dewez, Jean-François d’Or (Loudordesign studio), Luc Druez (LcD Textile Edition), Nedda El-Asmar & Erik Indekeu, Marie Gobert, Linde Hermans (Rode schoentjes), Bieke & Patrick Hoet, David Huycke, Bart Lens, Xavier Lust, Stefan Schöning, Diane Steverlynck, Ben Storms, Mathias Van De Walle (MVDW Workshop), Ann Van Hoey, Danny Venlet, Jules Wabbes, Sylvain Willenz.
De bedrijven: AGC Glass Europe, Dark, Deknudt Mirrors & Reflect+, Eternum, Fiam Italia, Ligne Roset, Linadura, Objekten, valerie_traan Gallery, Vervloet, Wever & Ducré, Zeri Crafts.
It is a wears briefcase which is in my bathroom, chrome-plated and on which I have to zoom on an extremity, we can perceive the reflection of my bathroom =)
Reflections in discarded windows at the tram depot, Sarajevo, Bosnia. April 2010. © Photo: David Hill
National Roseate Spoonbill posing on a rock at J. N. "Ding" Darling National Wildlife Refuge on Sanibel Island, Florida. Taken with a Nikon D200 using a Nikon 400mm f3.5 lens on tripod. Best viewed on BLACK here: View On Black
© All rights reserved - - No Usage Allowed in Any Form Without the Written Consent of the photographer.
The best way to view my photostream is on Flickriver: Nikon66's photos on Flickriver
REFLECTION OF MINERAL
The site is located near the center of Tokyo. It is a small 44m2 corner plot bounded by two streets. Conforming to legal conditions and in response to the client’s wish for a ‘roofed garage’ the volume was trimmed from various directions. Using the words ‘Mineral’ and ‘reflection’ as guiding concepts, Atelier Tekuto proceeded to use subtraction as a positive tool for design.
MINERAL
Minerals are phenomena that combine abstract properties (conceptual objects) with nonfigurative properties (objects whose presence of matter is more tangible). Changes from transparent to translucent to opaque occur according to light intensity and angle. The mineral body cannot be regarded as a simple element.
REFLECTION
Reflection is a recent concept pertaining to the perception of space. Vision is an important factor in the recognition of space. By controlling geometries (facets with three factors: transparent, translucent and opaque) and entangling them in a three-dimensional way inside the internal space, visual reflection is induced. This results in a deviation from the restrictiveness of space.
As people move inside the space, or as light enters from changing angles, the facet’s presence changes, creating a dynamic space. In contrast to the abstractness of the polyhedron are the kitchen, counter shelf, stairs, floors and toilet box equipped with functionality that exist as nonfigurative objects.
The third floor bathroom unit features a mirror finish in stainless steel, which combines both concepts of object and reflection, and presents itself as a substitution of both ‘minerals’ and ‘reflection’.
The Relationship with the surrounding environment is expressed in the small plaza open to the street, a piloti like space that emerged after placing the garage on ground floor. Its liberating feeling might trigger some change in the surrounding streetscape.
Atlier Tekuto
Photographer
Makoto Yoshida
敷地は東京の住宅密集地にあり、5.15mと3.70mの道路に鋭角に挟まれた、44.62㎡の小さな異形敷地である。建築法規的に道路斜線が二方向からかかり北側斜線も含め、最大ボリュームの形が多角形に切り取られる。
若きクライアントの3つの要望（面白い・最大ボリュームの確保・屋根付き駐車場）と敷地が持つ絶対条件から最初に思い描いたものは地中に『鉱物』が埋れているイメージ。
様々な角度から受ける規制と採光、住居としてのスペースを最大ボリュームから削りとり、多角形がもつ面の構成を壁・床・天井・開口と、建築における空間構成へ置換して形態を決定した。
その行為はダイヤモンドの価値を決めるのに最も重要されるCutと同様である。
アトリエ天工人
写真家
吉田 誠