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first group of hearts for my first international hearts swap between Italy, Germany and Svitzerland :)
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A model of the layout of the piece in the Park Avenue Armory (including, recursively, a model of the model)
Above hangs a model of the Discovery One from 2001: A Space Odyssey. This was not part of the piece in reality.
messing around with a grasshopper definition written for the EPFL Organicités Studio recursive scripting workshop repurposed as a pseudo urban modeller
Algunas de mis piezas terminadas del curso realizado por APE en Madrid. Impartido por Grant Diffendaffer ..
un gran artista! Que bien lo pasamos..!
The Thai baht is also a unit of weight for gold, commonly used by jewellers and goldsmiths in Thailand.
One baht = 15.244 grams.
36"X36" Cognition captures the instant abstract perception and moment of consciousness before the mind fully grasps a new concept.
When the four shells contact to form a perfect sphere, this is the exact marker for new cognition or a new solid understanding.
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Level 6 "Menger Sponge" created using recursive instancing (so the memory required by the model is very minimal -- the background image uses far more RAM).
Inspired by seb przd's menger sponge.
Man this could be the world's coolest apartment building...
The display case of furniture models had within it a display case with furniture models. (Featured on the wood block is a ultra-crude mockup of a tandem sling seating bench with two "map pin" people.)
Based on this photo. Inspired by this photo. Mathematical explanation is here. Do-it-yourself instructions here.
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Ours has been a project to keep 2.417 quintillion angels on the head of a pin. We have been inspired by repeating geometries and nested calligraphies of Islamic art to demonstrate a similarly recursive scheme for DNA information-keeping. DNA molecules having 3 base-pairs or more simultaneously hold 3 unique numbers, and a coding strategy based on these numbers combines several different layers of informational symmetry. Our example is a molecule holding multiple encodings of “Subhan Allah” (سبحان الله ), an Arabic phrase said to have been repeated for more than 1000 years as an invocation associated with creating angels. Tradition holds that any number of angels can be generated in this way and that it makes no difference whether the phrase is spoken, written, or caused to be printed. Using technology to reliably synthesize DNA, we created iterations of “Subhan Allah” in astronomical numbers of DNA molecules to show that symbolism about changing the demographic of heaven can be elegantly aligned with capabilities for high density information storage in DNA. Each of our encoded DNA molecules contain 19.5 repeats of “Subhan Allah” so that a 1mm layer of DNA on the 0.75mm head of an average straight pin can hold over two hundred million billion angels. We hope our gesture of generating so many angels may provide comfort in times of a pandemic that has claimed millions of lives. This has been an exercise in bridge building, between art, mathematics, science, and spirituality across multiple expressions. We see humanity as one tribe, confronting the chaotic forces of nature, the accumulating toll of human impacts on our shared environment, and the problematic nature of our “best intentions,” behind which all too often lurk the terribly violent and destructive impulses that have shaped human history.
2.417 quintillion (2.417 X 10^18) angels in a 1mm layer of DNA on the head of a typical straight pin:
2.417 quintillion angels = 6E23 x 1 x pi x 0.752 x 1E-3/(330 x 258/19.5)
Photo: Tom Mesic
I made this one a while ago but forgot to post it. It blows my mind whenever I see these animals roaming the streets of Bangkok. You can sit at Starbucks on Sukhumvit Road during the evenings and these elephants walk by begging for food and money. Mental.
“By a sweet tongue and kindness, you can drag an elephant with a hair” ~
Persian Proverb
The spiral was generated from my Buddhabrot program, imported into Structure Synth, multiplied many times using Structure Synth rules, then rendered in Sunflow. This scene had about 100,000 spheres! Thanks to Neon23's tip about distored spheres, I was able to load and render this one relatively quickly since it reuses the same sphere instance.
recursion (n): see recursion
www.google.com/search?q=recursion
tip of the twitter hat to Alec Couros twitter.com/courosa/statuses/2807054869
The tower is ASR 1275846, standing on a hill in French Lick, Indiana, with the recursive address "French Lick Tower." It was built in 2010, and is owned by Smithville Telephone, Inc., a family owned company of long standing that also specializes in fiber optic service to homes. I don't see anything that yells "telephony" at me here. All the cellular providers are on three towers on higher sites across town. But on it is W269BU, a translator on 101.9 FM of WFIU/103.7, of Bloomington.
I believe the antenna is a Shively 6812, judging from the shape of its radome.
Official details about both:
Tower:
Registration Number: 1275846
File Number: A1204661
FAA Issue Date: 06/24/2009
Status: Constructed
Date Constructed: 11/03/2010
Structure Coordinates: 38-32-59.3 N 86-37-36.5 W (NAD 83)
Structure Address: French Lick Tower
Structure City: French Lick, IN
Structure County: Orange County
Site Elevation: 220.6 meters (724 ft)
Height of Structure: 79.5 meters (261 feet)
Overall Height Above Ground: 79.5 meters (261 feet)
Overall Height Above Mean Sea Level: 300.1 meters (985 feet)
Station:
Effective Radiated Power: 0.038 kW
Transmitter Output Power: 0.116 kW
Antenna Center HAAT: 65.1 m Horiz.; 0 m Vert.
Antenna Center AMSL: 252 m (827 ft.)
Antenna Center HAG: 31 m (102 ft.)
Site Elevation: 221 m. (725 ft.)
Height Overall*: 80 m (262 ft.)
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See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
Folded from an octagon previously painted with acrylics.
Diagrams in Origami Deutschland 2019 and in Origami Record 2019-3.
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See more photos and abstract drawings in my gallery on DeviantArt:
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Lighting Choreographer is a system to expand the expressive capability of the human body by lighting. It synchronizes light effects on the user's body with motion and sound, based on the view that the produced effects recursively influence the choreographer.
Lighting Choreographer
Minoru Fujimoto (JP)
credit: rubra
The tower is ASR 1275846, standing on a hill in French Lick, Indiana, with the recursive address "French Lick Tower." It was built in 2010, and is owned by Smithville Telephone, Inc., a family owned company of long standing that also specializes in fiber optic service to homes. I don't see anything that yells "telephony" at me here. All the cellular providers are on three towers on higher sites across town. But on it is W269BU, a translator on 101.9 FM of WFIU/103.7, of Bloomington.
I believe the antenna is a Shively 6812, judging from the shape of its radome.
Official details about both:
Tower:
Registration Number: 1275846
File Number: A1204661
FAA Issue Date: 06/24/2009
Status: Constructed
Date Constructed: 11/03/2010
Structure Coordinates: 38-32-59.3 N 86-37-36.5 W (NAD 83)
Structure Address: French Lick Tower
Structure City: French Lick, IN
Structure County: Orange County
Site Elevation: 220.6 meters (724 ft)
Height of Structure: 79.5 meters (261 feet)
Overall Height Above Ground: 79.5 meters (261 feet)
Overall Height Above Mean Sea Level: 300.1 meters (985 feet)
Station:
Effective Radiated Power: 0.038 kW
Transmitter Output Power: 0.116 kW
Antenna Center HAAT: 65.1 m Horiz.; 0 m Vert.
Antenna Center AMSL: 252 m (827 ft.)
Antenna Center HAG: 31 m (102 ft.)
Site Elevation: 221 m. (725 ft.)
Height Overall*: 80 m (262 ft.)
It is recursive Drew. Drew versus himself. Drew versus my giant monitor, who plans to defeat him by disguising itself as Drew.
Generative masterplanning: some test frames.
Differentiation develops from site fitness, toward a primary use-type, with adjacency effects from neighboring parcels and clustering logics over larger assemblages of cells.
Compared to previous studies, the process here is more emergent, with a more responsive engagement and iterated over a much larger number of frames, allowing the designer the ability to intervene during the process.
The logic resembles that of cellular automata with the additional benefits of 1) being based on real, spatial geometry rather than a grid or regular matrix; 2) utilizing initial conditions that are based on actual site conditions and environmental properties; 3) propagating a more diverse set of influences and reactions; 4) progressing across multiple levels of effects (both scalar and temporal) that allow these effects to be staged in a manner less abstracted and closer to actual design concerns.