View allAll Photos Tagged rectangular
Timber-framed and plastered, peg and clay tiled roof. Narrow rectangular plan on street corner with gable to Bridge Street. E elevation to Bridge Street: jettied with corner angle post and bracket emerging from plaster on N side. Central ground floor casement window with glazing bars, 4x3 panes and second jetty bracket to S. First floor, shallow pantiled gabled oriel window, casement of moulded C15 mullions, 4 lights and single side lights, now with simple glazing and plasterwork below swept out to sill. Horned wall plates each side. N side elevation to Freshwell Street: although underbuilt, the jetty shape is seen along the elevation with corner bracket at E end. Ground floor, W end, present front door, C20 boarded and battened with adjacent early C19 sliding sash window, moulded architrave, glazing bars, 4x3 panes. Above, first floor, W end, simple 2x2 paned casement window and adjacent single paned window. Stack to E through roof pitch. INTERIOR: exposed framing on ground floor of 2 bays. Heavy diagonal dragon beam to street corner with similar gauge centre tenoned common joists fanned to corner. N wall timber-framed, inferior work and clearly later but removal of the original supporting inner wall reveals series of carpenters' marks, now intermittent but 2-7 and 9,12 and 13 remain. E wall framing clearly shows 2 medieval shop openings with arched heads, one to S has lost S post and half of curved head but joints remain. Sills have gone but recesses and pegholes show former position. Also shallow wear indentations show position of original internal shutters that upper pegged recesses show were top-hung. Original stair trap in SW corner of rear bay, stack through central partition wall with small C19 cast-iron decorated grate to front bay. First floor, simple 2-way braced crown post roof. Oriel window to Bridge Street clearly reworked in C19. Original window evidence, in each bay to Freshwell Street, shutter groove and sill to W, rebate and flame burn marks to E. Also rectangular pattern of peg holes in S wall with accompanying flame marks, probably site of weaver's warping frame. Weavers are recorded in Bridge Street. Good oak floor boards and several old thin oak doors. EH Listing
The rectangular antichamber, with the east end directly under the vertical axis of the pyramid. This chamber was probably constructed to help manoeuvre the granit lining of the actual burial chamber and to insert the huge granite beans of its ceiling. A passage opens in the wall of the chamber directly above the point where the horizontal passage enters.
4th dynasty, Pyramid of Menkaure
Rectangular two door stone hearth oven with char grill. This stone hearth oven is installed in Rocca restaurant, Grand Hyatt Doha. For more information on stone hearth oven visit our website!
The rectangular mosque comprises a central nave with a single dome, two colonnaded halls on either side, with two square chambers crowned with domes. Carved mihrabs adorn the main chamber and the two smaller rooms.
The mosque marks the phase of transition in Islamic art, as indigenous architectural elements were blended with Persian elements. The pillared dalan of the facade, the liwan with three arched openings framed by panels and crowned by five chhatris and the central mihrab adorned with an inlaid mosaic of stones that are bordered by glazed tiles, and it has golden inscriptions on a royal blue background, a tribute to this fusion. The interiors of the iwan are adorned with watercolour paintings depicting stylized floral designs. The dado panels, spandrels of arch and soffits are painted profusely. Unlike other monuments, where domes are supported on squinches, here corbelled pendentives support the dome.
c. Mercaders, 42; pl. Beates, 2.
El palau Mercaders emplaçat al carrer Mercaders 42 del districte de Ciutat Vella, es localitza en una illa de cases rectangular delimitada pels carrers Mercaders, Beates, Sant Pere més Baix, Freixures, l'avinguda Cambó i la plaça Beates.
En origen era una casa benestant que tot i els seus orígens anteriors al segle XVII - XVIII fou en aquest període quan la finca va configurar la fisonomia actual. Actualment és la seu del Cercle Artístic de Sant Lluc.
Encara que actualment la finca on es troba emplaçat és resultat de l'annexió de diversos edificis, l'edifici té personalitat pròpia tot i que originalment era més gran i continuava per un tram del carrer Beates (actualment ocupat per un casalot del segle XVIII).
L'edifici s'estructura en alçat de planta baixa, planta noble i dos pisos, presentant dos façanes exteriors afrontades al carrer Mercaders i a la plaça Beates. Les dues tenen tot el parament de carreus, amb finestres enreixades a la planta baixa, balcons amb voladís tancats per baranes de ferro forjat a la primera planta i de nou finestres a la planta superior. Els balcons són de llosana de pedra motllurada i s'emmarquen amb carreus i una gran llinda. També és de pedra la cantonera, lleugerament arrodonida.
La planta baixa s'obre per una amplia porta escarsera per a carruatges tancada per una porta de ferro. Aquesta dona pas a un vestíbul rectangular que per mitjà d'un ampli arc escarser que accedeix al patí central on es troben diverses dependències. També en aquest pati comença una escala amb un primer tram orientat al nord i un segon a l'oest, que permet accedir a la planta noble. Aquesta escala està coberta amb un pòrtic d'arcs rampants sobre columnes toscanes de capitells i bases paral·leles a la barana ascendent. Sobrepassant aquesta planta noble, i a la mateixa alçada, es pot accedir a un pati interior
L'any 2005 es va fer un estudi històric de la finca previ a la rehabilitació de l'edifici. Aquest estudi va poder revelar gràcies a l'anàlisi de les fonts que la finca completa assoleix les seves dimensions actuals mitjançant la unificació de tres propietats al segle XVIII. Entre els anys 1788 i 1796, es van realitzar reformes (reorganització de les obertures, addició d'un pis, etc.). En el marc d'aquest estudi també es van realitzar cales muràries que advertien de la presència d'arcs i murs baix-medievals a la planta baixa (segle XIII), així com d'altres vestigis parietals que ratifiquen una primera unificació estructural vers el segle XVI. Com a elements arquitectònics singulars amb valor patrimonial es van observar les obertures de les façanes (algunes amb testera i brancals de pedra Montjuïc), el pati central dels segles XVII i XVIII, els forjats de fusta de la planta baixa i primer pis (segles XVII i XVIII), el mirador o torratxa (segles XVII i XVIII) i la decoració neoclàssica (fins i tot eclèctica) dels sostres del primer pis (segle XIX).
En el mateix procés de rehabilitació es va realitzar una excavació arqueològica preventiva. Es varen excavar i documentar un seguit d'estructures i elements arqueològics que junt amb l'estudi dels paraments conservats indicaren una ocupació del indret en època alt medieval (s. X-XII), baixmedieval (s. XIII-XVI), passant per època moderna (s. XVII-XVIII), fins època contemporània, amb la projecció de l'actual Palau Mercaders (finals s. XVIII-XIX). Les restes arqueològiques documentades es varen localitzar durant els rebaixos mecànics del pati interior sobreelevat. En la resta de la planta baixa de l'edifici tant sols es varen realitzar controls puntuals de rases i forats per a fonamentacions i sistemes de desaigües, però no es varen obtenir resultats positius en quant a la troballa de restes arqueològiques.
invarquit.cultura.gencat.cat/Cerca/Fitxa?index=0&cons...
Es tracta de dos edificis perfectament diferenciats tot i que formen part de la mateixa parcel·la. L'edifici situat al carrer de les Beates, 2, és un casalot del segle XVIII convertit en edifici d'habitatges. Té una alçada de planta baixa i tres pisos i ocupa una parcel·la molt ampla. La façana corresponent mostra tres eixos de composició segons els quals es col·loquen les obertures dels baixos -portals d'arc pla tots iguals, un ocupat per l'accés a l'escala de veïns- i els balcons dels diferents pisos, que van disminuint de grandària amb l'alçada. Tota la planta baixa és de pedra, i a les altres, arrebossades, en són el marc de les obertures i la llosana d'alguns balcons, en especial la de la balconada que dóna a la plaça Beates, l'únic element que marca alguna jerarquia en un frontis de gran homogeneitat.
En el cas de l'edifici situat al carrer Mercaders, 42, es tracta d'un palau de grans proporcions, amb planta baixa, planta noble i dos pisos. Als baixos s'obre una amplíssima porta escarsera per a carrosses, que dóna accés a un pati -parcialment subedificat- amb escala al seu voltant, coberta amb un pòrtic d'arcs rampants sobre columnes toscanes de capitells i bases paral·leles a la barana ascendent. Els balcons són de llosana de pedra motllurada i s'emmarquen amb carreus i una gran llinda. També és de pedra la cantonera, lleugerament arrodonida. Les seves façanes tenen tot l'alçat de carreus i mentre que la que mira a la placeta està ben conservada, la del carrer Mercaders està en força mal estat, sobretot l'extrem més proper a l'avinguda Francesc Cambó.
ajuntament.barcelona.cat/informaciourbanistica/cerca/ca/f...
The Roman Forum is a rectangular forum (plaza) surrounded by the ruins of several important ancient government buildings at the center of the city of Rome (7th century BC). Citizens of the ancient city referred to this space, originally a marketplace, as the Forum Magnum, or simply the Forum.
It was for centuries the center of Roman public life: the site of triumphal processions and elections; the venue for public speeches, criminal trials, and gladiatorial matches; and the nucleus of commercial affairs. Here statues and monuments commemorated the city's great men. The teeming heart of ancient Rome, it has been called the most celebrated meeting place in the world, and in all history. Located in the small valley between the Palatine and Capitoline Hills, the Forum today is a sprawling ruin of architectural fragments and intermittent archeological excavations.
This fabulous wristlet is the way to go about town in style - whether it be going out with the girls or shopping. It is a convenient way to carry your essentials without having to lug around a big bag. Great for storing your money, cosmetics, cell phone, camera.....also great as a gift.
This pleated wristlet is made from a bright bold solid color cotton fabric. It will be lined in a coordinating color cotton fabric with a roomy patch pocket. It will be interfaced for added strength and closes with a zipper for security.
The wristlet features a detachable wrist strap via a swivel clip which loops around your wrist so you can keep your hands free.
Gorgeous-on-the-go!!
Measurements:
Approx 8 1/2" (21cm) wide at base, 1 3/4" (4.5cm) across at the base, 7" (18cm) wide at top, 4.5" (11cm) tall
This rectangular fabric expansion joint is designed for high air circulation flow for an air cooling loop duct in a power plant. It measures 81" L x 18" W x 16" face-to-face, and is fabricated with stainless steel angle, frame ends and internal liner. The fabric belt material is reinforced silicone fabric cloth, which can withstand temperatures up to 550°F. This expansion joint is rated for axial movement of +/- 1" with a 1/2" lateral offset. A dye penetrant test on all welds was conducted prior to a quality assurance inspection prior to shipment.
The collection of tombs, typically rectangular / quadrangular niches carved into galleries in the volcanic rock, date back to the pre-Inca Caxamarca / Cajamarca culture. Not much is known about them yet; however locally the view is that the Inca took over the tombs and used them for grain storage (collcas). Tunnels / galleries inside reputedly stretch for some distance but are not available to the public. Myths suggest that there are tunnels that stretch all the way to Cusco, somewhat unlikely given the old Inca capital is 1,000 km away.
Obverse: Vine-wreathed head of the young Dionysos to right. Reverse: Herakles, bearded and wearing lion's skin, kneels to right on right knee and draws his bow; in the field at the right, lyre and monogram, all in rectangular frame. Inscription in Greek in left field, upwards. (see media screen for Greek inscription)
HIDE FULL DESCRIPTION
Provenance
By 1961: Athens art market; February 8, 1961: purchased by MFA for $ 1,500- (this is the total price for 61.137 and 61.138)
Credit Line
Theodora Wilbour Fund in memory of Zoë Wilbour
Greek, Late Classical Period, about 345 B.C.
Mint
Thasos, Thrace (Islands off)
Catalogue Raisonné
Greek Coins, 1950-1963 (MFA), no. 077.
Dimensions
Diameter: 13 mm. Weight: 2.86 gm. Die Axis: 9
Accession Number
61.138
Medium or Technique
Electrum
From 6 pieces of 5x4 rectangular Korean Duo-coloured papers [9.375cm x 7.5cm]
This is the same module as the previous but with the "Hearts" flipped over to the back. Thus the back now becomes the front and the "Hearts" are now pointing inwards. This is a better variation as it also show the centre star motif.
To obtain the rectangles, simply cut off 3/8 from a 15cm square Kami and then divide the larger rectangle into two.
Wishing all viewers a Happy Valentine's Day.
Rectangular–panorama crop.
Zenza Bronica ETRSi (645) Zenzanon-PE 1:2.8 f=75mm on Tri-X 400 @1600, Rodinal Semi.Stand 1:100 (pre-soak 4 minutes; 5ml Rodinal per film = 1:100, agitate first minute, then Stand, at 30 minutes 3 gentle inversions)
Descripció
Església d'una nau rectangular, neoclàssica amb absis i campanar. Conté cinc altars, dos d'ells antics de guix, (el major antic de guix i la capella del Santíssim també antiga de guix i fusta i sostre amb voltes motllurades). Una bona part de la paret de migdia s'aguanta sobre la primitiva església romànica que fou trobada el setembre del 1977, i on es trobà també la portalada principal de grans dovelles amb motllura, una finestra de la mateixa època i restes de la possible primera pica baptismal. Aquesta pica té forma troncocònica amb lateral concavats i degut el seu estat és difícil d'apreciar si té decoració. A l'obra neoclàssica, s'hi aprecia una gran quantitat de pedres del temple romànic, perfectament carejades com les existents als murs romànics repicats el 1977. Annex existeix l'antiga Rectoria, ampli casal a dues vessants de planta, un pis i golfes d'arquets edificat en diferents èpoques, de molta personalitat: sostres de volta catalana gran sala repartidora on es guarden l'arxiu parroquial des del 1520 i documentació anterior del 1300, com també una trentena de pergamins.
Notícies històriques
A l'any 945, Riquilda, Comtessa de Barcelona i muller del Comte Sunyer, fill de Guifré I, el darrer comte investit pel rei franc, a precs de l'Abat Cesari, enceta un lot de donacions amb les quals s'afermarà el seu monestir de Santa Cecília de Montserrat. En aquest pergamí s'esmenta documentalment per primera vegada el terme de Gelida i l'església de Sant Llorenç d'Hortons, que és donada al Monestir amb el seu cementiri i sagrera (Jaume Pasqual: Sacrae Antiquitatits Cataloniae Monumenta, m. 729, vol. III de la Biblioteca de Catalunya, a Barcelona). Pica Baptismal. Aquesta pica fou trobada recentment en unes obres de recuperació de les parets romàniques de l'antiga església. La meitat que queda està encastada en un angle format per la part exterior del mur romànic i una paret moderna de l'actual sagristia. Sembla que aquest recinte havia servit de quadra, i que la pica, tal vegada, s'utilitzava per abeurador o sitja.
patmapa.gencat.cat/web/guest/patrimoni/arquitectura?artic...
Volviendo a ocupar el espacio de un viejo stencil.
Volviendo a lo básico.
tempera+piroxilina+engrudo
sesion horizontalrectangular
creditosfoto.graficosmrlnx
The rectangular shaped open box is presented here. The ratio between the width and the length of the rectangle is 1:2. One special folding technique involved with this model is 90 degrees mountain-fold.
www.origami-make.com/origami-box-rectangular2.php under www.origami-make.com/howto-origami-box.php
This double doorway rectangular Urinal was made by George Smith and co at their Sun Foundry in Glasgow. It is on the platform of Bewdley Station. It arrived in 1977 from British Rail.
www.glasgowsculpture.com/pg_biography.php?sub=smith_g-co
www.hevac-heritage.org/items_of_interest/public_health/st...
The Grade I Listed Carew Castle, a Norman Rectangular castle with Elizabethan Ranges alongside the Carew River in Pembrokeshire, South Wales.
The Carew family take their name from the place, and still own the castle, although it is leased to the Pembrokeshire Coast National Park, which administers the site.
The use of the site for military purposes extends back at least 2000 years. The castle stands on a limestone bluff overlooking the Carew inlet — a part of the tidal estuary that makes up Milford Haven. The site must have been recognised as strategically useful from the earliest times, and recent excavations in the outer ward have discovered multiple defensive walls of an Iron Age fort.
The Norman castle has its origins in a stone keep built by Gerald de Windsor around the year 1100. Gerald was made castellan of Pembroke Castle by Arnulf of Montgomery in the first Norman invasion of Pembrokeshire.
Gerald's son William took the name "de Carew", and in the middle of the 12th century created an enclosure with stone walls incorporating the original keep, and a "Great Hall" inside it.
The de Carews fell on hard times in the post-Black Death period and mortgaged the castle. It fell into the hands of Rhys ap Thomas, who made his fortune by strategically changing sides and backing Henry Tudor just before the battle of Bosworth.
Rhys's grandson Rhys ap Gruffudd fell out of favour and was executed by Henry VIII for treason in 1531. The castle thus reverted to the crown and was leased to various tenants. In 1558 it was acquired by Sir John Perrot, a Lord Deputy of Ireland, who completed the final substantial modifications the castle.
Perrot subsequently fell out of favour and died imprisoned in the Tower of London in 1592. The castle reverted to the crown and was finally re-purchased by the de Carew family in 1607. In the Civil War, the castle was refortified by Royalists although south Pembrokeshire was strongly Parliamentarian. At the Restoration the castle was returned to the de Carews, who continued to occupy the eastern wing until 1686. The castle was then abandoned and allowed to decay.
Information Source:
AUGUSTUS. 27 BC-14 AD. AR Denarius (19mm, 3.56 gm, 7h). Lugdunum (Lyon) mint. Struck 15-13 BC. AVGVSTVS DIVI. F, bare head right; c/m: IMP. VES ligate within rectangular incuse in left field / IMP. X in exergue, bull butting right. RIC I 167a; BMCRE 451; RSC 137; for c/m: Howgego 839.
See BMCRE vol. II, pg. xvii where it is mentioned that the countermark is found on denarii from about 120 BC to those struck under Augustus. The countermark on this issue indicates the continued use of older coins in circulation and the occasional need to identify them as acceptable media of exchange. According to Howgego, this countermark was applied at Ephesus between 1 January 74 and 23 June 79 AD. cngcoins.com
When I found the grates located here, they were latitudinal wheelsuckers. I called them in, and they were replaced with (W)rectangular Roulettes. Although they are safer than the original grates, they still have open gaps which can trap the wheel of a cyclist, or wheelchairist.
Location: Rose Quarter MAX platform (west side).
Status: Reported (pending approval of replacement by ODOT)
The Grade I Listed Carew Castle, a Norman Rectangular castle with Elizabethan Ranges alongside the Carew River in Pembrokeshire, South Wales.
The Carew family take their name from the place, and still own the castle, although it is leased to the Pembrokeshire Coast National Park, which administers the site.
The use of the site for military purposes extends back at least 2000 years. The castle stands on a limestone bluff overlooking the Carew inlet — a part of the tidal estuary that makes up Milford Haven. The site must have been recognised as strategically useful from the earliest times, and recent excavations in the outer ward have discovered multiple defensive walls of an Iron Age fort.
The Norman castle has its origins in a stone keep built by Gerald de Windsor around the year 1100. Gerald was made castellan of Pembroke Castle by Arnulf of Montgomery in the first Norman invasion of Pembrokeshire.
Gerald's son William took the name "de Carew", and in the middle of the 12th century created an enclosure with stone walls incorporating the original keep, and a "Great Hall" inside it.
The de Carews fell on hard times in the post-Black Death period and mortgaged the castle. It fell into the hands of Rhys ap Thomas, who made his fortune by strategically changing sides and backing Henry Tudor just before the battle of Bosworth.
Rhys's grandson Rhys ap Gruffudd fell out of favour and was executed by Henry VIII for treason in 1531. The castle thus reverted to the crown and was leased to various tenants. In 1558 it was acquired by Sir John Perrot, a Lord Deputy of Ireland, who completed the final substantial modifications the castle.
Perrot subsequently fell out of favour and died imprisoned in the Tower of London in 1592. The castle reverted to the crown and was finally re-purchased by the de Carew family in 1607. In the Civil War, the castle was refortified by Royalists although south Pembrokeshire was strongly Parliamentarian. At the Restoration the castle was returned to the de Carews, who continued to occupy the eastern wing until 1686. The castle was then abandoned and allowed to decay.
Information Source:
Goats and sheep have the strangest rectangular pupils in their eyes and this spring lamb is no exception. It's a bit unnerving when one looks you straight in the eye. I had no idea why but apparently, they have much winder peripheral vision then creatures with round pupils. That's handy, I suppose, when you are the one on the menu for any predators lurking nearby.
Beech rectangular stone hearth pizza oven installed in the Movenpick IBN Battuta Gate Dubai. For more information on stone hearth ovens visit our website!
Lipper International Child’s Rectangular Table and 2-Chair Set, Pecan via Smart Furniture Shop ift.tt/1vnC73a
Taken with an Ilford Ilfomatic Super 100 camera in week 344 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Klick 100XD film (expired 1990) developed in the Rollei C41 kit.