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Last week we gave two teams of Theatremakers from the Open Exchange Network the opportunity to create a piece of work at the Exchange. It’s a chance for them to explore and develop the way they make work. Using the illustrated children’s book THE RED TREE by Shaun Tan as inspiration, the focus of this REACT is to create an age specific piece for children aged 10 and under. #RXREACT
REACT (Relatives Education and Coping Toolkit) is a self-help package for relatives and friends of people in the first stages of mental health problems associated with psychosis. To avoid a ‘medical’ feel to the toolkit, Cultivate defined a friendly, illustrative style and a bright colour scheme; making for a more appealing and engaging user experience.
On Saturday, Conor had a shoot for React What! clothing. I tagged along to help him out with lighting and different positioning of the models and took some random shots of my own. Check out his set at - www.flickr.com/photos/conorkeller/sets/72157619415045864/
The 218th Regional Training Institute, South Carolina National Guard, conducts the 12B combat engineer reclassification course at McCrady Training Center in Eastover, South Carolina. The class is made up of National Guard Soldiers from multiple states and is being conducted August 8-22, 2020. Throughout the course, the Soldiers learn through classroom instruction and hands-on training covering breaching, mines and firing devices, reacting to explosive hazards, constructing demolitions systems, executing military operations on urbanized terrain training, and more. (U.S. Army National Guard photo by Sgt. Brian Calhoun, 108th Public Affairs Detachment)
02/04/2022. Ladies European Tour 2022. Investec South African Women's Open, Steenberg Golf Club, Cape Town, South Africa. March 30 - April 2 2022. Lee-Anne Pace of South Africa reacts to missing a birdie putt on the 18th green during the final round. Credit: Tristan Jones/LET
The Watervliet Arsenal received new million-dollar contracts this month to provide the U.S. Marine Corps 81 mm mortars and associated parts.
Pfc. Brady Barrett (right), an indirect fire infantryman assigned to Headquarters and Headquarters Troop, 3rd Squadron, 2nd Cavalry Regiment, turns away from an M252 mortar system after hanging an 81mm mortar round during a multinational mortar live-fire exercise alongside Latvian partners, Feb. 17, at Adazi Military Base, Latvia. Soldiers from both armies took turns rehearsing and executing a live fire scenario by reacting to enemy contact using direct and indirect fire in support of Operation Atlantic Resolve, a multinational demonstration of continued U.S. commitment to the collective security of North Atlantic Treaty Organization allies. (U.S. Army photo by Sgt. Paige Behringer, 10th Press Camp Headquarters)
On the occasion of her 85th birthday, the Albertina dedicates a large-scale retrospective to the Austrian artist Florentina Pakosta.
In the 1960s, Florentina Pakosta reacted with her drawings and prints to the discrimination of women in the art scene. For centuries, it was the male artist who portrayed the woman as an object or muse. Florentina Pakosta now looks at the man and dissects his facial expressions and body language. Her satirical work denounces patriarchal power structures by overemphasizing male behavior and reversing traditional roles.
The self-portrait also plays a central role in the work of Florentina Pakosta - she sometimes portrays herself serious, sometimes self-confident, sometimes combative. In her series Landscape of goods und Masses of people, Pakosta expresses the disappearance of the subject in capitalism. From about the mid-1980s, Florentina Pakosta turns away from the black-and-white and figurative works and turns towards the painting and an abstract language of forms. To this day, arise cycles of characteristic, geometric bar images.
The exhibition can be seen from 30th May to 26th August 2018.
Anlässlich ihres 85. Geburtstags widmet die ALBERTINA der österreichischen Künstlerin Florentina Pakosta eine groß angelegte Retrospektive.
In den 1960er Jahren reagiert Florentina Pakosta mit ihren Zeichnungen und Druckgrafiken auf die Diskriminierung von Frauen in der Kunstszene. Über Jahrhunderte hinweg war es der männliche Künstler, der die Frau als Objekt oder Muse porträtierte. Florentina Pakosta richtet nun folglich den Blick auf den Mann und seziert seine Gesichtsausdrücke und Körpersprache. Mit ihren satirischen Arbeiten prangert sie patriarchale Machtstrukturen an, indem sie männliches Verhalten überzeichnet und tradierte Rollen umkehrt.
Auch das Selbstporträt nimmt im Werk Florentina Pakostas eine zentrale Rolle ein – sie stellt sich mal ernsthaft, mal selbstbewusst, mal kämpferisch dar. In ihren Serien Warenlandschaften und Menschenmassen bringt Pakosta das Verschwinden des Subjekts im Kapitalismus zum Ausdruck. Ab etwa Mitte der 1980er Jahre wendet Florentina Pakosta sich von den schwarz-weiß gehaltenen und gegenständlichen Arbeiten ab und der Malerei und einer abstrakten Formensprache zu. Bis heute entstehen Zyklen der charakteristischen, geometrischen Balkenbilder.
Die Ausstellung ist von 30. Mai bis 26. August 2018 zu sehen.
North Dakota National Guard Soldier Staff Sgt. Jesse Walstad, Bismarck, N.D. of the Bismarck based 957th Engineer Company (Mult-Role Bridge) supervises a 5-ton dump truck unloading about 7,500 sandbags at a south Bismarck site near 48th Avenue SE. Walstad is the non-commissioned officer in charge of a quick reaction force (QRF) that responded to orders from Burleigh county emergency operations center at about 2 p.m. on June 8, 2011 for an emergency load of sandbags and possible levee problem. (photo by Bill Prokopyk, N.D. National Guard Public Affairs)
Obviously I'm not saying these are great pictures but I thought they illustrated the fact that when a hare is lying down in its form ( below ) they're almost invisible but as soon as they stand up and start moving you can literally see them from a mile away. Needless to say I don't have access to either of these fields, grrrrr..........the hares are just impossible here, too few of them and too many people and dogs that have made them so shy, I'm only really going to try and protect them from all the idiots. Dunno about anyone else but I've found carrying a camera with a long lens on it gives you an odd kind of power, it's immediately obvious when someone's up to no good by the way they react to it ! Yesterday a guy was walking his dog towards me along the edge of a field and when he saw the camera he actually turned round and ran away !!!!! I think the dog walkers think I'm some kind of madman and they might be right.......persevering with these impossible hares I mean.....
Automated Product Tagging can help brands, multi-brand retailers and e-commerce enterprise companies rely on the use of Artificial Intelligence (AI) to minimize human effort and reduce error rates. Process automation and lesser turnaround time per catalog can augment speed-to-market, thus helping businesses react to market trends in real-time.
blog.usejournal.com/automated-product-tagging-in-fashion-...
This is a sneak peek of my deck for next week's COMnGraf 2 show at Technical Skate shop in Boston. To see the rest? Show up next week (or wait until after the show when I post the whole thing here)
Last week we gave two teams of Theatremakers from the Open Exchange Network the opportunity to create a piece of work at the Exchange. It’s a chance for them to explore and develop the way they make work. Using the illustrated children’s book THE RED TREE by Shaun Tan as inspiration, the focus of this REACT is to create an age specific piece for children aged 10 and under. #RXREACT
10 January - 6 May 2015, Perth Museum & Art Gallery
React-Reflect-Respond
This is a unique exhibition curated by Perth Museum & Art Gallery to support the touring exhibition Tim Stead MBE: Object Maker and Seed Sower. From January to May 2015 this major touring exhibition is on show in Perth and React Reflect Respond is showing in the adjacent gallery.
Baby Jesus and friend.
OK, first a little background. I own and operate a small English language school in Japan; mostly for children. Our biggest event each year is our Christmas party. We rent out an auditorium and our students put on English plays for their parents and families. It's quite a big deal for us and draws between 300-400 people.
This year, for the first time, we're doing a play on the birth of Jesus. I figured we needed a baby Jesus for the final scene, so I've been asking our students (we teach children from kindergarten through high school) to loan us a baby doll that we could use. The only response I got was a cartoonish rag doll kind of figure that I didn't think would really work. So, after some searching, I located the old-fashioned baby doll I was looking for at Toys-R-Us.
That's where it got weird. In this country that reveres cute and worships Little Kitty and other expressionless freakish cartoon characters, the majority of our students found the realistic baby doll to be frightening. Even adult students reacted that way.
There's got to be something wrong with a national psyche that reacts in revulsion to dolls that look like real people and finds vapid, featureless cartoon characters irresistibly cute.
In this photo, Ollie the orangutan is reassuring Jesus that no matter what others say, we love you just the way you are.
Current Harman Eisner Artist in Residence Chuck Close reacts.Copyright 2009 Daniel Bayer/kodachromeproject.com for the Aspen Institute
Last week we gave two teams of Theatremakers from the Open Exchange Network the opportunity to create a piece of work at the Exchange. It’s a chance for them to explore and develop the way they make work. Using the illustrated children’s book THE RED TREE by Shaun Tan as inspiration, the focus of this REACT is to create an age specific piece for children aged 10 and under. #RXREACT