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Poster/folder for Quartier Bricolé, a project by the girly girls of Tapis Plein in Bruges, supporting and promoting handmade Belgian design and designers.
giorni di mancanza di te, in mezzo al bianco di queste nuvole spezzate, di fronte ad un vulcano mai spentosi di una “napule è”, in questi anni che passano veloci, nel ricordo di un viso, il tuo, che diventa sempre più lontano.
ci basterebbe pochissimo per ricominciare
Website : lvalenciaphoto.wordpress.com/
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Marseille
Panorama 2 takes
8K
Canon 5DSR
Sigma 35mm Art
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Merci de ne pas utiliser cette photo sans mon autorisation.
Some further information can be found here: www.tafelzwerk.de/2014/10/26/in-der-provence-ohne-lavende...
kita thyssenkrupp quartier / jswd architekten / essen, germany
© 2012 thomas lewandovski - all rights reserved. www.lewandovski.com
Street art is visual art created in public locations, usually unsanctioned artwork executed outside of the context of traditional art venues. The term gained popularity during the graffiti art boom of the early 1980s and continues to be applied to subsequent incarnations. Stencil graffiti, wheatpasted poster art or sticker art, and street installation or sculpture are common forms of modern street art. Video projection, yarn bombing and Lock On sculpture became popularized at the turn of the 21st century.
The terms "urban art", "guerrilla art", "post-graffiti" and "neo-graffiti" are also sometimes used when referring to artwork created in these contexts.[1] Traditional spray-painted graffiti artwork itself is often included in this category, excluding territorial graffiti or pure vandalism.
Street art is often motivated by a preference on the part of the artist to communicate directly with the public at large, free from perceived confines of the formal art world.[2] Street artists sometimes present socially relevant content infused with esthetic value, to attract attention to a cause or as a form of "art provocation".[3]
Street artists often travel between countries to spread their designs. Some artists have gained cult-followings, media and art world attention, and have gone on to work commercially in the styles which made their work known on the streets.
Shibuya est l’un des quartiers les plus emblématiques de Tokyo, un véritable concentré de culture urbaine, de mode, et d’énergie électrique.
Glastür des Louis Vuitton-Geschäftes im Quartier 206 (Detail). Berlin 2010.
Glass door of the Louis Vuitton-shop in the Quartier 206 (detail). Berlin 2010.
Le Quartier Central is a major urban development project in Düsseldorf, Germany, that has transformed a former freight railway yard into a vibrant, mixed-use district. The area, located in the northeast of the city, was once a derelict industrial site that served as a deportation point for Jews during the Holocaust. In the 1990s, a master plan was initiated to revitalize the area and give it a new identity. This large-scale redevelopment project, spanning over 36 hectares, was designed to create a cohesive and diverse neighborhood that connects to surrounding districts.
The district is characterized by a blend of residential, commercial, and recreational spaces. It features a high density of new developments, including approximately 2,000 apartments, offices, hotels, and retail establishments. The architecture is a mix of modern and classic styles, with colorful building facades and inner courtyards designed for residents' enjoyment. The design of Le Quartier Central prioritizes creating a strong sense of community, with a focus on providing diverse housing options for families, singles, and the elderly.
A significant feature of Le Quartier Central is its abundant green space. The development is bisected by the Moltkestrasse Bridge, with a long, linear park to the south and another green area, Maurice-Ravel Park, to the north in the sub-district known as "Le Flair." These parks, including the Betty-Albrecht Park, serve as a central hub for recreation, offering wide-open green spaces, tree groves, and playgrounds. They also function as a natural sound barrier, protecting residents from the noise of the adjacent railway tracks.
Beyond its physical attributes, Le Quartier Central is designed to be a self-contained and convenient neighborhood. It offers residents a variety of services, including day-care centers, restaurants, a supermarket, and a unique "service point" that acts as a concierge, providing services like dry cleaning and package delivery. The development is well-connected to Düsseldorf's transportation network, making it easy for residents to access other parts of the city. Le Quartier Central represents a successful example of urban revitalization, turning a historical industrial site into a modern, livable, and socially integrated urban quarter.