Fujicolor 200, pushed one stop. Turoa, New Zealand. Ricoh 35 ZF.

Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i

Nikon FE - Nikkor 28 2.8 - orange 21 filter - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Pentax K2. Ilford HP5+ (probably at 1600).

Nikon FE - Nikkor 28 2.8 - Fujicolor Superia X-Tra 400 @ 800 - Cinestill Cs-41 - dslr scan - Negative Lab Pro

Mamiya C330f

Mamiya-Sekor 80mm f/2.8 + orange filter

Ilford HP5+ @800

ID11 1+2 19:00 min

Live in Rome, Italy

TMax 400@1600, D76

Nikon FE - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Asahi Pentax Spotmatic, SMC Takumar 1.8/55

Fujifilm Neopan ACROS 100@400

1/250, f16, yellow filter

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dlsr scan

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Nikon FE - Nikkor 80-200 4.5 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Asahi Pentax Spotmatic, SMC Takumar 1.8/55

Fujifilm Neopan ACROS 100@400

1/250, f16, yellow filter

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats

Canon 33

Ilford HP5 Plus 400 Push+3

Samyang 35mm f1.4

Nikon FE - Nikkor 50 1.2 Ai - Ilford HP5+ @ 800- Rodinal 1+50 - dslr scan

Olympus OM-1n | Zuiko 50mm 1.4 | Kodak Tri-X 400 @ 1600 | Kodak HC110b

Available Light B&W 35mm Photojournalism by Johnny Martyr

JohnnyMartyr.com

Johnny Martyr Instagram

Johnny Martyr Facebook

Johnny Martyr Wordpress

Thanks for checking out my work!

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Shot on ADOX Silvermax 100 at EI 200

Black and white negative film in 35mm format

Push processed one stop

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Read on at: emulsive.org/photography/35mm-format/skewed-shot-on-adox-...

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Filed under: #35mmformat, #Photography, #2018July, #35MmFormatFilm, #ADOX, #ADOXSILVERMAX100, #BlackAndWhiteNegativeFilm, #EI100, #EI200, #EMULSIVEDailyPhoto, #ISO100, #ISO200, #PushProcessing, #PushingFilm, #SilvermaxDeveloper

#shootfilmbenice #filmphotography #believeinfilm

Pentax Spotmatic / Ilford HP5 400 pushed to 1600

august 2020

leica m2 | ms optical perar 4/28 | tri-x at 1600

Nikon F2sb | Nikkor 50mm 1.4 SC | Ilford Delta 3200 @ 6400 | Kodak HC110b

Zeiss Ikon Ikoflex IIa w/ Zeiss-Opton Tessar 3.5/75 and Kodak Tri-X @ EI 1600 (Kodak D76 1:1, Ilford rapid fixer). f/5.6, 1/25s. Epson V700 and Silverfast SE Plus 8.0 @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.

Taken on a half-gloomy April afternoon. The TLR is a rather nifty studio camera, specially if you do posed portraits, since you more or less need a tripod to find perfect focus. But for headshots or non-sitting subjects it's a bit challenging to get in the same eye-hight. I would use an SLR anyday for that!

That Tessar lens doesn't disappoint, it's contrasty and sharp all over. Without a focusing prism you still need to stop down to f/4-5.6 to be somewhat certain that you got accurate focus anyway, although the groundglass of the Ikoflex IIa is rather bright and clear. So having "just" f/3.5 as largest aperture isn't a big deal.

Model: Bella

Instagram | Website

Nikon FM2n | Nikkor 85mm 1.8 AI'D, Kodak TMAX P3200 @ 6400 | Kodak HC110b | www.JohnnyMartyr@Hotmail.com

Longshan Temple, Taipei, Taiwan. August 2018.

Mamiya 6. 50mm/f4.0. Acros 100 pushed 2 stops.

1/30s f/8.0.

Canon AE-1 / Canon FD 50mm 1:1,4

T-Max 400 @ 800

X-tol 1:1

Nikon F3, Micro-Nikkor 55/2.8, Kodak Portra 400@640, Push 1 stop development.

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i

Cane structure, Barcelona.

Canon AE-1 Program

Canon FD 28/2.8

Kodak Portra 400 pushed one stop

Nikon FE - Nikkor 28 2.8 - Orange 21 filter - HP5+@800 - Rodinal 1+50 - dslr scan

Pentax ME

SMC Pentax-A 28mm f/2.8

Kodak Gold 200 @ 400, pushed processed +1 (4:40mins.)

Home Developed in Argentix/Unicolor

Scanned with Pakon F135

I can get Kodak Gold 200 fairly easily and for an okay price near me, but 400 ISO film is a bit harder and more expensive to get, so I tried pushing and push processing Gold 200, because 400 is handy for fall and winter light conditions. I got a couple of shots in sunny conditions, some in undercast conditions, and a few indoors too, and while the grain is not bad, the shadows need to come out a bit more. The film can possibly have more time in the developer or I can scan with my Epson V550 where I can do more adjustments, but my Pakon F135 is so convenient and I like the colours from it.

CART Molson Indy Toronto 2000

Minolta X-700 - Vivitar Auto Macro 55 2.8 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

2020-10-02

Nikon F90X

Nikon Ais 85mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

2021-11-07

Nikon F2

Nikon Non-Ai 55mm f/1.2 lens

(expired) Kodak Tri-X Pan 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 12min

Best Viewed Bigger On Black

I've had a bit of a flickr'break the past few weeks. Sorting out loose ends to put a close on 2009.

Feeling refreshed & relaxed after a few trips way.

Just got a big batch of films back from the developer, so expect some more regular postings! (well, at least until we go away for Xmas)

I hope to visit your flickstreams soon!

Pentax 67

90mm f/2.8

Fujicolor Superia Reala 100

Pushed to ISO 200.

Crete, Greece.

2009.

by Stuart Slade

23 May - 2 June, Teatro Nazionale di Genova

Directed by Alberto Giusto

Performed by Daniela Duchi, Mario Cangiano, Fabrizio Costella, Valentina Favella, Silvia Napoletano, Francesco Patanè

Nikon FE2/FM2

Nikkor lenses

Kodak Tri-X @1600

D-76

Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

august 2020

leica m2 | ms optical perar 4/28 | tri-x at 1600

Revueflex AC2

SMC Pentax-M 2.8/35

Kodak Tri-X @ 1600

HC-110

Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 3200 - Rodinal 1+25 - dslr scan

Taken with a Mamiya 7ii on Delta 400 - Push Processed 1 Stop..

Self Developed in D76.

Pentax ME

SMC Pentax-A 28mm f/2.8

Kodak Gold 200 @ 400, pushed processed +1 (4:40mins.)

Home Developed in Argentix/Unicolor

Scanned with Pakon F135

I can get Kodak Gold 200 fairly easily and for an okay price near me, but 400 ISO film is a bit harder and more expensive to get, so I tried pushing and push processing Gold 200, because 400 is handy for fall and winter light conditions. I got a couple of shots in sunny conditions, some in undercast conditions, and a few indoors too, and while the grain is not bad, the shadows need to come out a bit more. The film can possibly have more time in the developer or I can scan with my Epson V550 where I can do more adjustments, but my Pakon F135 is so convenient and I like the colours from it.

Mount Snowdon, Snowdonia National Park, Wales

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#instacool #instaart #filmisnotdead #landscape #nature #instanature #instalove #angle #beautiful #snowdonia #desolate #wales #blackandwhite #b&w #beautiful #instagood #mood #art #geology #contrast #grain #film #analog #kodak #tri-x #nofilter #nophotoshop #ingrainwetrust #landscape #mediumformat #120 #fujifilmGA645zi