View allAll Photos Tagged pushprocess
May2025. Ruins on the curve into Granite Mountain. Just outside of College Station, Arkansas USA. IlfordFP4@400.PentaxSuperProgram.Vivitar19-35AF.YellowFilter.DD-X
@18minutes.AGOProcessor.CameraScan:FujifilmXH1 Note: 4th use of same batch of Ilfotec DD-X. Still getting excellent results.
Paddington, West London, Autumn 2017. Kentmere 400 pushed 2 stops in Ilford ID11 stock, 8.5 mins, 3 inversions every minute. Leica M5 + Voigtlander Color-Skopar 35 f2.5
Louise Post of Veruca Salt - 07.14.23 by Johnny Martyr - Leica M6 TTL 0.85 | Leitz 50mm Summicron | Kodak Tri-X @ 1600
The market at Edfu Egypt, along the Nile, just last week.
Pentax 645Nii, Pentax-A SMC 55mm f/2.8
Kodak Tri-X @ 800
XTOL 1+1, 9' 30" @ 21C
Nikon Coolscan 9000 ED
by Stuart Slade
23 May - 2 June, Teatro Nazionale di Genova
Directed by Alberto Giusto
Performed by Daniela Duchi, Mario Cangiano, Fabrizio Costella, Valentina Favella, Silvia Napoletano, Francesco Patanè
Nikon FE2/FM2
Nikkor lenses
Kodak Tri-X @1600
D-76
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Pasadena, California
Asahi Pentax Spotmatic
Super-Takumar 1:1.4/50
Kodak Tri-X 400
Push Processed to 3200
HC-110 1:100 2 hours Stand-Dev.
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Ilford FP4+ @ EI 200 (Kodak Xtol 1:0, Kodak fixer). f/4, 1/60s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
I got some odd residues on this and previous roll of FP4+ that I developed. I guess that it's the antihalation stuff that got bad prematurely, despite having a couple years on the best before date (shot in 2018, exp 2021). No other film (TMX in 120 and 135), that I used the same soup with showed any signs of residues. Especially not the 135 films that I developed after this roll.
Another interesting thing is that they haven't fixed this broken window 2½ months after I shot this photo. Sure it's cool for effect, but is it really that hard to replace an orange window on a bridge over a train track?
Model: Selma (Sweden Models Agency).
Nikon Series E 50mm f/1.8 on Ilford HP5+ @ 1600.
Rodinal 1+25 / 12 min @ 20° C
Agitation: Constant for the first 30 secs, then 5 secs every 30 secs.
Nikon FM2n | Nikkor 50mm 1.8 AIS | Ilford Delta 3200 @ 6400 | Kodak HC110b | Epson V500 | Adobe Photoshop
From thedailylumenbox.com Rollei RPX-25 pushed to ISO 50 with 1949 Leica Ic and Chroma Double Glass 24mm f/11 lens. Developed in Cinestill Df96 monobath.
Featuring the napkin trick. (stick through hole in napkin to catch drips)
Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan
Church of St James. Normanton on Soar, Nottinghamshire.
Hasselblad 501CM
Carl Zeiss Distagon 4/50 T* CFi
f11
1/500th second
Hand-held
Kodak T-Max 400 (at EI 800)
N+1 development in DD-X 1:4 at 20 °C for 10 mins.
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
The John Rylands Library in Manchester.
Hasselblad 501CM
Carl Zeiss Distagon T* 4/50 CFi
f4
1/30th second
Ilford HP5+ at EI 1600
Hand held
Self developed in Ilfotec DD-X 1+4 at 20 C for 13 minutes
Digitised with DSLR
(best viewed fullscreen in the lightbox)
Scan of Kentmere Pan 400 pushed 2 stops and reversed to slide in PQ Universal + toned in Kala Namak or Himalayan Black Salt
Best enjoyed with Dark Ambient / URBEX