View allAll Photos Tagged pushprocess
Kagawong ON - A lateral view of Bridal Veil Falls in Kagawong on Manitoulin Island. July 2021.
Taken on a Hasselblad 500C/M medium format camera w/ Carl Zeiss Planar T* 80mm f2.8 lens + polarizer. JCH Street Pan 100 B&W film pushed to 400.
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Ilford FP4+ @ EI ?? (Kodak Xtol 1:1, Ilford rapid fixer). f/4, 1/60s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
One of the things that always amaze me is how well FP4+ takes abuse. This film I unintentionally underexposed (tricky light). I thought that I exposed for EI 140, but it was probably something like EI 250. I discovered that something was wrong when I went through my logs for my Nikon F3HP that was loaded with TMax 400, which had chosen the same settings.
I developed this roll as EI 500, according to Kodak's instructions for Xtol and FP4+.
Model: Madita Krull (ModelWerk)
Testing Fomapan R 100 Push 3 reversal in a building frozen in time: Latvijas universitātes Polimēru mehānikas institūts where I source my chems at enola.lv
R100... I find it lacks sharpness and resolving power - something quite critical in projection...
Fomapan R 100 pushed 3 stops and reversed in PQ Universal, Ilford Reversal Processing
Church of St James. Normanton on Soar, Nottinghamshire.
Hasselblad 501CM
Carl Zeiss Planar 3.5/100 T* CFi
f8
1/125th second
Hand-held
Kodak T-Max 400 (at EI 800)
Hasselblad Orange filter
N+1 development in DD-X 1:4 at 20 °C for 10 mins.
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Independence protesters, Barcelona. This was taken last month in the evening following a day of protests outside of the Policia Nacional headquarters.
Dolan Springs, Arizona
Cinestill 50Daylight (Pushed 2 Stops)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
www.youtube.com/watch?v=H9xg16sxgdA
Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan
A normally bustling market at Edfu Egypt now stands nearly empty. Despair permeates the air.
Yep, Egypt is open for tourism. Yes you need a Covid test, but there is no quarantine and no hassles once in the country. The biggest challenge is negotiating flights, because they are severely curtailed. But we and many Russian and Ukrainian tourists proved it's easily doable. Single handedly citizens of the former Soviet states are supporting places like Egypt and Turkey.
Be brave! The poor of the world are starving for your tourism dollars!
Pentax 645Nii, Pentax-A SMC 55mm f/2.8
Kodak Tri-X @ 800
XTOL 1+1, 9' 30" @ 21C
Nikon Coolscan 9000 ED
The day before I photographed the fog and shining mountains in yesterday's post, I logged a lot of time in the sleeping bag due to unpleasant weather. Rain, then snow, then dripping drops off the trees, and so it went. Eventually I had to get up and move. It wasn't a day for landscapes, so I took a macro lens along a forest trail, where the bunchberry glowed brilliant red and green in the soft light.
Photographed in Banff National Park, Alberta (Canada); scanned from the original Fujichrome Provia 100 slide (pushed one stop to ISO 200). Don't use this image on websites, blogs, or other media without explicit permission © 1998 James R. Page - all rights reserved.
After traveling around the world for many months, Akida decided to stop by Los Angeles for some Californian sunshine (and take some pictures with me and Jaxting).
Downtown Los Angeles, California.
It's been a while since my last upload and around flickr in general. I hope you have all been well. :-)
One of the main problems with the pandemic in Barcelona is the diminutive size of the majority of flats - not ideal when there are curfews, mobility restrictions and most facilities are either closed or open for only limited hours.
Frances Rosario's "In the Realm of the Selves" solo.
"the woman invisible to herself " is a site specific performance installation in and around the old Sunshine Biscuit Factory in Oakland, CA by Dance-Theater Choreographer Mary Armentrout. I have done work with Mary in various capacities (on and off stage) for the past decade and the thing I love about her work is that it is very abstract yet extremely accessible to the non-artist (i.e. you can see her work and be able to "get it" without being an MFA), yet not so dumbed down to not be poignant to career artists as well. On this show I'm setting up and operating all the A/V gear and this go around she let me bring my Hasselblad to do a little shooting during the performances.
Illford XP2 super - C41 (pushed 2 stops) - (processed @ Light Waves Imaging)
SEKONIC L-778 DUAL SPOT F METER
(Shot at 1600ASA, exposure unrecorded, as you can see it's a very healthy fraction of a second)
Hasselblad 500C (1968) w/120mm f5.6 Zeiss S-Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110716_XP2_pushed2_C41_511040_009)
After loving a lot of the results that other photographers had achieved with HP5+ pushed to 1600, I decided to give it a go myself. The extra grain combines well with the falling snow and gives everything a gritty, harsh texture.
Film: HP5+ pushed to 1600
Camera: Konica Autoreflex T3 with 28 mm lens
Development: Ars-Imago FD developed for 2 stop push
Digitised with a digital camera and small contrast adjustments in LR
Leica M6 TTL 0.85 | Voigtlander 40mm 1.4 Nokton MC | Kodak Tmax 3200 @ 6400 | Kodak HC110b | www.JohnnyMartyr.com