View allAll Photos Tagged provocation
Grizzly bear, traditional name given to brown bears (Ursus arctos) of North America. Grizzly bears of the northern Rocky Mountains (U. arctos horribilis) are classified as a subspecies, as are the huge Kodiak bears of Alaska (U. arctos middendorffi).
Grizzlies are massive animals with humped shoulders and an elevated forehead that contributes to a somewhat concave profile. The fur is brownish to buff, and the hairs are usually silver- or pale-tipped to give the grizzled effect for which they are named. Large adult grizzlies may be about 2.5 metres (8 feet) long and weigh about 410 kg (900 pounds). The Kodiak bear is the largest living land carnivore and may attain a length of more than 3 metres and a weight of 780 kg. It lives only on Kodiak Island and neighbouring islands. Because of their bulk and long straight claws, these bears rarely climb, even as cubs. Other grizzlies, however, are surprisingly agile and can run as fast as 48 km per hour (30 mph). Their eyesight is poor, and they have been known to attack humans without evident provocation. Females with cubs are the most aggressive.
Lussuria- Vizi capitali
Volevo proporvi una versione "nuova" Dei sette peccati di dante, questa teoricamente dovrebbe essere la Lussuria, Il Settimo peccato capitale
©Ellie's - Tutti i diritti sono riservati. Non usare senza il mio permesso
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I have the panels attention, so move to display more hidden talents, outside of administerial expertise.
Street art is visual art created in public locations, usually unsanctioned artwork executed outside of the context of traditional art venues. The term gained popularity during the graffiti art boom of the early 1980s and continues to be applied to subsequent incarnations. Stencil graffiti, wheatpasted poster art or sticker art, and street installation or sculpture are common forms of modern street art. Video projection, yarn bombing and Lock On sculpture became popularized at the turn of the 21st century.
The terms "urban art", "guerrilla art", "post-graffiti" and "neo-graffiti" are also sometimes used when referring to artwork created in these contexts.[1] Traditional spray-painted graffiti artwork itself is often included in this category, excluding territorial graffiti or pure vandalism.
Street art is often motivated by a preference on the part of the artist to communicate directly with the public at large, free from perceived confines of the formal art world.[2] Street artists sometimes present socially relevant content infused with esthetic value, to attract attention to a cause or as a form of "art provocation".[3]
Street artists often travel between countries to spread their designs. Some artists have gained cult-followings, media and art world attention, and have gone on to work commercially in the styles which made their work known on the streets.
Benelli motorcycle Scramble
All-New Leoncino prepared Benelli motorcycle Scramble provocation comes in all dimensions.
After the previous camp Benelli unveiled at the All-New Leoncino motorcycle line Scramble is expected that the event will be a show EICMA Show in Milan, Italy, in...
Frohes Fest (Merry festive season); Gelitin; 2010
Pink out of a corner (two jasper Johns); Lutz Bacher; 1963, 1991
Is a giant sculpture of a butt plug which shows a vague resemblance to a Christmas tree art, or meaningless provocation?
Street art is visual art created in public locations, usually unsanctioned artwork executed outside of the context of traditional art venues. The term gained popularity during the graffiti art boom of the early 1980s and continues to be applied to subsequent incarnations. Stencil graffiti, wheatpasted poster art or sticker art, and street installation or sculpture are common forms of modern street art. Video projection, yarn bombing and Lock On sculpture became popularized at the turn of the 21st century.
The terms "urban art", "guerrilla art", "post-graffiti" and "neo-graffiti" are also sometimes used when referring to artwork created in these contexts.[1] Traditional spray-painted graffiti artwork itself is often included in this category, excluding territorial graffiti or pure vandalism.
Street art is often motivated by a preference on the part of the artist to communicate directly with the public at large, free from perceived confines of the formal art world.[2] Street artists sometimes present socially relevant content infused with esthetic value, to attract attention to a cause or as a form of "art provocation".[3]
Street artists often travel between countries to spread their designs. Some artists have gained cult-followings, media and art world attention, and have gone on to work commercially in the styles which made their work known on the streets.
INSINUACION-PROVOCACION-PINTURA-ARTE-MUJER-ACUARELAS-EXPRESION-DULCE-MODELOS-PINTOR-ERNEST DESCALS-
La mujer y también modelo muestra una expresión dulce en su cara mientras ejerce con su pose una cierta insinuación y una medida provocación, ella se baja un poco la camiseta de tirantes para mostrar un poco sus senos ante la atenta mirada del pintor, me parece una situación excitante que se ha de pintar con alegría, a menudo con poco se logra mucho, las mujeres saben administrar estos actos cuando quieren atraer la atención con juegos lúdicos. Pintura del artista pintor ernest Descals con acuarelas sobre papel de 35 x 27 centímetros.
For Bald Eagle lovers, Haines is nothing short of paradise. It’s a chilly, remote paradise, but paradise, nonetheless. At almost any given time you can drive out of town, stop along the road, and pick out dozens of these symbolic birds of prey in the surrounding trees. In the east, they still seem fairly timid, flying off with the least provocation. In Haines, the birds seem more resolute. They are much more approachable. Who knows, perhaps they’re just too darned cold to fly away, but I think not. There is something about Haines and its eagles that are special. Despite the journey and the cold it is a place I long to return to. #BaldEagles
Compared to previous years this has been a strange and limited year for me geographically.
To begin with the immediately concrete, I’ve hardly gone outside in the past week and a half, thanks to an extended episode of my right foot being stiff and swollen from gout. This time it struck without warning or provocation, unlike the previous time earlier this year, which you can see foreshadowed on the map as a day of biking around exploring West Oakland and then to Berkeley. The next day I could barely walk, and I haven’t dared to ride a bike in months.
My daily routine has been dominated all year by getting between home and MacArthur or Rockridge BART stations and between Civic Center BART and the Mapbox office on 9th Street. There are also many short walks from 16th Street BART for the Friday morning ritual of geobreakfast, and some longer ones taking advantage of some extra time in the morning to walk between 16th Street and Castro or Church stations instead of going straight to work. Another couple of early mornings I went to Glen Park and Noe Valley just to count pedestrians.
The long straight lines in the Oakland Hills are GPS tracks from airplanes. The rules changed and now you can use a GPS receiver during takeoff and landing, but it’s still hard to get a good signal. The trips were to Boston, to speak at the OpenVis conference (and then from there to Maryland to visit Steph’s family), and to Minneapolis, to speak at Eyeo Festival. Not visible on the map are two trips to visit my parents in southern California.
Locally, I talked at the Macro City conference at the Brava Theater, at Swissnex on Montgomery, at the National Association of City Transportation Officials at SPUR, and to a cartography class at San Francisco State, gave lunch talks at SFMTA and Gehl Architects, and was in SPUR’s Urban Cartography exhibit.
One Saturday I took the F Market around the Embarcadero to go to the library book sale at Fort Mason and came away with seven bound volumes of the Armed Forces Song Folio, monthly compilations of popular sheet music issued by the military in the 1940s and 50s. By systematically working through them, I’ve finally become a competent “fake book” pianist, able to play songs I’ve never heard before from the written melody and chords, although playing full standard piano arrangements is still beyond me.
I think the only new infrastructure reflected here is trying out BART’s Oakland Airport Connector on its opening day.
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In general, black is walking, red is bicycling, blue is cars or buses, and green is above-ground rapid transit or freeways. (Color is from speed, not from an actual record of transportation mode.) Not shown: tunnels and subways. How big is your world?
Other people doing similar things: Nicole Aptekar.
Samburu National Reserve
Kenya
East Africa
BEST VIEWED IN LARGER SIZE
Musth or must /ˈmʌst/ is a periodic condition in bull (male) elephants, characterized by highly aggressive behavior and accompanied by a large rise in reproductive hormones. Testosterone levels in an elephant in musth can be as much as 60 times greater than in the same elephant at other times. However, whether this hormonal surge is the sole cause of musth, or merely a contributing factor, is unknown; scientific investigation of musth is problematic because even the most placid elephants become highly violent toward humans and other elephants during musth, requiring segregation and isolation until they recover. Female elephants do not undergo musth.
Often, elephants in musth discharge a thick tar-like secretion called temporin from the temporal ducts on the sides of the head. Temporin contains proteins, lipids (notably cholesterol), phenol and 4-methyl phenol,[2][3] cresols and sesquiterpenes (notably farnesol and its derivatives).[4] Secretions and urine collected from zoo elephants have been shown to contain elevated levels of various highly odorous ketones and aldehydes. The elephant's aggression may be partially caused by a reaction to the temporin, which naturally trickles down into the elephant's mouth. Another contributing factor may be the accompanying swelling of the temporal glands; this presses on the elephant's eyes and causes acute pain comparable to severe root abscess toothache. Elephants sometimes try to counteract this pain by digging their tusks into the ground.
Musth is linked to sexual arousal or establishing dominance, but this relationship is far from clear. Cases of elephants goring and killing rhinoceroses without provocation in national parks in Africa have been documented and attributed to musth in young male elephants, especially those growing in the absence of older males. Studies show that reintroducing older males into the elephant population of the area seems to prevent younger males from entering musth, and therefore, stop this aggressive behavior.
1) Detail of an Original Study private collection E. and J. H.
2) "Original" written on foam by Claudia Bosse, part of "Schiele Experiment - Melancholy and Provocation". Museum Leopold.
DMC-G2 - P1280831 (13.2.2012) + DMC-G2 - P1270868 (3.2.2012)
Ein Graffiti an einer Haltestelle der AKN hier in Norddeutschland brachte mich zum Nachdenken, da ich den Sinn nicht verstand und er sich mir auch immer noch nicht ganz erschließt. Nachforschungen in Richtung eines Graffitiprojektes zur Prävention von illegalen Graffitis oder Gewaltprävention ergaben keine Treffer.
Meine Bearbeitung des zugrundeliegenden Graffitis zeigt nun eine Interpretation des Graffities.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Admittedly, the GBH is one of my favorite birds to photograph (as a fairly new photographer, I started with big birds and, well, I'm working my way down---just can't resist a good Great Blue Heron shot, though). Great subjects, as they can remain perfectly still for long stretches of time (but they will fly off at the slightest provocation).
Rockport, TX; 050512; IMG_6009
Panniru Thirumuari Vizaa - Kapaleeswarar Temple , Mylapore .
பன்னிருதிருமுறை விழா
The Shaiva Tirumurais are twelve in number. The first seven Tirumurais are the hymns of the three great Shaivite saints, Sambandar, Appar and Sundarar. These hymns were the best musical compositions of their age.
The first three Tirumurais (meaning parts) of Tevaram are composed by Sambanthar, the next three by Appar and the seventh one is composed by Sundarar. There is a famous saying about the Saiva trio that "Appar sang for me, Sambanthar sang for himself and Sundarar sang of gold". Appar and Sambanthar lived around the 7th century, while Sundarar lived in the 8th century. During the Pallava period these three travelled extensively around Tamil Nadu offering discourses and songs characterised by an emotional devotion to Shiva and objections to Vaishnavism, Jainism and Buddhism.
Sambanthar is a 7th-century poet born in Sirkali in Brahmin community and was believed to be suckled by the goddess Parvathi, whereupon he sang the first hymn. On the request of queen of Pandya Nadu, Sambandar went on pilgrimage to south, defeated Jains in debate, the Jains' provocation of Sambandar by burning his house and challenging him to debate, and Sambandar's eventual victory over them He was a contemporary of Appar, another Saiva saint. Information about Sambandar comes mainly from the Periya Puranam, the eleventh-century Tamil book on the Nayanars that forms the last volume of the Tirumurai, along with the earlier Tiruttondartokai, poetry by Cuntarar and Nambiyandar Nambi's Tiru Tondar Tiruvandadi. A Sanskrit hagiography called Brahmapureesa Charitam is now lost. The first volumes of the Tirumurai contain three hundred and eighty-four poems of Campantar (in 4181 stanzas), all that survive out of a reputed more than 10,000 hymns. Sambanthar is believed to have died at the age of 16 in 655 CE on the day of his marriage. His verses were set to tune by Nilakantaperumalanar who is set to have accompanied the poet on his yal or lute.
Appar's (aka Tirunavukkarasar) was born in the middle of 7th century in Tiruvamur, Tamil Nadu, his childhood name for Marulneekiar. His sister, Thilagavathiar was betrothed to a military commander who died in action. When his sister was about to end her life, he pleaded with her not to leave him alone in the world. She decided to lead an aesthetic life and bring up her only brother. During boyhood, Appar was very much interested in Jainism and started studying its scriptures. He went away from home and stayed in their monastery and was renamed Darmasena. Details of Appar's life are found in his own hymns and in Sekkizhar's Periya Puranam (the last book of the Tirumurai). Appar had travelled to nearby Patalipura to join a Jain monastery where he was given the name Dharmasena. "Seeing the transient, ephemeral world he decided to probe into truth through renunciation." After a while, afflicted by a painful illness, Dharmasena returned home. He prayed for relief at the Siva temple where his sister served and was cured. He was also involved in converting the Pallava king, Mahendravarman to Saivism. This was also the period of resurrection of the smaller Shiva temples. Appar sanctified all these temples by his verses and was also involved in cleaning of the dilapidated temples called uzhavarapadai. He was called Tirunavukkarasu, meaning the "King of divine speech". He extolled Siva in 49,000 stanzas out of which 3130 are now available and compiled in Tirumurais 4-7. When he met Campantar, he called him Appar (meaning father). He is believed to have died at the age of 81 in Tirupugalur.
Sundarar (aka Sundaramurthi) was born in Tirunavalur in a Brahmin family during the end of 7th century. His own name was Nambi Arurar and was prevented from marrying by the divine grace of Siva. He later married a temple girl namely Paravi and a vellala community girl by name Cankili.[17] He is the author of 1026 poems compiled as 7th Tirumurai.
Manikkavasagar's Tiruvacakam and Tirukovayar are compiled as the eighth Tirumurai and is full of visionary experience, divine love and urgent striving for truth. Manickavasgar was the king's prime minister and renounced his post in search of divinity.
The ninth Tirumurai has been composed by Tirumalikaittever, Sundarar, Karuvurttevar, Nampikatava Nampi, Gandaraditya, Venattatikal, Tiruvaliyamutanar, Purutottama Nampi and Cetirayar. Among these the notable is Gandaraditya (950-957 CE), a Chola king who later turned a saivite saint.
Tirumandiram by Tirumular unfolds siddantha (attainment) as a fourfold path - virtous and moral living, temple worship, internal worship and union with Siva. Tirumular worked out an original philosophical system and southern scholl of Saiva siddantha draws its authority from Tirumandiram, a work of 3000 verses. Tirumandiram represents another school of thought detailing agamic traditions, which run parallel to the bhakthi movement. It does not glorify temples or deities as in the case of other Tirumurais.
The eleventh Tirumurai has been composed by Karaikkal Ammeiyar, Ceraman Perumal, Pattinattu p-pillaiyar, Nakkiratevar, Kapilateva, Tiruvalavaiyudaiyar, Nampiyantarnampi, Iyyadigal katavarkon, Kalladateva, Paranateva, Ellamperuman Adigal and Athirava Adigal. Nambi's Tirutottanar Tiruvanthathi followed an exclusive style of mincing Tamil and Sankrit verses in anthati meter similar to Tevaram of the trio. Karaikkal Ammaiyar (550-600 CE)is the earliest of the woman Saivite poets who introduced the kattalai-k-kali-t-turai meter, which is a complicated structural departure from the old classical Tamil meters. The other meter used by Ammaiyar was old venba and also antathi arrangement in which offset of one line or stanza is identical with the onset of next line or stanza.
Periya Puranam (Tamil:பெரிய புராணம்), the great purana or epic, sometimes also called Tiruttontarpuranam(read as "Tiru-Thondar-Puranam") (the purana of the holy devotees) is a Tamil poetic account depicting the legendary lives of the sixty-three Nayanars, the canonical poets of Tamil Shaivism. It was compiled during the 12th century by Sekkizhar. It provides evidence of trade with West Asia Sekkizhar compiled and wrote the Periya Puranam listing the life stories of the sixty-three Shaiva Nayanars, poets of the God Shiva) who composed the liturgical poems of the Tirumurai, and was later himself canonised and the work became part of the sacred canon. Sekkizhar was a poet and the chief minister in the court of the Chola King, Kulothunga Chola II.
Raja Raja Chola I (985-1013 CE) embarked on a mission to recover the hymns after hearing short excerpts of Tevaram in his court. He sought the help of Nambi Andar Nambi, who was a priest in a temple. It is believed that by divine intervention Nambi found the presence of scripts, in the form of cadijam leaves half eaten by white ants in a chamber inside the second precinct in Thillai Nataraja Temple, Chidambaram. The brahmanas (Dikshitars) in the temple opposed the mission, but Rajaraja intervened by consecrating the images of the saint-poets through the streets of Chidambaram.Rajaraja thus became to be known as Tirumurai Kanda Cholan meaning one who saved the Tirumurai. Thus far Shiva temples only had images of god forms, but after the advent of Rajaraja, the images of the Nayanar saints were also placed inside the temple. Nambi arranged the hymns of three saint poets Campantar, Appar and Sundarar as the first seven books, Manickavasagar's Tirukovayar and Tiruvacakam as the 8th book, the 28 hymns of nine other saints as the 9th book, the Tirumandiram of Tirumular as the 10th book, 40 hymns by 12 other poets as the 10th book, Tirutotanar Tiruvanthathi - the sacred anthathi of the labours of the 63 nayanar saints and added his own hymns as the 11th book. The first seven books were later called as Tevaram, and the whole Saiva canon, to which was added, as the 12th book, Sekkizhar's Periya Puranam (1135 CE) is wholly known as Tirumurai, the holy book. Thus Saiva literature which covers about 600 years of religious, philosophical and literary development.
Rainforest Hognosed-Pitviper (Porthidium nasutum) 💥
Hidden between the forest leaf litter, this viper is one of the common "land mines" in the Costa Rican rain forest.
It relies on its camouflage as a primary defense mechanism and will never attack without provocation.
Quite honestly, never with Bogart. Have you ever seen a more tolerant dog?
[SOOC, f/1.4, ISO 400, shutter speed 1/320, +2 EV]
Look closely at the unused clip on the Lone Ranger-era cannon on the right. Now, compare it to the one on the left and notice the difference. This happened without provocation, where the broken clip in question (which was holding a cannon plunger since ~2015 with no problem) suddenly decided to dispense of it's load. Not sure where the tip landed, as I can't find it.
Oh, and the train cars in the background are from the 8-wide Wild West 4-10-0 + military train. I've built everything but the steam loco itself, but I can't finish this whole MOC today. I've had to redesign the prisoner car's exploding wall area (twice!) and have realized I'm short a couple parts for the tender that I know I don't have extras of. Frankly, I'm afraid at this point the loco won't work as planned, judging by how this day is going so far!
When this train get's completed, it will join four other trains on the photography table. I'll get the pictures taken at that point, due to this being the last Western train I plan on making. (yeah, I'm not so confident that will argument hold up in the future!)
Anacortes.
"On September 7, 1899, Alfred Hamilton (1872-1902) shoots and kills prominent attorney David. M. Woodbury (1849-1899) without provocation. Hamilton, a notorious miscreant, has been wandering around Anacortes intoxicated, threatening the citizenry with a revolver, and efforts by the city marshal to arrest him without bloodshed have been unsuccessful. Woodbury lingers in great pain for three days before dying on September 10, 1899. A Skagit County jury will find Hamilton guilty of first-degree murder with the mandatory sentence of death. On appeal the Washington State Supreme Court will grant him a new trial based on judicial error. To assure a fair and impartial jury, Hamilton's retrial will be held at the Whatcom County Courthouse in Bellingham. Once again, he will be found guilty of first-degree murder and sentenced to hang. Hamilton's attorneys will appeal the subsequent conviction to the state Supreme Court, where the judgment of the lower court will be affirmed. On May 23, 1902, Hamilton will be hanged in the courtyard outside the Whatcom County Courthouse. This will be the last legal execution to occur in Washington outside the confines of the state penitentiary at Walla Walla."