View allAll Photos Tagged protools
Producer Deewaan www.Deewaan.com
Drummer Warren Benbow www.michele-andree-unblugged.com/warren-benbows-creative-...
photo credit: Kia Michelle Photography kiamichelle.wordpress.com/
"Spanky" Listening Sessions @MusicWorksNYC
Bassist Ed Maguire, Artist Heather Dee Perry, Master Drummer Michael Carvin, Artist Millo Torres, Music Works' Chris Theberge, Spanky the MC, Carlos C12 Bess
The very first but still very well performing PROTOOL prototype: a Walz FL440 light source and a FastTracka-I fluorometer
Elaborer et finaliser la bande son d’un projet audiovisuel / Certification Pro Tools 101
Ce stage vous permettra de répondre avec aisance à un projet de post-production avec Pro Tools.
Validez votre pratique professionnelle : Cifap est “AVID Authorized Training Partner” : les stagiaires peuvent passer la certification 101 Pro Tools à l’issue de la formation (examen en ligne).
www.cifap.com/formation/la-post-production-audiovisuelle-...
"Spanky" Listening Sessions @MusicWorksNYC
Artist Mingus Murray (Mingusmurray.com) , Artist Manger Miles Anthony Williams (Righteous Music Media) www.RighteousMusicMedia.com
Producer Deewaan www.Deewaan.com in Studio C at Music Works
photo credit: Kia Michelle Photography www.kiamichelle.wordpress.com/
My friend David does sound production basically for any student film maker attending SF State while he is completing his graduate degree of sound for film, and he asked me to come assist him at a location shoot at a Buddhist Temple on Tuesday night.
Originally we were going to record the monks chanting along to instrumentation, but the director decided that she wanted the chanting a capella so we ended up not really needing my MBox for multi-track recording, but we ended up doing a left-right-center quasi-surround mix instead.
Along with supplying the Digi hardware, my purpose was to make sure that ProTools was happy and ran smoothly during each of the takes while David was busy arranging microphones for different shots and managing his boom op.
The audio station was setup in a back room behind the main shrine. About twenty minutes after I took this photo, the room started shaking about as if a large truck was passing by, until we all came to the realization that it was the 5.6 San Jose earthquake that we were feeling. There was some good rolling action for a couple seconds as we all just kinda rode out the shockwave, and then went back to working on the film.
Strike time was at ten pm, and after a late-night stop off for some In-n-Out on the way home, I got back to busily finishing off the sound mix for *another* project that I have been working on. No sleep for the weary.