View allAll Photos Tagged proposal
A surprise trip to Oregon for this Texas girl so her guy could propose at Richardson's Rock Ranch. The ring was hidden inside an amethyst geode. I posed as a rock expert and guide and took pictures of the proposal. It was sooo sweet!!
SDASM.CATALOG: 00093317
SDASM.TITLE: CL-84 variant proposal
SDASM.CORPORATION NAME: Canadair
SDASM.DESIGNATION: CL-84
SDASM.CREATION PLACE: Canada
SDASM.ADDITIONAL INFORMATION: CL-84 variant proposal
SDASM.TAGS: CL-84 variant proposal
So, about 8 1/2 years ago this happened www.flickr.com/groups/42349087@N00/ at quite an odd time in my life and this little blockwww.flickr.com/photos/acciarini/415816161/in/album-721576... got things rolling and here I am today a totally different man and engaged to the most wonderful woman. Thanks Jack, thanks mydogsighs but must of all thank you my lovely wonderful plurabella! xxT
More outtakes from my European vacation. This is one I was most proud of until I realized that the guy's face was blurred. Lately I'm thinking I'm taking this photography thing just a little too seriously and I need to just lighten up and share some meaningful moments also, even if it's not technically perfect.
I watched this guy propose to this woman. There is wine, a ring, and you can't see it, but a rose - and they are on the Eiffel Tower. This guy is a true romantic, from the setting, to the props, to the public proposal. A great romantic scene. I watched with delight, and then I asked if I could take a picture.
All is not lost. I took a picture with their camera also.
On November 26, 2017, I proposed to my girlfriend Shaniece and she said yes! 💍❤️
For my proposal, I first planned to create something to show Shaniece all of our favorite moments and spots during our travels.
Soon I realized what I truly loved about being with her and what will make our future special: The little everyday moments we share, when nobody is around and we can just be ourselves.
This is how the idea was born to create six LEGO vignettes of our favorite activities:
[0. Prologue]
1. Long-Distance (FaceTime)
2. Cooking
3. Relaxing (Movies)
4. Biking
5. Spinning
6. The Future
Each 14x14 stud vignette was covered under a home-made Origami box hastily made that very morning, before Shaniece woke up. For each vignette, I wrote a card telling a little story about our relationship.
St. Louis Actors' Studio
presents
Neil Simon's
PROPOSALS
open 10/2/09
Scene and Lighting Design by Patrick Huber
SDASM.CATALOG: 00093322
SDASM.TITLE: CL-84 variant proposal 127850B
SDASM.CORPORATION NAME: Canadair
SDASM.DESIGNATION: CL-84
SDASM.CREATION PLACE: Canada
SDASM.ADDITIONAL INFORMATION: CL-84 variant proposal 127850B
SDASM.TAGS: CL-84 variant proposal 127850B
I am sooo excited about that one. Tomorrow is ten years to our wedding day, so when my friend came over and told about their friend who is going to proposal tomorrow... I could not resist to make that little cupcake for him. He'll bring the ring to my friend and they'll deliver my little box to the restaurant. I hope she'll say "Yes"!
A new bidding plan for the A1 & P2 Locomotive Trust by turning this old Stockton & Darlingtion railway shed there new home for LNER A1 Class 60163 Tornado and LNER P2 Class Prince of Wales along with future steam locomotives to come. (read full article for more details)
St. Louis Actors' Studio
presents
Neil Simon's
PROPOSALS
open 10/2/09
Scene and Lighting Design by Patrick Huber
------------------
This time, the BIENNALIST is looking into the notion of uncertainty which is the main theme for Bienal de São Paulo this year titled INCERTEZA VIVA (Live Uncertainty).
The program of Bienal de São Paulo is focusing "on notions of “uncertainty” to reflect on the current conditions of life and the strategies offered by contemporary art to harbor or inhabit uncertainties"
BIENNALIST is an art format that responds and questions the themes of biennials with artworks. Thierry Geoffroy/COLONEL have since 1988 been on location testing the pertinence of the biennales. Instead of questioning the canvas, the pigment or the museum, the artist questions the staged art events and their motivations. The theme of each biennial is taken seriously and studied in order to contribute to the debate the biennales want to generate.
www.emergencyrooms.org/biennalist.html
us11.campaign-archive1.com/?u=22fa5c727ad97382f987f60c8&a...[UNIQID]
-----------------the 32nd Bienal de São Paulo concept and artists ---
Titled Incerteza viva (Live uncertainty), the 32nd Bienal de São Paulo means to reflect on the current conditions of life and the strategies offered by contemporary art to harbor or inhabit uncertainty. The exhibition, curated by Jochen Volz and the co-curators Gabi Ngcobo (South Africa), Júlia Rebouças (Brazil), Lars Bang Larsen (Denmark) and Sofía Olascoaga (Mexico), will be held from September 10 to December 11, 2016 at the Ciccillo Matarazzo Pavilion, featuring approximately 90 artists and collectives, 54 of which are announced below:
Alia Farid; Anawana Haloba; Bárbara Wagner; Bené Fonteles; Carla Filipe; Carolina Caycedo; Cecilia Bengolea; Charlotte Johannesson; Cristiano Lenhardt; Dineo Seshee Bopape; Ebony G. Patterson; Eduardo Navarro; Em’kal Eyongakpa; Erika Verzutti; Felipe Mujica; Francis Alÿs; Gabriel Abrantes; Gilvan Samico; Güneş Terkol; Heather Phillipson; Helen Sebidi; Henrik Olesen; Hito Steyerl; Iza Tarasewicz; Jorge Menna Barreto; José Antonio Suárez Londoño; José Bento; Kathy Barry; Koo Jeong A; Lais Myrrha; Lourdes Castro; Luke Willis Thompson; Mariana Castillo Deball; Michal Helfman; Misheck Masamvu; Nomeda & Gediminas Urbonas; OPAVIVARÁ!; Öyvind Fahlström; Park McArthur; Pia Lindman; Pierre Huyghe; Pilar Quinteros; Priscila Fernandes; Rachel Rose; Rikke Luther; Rita Ponce de León; Ruth Ewan; Sandra Kranich; Ursula Biemann; Víctor Grippo; Vídeo nas Aldeias; Vivian Caccuri; Wilma Martins; William Pope.L
The exhibition sets out to trace cosmological thinking, ambient and collective intelligence, and systemic and natural ecologies. “Art feeds off uncertainty, chance, improvisation, speculation and, at the same time, it attempts to count the uncountable and measure the immeasurable. It makes room for error, for doubt and risk—even for ghosts and the most profound misgivings, without evading or manipulating them,” says curator Jochen Volz. “In order for us to objectively confront the big questions of our time, such as global warming and its impact on our habitat, the extinction of species and the loss of biological and cultural diversity, economic and political instability, injustice in the distribution of the earth’s natural resources and global migration, perhaps it’s necessary to detach uncertainty from fear.”
As part of the research for the 32nd Bienal de São Paulo and inaugurating its public activities, four Study Days will be held between March and May of 2016, combining visits to cultural institutions and initiatives, local communities, ecological reserves, artists’ studios, and research centers with four conferences, open to the public and conducted by invited lecturers and professionals at the different locales where they are to take place:
Cuiabá, Mato Grosso, Brazi, one of the richest and most fragile biomes in the world, a land of depleted soil, of monoculture, of species vanished and knowledge forgotten, selected for a conference discussing extinction and preservation, abundance and drought; Santiago, Chile, for a conference focusing on cosmologies and the enmeshed relationships between art and science, myth and history from a present-day perspective; Accra, Ghana, a point of return for many slaves from Brazil, a locale of bonds and renewals, projections and collective dreams; and the Peruvian Amazon, where the objective is to work with education, connections between the human race and nature, and to address questions about what is natural and original.
To mark the cycle, a seminar will be held at the Bienal building in São Paulo in June, interlacing the themes and proposals developed during these collaborative investigations. Registers of the Study Days and the seminar in São Paulo will be published on the Bienal website and in a specific publication.
Seeking to actively participate in the continuous and collective construction of the Ibirapuera Park as a public space, the exhibition sees itself as an extension of the garden inside the pavilion. Conversely, numerous artistic projects will be commissioned for the park. The firm Álvaro Razuk Arquitetura has been invited to develop the exhibit’s architectural project and exhibition displays.
Curator: Jochen Volz
Co-curators: Gabi Ngcobo, Júlia Rebouças, Lars Bang Larsen and Sofía Olascoaga
--------other biennale --
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
#thierrygeoffroy #colonelartist #Biennalist #VeniceBiennale# BiennaleArte2015 #artecurator l#biennalecritic #biennialcritic #32bienal @bienalsaopaulo #32bienal #32bienaldesaopaulo #arte #art #contemporaryart #IncertezaViva @
#biennial #biennale #emergencyart #ultracontemporary