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This is the skeleton of the projector, stripped bare in preparation for the remodeling. I've already installed the IR glass, which creates an interesting red reflection from the flash.
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Replacement projector lamp for Sanyo model PLC-XF47, and EIKI model LC-XT5. Learn more about this lamp here: www.topbulb.com/sanyo-plc-xf47-eiki-lc-xt5-lamp-610-334-6...
A tube from a caulking tool, a dremmel'd body cap, some Duct Tape and velvet for the light-seal/'focus' mechanism.
This is the bare bulb that fits in the XL5100 lamp used in Sony TVs. The Sony TVs that use this bulb are KDS-R50XBR1 and KDS-R60XBR1. Source: www.topbulb.com/sony-xl5100-sony-tv-kds-r50xbr1-kds-r60xb...
Complete with case, corded remote and power cord. Made in West Germany. This makes other projectors seem like toys.
Un conjunto de bombilla, espejo y lente era una de las joyas que la tecnología audiovisual podía ofrecerme cuando era niño. Servía para proyectar ilustraciones y fotografías, y con él aprendí a reproducir dibujos a gran escala. Disfruté tanto con él como lo hago ahora com mi supermegaordenador inalámbrico de tropecientos gigas y procesador Core Duo de última generación.
In motion picture theater the film is actually placed on a "platter" system as opposed to a big, vertical reel (like a home 8mm film projector might use).
The film is open and exposed to the environment of the booth - so it's important it's treated carefully and conditions are controlled.
The platters spin and a center set of rollers and attenuaters control the speed of rotation as the film is pulled through the rollers, across open space to a set of rollers on a center-column, across more open space to the projector itself.
The projector runs the 35mm film at 32 frames per second through a series of intricate rollers and guides - then back to the platter system where it's rolled up onto another platter.
When it's time for that movie to run again - THAT platter becomes the feed for the movie - and the whole process is reversed - alternating feed and take-up platters.
We also have a third-platter on every projector which allows us to do "double features" in each theater house. Two different films will occupy two of the platters while one remains free for takeup. A careful system of feed/takeup alternations allow one projector to rotate through two movies all day long and never have to remove the film from the system.