View allAll Photos Tagged projecting
I'm still in hospital but I went for a little walk today. This church is across the road from the hospital.
New Year's Eve, Tuesday, 31st December 2019.
Naalbound socks done in Oslo stitch with the Uppsala heel variant. Yellow obtained with onion skins, and brown with black walnut hulls.
The PROJECT
Ein dokumentarisch-fiktiver Abend über Identität
In Anlehnung an «The DNA-Project» der Künstlerin Marina Belobrovaja
von und mit Enzo Scanzi TEATRO MATTO
Wohin und zu wem gehören wir? Menschen, die sich in der Gegenwart verunsichert fühlen, suchen nach Verankerung, zum Beispiel in ihrer Herkunft. Wissenschaftliche Beweise lösen soziale Zugehörigkeit ab und gleichzeitig wird kaum etwas so emotional diskutiert wie Identität und Herkunft. Die in Zürich lebende ukrainisch-isrealische Künstlerin Marina Belobrovaja hat 49 Juden und Jüdinnen aus der Schweiz, aus Deutschland, Russland, Israel und aus der Ukraine zum Jüdisch-Sein interviewt. Roter Faden ist die Reaktion der Interviewten auf das jeweils vorangehende Gespräch. So entsteht eine Art DNA-Kette.
Das dokumentarische Material beleuchtet die Sehnsucht nach Selbstverortung und konfrontiert uns mit der Frage: Wer und was sind wir?
Premiere Do 25. September 2014, 20 Uhr
weitere Spieldaten:
Fr 26. September 2014
Sa 27. September 2014
Di 30. September 2014
Mi 01. Oktober 2014
Do 02. Oktober 2014
Fr 03. Oktober 2014
Sa 04. Oktober 2014
je 20 Uhr
Tickets 30.- / ermässigt 20.-
Reservation marketing@kulturmarkt.ch oder 044 454 10 10
Abendkasse & Bar Eine Stunde vor Veranstaltungsbeginn
Regie Enzo Scanzi
Dramaturgie Ann-Marie Arioli
Schauspiel Nicole Tobler, Rebekka Burckhardt, Nikolai Bosshardt, Joey Zimmermann
Cello Tehila Machado
Kostüme / Requisiten Isabel Schumacher
Szenografie Mona Fischer
Gestaltung Flyer / Plakat Werner Holtmann
Lichtdesign Gioia Scanzi
Technik Kulturmarkt
Regie-Assistenz Tina Kümpel
Produktionsleitung Cristina Achermann
Eine Koproduktion mit Kulturmarkt Zürich und Theater im Burgbachkeller Zug
Geocaching. A cache rated at 1.5 terrain one should not need to climb a tree to reach it. The clue says it is 'at head height'. Whose head, a blooming giant?
Thursday, 26th January 2017.
Projects Gallery, 629 N. 2nd Street, 267-303-9652
To Die For
Mark Burns, Richard Cleaver, John De Fazio, David Furman, Peter Gourfain, Kathy King, Charles Kraft, Matt Nolen, Mel Rubin, Richard Shaw, Ehren Tool, Monica Van den Dool.
Whether in effigy pots, vase paintings, or offerings to the dead, ceramics has always been a significant material in the world of the rituals of death, spirituality and transformation. Invited and juried artists have responded to the timeless topics of death and dying, the nature of mortality, the afterlife and the surrounding fears of loss – hosts, ghosts and the meaning of life.
Co-curated by Judith Schwartz and Jack Thompson.
February 8, 2015 - Clocks got time, songs got rhyme, but baby I got you.
After much turmoil and thought, I've decided I am going to abandon my 365 Project that I started on January 1 and change gears a bit. I've decided I'm going to instead attempt an iPhone-only 365 project beginning today.
My rules for the project will be:
1. Photos taken and edited with my iPhone 6 only
2. Photos will be square format
A small project consisting of setting up a shoot with random passersby and getting them to pull a face.
All participants where informed of the project and asked if they wanted to be a part. To see the rest of the project you can visit cambrils.tumblr.com/
Lighting is provided by a softbox umbrella camera right and a bare strobe for hair light.
Today was quite a wet one in terms of weather. It was quite hard to find anything that stoudout for me. But luckily you can always look on the bright side of life/weather. On my way to launch today I was standing at the lights waiting to cross when a group on people came up behind me waiting to cross. I had my new Fujifilm Finepix X100 under my jacket and looked to the right of me and found this women standing in the weather with this broken umbrella and just before the lights went green I pulled my camera out a toke this stealthy photo without anyone knowing.
Fujifilm Finepix X100
1/500 sec ƒ/2.0
23mm ISO 800
Now you can follow on abwatson.com, twitter, facebook & flickr
Collage of images from the Project Revolution Show in Tinley Park, Illinois in June of 2007.
CREDITS
Michelle Coleman – Grungy Rivet
? – Clothing Label
today I hatched the idea that I'd like to try and make some translations of Jacques Brel songs, primarily to try and kickstart some inspiration and also to understand the songs better. Trouble is, my French is crap so I'm heavily reliant on various dictionaries, and, god help me, Babelfish. I'm determined not to look at previous English versions though.
I started with 'Marieke', which is in French and Dutch. I've listened to it dozens of times and was sure it was both a passionate love song and a proud tribute to his country. Turns out to be a sad and desolate song. And, yes, I do seem to have a thing for writing on envelopes...
Repair men outside my eleventh floor office window. They are repairing some earthquake damage. Rubber(?) seals around the window panes had come loose.
Wednesday, 7th December 2016
The Eden Project is a visitor attraction in Cornwall, England. Inside the two biomes are plants that are collected from many diverse climates and environments. The project is located in a reclaimed Kaolinite pit, located 2 km (1.2 mi) from the town of St Blazey and 5 km (3 mi) from the larger town of St Austell, Cornwall.
The complex is dominated by two huge enclosures consisting of adjoining omes that house thousands of plant species, and each enclosure emulates a natural biome. The biomes consist of hundreds of hexagonal and pentagonal, inflated, plastic cells supported by steel frames. The largest of the two biomes simulates a Rainforest environment and the second, a Mediterranean environment. The attraction also has an outside botanical garden which is home to many plants and wildlife native to Cornwall and the UK in general; it also has many plants that provide an important and interesting backstory, for example, those with a prehistoric heritage.
This week I attempted to perform my light writing outside. The area I wanted to use was taken up by a bunch of kids, so I picked somewhere else. With this, I was able to get the room I needed and in some cases was also able to extend my shutter speed. The main issue I'm running into is the use of my flashlight on my camera/led stick and me not being fluent writing backwards. I'm going to go to my storage unit and get one of my flashlights and practice at home writing normal and see if I can just flip the orientation in lightroom. The area was lit but it wasn't distracting as you can see. I feel if I can get this to work then I should have no problem in accomplishing my project the way I want to.
Captain's Cove Marina in Bridgeport, CT.
The sun was going down the other evening when I stopped by to take some shots. I loved this boat shop. Everything from the texture of the weathered wood to the old fashion signs.
Not sure if it's cheating... but that's not the sky that was there that evening. It was really boring looking, so I stripped in a shot of they sky I took earlier in the week. I think it makes the image much better.
The first late night at work after the clocks have gone back. I stay late(ish) on Tuesdays before going to the pub quiz.
I'm disappointed with how blurred this is.
Tuesday, 3rd April 2018
A small project consisting of setting up a shoot with random passersby and getting them to pull a face.
All participants where informed of the project and asked if they wanted to be a part. To see the rest of the project you can visit cambrils.tumblr.com/
Lighting is provided by a softbox umbrella camera right and a bare strobe for hair light.
Projection of new poem by Lemn Sissay onto the outside of the gallery. A project by Workers in Art, Thanet District Council and Arts Council England.
These are all pictures of and around the Antelope Valley Project in Lincoln, NE.
Right after I took this picture I heard someone coughing inside. I heard sounds from inside a few places. There is a soup kitchen nearby.
AHHHHHH!!!
I had no idea what my photo for today was going to be. In the middle of taking my shower i was like, "Hey what if i use the towel like girls and wrap it around my head?" Then i just started making weird faces until i found one i liked.
One thing i have learned so far from this 365 project is that self portraits are hard but this transition from being behind the camera to being in front of it is a bit liberating.
strobist: sb 600 @ 1/2 power camera left