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High school students participating in the Biotechnology Learning Alliance for Bioscience (LAB) Program at Ohlone College. Get information at www.ohlone.edu/instr/biotech/labprogram/
Darby lost the belly fat and got a bikini ready body with Hitch Fit Bikini Plan. www.hitchfit.com/bikini-model
Data recovery software can recover lost, formatted, accidently deleted documents, photos, video, music from hard drive, USB flash drive, floppy disk, mobile phone, digital cameras, memory card, memory stick. It supports recovering data with Windows file system (FAT12, FAT16, FAT32, NTFS).
High school students participating in the Biotechnology Learning Alliance for Bioscience (LAB) Program at Ohlone College. Get information at www.ohlone.edu/instr/biotech/labprogram/
El 3 de marzo de 2022 hicimos la presentación oficial del CAREER ADVISORY PROGRAM con la decana Dª Gema Tomás, Eba Gaminde, directora del programa y los diferentes advisors quienes tendrán como labor y objetivo apoyar y ayudar al alumnado en la toma de decisiones que afectan a su futuro profesional.
Carefully chaperoned by their mentor and coach, Bobby Butend, these young trainee string smokers are potentially the future of British excellence in this fast growing sport. When this becomes an Olympic event it’ll be gold, gold, gold.
I recently took a picture of my kodak duaflex and this one was complaining of being neglected, so I took a photo of it and posted it to make it happy :)
Please do not use my photos without permission!
Art Interruptions, an annual temporary art program created by the Office of Arts & Culture in partnership with the Seattle Department of Transportation, will offer ephemeral moments of surprise and reflection in the Rainer Valley East-West Neighborhood Greenway. This area includes: New Holly, Othello, Brighton, Lakewood and Seward Park. Beginning September, seven temporary installations on view in the greenway from through January 2, 2017, will inspire and enliven the route with an element of the unexpected. Art Interruptions is funded by Seattle Department of Transportation 1% for Art funds.
The artworks range from street sign paintings to a collage fabricated entirely out of aluminum soda cans. The seven selected artists include Ruben David, Melissa Koch, Vikram Madan, Ulises Mariscal, Kemba N. Opio, little talia, and Junko Yamamoto. Working with the Seattle Department of Transportation and the Office of Arts & Culture, each artist designed a series of small-scale temporary artworks to be installed on city-owned street furniture and infrastructure, including signal boxes, utility poles, sidewalks, and street trees. (Several projects appear on private property adjacent to the right of way with permission of the property owners.) This year, six of the selected artists participated in the 2016 Public Art Boot Camp, a free two-day intensive basic training overview offered by the Office of Arts & Culture's Public Art Program offered to artists who are ready to translate their exhibition experience to the public realm.
The installations include a series of stencils featuring images of various community members that bring positivity to the pedestrians of the Greenway; tiny sculptures inspired by historic and present-day forms of transportation in Seattle; and a collage of butterflies representing cultural diversity.
We start with basic elements in this book and then leverage the capabilities of PHP5 during the multimedia programming course in Tipperary Institute.
Students from a school supported by Hashoo Foundation stand in the corridors.
Education Programs - Hashoo Foundation
From the outboard camera under the left wing, a look to the north as Commander Val departs west in the Civvie Prototype for a short mission to test a new science instrument.
Open House London 2017, and after visiting the V&A for the Pink Floyd exhibition, some lunch and then a tour round the Royal Albert Hall Mendel said he knew of an interesting church open.
He programmed the location into his phone, and he lead us through a maze of expensive streets and byways through Brompton and Chelsea until we came to Sloane High Street, and there was the church, and it was open.
A guided tour was just ending, so a bit crowded at first. And my shots improved after I had freed the function button on my camera after "fixing" it with super glue that morning.
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In common with the aims of the Arts & Crafts Movement, the architect of Holy Trinity Church, John Dando Sedding, believed that a church should be ‘wrought and painted over with everything that has life and beauty—in frank and fearless naturalism…’. But more than that, like other men of faith Sedding knew what a church was for: "It is well for a man to have a circle of religious exercises that can so hedge him about, so get behind his life and wind themselves by long familiarity into his character, that they become part of his everyday existence…" .
That is where, we pray, Holy Trinity finds itself today - an actively praying church at the heart of the community open weekdays and Sunday mornings to everyone, where that ‘circle of religious exercises’ is made a reality in the weekly celebrations of the Eucharist at our core; moreover, ‘frank and fearless’ as we seek to live what we term a ‘critical, compassionate Christianity’.
Holy Trinity has experienced something of a revival over the past nine years, and now provides a vibrant spiritual and physical presence in the heart of Chelsea, with an international congregation befitting a ‘world city’ such as London.
The English translation of our latin motto, ‘Nisi dominus frustra’, taken from Psalm 127, is ‘unless the Lord builds the house, they labour in vain who build it.’ So we pray that all our endeavours here might be ‘begun, continued, and ended in Him’ for the building up of His Church, and the forwarding of His Kingdom.
www.holytrinitysloanesquare.co.uk/about.aspx
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Holy Trinity Sloane Street (The Church of the Holy and Undivided Trinity with Saint Jude, Upper Chelsea, sometimes known as Holy Trinity Sloane Square) is a London Anglican parish church, built in 1888–90 at the south-eastern side of Sloane Street to a striking Arts and Crafts design by the architect John Dando Sedding at the cost of the 5th Earl Cadogan, in whose London estate it lay. It replaced an earlier building only half its size which, at the time of its demolition, was less than 60 years old.
The first church on the site was a Gothic construction of 1828–30 designed by James Savage, built in brick with stone dressings. The west front, towards the street, had an entrance flanked by octagonal turrets topped with spires. Its seating capacity was recorded as 1,450 in 1838 and 1,600 in 1881. It was originally intended as chapel of ease to the new parish church of St Luke, but was given its own parish, sometimes known as Upper Chelsea, in 1831. It was closed and demolished in 1888, and a temporary iron church with a capacity of 800 was provided in Symons Street while a new building was under construction
The new building, the present Holy Trinity, was built on a grand scale to a design by John Dando Sedding. Though not the longest church in London it was the widest, exceeding St Paul's Cathedral by 9 inches (23 cm). The internal fittings were the work of leading sculptors and designers of the day, including F. W. Pomeroy, H. H. Armstead, Onslow Ford and Hamo Thornycroft. Sedding died in 1891 (his memorial can be seen on the north wall in the Lady Chapel) and Henry Wilson took charge of the project to complete the interior decoration of the building to the original design. In part, he failed, for some of the glass was never installed, nor was the important addition of a frieze beneath the high windows even attempted. Some of the internal sculpture or carving is still incomplete. In the 1920s the interior was whitened by F. C. Eden, lightening the character and feel of the building considerably.
The church has an important collection of stained glass, including an enormous east window by Edward Burne-Jones and William Morris; there are also windows by William Blake Richmond (including some highly decadent imagery), Powells (the Memorial Chapel) and Christopher Whall (the incomplete clerestory sequence and two striking windows on the south side of the nave). The large west window, which William Morris and Edward Burne-Jones had apparently hoped to complete before moving onto the east window, was never done and the plain glass in it was eventually destroyed by enemy action, although all the other windows survived or were repaired. The project to glaze the west window remains to be realised.
The churchmanship at the time of the opening of the new building might be described as eclectically high, as the liturgy seems to have been drawn from a number of sources and traditions, although at this distance it is hard to gauge what exactly was done. After a long period of less symbolic worship, notably under the long tenure (1945–80) of Alfred Basil Carver and the shorter incumbencies of his successors Phillip Roberts (1980-7) and Keith Yates (1987–97), the building has now returned to a liberal Catholic style of worship.
The church was badly damaged by incendiary bombs in World War II but was restored more or less to its previous appearance by the early 1960s. There was then a concerted attempt by the church authorities to close and demolish the building, replacing it with something smaller but this was thwarted by a campaign led by John Betjeman and the Victorian Society. The building now houses a thriving congregation built during the ten years under the incumbency (1997–2007) of Michael Eric Marshall, the former Bishop of Woolwich. The connection with the world of the fine arts, not only represented in the building and its fittings but also in sponsorship and encouragement of artists and musicians, has continued under the Rev. Rob Gillion. Trained as an actor, Gillion became Rector late in 2008 but was elected Bishop of Riverina, the extensive diocese in western New South Wales, and moved there in August 2014. The current rector is Canon Nicholas Wheeler, who returned to England in 2015 following work in Rio de Janeiro.
In the spirit of ideas worth spreading, TED has created a program called TEDx. TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. Our event is called TEDxYouth@Hollywood, where x = independently organized TED event. At our TEDxYouth@Hollywood event, TEDTalks video and live speakers will combine to spark deep discussion and connection in a small group. The TED Conference provides general guidance for the TEDx program, but individual TEDx events, including ours, are self-organized.
What is TEDxYouth@Hollywood ?
TEDxYouth@Hollywood is a day-long conference for Southern Californian youth aged 14-19. The event features inspiring people with mind, heart and spirit-expanding stories and ideas to share.
The theme of our inaugural event is JUMPING; as in, jumping into something new, exciting, fearful or inspirational. We are interested in igniting the imaginations of youth and the concept of jumping just for the fun of jumping!
Our presenters are a mix of youth, young adults and established professionals in their fields which run the gamut from entertainment to non-profit, education and business. As our theme promises, we will present a few surprises as well.
TEDxYouth@Hollywood, Hollywood High School, TEDxYouthatHollywood,Bronkar Lee,Chirs Linnares, Dan Goods, Katty Sullivan, Mayda del Valle, Melinda Sulliva, Aaron Williams, Flow, Parkour, Terry Sanger, Seth Maxwell, H2O, Stormy Sachs, Travis Wong,Hollywood Hearts, Lexington Social House, Deja Robinson, La"shania Davis, Sarah Feeley, Scott Ehrlich, Alex Duong, Robbie Corbett, Alex Martos, Paul Whitecotten, David King Garnder, Solomon Brende, Jacqui Culler, Daniel Malakai Cabrera, Anthony Rogue, Jane Guardado,Steven Munoz, Camille Franzese,Michael Franzese, Julia Franzese, Renee Stewert, Amanda Frenzese, Annue Aberle, Roni Blak, Phillip Harerra,Michelle Velasco,Maryam Abdul Karim,Calrton Reed, Kimberly Ortega, Angelita Sanchez, Zuleyma Guillermo, Rebecca Garcia, David Straus, Jennifer Johnson Bell, Betsy Danbury, Dominic Watkins, Gabe Cwern, Shifra Teitelbaum, Carla Ching, Corrine Clearly,Alyson Dutch,Erin Strubbe,Tanoa Parks,Scott Mann, Jessica Lee, Tom Danbury,Brian Janes, Bill Isbell Photographer
The library is now offering drop-in database programming twice a month. Stop by and learn about the database being featured.
Pre-production Photos
35mm: A Musical Exhibition
October 26, 2018 to October 28, 2018
Friday, October 26, 2018, 8:00 PM
Saturday, October 27, 2018, 8:00 PM
Sunday, October 28, 2018, 2:00 PM
Corthell Concert Hall, USM Gorham Campus
$15 adult, $10 seniors, USM employees and alumni, $5 students.
Music and Lyrics by Ryan Scott Oliver
Based on Photographs by Matthew Murphy
Vocal Arrangements and Orchestrations by Ryan Scott Oliver
Additional Percussion arrangements by Jeremy Yaddaw
Additional Guitar arrangements by Matt Hinkley
Directed by Edward Reichert
A picture is worth 1,000 words - what about a song? In 35mm: A Musical Exhibition, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. The University of Southern Maine School of Music fall musical theatre production is part concert, part exhibition, part poetry jam, part performance art...an intricately woven collection of stories that re-imagines what the modern American musical can be.
Three performances take place in Corthell Concert Hall on the Gorham campus on Friday, October 26 and Saturday, October 27 at 8 p.m., and Sunday, October 28 at 2 p.m. Tickets are $15 for the general public, $10 for seniors, USM alumni and employees, and $5 for students. They can be purchased online at usm.maine.edu/music/boxoffice, by phone at (207) 780-5555, or at the door.
The show is sponsored by Saco & Biddeford Savings Institution.
Art moves and touches people in different ways. The stories told through song in 35mm are all based on or inspired by the eclectic photography of Matthew Murphy. Composer Ryan Scott Oliver provides us with a collection of stories and photographs about life: gorgeous songs about love and loss, more complex issues like insanity, abuse...and some humor too. Oliver states, “it covers a wide range of experiences and sensations.” This show is recommended for mature audiences.
The show’s director, Ed Reichert says, “The score is fascinating to me because it covers so many genres such as rock, gospel, country, pop, and musical comedy. Ryan Scott Oliver openly talks about some of his creative influences including Lady Gaga, The Scissor Sisters, Schubert, and Rufus Wainwright. He is equally inspired by the likes of Quentin Tarantino, Stephen King, and Stephen Sondheim.” Reichert adds, “With Halloween just around the corner, at least three of the songs are timely: Leave, Luanne (a Southern Gothic Ghost Story), Twisted Teeth (a duet between two vampires), and The Ballad of Sara Berry (think prom queen...).”
The cast includes: Samuel Allen (Harpswell), Matthew Boyd (Medford, NJ), Andrew Carney (Millinocket), Mikayla Clifford (Yarmouth), Noli French (New Gloucester), Aaron Kircheis (Bucksport), Katie Lind (Standish), Ayann Main (Wiscasset), Megan Mayfield (Marlborough, MA), Miles Obrey (Gorham), Alyssa Pearl-Ross (Sangerville), Victoria Stackpole (Biddeford), March Steiger (Buxton), Ben Walker-Dubay (Kennebunk), Megan Walz (Portland), Meg Ward (Bangor), Abby White (Dalton, Mass.).
The band includes Lynnea Harding, associate music director, violin and viola; Catherine Begin, cello; Jake Cooper, guitar; Shannon Allen, bass; Sam Smith, drums, and Ed Reichert on piano.
Those needing special accommodations to participate fully in this program, contact Lori Arsenault, (207) 780-5142, loria@maine.edu. Hearing impaired: call USM's telex / TDD number (207) 780-5646.
35mm: A Musical Exhibition is presented by special arrangement with SAMUEL FRENCH, INC.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
Participants in the 2023 College Student Internship Program on a site visit to the Navajo Nation 55 megawatt solar farm in Kayenta, AZ. Pictured (left to right): Sherry Sneezer, Edwina Leslie and Sarah LaVallie.
Photo from Sandra Begay
Date Taken; June 13, 2023
These are the programs I designed and illustrated for my wedding.
"Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being "in love" which any of us can convince ourselves we are.
Love itself is what is left over when being in love has burned away. This is both an art and a fortunate accident to have roots that grow towards each other underground, and when all the pretty blossoms have fallen from the branches you realize that you are one tree and not two."
-Louis de Bernieres.