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ALL of my images are copyright protected. DO NOT use them without my expressed permission.
REPROCESSED/REPLACED 7/5/12 [was never 100% happy with this one....tweaked it just a bit]
Another shot from my Washington trip. Saturday night sunset on Second Beach in La Push - the perfect end to a gorgeous day!
Equipment:
Camera: Nikon D700
Lens: Nikon AF-S NIKKOR 16-35mm f/4G ED VR
Focal Length: 16 mm
ISO Speed: 100
Aperture: f/13
Shutter: 20 seconds
Tripod: Gitzo GT2531
Ball Head: Arcatech GV2
Filter: LEE filters foundation kit with Singh-Ray George Lepp ND 3-stop and Singh-Ray Daryl Benson reverse ND graduated 2-stop
Processing:
Lightroom 4 [temp, sharpness, etc]
CS5 [luminosity masking]
Profile with backlights.
Lighting: Paul C Buff AB800s with strip boxes camera left and right behind subject. Fired with Cybersyncs. Slight fill from skylight.
standard profile shot of a quail that visits my backyard often. He definitely caught me taking photos of him and decided to show off.
Profile photo for the homepage my website www.ericdankbaar.nl
Please enlarge for correct view!
Strobist info:
Right: Studioking 250 1/2 power at 45/45 degrees
Left: Studioking 250 1/8 power at 45/90 degrees
Sculpture named "Profil" (English: Profile), made in 1988 by Swedish sculptor and set designer Sivert Lindblom (born 1931). During a period Lindblom used his own face in his sculptures.
One of many sculptures in Wanås Art Park.
www.wanas.se/english/Home.aspx (website in English and Swedish)
sv.wikipedia.org/wiki/Sivert_Lindblom (website in Swedish)
Another shot taken at the famous Skin City Body Painting. Shoot was organized by Ken Elsner. This shot features model Anne Conduit @amconduit and body paint artist Brigitte Berlin @bbbfineart
Just a very simple clean shot for profiles/headers and what not. For those of you playing around with bento heads - keep trudging along! If you're not interested in heads - go try out moving hands, wings, tails!! Lots of fancy new things coming to Second Life's way :D
For my stock & editorial photo collection visit my iStockPhoto by Getty Images Profile or My Adobe Stock Collection:
www.istockphoto.com/portfolio/jorgerodriguezjarsmclucien
or
stock.adobe.com/do/contributor/212183305/JorgeRodriguez-J...
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#152: As of 9/20/18, under Flickr's popularity rankings of my 1200+ pics, this is listed as #152 in "interestingness."
I've been engaging in some short, private crossdressing opportunities at home recently, after acquiring and trying out some new clothes, shoes, and accessories. This is the 254th pic posted from this recent CD activity, and taken just last month.
As usual, I really enjoy color-coordinating attractive/sexy/cute outfits, and this one features a low-neckline Project Runway rose gold satin cami (from JC Penney); a Dolce Gabo "rose creme" lace jacket w/ velvet tie belt, & a Halogen "pink foil" pleated maxi skirt (both from Nordstrom Rack); rose gold Chinese Laundry ultra-high-heel pumps (from Macy's); gold metallic fishnet stockings; plus a Liz Claiborne mini-satchel handbag (from JC Penney), earrings, necklaces, bracelets, and rings, all also in rose gold.
More about this and other new 2017 pics was written up recently in a descriptive Update provided in my profile or "About" page here on Flickr. It details some choices made for these 2017 pics.
Let me know your thoughts... :-)
When I saw both Omar Sharif and Barbara Streisand in profile while watching the movie, "Funny Girl" on TV, I knew this would make a very cool portrait if I could edit away all the lines from the television screen and do something creative with it. Taking out the background helped a lot, and I tried many colors to see which looked the best, but I think the black was more dramatic as well as better for making the images seem to be coming out of the shadows.
I've taken many different television shots, and have found that they usually don't come out very well. The subjects are constantly moving, and if they're not, the cameras are, so it is hard to get a good shot. The trick is taking many shots so you have something to choose from, and then honing post processing skills until you can make the image appear more like fine art than a poor quality photo. This kind of image works best with some of the more artistic filters.
This was a beautiful moment in cinematic history and I'm glad I could isolate it.
From "The Legend of Sleepy Hollow" by Washington Irving. Phila: David McKay Co., (1928). Illustrated by Arthur Rackham