View allAll Photos Tagged professionalism
I love those men who wear the trench coat, I think it’s an item of clothing that will always look good on the gentleman. Professional, Chic, Suave and Smexy.
editorialclarity.wordpress.com/2012/04/27/the-trenchcoat-...
Meanwhile, at Dunder Mifflin...
*ahem* "Well, these conversations are never easy. In many ways, we're a family. That close. But, we're also a company. A place of business. A place of professionalism. It's at these times-"
"Michael, right now, we're all a bit too close. Crammed into your office. So, if you could get to the point, that would be great."
"Pam, I'm trying to get to the point. But, you know, some... you know the thing about points, is that points puncture. They puncture you. Deeply. I just came up with that."
"Say, Michael, we're all dying to know, what is the point?"
"Jim, maybe you're right. The sooner I begin the sooner the pain will be over."
"You got that right."
"What was that, Darryl?"
"I said, 'you've got the right!' You're the man."
"It's true. I am the man here. And with that position comes great responsibility. Ric Flair said, 'To be the man, you've got to beat the man.' But, then I would... to be the man... That is, to beat... I don't think this analogy will work."
"Mr. Scott, far be it from me to minimize such an event as... you know, all of us called into your office... and you want the door closed for privacy, even though we're all in here, so there would be no one else to hear it, which begs the question of why we didn't just meet out in the-"
"George, do you have a point??"
"-general... Point? No sir, please continue."
"Fine. Right to the point, then. Someone has bravely come forward to inform me of employees using the company computers to play fantasy football. Now, I will not reveal who-"
"It was Dwight."
"told... Pam, you can't know that."
"Yes I can. One, it's always Dwight. Two, he's the only one standing behind your desk beside you."
"I.. he... Dwight, I told you not to stand back here!"
"Well, I wanted-"
"Just be quiet. Now, as I was-"
"Michael, can I make this a bit shorter?"
*sigh* "Too late, Jim, but go ahead."
"We're all, except for Dwight, playing fantasy football on our computers. Darryl is currently winning. It's been a lot of fun, it doesn't interfere with our work, and we have no intention of stopping. That cover everything?"
"Hm. ... Well, I... I'm a bit disappointed that I wasn't invited."
"We have an NPC team that you can take over."
"That sounds good. Send me the invite. Dismissed!"
__________________________
A year of the shows and performers of the Bijou Planks Theater.
Funko
Mini Moments
The Office
Michael Scott
Dwight Schrute
Jim Halpert
Pam Beesly
Darryl Philbin
Seinfeld
George Costanza
Les Maitres du Feu
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Details
Le plus grand gala de feu en Amérique du Nord! Pour sa 7e édition, l’événement met en vedette les talents des cracheurs de feu et des performeurs de feu, style libre, devant un public mais aussi devant quelques juges du milieu du spectacle.
===
Union du Feu
L'UNION DU FEU Inc. is an agency of circus artists, fire performers and fire breathers.
We represent many young and talented artists in the world of fire, dance and pyrotechnics.
Professionalism and security is our team’s motto. Whether it be for special events, weddings, bars, birthday parties, film, videos or festivals, we have the artists you are looking for. We can also produce events and performances of dance and fire.
Polish Special Operations Forces : Wydział Działań Specjalnych Oddziału Specjalnego Żandarmerii Wojskowej z Warszawy (OSŻW Warszawa)
"Profesjonalizm nigdy nie jest dziełem przypadku"
Translates as👇
"Professionalism is never a coincidence"
Credit : Combat Camera Poland
Wydział Działań Specjalnych
Photos: st.chor.sztab.mar. Arkadiusz Dwulatek
East German postcard by VEB Progress Film-Vertrieb, Berlin, no. 146, 1956. Photo: Gerhard Kiesling. Caption: Gérard Philipe gives autographs during his visit to Berlin.
The legendary idol of the French cinema Gérard Philipe (1922–1959) was adored for his good looks, but he was also a very talented actor. He played roles as diverse as Faust and Modigliani and he was sought out by France's preeminent directors for his versatility and professionalism.
Gérard Philipe (sometimes written as Philippe) was born Gérard Philip in Cannes, France in 1922. In 1940, Gérard left school and his parents wanted him to become a lawyer. His mother noticed that he was only interested in acting, but his father was against the idea. Gérard's father, a successful businessman, was a right-wing extremist and collaborated with the Nazis. After the war, he was forced to exile to Spain to escape a death sentence. Gérard himself was his whole life a staunch social liberal politically wise. Actor Claude Dauphin introduced the young Philipe in 1942 to the stage. One of his first parts was as the angel in 'Sodome et Gomorrhe' by Jean Giraudoux in 1943. Director Marc Allégret decided that he showed some promise and gave him a small part in his film Les petites du quai aux fleurs/The Girls From the Quai aux Fleurs (Marc Allégret, 1944) starring Odette Joyeux. With the support of his admirer Jean Cocteau, he entered the Paris Conservatory where under the tutelage of Georges Le Roy he discovered his passion for live theatre. In 1945 he received rave reviews for his performance in the stage production of Albert Camus’ 'Caligula'. This success further opened the doors to the cinema. His first leading part in Le pays sans étoiles/Land Without Stars (Georges Lacombe, 1946) opposite Jany Holt got so many favourable reviews that he became a star.
In 1947, Gérard Philipe exploded upon the European film scene in Le diable au corps/Devil in the Flesh (Claude Autant-Lara, 1947), playing Francois Jaubert, a callow youth in love with much older and very married Micheline Presle. Superstardom followed almost immediately: female filmgoers doted upon Philippe's sensitive, handsome features and strapping physique, while men identified with his soulfulness and introspection. Next, he would take on prominent roles in such classic films as Une si jolie petite plage/Such a Pretty Little Beach (Yves Allégret, 1949), and La beauté du diable/Beauty and the Devil (René Clair, 1950) as Faust. He was an international success as the tongue-in-cheek titular swashbuckler Fanfan la Tulipe/Fan-Fan the Tulip (Christian-Jaque, 1952), one of the most popular historical-adventure films made in France. At Films de France, James Travers reviews: "Not only is the film impeccably made, with lavish production values, stunning cinematography and impressively choreographed fight scenes, but it has a timeless quality which will no doubt ensure it will remain a popular classic for years to come. Philipe excels in this film in what is regarded by many as his finest film role, the indefatigable womaniser and agile swordsman Fanfan la Tulipe. Philipe is simply brilliant in the role, tackling the numerous swordfights and Henri Jeanson’s sparkling dialogue with equal relish." He appeared with such great stars of the European cinema as Italian beauty Gina Lollobrigida in Les belles de nuit/Beauties of the Night (René Clair, 1952), with Michèle Morgan in both Les orgueilleux/The Proud Ones (Yves Allégret, 1953) and Les grandes manœuvres/The Grand Maneuver (René Clair, 1955). In 1956, Philipe starred in and directed a filmization of the old folk tale Till Eulenspiegel, Les Aventures de Till L'Espiègle/Bold Adventure (Gérard Philipe, Joris Ivens, 1956). The French-East-German coproduction was not a success. He simultaneously pursued his stage career, with a keen involvement in the Théatre National de Paris, which would endure up until his death. Whilst working at the TNP, Philipe, a strong believer in egalitarianism, would draw exactly the same salary as junior actors. He would also become president of the French actors union, actively promoting the rights of actors.
Gérard Philipe continued his string of film successes throughout the 1950s. Among these films were the Fyodor Dostoevsky adaptation Le joueur/The Gambler (Claude Autant-Lara, 1958) with Liselotte Pulver, and Les liaisons dangereuses/Dangerous Liaisons (Roger Vadim, 1959) opposite Jeanne Moreau. In 1959 doctors told Philippe that he had liver cancer. On 25 November that year, while working on Luis Buñuel's Le Fievre Monte a El Pao/Fever Mounts at El Pao (Luis Buñuel, 1959), he died at the peak of his popularity. He was just 36 years old. The news provoked an immediate and intense outpouring of grief. His early death elevated him to a near-legendary status in France. Since 1951, Philipe was married to actress and writer Nicole Fourcade, with whom he had two children, writer and actor Anne-Marie Philipe (1954) and Olivier Philipe (1957). Nicole adopted the pseudonym Anne Philipe and wrote two books about her husband, Souvenirs (1960) and Le Temps d'un soupir (1963, No Longer Than a Sigh). In 1961, Gérard's portrait appeared on a French commemorative postage stamp. There is a film festival named in his honour as well as a number of theatres, schools and colleges in various parts of France. He was also very popular in Germany, and a Berlin theatre has been named after him.
Sources: James Travers (Le Film Guide), AllMovie, Films de France, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
There was a pretty minimal police presence at FSE, and all of the interactions I saw with them and the attendees was friendly and respectful. Folsom Street East 2019.
To check out my other pictures from gay/fetish/leather events, click here.
French postcard by Editions la Malibran, Saint Dié, no. CF 44.
The legendary idol of the French cinema Gérard Philipe (1922–1959) was adored for his good looks, but he was also a very talented actor. He played roles as diverse as Faust and Modigliani and he was sought out by France's preeminent directors for his versatility and professionalism.
Gérard Philipe (sometimes written as Philippe) was born Gérard Philip in Cannes, France in 1922. In 1940, Gérard left school and his parents wanted him to become a lawyer. His mother noticed that he was only interested in acting, but his father was against the idea. Gérard's father, a successful businessman, was a right-wing extremist and collaborated with the Nazis. After the war, he was forced to exile to Spain to escape a death sentence. Gérard himself was his whole life a staunch social liberal politically wise. Actor Claude Dauphin introduced the young Philippe in 1942 to the stage. One of his first parts was as the angel in 'Sodome et Gomorrhe' by Jean Giraudoux in 1943. Director Marc Allégret decided that he showed some promise and gave him a small part in his film Les petites du quai aux fleurs/The Girls From the Quai aux Fleurs (Marc Allégret, 1944) starring Odette Joyeux. With the support of his admirer Jean Cocteau, he entered the Paris Conservatory where under the tutelage of Georges Le Roy he discovered his passion for live theatre. In 1945 he received rave reviews for his performance in the stage production of Albert Camus’ 'Caligula'. This success further opened the doors to the cinema. His first leading part in Le pays sans étoiles/Land Without Stars (Georges Lacombe, 1946) opposite Jany Holt got so many favourable reviews that he became a star.
In 1947, Gérard Philipe exploded upon the European film scene in Le diable au corps/Devil in the Flesh (Claude Autant-Lara, 1947), playing Francois Jaubert, a callow youth in love with much older and very married Micheline Presle. Superstardom followed almost immediately: female filmgoers doted upon Philippe's sensitive, handsome features and strapping physique, while men identified with his soulfulness and introspection. Next, he would take on prominent roles in such classic films as Une si jolie petite plage/Such a Pretty Little Beach (Yves Allégret, 1949), and La beauté du diable/Beauty and the Devil (René Clair, 1950) as Faust. He was an international success as the tongue-in-cheek titular swashbuckler Fanfan la Tulipe/Fan-Fan the Tulip (Christian-Jaque, 1952), one of the most popular historical-adventure films made in France. At Films de France, James Travers reviews: "Not only is the film impeccably made, with lavish production values, stunning cinematography and impressively choreographed fight scenes, but it has a timeless quality which will no doubt ensure it will remain a popular classic for years to come. Philipe excels in this film in what is regarded by many as his finest film role, the indefatigable womaniser and agile swordsman Fanfan la Tulipe. Philipe is simply brilliant in the role, tackling the numerous swordfights and Henri Jeanson’s sparkling dialogue with equal relish." He appeared with such great stars of the European cinema as Italian beauty Gina Lollobrigida in Les belles de nuit/Beauties of the Night (René Clair, 1952), with Michèle Morgan in both Les orgueilleux/The Proud Ones (Yves Allégret, 1953) and Les grandes manœuvres/The Grand Maneuver (René Clair, 1955). In 1956, Philipe starred in and directed a filmization of the old folk tale Till Eulenspiegel, Les Aventures de Till L'Espiègle/Bold Adventure (Gérard Philipe, Joris Ivens, 1956). The French-East-German coproduction was not a success. He simultaneously pursued his stage career, with a keen involvement in the Théatre National de Paris, which would endure up until his death. Whilst working at the TNP, Philipe, a strong believer in egalitarianism, would draw exactly the same salary as junior actors. He would also become president of the French actors union, actively promoting the rights of actors.
Gérard Philipe continued his string of film successes throughout the 1950s. Among these films were the Fyodor Dostoevsky adaptation Le joueur/The Gambler (Claude Autant-Lara, 1958) with Liselotte Pulver, and Les liaisons dangereuses/Dangerous Liaisons (Roger Vadim, 1959) opposite Jeanne Moreau. In 1959 doctors told Philippe that he had liver cancer. On 25 November that year, while working on Luis Buñuel's Le Fievre Monte a El Pao/Fever Mounts at El Pao (Luis Buñuel, 1959), he died at the peak of his popularity. He was just 36 years old. The news provoked an immediate and intense outpouring of grief. His early death elevated him to a near-legendary status in France. Since 1951, Philipe was married to actress and writer Nicole Fourcade, with whom he had two children, writer and actor Anne-Marie Philipe (1954) and Olivier Philipe (1957). Nicole adopted the pseudonym Anne Philipe and wrote two books about her husband, Souvenirs (1960) and Le Temps d'un soupir (1963, No Longer Than a Sigh). In 1961, Gérard's portrait appeared on a French commemorative postage stamp. There is a film festival named in his honour as well as a number of theatres, schools and colleges in various parts of France. He was also very popular in Germany, and a Berlin theatre has been named after him.
Sources: James Travers (Le Film Guide), AllMovie, Films de France, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Editions La Malibran, Paris, no. CF 24. Photo: N. Hayer. Gérard Philipe and Renée Faure in La chartreuse de Parme (Christian-Jaque, 1948).
The legendary idol of the French cinema Gérard Philipe (1922–1959) was adored for his good looks, but he was also a very talented actor. He played roles as diverse as Faust and Modigliani and he was sought out by France's preeminent directors for his versatility and professionalism.
Gérard Philipe (sometimes written as Philippe) was born Gérard Philip in Cannes, France in 1922. In 1940, Gérard left school and his parents wanted him to become a lawyer. His mother noticed that he was only interested in acting, but his father was against the idea. Gérard's father, a successful businessman, was a right-wing extremist and collaborated with the Nazis. After the war, he was forced to exile to Spain to escape a death sentence. Gérard himself was his whole life a staunch social liberal politically wise. Actor Claude Dauphin introduced the young Philippe in 1942 to the stage. One of his first parts was as the angel in 'Sodome et Gomorrhe' by Jean Giraudoux in 1943. Director Marc Allégret decided that he showed some promise and gave him a small part in his film Les petites du quai aux fleurs/The Girls From the Quai aux Fleurs (Marc Allégret, 1944) starring Odette Joyeux. With the support of his admirer Jean Cocteau, he entered the Paris Conservatory where under the tutelage of Georges Le Roy he discovered his passion for live theatre. In 1945 he received rave reviews for his performance in the stage production of Albert Camus’ 'Caligula'. This success further opened the doors to the cinema. His first leading part in Le pays sans étoiles/Land Without Stars (Georges Lacombe, 1946) opposite Jany Holt got so many favourable reviews that he became a star.
In 1947, Gérard Philipe exploded upon the European film scene in Le diable au corps/Devil in the Flesh (Claude Autant-Lara, 1947), playing Francois Jaubert, a callow youth in love with much older and very married Micheline Presle. Superstardom followed almost immediately: female filmgoers doted upon Philippe's sensitive, handsome features and strapping physique, while men identified with his soulfulness and introspection. Next, he would take on prominent roles in such classic films as Une si jolie petite plage/Such a Pretty Little Beach (Yves Allégret, 1949), and La beauté du diable/Beauty and the Devil (René Clair, 1950) as Faust. He was an international success as the tongue-in-cheek titular swashbuckler Fanfan la Tulipe/Fan-Fan the Tulip (Christian-Jaque, 1952), one of the most popular historical-adventure films made in France. At Films de France, James Travers reviews: "Not only is the film impeccably made, with lavish production values, stunning cinematography and impressively choreographed fight scenes, but it has a timeless quality which will no doubt ensure it will remain a popular classic for years to come. Philipe excels in this film in what is regarded by many as his finest film role, the indefatigable womaniser and agile swordsman Fanfan la Tulipe. Philipe is simply brilliant in the role, tackling the numerous swordfights and Henri Jeanson’s sparkling dialogue with equal relish." He appeared with such great stars of the European cinema as Italian beauty Gina Lollobrigida in Les belles de nuit/Beauties of the Night (René Clair, 1952), with Michèle Morgan in both Les orgueilleux/The Proud Ones (Yves Allégret, 1953) and Les grandes manœuvres/The Grand Maneuver (René Clair, 1955). In 1956, Philipe starred in and directed a filmization of the old folk tale Till Eulenspiegel, Les Aventures de Till L'Espiègle/Bold Adventure (Gérard Philipe, Joris Ivens, 1956). The French-East-German coproduction was not a success. He simultaneously pursued his stage career, with a keen involvement in the Théatre National de Paris, which would endure up until his death. Whilst working at the TNP, Philipe, a strong believer in egalitarianism, would draw exactly the same salary as junior actors. He would also become president of the French actors union, actively promoting the rights of actors.
Gérard Philipe continued his string of film successes throughout the 1950s. Among these films were the Fyodor Dostoevsky adaptation Le joueur/The Gambler (Claude Autant-Lara, 1958) with Liselotte Pulver, and Les liaisons dangereuses/Dangerous Liaisons (Roger Vadim, 1959) opposite Jeanne Moreau. In 1959 doctors told Philippe that he had liver cancer. On 25 November that year, while working on Luis Buñuel's Le Fievre Monte a El Pao/Fever Mounts at El Pao (Luis Buñuel, 1959), he died at the peak of his popularity. He was just 36 years old. The news provoked an immediate and intense outpouring of grief. His early death elevated him to a near-legendary status in France. Since 1951, Philipe was married to actress and writer Nicole Fourcade, with whom he had two children, writer and actor Anne-Marie Philipe (1954) and Olivier Philipe (1957). Nicole adopted the pseudonym Anne Philipe and wrote two books about her husband, Souvenirs (1960) and Le Temps d'un soupir (1963, No Longer Than a Sigh). In 1961, Gérard's portrait appeared on a French commemorative postage stamp. There is a film festival named in his honour as well as a number of theatres, schools and colleges in various parts of France. He was also very popular in Germany, and a Berlin theatre has been named after him.
Sources: James Travers (Le Film Guide), AllMovie, Films de France, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
See all photos from Dance Project
one of this project shots is in 33 Wild And Wonderful Images from Lighting Essentials
Strobist info:
- SB-900 on right with 1/4 power (CLS)
- EX 580 II on left with 1/8 power & full CTO (Pocket Wizard Plus II)
Metropolitan Detroit photographer, specializing in Natural Light, Portrait, Boudoir, Sports and Event photography
We appreciate your business and we certainly want to be the one-stop-shop for your photographic needs. We offer a full array of photographic services, from Family to Individual Portrait sessions, including Fine Art Boudoir imagery, High School Senior pictures, Sports, Event and Product photography,
as well as a wide selection and sizes for prints and showcase pieces. We focus on color, details, perspective and professionalism and we value photographs because they tell a story. Let us tell yours...
#bruceturnerphotography #detroitphotographer #detroitboudoirphotographer #detroitfashionphotographer #detroit #photographer #portraiture #boudoir #beauty #model #chicago #cleveland #milwaukee #miami #newyork #losangeles #la
Metropolitan Detroit photographer, specializing in Natural Light, Portrait, Boudoir, Sports and Event photography
We appreciate your business and we certainly want to be the one-stop-shop for your photographic needs. We offer a full array of photographic services, from Family to Individual Portrait sessions, including Fine Art Boudoir imagery, High School Senior pictures, Sports, Event and Product photography,
as well as a wide selection and sizes for prints and showcase pieces. We focus on color, details, perspective and professionalism and we value photographs because they tell a story. Let us tell yours...
#bruceturnerphotography #detroitphotographer #detroitboudoirphotographer #detroitfashionphotographer #detroit #photographer #portraiture #boudoir #beauty #model #chicago #cleveland #milwaukee #miami #newyork #losangeles #la
Halloween Witches - Witches Professionalism above all by Daniel Arrhakis (2023)
- Oh my dear, I am a professional ! If I'm telling you that I turned your husband into a frog, it's because I did !!
But don't ask me which one it is, as they all look alike!!
For its 2016 Integrity & Professionalism Convocation, the Stillman School hosted a panel discussion featuring representatives from the 4 NJ companies included among Ethisphere's 2016 "World's Most Ethical Companies" — Dun & Bradstreet, Prudential Financial, Realogy and Wyndham Worldwide. Tom Bergeron, editor-in-chief of NJBiz, served as moderator.
Snowbird #9 had not caught up to the rest of the planes yet!
Officially known as the Royal Canadian Air Force's 431 Air Demonstration Squadron, the Snowbirds are Canada's military aerobatics or air show flight demonstration team whose purpose is to "demonstrate the skill, professionalism, and teamwork of Canadian Forces personnel".
I saw a poster when I was in hospital in Saudi Arabia. I really liked how that picture was taken and how well dressed the gentleman was in his traditional attire. (I tired to do reenactment here) Before I only used to attribute suit and tie with professionalism but I think little differently now. I think Arabs also have really cool looking dress which also looks professional if you know how to rock it.
captured at the k5 conference in berlin, this photo showcases a videographer using a red ball and an ultra-wide-angle lens to achieve the perfect shot. The interplay of light and shadow emphasizes the focus and professionalism of the videographer, bent low to get just the right angle. The vibrant contrast between the red ball and the more subdued tones of the surroundings enhances the dynamic and creative energy of the moment.
The BMC company from Turkey grew from a move made by the British motor Corporation back in the 60s to establish a new factory there to produce its vans and lorries (I dont know if any car designs were ever locally built?). After a brief dalliance with ERF in the UK truck market, whereby a bargain-priced 16-tonner was badged and marketed by ERF met with limited success,Subsequently BMC to go it alone in the UK market by appointing a concessionaire/importer for their products who was based in the West Midlands and had previous experience with other vehicle marques. A range of lorries and bus/coach models were developed for the UK. The PRO625 Professional 18 ton GVW as seen here in skip-loader guise was an update of the previous BMC/ERF model. The Turks were one of the few licencees of Cummins permitted to manufacture the American company's designs outside North America. The 4 and 6-cyinder ISBe engine was used in the Professional range coupled to ZF gearboxes driving Meritor axles. Whilst the whole driveline was tried and tested, the strange-looking drivers cab "styled" by Pinninfarina of Italy was not. Somewhat cramped and certainly very awkward to get into and out of with over-complicated door/door aperture styling, it put off a lot of potential customers from trying the marque. A determined effort to penetrate the skip-loader market was made by BMC(UK)Ltd. The whole vehicle was built in Turkey and was made available in the UK at an attractive price.
East German postcard by VEB DEFA-Studio für Spielfilme, Postdam-Babelsberg, no. 49, 1956. Photo: Pattenheimer.
The legendary idol of the French cinema Gérard Philipe (1922–1959) was adored for his good looks, but he was also a very talented actor. He played roles as diverse as Faust and Modigliani and he was sought out by France's preeminent directors for his versatility and professionalism.
Gérard Philipe (sometimes written as Philippe) was born Gérard Philip in Cannes, France in 1922. In 1940, Gérard left school and his parents wanted him to become a lawyer. His mother noticed that he was only interested in acting, but his father was against the idea. Gérard's father, a successful businessman, was a right-wing extremist and collaborated with the Nazis. After the war, he was forced to exile to Spain to escape a death sentence. Gérard himself was his whole life a staunch social liberal politically wise. Actor Claude Dauphin introduced the young Philipe in 1942 to the stage. One of his first parts was as the angel in 'Sodome et Gomorrhe' by Jean Giraudoux in 1943. Director Marc Allégret decided that he showed some promise and gave him a small part in his film Les petites du quai aux fleurs/The Girls From the Quai aux Fleurs (Marc Allégret, 1944) starring Odette Joyeux. With the support of his admirer Jean Cocteau, he entered the Paris Conservatory where under the tutelage of Georges Le Roy he discovered his passion for live theatre. In 1945 he received rave reviews for his performance in the stage production of Albert Camus’ 'Caligula'. This success further opened the doors to the cinema. His first leading part in Le pays sans étoiles/Land Without Stars (Georges Lacombe, 1946) opposite Jany Holt got so many favourable reviews that he became a star.
In 1947, Gérard Philipe exploded upon the European film scene in Le diable au corps/Devil in the Flesh (Claude Autant-Lara, 1947), playing Francois Jaubert, a callow youth in love with much older and very married Micheline Presle. Superstardom followed almost immediately: female filmgoers doted upon Philippe's sensitive, handsome features and strapping physique, while men identified with his soulfulness and introspection. Next, he would take on prominent roles in such classic films as Une si jolie petite plage/Such a Pretty Little Beach (Yves Allégret, 1949), and La beauté du diable/Beauty and the Devil (René Clair, 1950) as Faust. He was an international success as the tongue-in-cheek titular swashbuckler Fanfan la Tulipe/Fan-Fan the Tulip (Christian-Jaque, 1952), one of the most popular historical-adventure films made in France. At Films de France, James Travers reviews: "Not only is the film impeccably made, with lavish production values, stunning cinematography and impressively choreographed fight scenes, but it has a timeless quality which will no doubt ensure it will remain a popular classic for years to come. Philipe excels in this film in what is regarded by many as his finest film role, the indefatigable womaniser and agile swordsman Fanfan la Tulipe. Philipe is simply brilliant in the role, tackling the numerous swordfights and Henri Jeanson’s sparkling dialogue with equal relish." He appeared with such great stars of the European cinema as Italian beauty Gina Lollobrigida in Les belles de nuit/Beauties of the Night (René Clair, 1952), with Michèle Morgan in both Les orgueilleux/The Proud Ones (Yves Allégret, 1953) and Les grandes manœuvres/The Grand Maneuver (René Clair, 1955). In 1956, Philipe starred in and directed a filmization of the old folk tale Till Eulenspiegel, Les Aventures de Till L'Espiègle/Bold Adventure (Gérard Philipe, Joris Ivens, 1956). The French-East-German coproduction was not a success. He simultaneously pursued his stage career, with a keen involvement in the Théatre National de Paris, which would endure up until his death. Whilst working at the TNP, Philipe, a strong believer in egalitarianism, would draw exactly the same salary as junior actors. He would also become president of the French actors union, actively promoting the rights of actors.
Gérard Philipe continued his string of film successes throughout the 1950s. Among these films were the Fyodor Dostoevsky adaptation Le joueur/The Gambler (Claude Autant-Lara, 1958) with Liselotte Pulver, and Les liaisons dangereuses/Dangerous Liaisons (Roger Vadim, 1959) opposite Jeanne Moreau. In 1959 doctors told Philippe that he had liver cancer. On 25 November that year, while working on Luis Buñuel's Le Fievre Monte a El Pao/Fever Mounts at El Pao (Luis Buñuel, 1959), he died at the peak of his popularity. He was just 36 years old. The news provoked an immediate and intense outpouring of grief. His early death elevated him to a near-legendary status in France. Since 1951, Philipe was married to actress and writer Nicole Fourcade, with whom he had two children, writer and actor Anne-Marie Philipe (1954) and Olivier Philipe (1957). Nicole adopted the pseudonym Anne Philipe and wrote two books about her husband, Souvenirs (1960) and Le Temps d'un soupir (1963, No Longer Than a Sigh). In 1961, Gérard's portrait appeared on a French commemorative postage stamp. There is a film festival named in his honour as well as a number of theatres, schools and colleges in various parts of France. He was also very popular in Germany, and a Berlin theatre has been named after him.
Sources: James Travers (Le Film Guide), AllMovie, Films de France, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
East German postcard by VEB Volkskunstverlag Reichenbach L.V., no. G 591, 1956. Photo: Zentralbild, Berlin.
The legendary idol of the French cinema Gérard Philipe (1922–1959) was adored for his good looks, but he was also a very talented actor. He played roles as diverse as Faust and Modigliani and he was sought out by France's preeminent directors for his versatility and professionalism.
Gérard Philipe (sometimes written as Philippe) was born Gérard Philip in Cannes, France in 1922. In 1940, Gérard left school and his parents wanted him to become a lawyer. His mother noticed that he was only interested in acting, but his father was against the idea. Gérard's father, a successful businessman, was a right-wing extremist and collaborated with the Nazis. After the war, he was forced to exile to Spain to escape a death sentence. Gérard himself was his whole life a staunch social liberal politically wise. Actor Claude Dauphin introduced the young Philipe in 1942 to the stage. One of his first parts was as the angel in 'Sodome et Gomorrhe' by Jean Giraudoux in 1943. Director Marc Allégret decided that he showed some promise and gave him a small part in his film Les petites du quai aux fleurs/The Girls From the Quai aux Fleurs (Marc Allégret, 1944) starring Odette Joyeux. With the support of his admirer Jean Cocteau, he entered the Paris Conservatory where under the tutelage of Georges Le Roy he discovered his passion for live theatre. In 1945 he received rave reviews for his performance in the stage production of Albert Camus’ 'Caligula'. This success further opened the doors to the cinema. His first leading part in Le pays sans étoiles/Land Without Stars (Georges Lacombe, 1946) opposite Jany Holt got so many favourable reviews that he became a star.
In 1947, Gérard Philipe exploded upon the European film scene in Le diable au corps/Devil in the Flesh (Claude Autant-Lara, 1947), playing Francois Jaubert, a callow youth in love with much older and very married Micheline Presle. Superstardom followed almost immediately: female filmgoers doted upon Philippe's sensitive, handsome features and strapping physique, while men identified with his soulfulness and introspection. Next, he would take on prominent roles in such classic films as Une si jolie petite plage/Such a Pretty Little Beach (Yves Allégret, 1949), and La beauté du diable/Beauty and the Devil (René Clair, 1950) as Faust. He was an international success as the tongue-in-cheek titular swashbuckler Fanfan la Tulipe/Fan-Fan the Tulip (Christian-Jaque, 1952), one of the most popular historical-adventure films made in France. At Films de France, James Travers reviews: "Not only is the film impeccably made, with lavish production values, stunning cinematography and impressively choreographed fight scenes, but it has a timeless quality which will no doubt ensure it will remain a popular classic for years to come. Philipe excels in this film in what is regarded by many as his finest film role, the indefatigable womaniser and agile swordsman Fanfan la Tulipe. Philipe is simply brilliant in the role, tackling the numerous swordfights and Henri Jeanson’s sparkling dialogue with equal relish." He appeared with such great stars of the European cinema as Italian beauty Gina Lollobrigida in Les belles de nuit/Beauties of the Night (René Clair, 1952), with Michèle Morgan in both Les orgueilleux/The Proud Ones (Yves Allégret, 1953) and Les grandes manœuvres/The Grand Maneuver (René Clair, 1955). In 1956, Philipe starred in and directed a filmization of the old folk tale Till Eulenspiegel, Les Aventures de Till L'Espiègle/Bold Adventure (Gérard Philipe, Joris Ivens, 1956). The French-East-German coproduction was not a success. He simultaneously pursued his stage career, with a keen involvement in the Théatre National de Paris, which would endure up until his death. Whilst working at the TNP, Philipe, a strong believer in egalitarianism, would draw exactly the same salary as junior actors. He would also become president of the French actors union, actively promoting the rights of actors.
Gérard Philipe continued his string of film successes throughout the 1950s. Among these films were the Fyodor Dostoevsky adaptation Le joueur/The Gambler (Claude Autant-Lara, 1958) with Liselotte Pulver, and Les liaisons dangereuses/Dangerous Liaisons (Roger Vadim, 1959) opposite Jeanne Moreau. In 1959 doctors told Philippe that he had liver cancer. On 25 November that year, while working on Luis Buñuel's Le Fievre Monte a El Pao/Fever Mounts at El Pao (Luis Buñuel, 1959), he died at the peak of his popularity. He was just 36 years old. The news provoked an immediate and intense outpouring of grief. His early death elevated him to a near-legendary status in France. Since 1951, Philipe was married to actress and writer Nicole Fourcade, with whom he had two children, writer and actor Anne-Marie Philipe (1954) and Olivier Philipe (1957). Nicole adopted the pseudonym Anne Philipe and wrote two books about her husband, Souvenirs (1960) and Le Temps d'un soupir (1963, No Longer Than a Sigh). In 1961, Gérard's portrait appeared on a French commemorative postage stamp. There is a film festival named in his honour as well as a number of theatres, schools and colleges in various parts of France. He was also very popular in Germany, and a Berlin theatre has been named after him.
Sources: James Travers (Le Film Guide), AllMovie, Films de France, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
East-German postcard by VEB Progress Film-Vertrieb, Berlin, no. 148, 1966. Photo: Gerhard Puhlmann.
The legendary idol of the French cinema Gérard Philipe (1922–1959) was adored for his good looks, but he was also a very talented actor. He played roles as diverse as Faust and Modigliani and he was sought out by France's preeminent directors for his versatility and professionalism.
Gérard Philipe (sometimes written as Philippe) was born Gérard Philip in Cannes, France in 1922. In 1940, Gérard left school and his parents wanted him to become a lawyer. His mother noticed that he was only interested in acting, but his father was against the idea. Gérard's father, a successful businessman, was a right-wing extremist and collaborated with the Nazis. After the war, he was forced to exile to Spain to escape a death sentence. Gérard himself was his whole life a staunch social liberal politically wise. Actor Claude Dauphin introduced the young Philippe in 1942 to the stage. One of his first parts was as the angel in 'Sodome et Gomorrhe' by Jean Giraudoux in 1943. Director Marc Allégret decided that he showed some promise and gave him a small part in his film Les petites du quai aux fleurs/The Girls From the Quai aux Fleurs (Marc Allégret, 1944) starring Odette Joyeux. With the support of his admirer Jean Cocteau, he entered the Paris Conservatory where, under the tutelage of Georges Le Roy he discovered his passion for live theatre. In 1945 he received rave reviews for his performance in the stage production of Albert Camus’ 'Caligula'. This success further opened the doors to the cinema. His first leading part in Le pays sans étoiles/Land Without Stars (Georges Lacombe, 1946) opposite Jany Holt got so many favourable reviews that he became a star.
In 1947, Gérard Philipe exploded upon the European film scene in Le diable au corps/Devil in the Flesh (Claude Autant-Lara, 1947), playing Francois Jaubert, a callow youth in love with much older and very married Micheline Presle. Superstardom followed almost immediately: female filmgoers doted upon Philippe's sensitive, handsome features and strapping physique, while men identified with his soulfulness and introspection. Next, he would take on prominent roles in such classic films as Une si jolie petite plage/Such a Pretty Little Beach (Yves Allégret, 1949), and La beauté du diable/Beauty and the Devil (René Clair, 1950) as Faust. He was an international success as the tongue-in-cheek titular swashbuckler Fanfan la Tulipe/Fan-Fan the Tulip (Christian-Jaque, 1952), one of the most popular historical-adventure films made in France. At Films de France, James Travers reviews: "Not only is the film impeccably made, with lavish production values, stunning cinematography and impressively choreographed fight scenes, but it has a timeless quality which will no doubt ensure it will remain a popular classic for years to come. Philipe excels in this film in what is regarded by many as his finest film role, the indefatigable womaniser and agile swordsman Fanfan la Tulipe. Philipe is simply brilliant in the role, tackling the numerous swordfights and Henri Jeanson’s sparkling dialogue with equal relish." He appeared with such great stars of the European cinema as Italian beauty Gina Lollobrigida in Les belles de nuit/Beauties of the Night (René Clair, 1952), with Michèle Morgan in both Les orgueilleux/The Proud Ones (Yves Allégret, 1953) and Les grandes manœuvres/The Grand Maneuver (René Clair, 1955). In 1956, Philipe starred in and directed a filmization of the old folk tale Till Eulenspiegel, Les Aventures de Till L'Espiègle/Bold Adventure (Gérard Philipe, Joris Ivens, 1956). The French-East-German coproduction was not a success. He simultaneously pursued his stage career, with a keen involvement in the Théatre National de Paris, which would endure up until his death. Whilst working at the TNP, Philipe, a strong believer in egalitarianism, would draw exactly the same salary as junior actors. He would also become president of the French actors union, actively promoting the rights of actors.
Gérard Philipe continued his string of film successes throughout the 1950s. Among these films were the Fyodor Dostoevsky adaptation Le joueur/The Gambler (Claude Autant-Lara, 1958) with Liselotte Pulver, and Les liaisons dangereuses/Dangerous Liaisons (Roger Vadim, 1959) opposite Jeanne Moreau. In 1959 doctors told Philippe that he had liver cancer. On 25 November that year, while working on Luis Buñuel's Le Fievre Monte a El Pao/Fever Mounts at El Pao (Luis Buñuel, 1959), he died at the peak of his popularity. He was just 36 years old. The news provoked an immediate and intense outpouring of grief. His early death elevated him to a near-legendary status in France. Since 1951, Philipe was married to actress and writer Nicole Fourcade, with whom he had two children, writer and actor Anne-Marie Philipe (1954) and Olivier Philipe (1957). Nicole adopted the pseudonym Anne Philipe, and wrote two books about her husband, Souvenirs (1960) and Le Temps d'un soupir (1963, No Longer Than a Sigh). In 1961, Gérard's portrait appeared on a French commemorative postage stamp. There is a film festival named in his honour as well as a number of theatres, schools and colleges in various parts of France. He was also very popular in Germany, and a Berlin theatre has been named after him.
Sources: James Travers (Le Film Guide), AllMovie, Films de France, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
For its 2016 Integrity & Professionalism Convocation, the Stillman School hosted a panel discussion featuring representatives from the 4 NJ companies included among Ethisphere's 2016 "World's Most Ethical Companies" — Dun & Bradstreet, Prudential Financial, Realogy and Wyndham Worldwide. Tom Bergeron, editor-in-chief of NJBiz, served as moderator.
A summary of research carried on to understand what does 'Professionalism' mean to different people. It was very interesting exercise to describe an abstract concept with mathematical graphs and plots.
Around 40 people were interviewed with different professional backgrounds [artists, architects, designers, journalists, investment bankers, project managers, teachers, software developers and management consultants ].
Wealdstone F.C. vs Havant & Waterlooville 28/09/2019.
It was just not Wealdstone's day yesterday unfortunately, but having said that it really did not take away from the extremely high standard of football that Wealdstone F.C. played with professionalism and dedication of play.
“Our task force in Mali recently reached initial operational capability, meaning that they are now available to the United Nations to conduct forward aeromedical evacuations. Their theatre of operations contains uncertainties, but I am certain of their professionalism, their skill, and their dedication. 24 hours a day, 7 days a week, they are ready to help our partners in their most urgent time of need. They are ready to save lives. As our nation commemorates the legacy of the peacekeepers who came before us, I want to commend the sailors, soldiers, and aviators who are deployed on peace support operations around the world.”
–Lieutenant General Mike Rouleau, Commander of Canadian Joint Operations Command on August 9, 2018. National Peacekeepers’ Day.
Members of Operation PRESENCE-Mali Task Force pose for a group photo upon achievement of initial operating capability at Camp Castor in Gao, Mali during Operation PRESENCE on July 31, 2018. Photo: Corporal Ken Beliwicz TM01-2018-0021-001
_________
« Notre force opérationnelle au Mali a récemment atteint la capacité opérationnelle initiale, ce qui signifie que les Nations Unies peuvent maintenant faire appel à elle pour mener des évacuations aéromédicales avancées. Son théâtre d’opérations comprend des incertitudes, mais je fais pleinement confiance au professionnalisme, aux compétences et au dévouement de ses membres. Ils sont prêts en tout temps à venir en aide à nos partenaires dans leurs besoins les plus urgents. Ils sont prêts à sauver des vies. Alors que notre pays commémore le legs des Casques bleus qui nous ont précédés, je tiens à rendre hommage aux membres de la Marine, de l’Armée et de l’Aviation qui prennent part à des opérations de soutien de la paix partout dans le monde.»
– Lieutenant-général Mike Rouleau, commandant du Commandement des opérations interarmées du Canada, le 9 août, 2018. Journée nationale des Gardiens de la paix.
Des membres de l’opération PRESENCE - Mali posent pour une photo de groupe après la réalisation de la capacité opérationnelle initiale à Camp Castor à Gao, au Mali, dans le cadre de l'opération PRESENCE le 31 juillet 2018. Photo: Corporal Ken Beliwicz TM01-2018-0021-001
Calgarys Best Towing
Address: Suite 65 4040 Blackfoot Trail S.E, Calgary, AB, T2G 4E6, Canada
Email: calgarysbestowing@gmail.com
Calgary's Best Towing is far from your average run of the mill towing and roadside service. When you call us direct at 1587-317-6005, we will make sure to treat you like family, because that is how we feel about our clients. At the end of the day anyone would do anything for "family". We believe in professionalism and putting our customers first. It's this same belief that makes us work harder, smarter, and faster to aid you in your sticky situations. With this silent code of ethics, we strive to be the best choice for you. At Calgary's Best Towing, we are optimistic and hope that the good people of Calgary, Alberta are having a fantastic day and let nothing derail them. Even when life throws curve balls, Calgary's Best Towing will make the situation less stressful and let you put all the weight on our shoulders. We believe in taking full responsibility on any mishaps that can occur on the road. You might just look at us as a towing company with an array of services, but instead look at us as your big brother and trust that we have your back. Every situation brought to us is treated on the same level of urgency. Doesn't matter how big or small the call is about, we dispatch the most qualified and over achieving technicians to fix you right up! Calgary's Best Towing is here 24 hours a day, seven days a week and we're not going anywhere! Your experience with us will guarantee to be swift and easy with quick response times, quality service, and cheap rates in the local area. This company is the Mona Lisa of towing, and the people who reach out to us can attest to this 100%. We want you to feel comfortable at Calgary's Best Towing, so we have put the best customer care receptionists to handle your call. By the time our call is over and were heading to the scene, you will feel a certain clarity that you are in the hands of the best, and everything will be groovy soon. We fully respect your time and aim for efficiency on every matter. Our staff is equipped to handle a vast array of scenario's. With a long list of experience under our belt, we know all the in's and outs of the business. Getting you roadworthy and safe to go is our utmost priority when arriving at the situation. We know it's a headache when you get a flat tire and have no idea how to change it, or when you find yourself run off the road and in need of ditch recovery rescue. We can do it all so don't worry yourself into a frenzy. We have several towing strategies and scrap/junk removal for great prices. Service calls are quite common like vehicle unlocking, jump starts, and gas delivery is not a problem at all. We love to serve anyone who calls for help at Calgary's Best Towing.
When the best is on their way, you can ask for the response time and sit back. Leading this industry and aiming to revolutionize it is our long term goal. You do come first, and that goes through the heads of everybody working on this immaculate team. We record every call for customer satisfaction and are improving ways to better serve the people of our proud city. Our call to care can be felt when interacting with any of our awesome technicians and call associates. We are number 1 in understanding our clients and catering to their needs! We hope that you don't have many sticky situations leaving you roadside often. Nothing's perfect, we all deal with some unsatisfying moments. They never last for long, -remember that. We hope that if one day you do need some assistance, you think of us. We will always welcome you with open arms! If you already love us haha, we would greatly appreciate any referrals you may have. A bonus can be claimed for helping us that way. Thank you very much, and God bless! Our service ranges from Calgary, Okotoks, High River, Dewinton, Longview, Black Diamond, Priddis, Millarville, Bragg Creek, Cayley, and Heritage Point.
The services this company provide Include:
Towing Services
Roadside Assistance
Vehicle Unlocking
Flat Tire Changes
Battery Jump-Start
Off Road Ditch Recovery
Gas Delivery
Feel free to check out our website for more info: www.calgarysbestowing.net/
Call us here:1587 317-6005
Work hours: 7 AM - 7 AM, 7 days a week
Payment Methods: Visa card, Master Card, Credit Card
Facebook: www.facebook.com/calgarysbestowing/
Google+ : plus.google.com/112647498972119019897
Calgarys Best Towing
Address: Suite 65 4040 Blackfoot Trail S.E, Calgary, AB, T2G 4E6, Canada
Email: calgarysbestowing@gmail.com
Calgary's Best Towing is far from your average run of the mill towing and roadside service. When you call us direct at 1587-317-6005, we will make sure to treat you like family, because that is how we feel about our clients. At the end of the day anyone would do anything for "family". We believe in professionalism and putting our customers first. It's this same belief that makes us work harder, smarter, and faster to aid you in your sticky situations. With this silent code of ethics, we strive to be the best choice for you. At Calgary's Best Towing, we are optimistic and hope that the good people of Calgary, Alberta are having a fantastic day and let nothing derail them. Even when life throws curve balls, Calgary's Best Towing will make the situation less stressful and let you put all the weight on our shoulders. We believe in taking full responsibility on any mishaps that can occur on the road. You might just look at us as a towing company with an array of services, but instead look at us as your big brother and trust that we have your back. Every situation brought to us is treated on the same level of urgency. Doesn't matter how big or small the call is about, we dispatch the most qualified and over achieving technicians to fix you right up! Calgary's Best Towing is here 24 hours a day, seven days a week and we're not going anywhere! Your experience with us will guarantee to be swift and easy with quick response times, quality service, and cheap rates in the local area. This company is the Mona Lisa of towing, and the people who reach out to us can attest to this 100%. We want you to feel comfortable at Calgary's Best Towing, so we have put the best customer care receptionists to handle your call. By the time our call is over and were heading to the scene, you will feel a certain clarity that you are in the hands of the best, and everything will be groovy soon. We fully respect your time and aim for efficiency on every matter. Our staff is equipped to handle a vast array of scenario's. With a long list of experience under our belt, we know all the in's and outs of the business. Getting you roadworthy and safe to go is our utmost priority when arriving at the situation. We know it's a headache when you get a flat tire and have no idea how to change it, or when you find yourself run off the road and in need of ditch recovery rescue. We can do it all so don't worry yourself into a frenzy. We have several towing strategies and scrap/junk removal for great prices. Service calls are quite common like vehicle unlocking, jump starts, and gas delivery is not a problem at all. We love to serve anyone who calls for help at Calgary's Best Towing.
When the best is on their way, you can ask for the response time and sit back. Leading this industry and aiming to revolutionize it is our long term goal. You do come first, and that goes through the heads of everybody working on this immaculate team. We record every call for customer satisfaction and are improving ways to better serve the people of our proud city. Our call to care can be felt when interacting with any of our awesome technicians and call associates. We are number 1 in understanding our clients and catering to their needs! We hope that you don't have many sticky situations leaving you roadside often. Nothing's perfect, we all deal with some unsatisfying moments. They never last for long, -remember that. We hope that if one day you do need some assistance, you think of us. We will always welcome you with open arms! If you already love us haha, we would greatly appreciate any referrals you may have. A bonus can be claimed for helping us that way. Thank you very much, and God bless! Our service ranges from Calgary, Okotoks, High River, Dewinton, Longview, Black Diamond, Priddis, Millarville, Bragg Creek, Cayley, and Heritage Point.
The services this company provide Include:
Towing Services
Roadside Assistance
Vehicle Unlocking
Flat Tire Changes
Battery Jump-Start
Off Road Ditch Recovery
Gas Delivery
Feel free to check out our website for more info: www.calgarysbestowing.net/
Call us here:1587 317-6005
Work hours: 7 AM - 7 AM, 7 days a week
Payment Methods: Visa card, Master Card, Credit Card
Facebook: www.facebook.com/calgarysbestowing/
Google+ : plus.google.com/112647498972119019897
Luke Leverett and Zack Walther and the Cronkites at Brewster Street Ice house in Corpus Christi, TX on 08/25/2009
Etiquette - Professionalism, Respect
Without a doubt, your success as a concert photographer depends on your photos. However, the technical perfection of your photos is meaningless if no one likes you around to discuss opportunities. No one will hire you if you’re a liability for their publication, or if they cant trust you backstage. Being friendly, and keeping it professional will keep the invites coming to shoot more shows. Being professional on a personal level will keep you backstage without complaints, and will get publishers to call you for photos instead of the hundreds of other photographers out there.
Being a trustworthy photographer may seem easy, but there are a few things you must take into consideration when dealing with potential clients. The music industry is full of famous people, and assistants to famous people, who get battered by emails and phone calls from fans and potential vendors of the business. Many times an email or phone call will not get your foot in the door. You are going to need to go one step further to get their attention. However you decide to do this, remember to do it with courtesy, respect, and professionalism. When you go backstage for the first time at a large concert, you will be in the home of musicians on the road. These men and women live on the road, in backstage shower houses, tour buses, and keep late hours. They sleep in the morning, play and party at night, and they work their tails off to give you the opportunity to take some pictures. Be thankful and respectful when you meet them. Fans are in front of the stage and at the nearest McDonald's all the time. When you meet them backstage, you are a client, and a professional photographer there to meet their photography needs. Keep it real, and they will return the favor. After you meet a few of your favorite musicians, the initial awestruck feeling will subside, and you will be able to speak freely about different things with them.
At the venue the majority of people you meet will be venue or tour employees. These people will be the most important part of your day shooting the event. Get to the venue early, and talk to someone who knows the rules and policies of the venue / tour. Make sure you know any time or song limits, staging areas, and your accessibility to the show. Stick to these rules regardless of what other photographers are doing. Chances are, after a few shows at the same venue, your accessibility to everything will grow as people start to recognize you at every show.
Check out this in-depth article concentrating on this topic before you go to your next show. This will help you considerably when shooting concerts.
ishootshows.com/2008/10/02/concert-photography-etiquette/
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Taylor Mahaffey is available for national and international events, tour photography, portraits, show, venue reviews, venue photography and other assignments.
Previous taken photos are available for full resolution, or web sized, non watermarked downloads at www.taylormahaffey.com. To check Taylor's availability and to request a proposal, please get in touch:
WEBSITE- www.TaylorMahaffey.com
TWITTER- twitter.com/BandPhotography
The way our Roads are being prepared for the rains ,,is to be seen to be believed , the work shoddy, with absolutely no dedication or professionalism, making money is the main end of our civic department and this work was being carried out at Bandra Bazar Road sadly Salman Khan , Sharukh Khan Priya Dutt , Mr Baba Siddiqui , Mr Rishi Kapoor dont live here , the only celebrity in this area is our MLA Advocate Ashish Shelar ,,BJP.and the Bandra Municipality does not really contribute to his effort or endeavor ,, Our esteemed MP Ms Poonam Majajan might just come to hoist the Tiranga on 15 August ,, and inaugurate her new office hopefully in our area. so we can meet her instead of sending her tweets that she has no time to respond ,,This is her way of expressing her silence through Congress Free Bandra .. and we have no illegal ramps to rave about ,, and sadly the Christian community of our area are not as vocal as those who want to take a short cut to Mount Mary , And the Miyas are caught between the beef ban the devil and the deep Sea ..Nargis Dutt Mother India after death remains a sad thought as her name synonymous with the filthiest slum that gets demolished one week , rebuilt the next week and the cat and mouse , game continues ..
Integrity and Professionalism Convocation with special guest, Andy Unanue, founder and managing partner of AUA Private Equity Partners, LLC. and former COO of Goya Foods.
לוחם 669 מכווין מסוק לנחיתה
צילום: גיא אשש
Combat soldier from Unit 669 directing a helicopter to land
Photography: Gui Ashash
Career/Interactive students went through training of professionalism and QA to prepare for their summer internship. #DiversityInTech
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1 Comments on Instagram:
teejhenry: I'm so inspired by this.
Metropolitan Detroit photographer, specializing in Natural Light, Portrait, Boudoir, Sports and Event photography
We appreciate your business and we certainly want to be the one-stop-shop for your photographic needs. We offer a full array of photographic services, from Family to Individual Portrait sessions, including Fine Art Boudoir imagery, High School Senior pictures, Sports, Event and Product photography,
as well as a wide selection and sizes for prints and showcase pieces. We focus on color, details, perspective and professionalism and we value photographs because they tell a story. Let us tell yours...
#bruceturnerphotography #detroitphotographer #detroitboudoirphotographer #detroitfashionphotographer #detroit #photographer #portraiture #boudoir #beauty #model #chicago #cleveland #milwaukee #miami #newyork #losangeles #la
Penguin Café Orchestra: "Perpetuum Mobile"
"Professionalism: No Backscratching"
"Unprofessional: Assessment based on sympathy"
"Getting lost: quality, creativity, ... ... ... ..."
Digital drawings with ArtRage, Processing/ Bearbeitung and Writing with Acdsee, Collage with Photoshop
Part of "res noscenda" / I asked for Learning, he did not find it worth the effort to answer // Unanswered Request for a Painting
Basic Picture: AR22_9_25_9_2013