Stills from VJ projects performed last night at the Mighty Gallery to Bitshifter's gameboy-driven audio.

All visuals were run as Processing-exported OSX applications controlled live with an M-Audio Trigger Finger. Someone buy me a Lemur so I can do this properly.

Processed with VSCO with a1 preset

Bre Pettis demonstrates Eric Skiffs method for binary counting on your fingers for use in my binary clock processing sketch.

Milk processing plant, California's Central Valley

Photographed from California state route CA-99 South

View On Black

Processed with VSCO with e3 preset

Processed with VSCOcam with p5 preset

mannequin etched & bleached

After recording the April 1st episode of the Film Photography Podcast, everybody but Joe headed out to Mac's Diner for some grub. While waiting at the table, I decided to get some individual snaps of everyone. The results were pretty cool!

Hasselblad 500C + 80mm f/2.8 T*

1/30th @ f/3.2

New Kodak Portra 400 shot @ 3200

Pushed only 1 stop in development!

Using Peter Kirkeskov Rasmussen's photo 'return the cart' as the source [ www.flickr.com/photos/peterras/15732813631 ] & a bit of Processing code to swaps blocks of pixels inside the image continually . . . the little app creates decay in the image. I'm continuing a series of works meditating on forgetting, recognition, loss, avoidance, etc.

Processed with VSCOcam with f2 preset

Shot with a Mamiya 645 Pro TL & 80mm f/2.8 lens... Fuji Velvia 50, Cross Processed...Scanned with my Epson 4490

Kangaroo and bear

Development of a corporate identity

by Wolfgang Schmittel

ABC Verlag, Zurich, 1978

With dustcover

work in progress

修正版 將濾鏡改為30Y 10M就好很多 其它4張放大都以此數據來放大 !

拍攝

Bessa R2M+Voigtlander Nokton35mm/F1.2 ASPH +KODAK EB3

沖片

ISO設100 顯影 富士 C-41系統 自家暗房沖片

放大

PAPER：富士普光面

Enlarger ：OMEGA D-5 Dichroic Color Head

LENS：RODENSTOCK APO- RODAGON N 80mm/4

照片掃瞄

EPSON V500 PHOTO

Ornament for the chased foliage ring laid out flat for chasing. Easy to tell which end I started with and got progressively braver with the chasing along the way. Just happened to sculpt a leaf at about the 3rd-4th section of leaves with more contours to it and liked the effect, so went back over the whole thing and did it that way.

Processed with VSCOcam with hb2 preset

Processed with VSCO with a9 preset

wrap the first layer of wool roving around the soap, this becomes part of the base felt

I shoot this at MOMA.

Nikon F3HP + Ektar 100. Post-processed to black and white.

Processed with VSCO with e8 preset

7th May 2011

--

Bull Lane, Edmonton, London N18

Model:

Laura Lee

Creative Director:

Christina Tang

Hair / Makeup Stylist:

Angela Sun

Lighting Director:

Scott Prince

Photographer:

Jeremy Lim

Post-Production:

Jeremy Lim

Processed with VSCOcam with g1 preset

Processed with VSCO with c1 preset

A DM based 23rd TASS OA-10A undergoing the preservation process at the AMARC arrivals area in July 1992.

The plastic spraylat coating has been applied to the canopy and the black undercoat can be seen covering the engine intakes.

23rd TASS OA-10As were used in the Forward Air Controller role and saw action in Operation Desert Storm. OA-10s are no different to 'standard' A-10s, the designation refers to the a/c's role rather than equipment fit.

Original image by Ian Allington - Furness Camera Club processing challenge

Built-Rite Firewood Processor

in camera...hard to resist

processed

The scan of this print did not work as well as I wanted it to but this is one of my fav landscape pics, taken from the dirt road running behind the Langeberg Mountains, past Tradouw towards Heidelberg. The "sheep" on the hill are actually rocks; the colours are all distorted because of the cross processing.

~ Scan of print taken with an old Canon SLR (cross process film)

Some of my buddies heard I was processing film in my underwear and they requested a photo (of course). Since I'm more than a little bit of a smart-ass this is what they got. :p

Heavily processed image of Bonkers.