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Why, why, why oh why...?
isn't it a privilege to live each day
a live performance,
a festival of kindred spirits
a reflection of soulful conformance
I get back up again and again
to do it again and again
watching you procumbent
feels so special when I'm close to you
what opinion has come to represent
I thought you should know
when I run out of comments
these sweet arms of spathic will
meet if you keep your memory still
raining down harder where heartbeats fulfill
my body aches as it breaks new ground
a tonguetied convergence of silence
deactivating sorrow and regret
for what we are about to embrace
our lateral desire enflames what it can never forget.
by anglia24
13h30: 07/10/2007
© 2007anglia24
☀
Toho 11/o and Nymo thread.
I think about clasp - may be I do a toggle clasp with a loop, or I add just a button..
I know, heavily processed. I used some speedlights to help get lighting to the rear flowers with a white behind. It will spilt opinion but I reckon if you're going to process, process quite heavily. Much more to do with getting an arty effect than anything. Colours white and pink work.
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Reworking of this image.
Artists and passersby at the free art festival, Southsea.
Aged with colour tones and HSV, masked multiply layer over the top to bring back the clouds, vignette to finish.
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Unfortunatley the 24 hr delay after iodisation was a mistake with this paper, see the scan with transmitted light, serious fogging could be seen emerging after exposure
15 min exposure bright day blue sky f/6,3 whole plate
Winther's tannin process with Sumac extract
Pre-silver brushed 5,2% AgNO3, dried iodised in 4% KJ for 10 min followed by 2 water baths of 10 min each (pure water) blotted off and dried
Sensitized just before exposure with sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double.Exposed moist in a glass sandwich.
Developer brushed and sprayed with 25% alcohol for 1 hr 10 min
Developer consists also of sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double. After brushing sprayed and left wet face up under cover, brushed also just with Sumac extract saving the silver nitrate for later to boost density.
Short wash before 2 x 10 min hypo and 1 hr running water bath
Canson Marker paper was pre-silvered and iodized the day before exposure and processing.
The paper behaved well when prepared pre-silvering and iodisation on the same day as exposure and processing.
" I will be back..."
Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
The "Rotation" is when some of the NATO Mission members are due to go home and their replacements arrive.
A time of high emotions,carefully surpressed.
This group have just arrived and are going through the necessary administration, collecting their security passes, etc, etc. It was well organised this time - but took place in about 35 degrees C...
Mordancage is kind of hard to explain. Essentially, it takes your b&w image and allows you to manipulate or remove the purest black areas. You can also create these lovely 'veils' of black but again, hard to explain. Once I have a successful image, I will scan it in and show you what I mean! =)
Edit: Ah, I should probably explain what's going on, lol.
1) I placed my print (after it's been soaking in water for a bit) in the mordancage chemicals. It's essential an acid that will bleach your print.
2) The image after it's been bleached for 3 minutes. I left it in for an extra three minutes after this shot.
3) Then I placed it developer so that the grays and other tones will come back. The blacks should be visible and able to be lifted off the print.
You can either completely remove the black or you can move it around. It creates really cool effects.
The Case of the Found Slide Film
We went to New Jersey for Halloween. This is were we were given an Argus camera that was recently found in a garage cleaning. It is a very solid camera, more boxy than my Kodak Signet 40. They were certainly built to last back in the day.
When we popped it open, we found a used roll of film.
“Whoa, do you think we could develop this?”
After a little research, (reading the canister, mostly), the film is ANSCOCHROME and yes, it sounds more interesting if it is in all capital letters. What we know is that it was slide film (I’m actually not sure how we figured that out). It is probably 30 years old. And that it is probably color (chrome gives it away). It has 12 photos from the past and I want them.
I brought it into Freestyle where they in turn sent it to Swan Photo Lab, who I was confident could at least diagnose what it is. If they couldn’t handle it, I knew we’d be one step closer to figuring this out.
Yesterday, I got the film back.
This is what we found out: it does not use E6 but E4 processing and they do not do it. Fair enough. It’s tungsten type film (says on the canister) and that does mean that it is color. Also on the canister: ”Only open in total darkness. Process in 80 F chemistry.” That means little of anything to me, but this may be the key to deciphering the processing/developing type.
It also caused a good laugh in the store about warming up chemicals and putting it in. ”Do you guys have any bleach? Let’s put it in that!”
A google search in store said that one of the differences between E6 and E4 processing is that a hardener is added to the process. Nowadays, slide film has a hardener added to it in manufacturing, according to Freestyle peeps. I expect that this information will be corroborated once I…
TO BE CONTINUED!
Using Code from the book Generative Design. Code available here: www.openprocessing.org/sketch/60980