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One frame from an art piece that will hopefully be projected on a dome screen. Image is created with Processing.
No saturation or colour change - prior to resizing & sharpening in PS a very red-orange sunset that night
Cookie-cutter company houses of the IXL Flooring company in Hermansville, Michigan, built around the turn of the 20th century. The company (and the town, basically) went out of business in the 1920s. There are dozens of these still standing, in various stages of evolution - mostly of the bad sort. It's amazing what people will do to destroy the character of an old home.
Bre Pettis demonstrates Eric Skiffs method for binary counting on your fingers for use in my binary clock processing sketch.
Shot with a Mamiya 645 Pro TL & 80mm f/2.8 lens... Fuji Velvia 50, Cross Processed...Scanned with my Epson 4490
Collin Street Bakery Farm (Corsicana) is the largest organic golden pineapple farm in Costa Rica and is Fair Trade Certified. Pineapples are loaded from the field to the conveyer belt, where they ones that are not aesthecially pleasing are sent off to be canned.
AxMG_1893
Desenho submerso em recipiente de vidro com água, água sanitária e oxigenada (45 dias de submersão).
Grafite, carvão e pastel seco sobre papel - 2012.
Anonymous picture in an article by Sakaki Yoshinobu (榊由信) in the May 1953 issue of Shashin Kōgyō (写真工業).
Document owned and scanned by Rebollo_fr. It is in public domain, as are all anonymous documents published in Japan more than fifty years ago.
See also the Camera-wiki page about the Elmoflex.
Shannon Slane: Processed
An Exploration of modern food through new sculpture. Sculpture, Senior Exhibition.
The Granite Room
211 Peters St SW
Atlanta, GA 30313
My current work addresses the production of food in modern American society. From factory farming to locally raised produce, I seek to explore what may be one of the most pressing issues of our time in a lighthearted and approachable manner. It is widely acknowledged that the industrialization of food manufacturing has transformed the lives, habits, and bodies of Americans, as well as alerted the way that most of our society thinks-or doesn’t think-about where food comes from and what food is. I create digitally fabricated representations of animals that are engineered and produced, and may have more in common with products or raw materials than other living creatures. These animals, which are designed, fabricated and then placed on assembly lines that guide their existence from inception to processing, include chickens, cows, pigs, and fish. My work is also concerned with edible plants and their role in our lives both historically and presently. Plants as well as animals are now being generated inside laboratories, and travel unimaginable distances to reach our supermarkets and tables. This is a marvel of human technology and global society as well as a complex system that may need re-working if humanity is to move toward a sustainable future.
I hope that I can put what goes onto your plate into your thoughts as well.
The best way for me to come up with new ideas is by changing or challenging the process itself.
I used the roller paint to save time, but I think it had a real effect on the overall shapes of the letters. Looking forward to more...
The scan of this print did not work as well as I wanted it to but this is one of my fav landscape pics, taken from the dirt road running behind the Langeberg Mountains, past Tradouw towards Heidelberg. The "sheep" on the hill are actually rocks; the colours are all distorted because of the cross processing.
~ Scan of print taken with an old Canon SLR (cross process film)
Six popular Dutch processed cocoa powders:
top to bottom 1.Rexim 2.Droste 3.Valrhona 4.Cadbury 5.E. Guittard 6.Nestle
Lol, my husband just realised that all these cocoas are in our pantry ;) I do love the nuances in flavours that "ingredients" offer... part of the joy of baking.
part of the cocoa blog post www.thelonebaker.com/journal/2011/8/30/dutch-process-coco...
The photo shows the tools I used to hold a 2x4 against the ceiling of my garage. I was attaching 2x4s to the ceiling to make it easier to hang things and brace things (like free-standing shelves).
The picture was taken part-way through the process of pressing the board to the ceiling. I was acting alone. Based on something I saw in a magazine, and heavily influenced by my make-it-as-complicated-as-possible philosophy, the method I used was this:
1. Mark location on ceiling for the 2x4 ceiling board (hereafter referred to as "ceiling board").
2. Nail two small string cradles to the ceiling near the ends of the proposed position of the ceiling board. The ceiling board will hang temporarily in these cradles.
3. Insert one end of the ceiling board into one cradle, then the other end into the other cradle. Result: the ceiling board is hanging in the two cradles about two inches (5cm) below the ceiling.
4. Place two clamps within easy reach of each end of the ceiling board. They will be used later.
5. Grab two other boards: a pre-cut board that is almost as long as the floor-to-ceiling distance and a short board. These, clamped together, will act as temporary supports for the ceiling board. Stand on a stool under one end of the ceiling board, holding the two supports together vertically.
6. Keeping the supports pressed together, move the short board upward as far as possible, elevating the end of the ceiling board. Clamp the two supports together. RESULT: the very end of the ceiling board is pressed against the ceiling. The other end of the ceiling board is still lying in its cradle.
7. Repeat the raising process at the other end of the ceiling board. RESULT: this end of the ceiling board is now pressed against the ceiling, but the other end is still a bit loose.
8. Return to the first end of the ceiling board, loosen the clamps, repeat the raising process, and re-clamp the supports. RESULT: this end of the hanging board is tight enough against the ceiling to require no more raising.
9. Return (again) to the second end and repeat the raising process there. RESULT: the ceiling board is pressed tightly enough against the ceiling to allow drilling of pilot holes for the screws that will attach the ceiling board to the ceiling.
10. Drill holes, install screws, remove the hanging cradles and supports.
The process is tedious to say the least. But it worked: I attached four 2x4s to the ceiling in this manner. After this work was finished I realized I could have simplified this process by using my stepladders as bases for holding the 2x4s in place. One can buy devices called "third hands" (often used by carpenters and drywall installers) to hold things in place, but I am too cheap to shell out $50 for a tool that gets little use.
I am in a rare fit of industriousness in the garage. That's why I've been inactive on Flickr lately. The goal is to create a better working environment on my side of the garage and enough additional storage space that we can park my wife's Jeep in the garage again.