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History mosaic mirror installed in the McLeod Residence's bathrooms. This is a Barbarian Group project.

Generated in processing - based on the substrate sketch with quite a few tweaks

Working on a retelling of the Solar engine so that it runs in real-time from microphone input. The original version existed only as renders because I was asking the computer to perform highly processor intensive particle repulsion. Given a mass of particles (10,000+), each particle had to exert a force on every other particle.

 

The original render ran at less than one frame per second. This version, still visually dense and reactive, runs at near 30fps on my laptop. Once the port to Cinder (with some optimization magic courtesy of Andrew Bell) is complete, we expect it to hit the coveted 60fps mark.

 

Still working on the visuals and behavior. Next up, variable size spheres and pushing more of the workload to the GPU.

This is a drawing I did a few years ago, based a photo of a weightlifter - was never too happy with the way it turned out originally. I've been experimenting with the way I render color and light a bit recently., so I thought I might dig it out and play around with it. It's a bit more detailed and fussy than my drawings usually are -- not sure if that's a direction I want to go in, or if I should be pushing towards simplicity. But that's what sketching and drawing is great for. Always good to experiment with processes. Who knows, I might even start working with ink and paper again one of these days.

HDR processed from multiple RAW files.

 

Muzeul Satului, Sibiu, Romania

 

The "ASTRA" Museum of Traditional Folk Civilization (Romanian: Muzeul Civilizaţiei Populare Tradiţionale "ASTRA") is located in the Dumbrava Forest, 3 km south of Sibiu, on the road towards Răşinari, and is easily accessible by car, bus or tramway. Occupying an area of 0.96 square kilometres, it is the largest open air museum in Romania and one of the largest in Central and Eastern Europe. It contains houses and workshops of the traditional Romanian folk culture from the pre-industrial era. Over 300 houses and other buildings are situated in the forest around two artificial lakes with over 10 km of walkways between them.

A mill in the Museum of the Traditional Folk Civilization.

 

The exhibits are organised into six thematic groups:

 

* food production and animal husbandry.

* production of raw materials.

* means of transportation.

* manufacture of household objects.

* public buildings.

* an exposition of monumental sculpture.

 

Some of the most spectacular buildings are a group of windmills from the Dobrudja area, a playing area for popice (skittles, an early form of bowling) from the Păltiniş monastery, a small mine from the Apuseni Mountains, a few water-mills, a wooden ferry, and a fishery from the Danube Delta. Also there are houses of shepherds, pottery workshops, iron workshops and others. There is also a working inn, a small pub and a dance pavilion. In the museum there is a wooden church from northern Transylvania brought in 1990-1992 from the village of Bezded in Sălaj County.

 

A series of festivals and fairs take place in the museum annually, the most popular one being The Folk Craftsmen's Fair which takes place each summer around the Saint Mary's Dormition, an Orthodox holiday in the middle of August. Also, permanent and temporary exhibitions can be seen in a special pavilion inide the museum.

 

From Wikipedia, the free encyclopedia

This performance was made after the opening of my current exhibition at the Lars Bolin gallery in Östersund, after hours with only the gallerist and photographer as participants / spectators.

photos: www.jimmydahlberg.se

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Copyright Shanna McKay Photography

The Ben Day process involved screens with raised dots or patterns that could be painted with ink or other media and then burnished onto prepared areas of an exposed zinc plate before etching, a photographic negative before exposing onto a prepared metal plate, or even onto artwork or ad material before it was photographed for the printing process. A complex and unique process, it appears in use from the late 1800s through the 1980s—maybe beyond in specialized industries or printing plants that didn't update.

  

On this page, a standard form of the device is shown with details about what tints and patterns are available. It appears to be from

  

The page shows at the bottom the printed results of applying 40 patterns to photographic negatives before etching and then printing. Compare No. 532 on this page with the identical No. 532 in the next image in this sequence. A 20% tint applied as a layer of pigment to a negative means that 20% of the exposed area is opaqued out, leaving 80% clear. When exposed onto a photosensitized plate, the clear areas harden. During etching, only the unexposed portions wash away. As a result, the relief plate used directly for printing (or through duplication in the stereotype mold/plate method) have 80% of the area covered in tint.

  

From Graphic Arts Production Yearbook, Volume 6 (1950)

Bonkers processed several different ways, (including with my BumpCam program), in the bedroom in Kitahiroshima in February of 2019.

Over troubled waters memories soar

Endlessly, searching night and day

The moonlight caresses a lonely hill

With the calmness of a whisper

 

I wear a naked soul

A blank face in the streaming water

 

It is cold in here

Frost scar my coat with dust...

 

- Opeth (Black Rose Immortal)

The loading process for ATV-4 Albert Einstein begins at the Guiana Space Centre, Kourou, French Guiana. Lift-off is set for Spring 2013. During January, the big M1 cargo bags are being loaded into ATV as part of nominal cargo loading. A second opportunity for cargo loading comes towards the end of March, when ATV will already be vertical on top of the Ariane launcher.

 

Visit ESA's ATV blog here for more information.

 

Credits: ESA/CNES/Arianespace/Optique Video du CSG

Another one from the Blind Wino 618 camera, this time more of a straight scan for a true cross-processed look.

 

Ektachrome 100 film.

I thought it would be interesting to post a before and after on a digital frame after all the recent film colour which needs seconds to minor crop sometimes and then post, Canadian Film Lab do the heavy lifting but sometimes as here a film frame wouldn't have the look I was after. the sun was low and soft but the blue sky wasn't giving the Spring look I saw so off to CaptureOne.

 

The out of camera is just that, with some default sharpening in CaptureOne V10 that really doesn't affect the comparison and it can be turned off. It has a flat, called linear, profile, applied so no curve at all. The processed had adjustments to:

White Balance - to taste not accuracy

Crop - obvious on the OOC, I was view point restricted.

Colour Editor tool- to bring out the pink

Layers - just one to take down the upper branch exposure a touch as the colour had brought it up being similar to the selected pink hue. A bit heavy handed there, I need more practice and the mouse is not optimal for mask drawing.

RGB and Luma curves applied selectively

Levels just brought in a touch at extremes

Film Grain - Silver Rich

Clarity and Structure - just a touch

Sharpening on my default

 

How long on the job, I think about 5 mins in total, I'm getting better with the on-line tutorials but the new dedicated shortcut keyboard is attractive as is a Wacom tablet.

 

Taken on the Square Phase One P20 back Hasselblad V 500cm with the 100mm f3.5 CF Planar Hand held on the evening dog walk

  

1. Sample pixels from images of trees.

2. Use them as textures for a distorted grid.

 

Made with Processing.

Cyanotype on Hahnemuhle Andalucia paper. A bit different formula with ferric ammonium tartrate instead od citrate.

Starbucks frappuccinos cheer me up every time I'm upset. Lol!

 

Took during one boring evening in Boracay.

Would you believe it? We found Starbucks in Bora! Heehee.

All the walking was worth it. :)

from the archives...

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sometimes i wish i could snap my finger then tadaaaa things are in front of me shortly. But nothing just happen. Just like Amerie says, "Sometimes you gotta work hard for it".

  

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但現實是我們總會在低潮時,看到有些人一輩子都很順遂的樣子。(或者我們這麼覺得)

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Plaxtongeezer's superbly restored Plaxton Supreme bodied Leyland Leopard SNC365X seen at Kirkby bus station whilst out for a leg stretch.

Thought I'd better take advantage of Picnik's editing tools before it is taken from us later this month.

 

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