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Another one from the Blind Wino 618 camera, this time more of a straight scan for a true cross-processed look.
Ektachrome 100 film.
Finally i am finished with this painting. the heat had me movin slow so it took longer then expected to finished this piece but here it is, hot off the easel. Now its waiting to dry so that i can sign it and apply varnish to it. Once i am all done with that i will take up-close, high quality detail pictures of it.
...with this painting i documented my creation process step by step and put it into a set.
I wrote a blog chronicalling the creative process with this painting from the first rough sketch to the last brush stroke. read about it here: lucidrose.blogspot.com/
Working on a new music video project. It is probably going to change a bit over the next couple weeks so I want to keep an eye on the screen grabs that I like. I plan on showing it at FiTC on April 22nd. I will write a post about it after the project gets a little closer to completion.
Again, the main point of interest is that there will be no post-production. The entire thing is code driven. Every beat is manually input like in the Solar (Goldfrapp) video I posted a couple weeks back. Every single high-hat hit, every snare, every bass, the vocals, the guitar arpeggio... all of it was manually input. Took about 6 hours to input the data for the whole 5 minutes and 15 seconds of song. Maybe when musicians start releasing multiple tracks per song with isolated instruments, things will get a lot easier.
A very brief description of the process involved with creating an astrophoto. I created this graphic to give my non-astronerd friends a general idea of what is involved in AP, so for my astronerd friends this will seem rather silly ;)
This building, which I saw for the first time over a year ago, is nothing short of miraculous.
So perfect and intricate are its colorful and varying degrees of decay, the fabric disintegrated to threads, the papered-over windows water stained and peeling, the rusted hinges, the empty places where windows once were.
It stands alone in a neighborhood of big white houses. Like a frail, naked old woman in a room full of hapless people wearing white tee shirts and jeans. No one will look at her, but she is as beautiful as she is delicate.
© laura kicey
"i pensieri seguono il filo sottile delle ore
lo spazio ingoia il resto.
(intanto
le partenze sono i piccoli drammi del quotidiano
ma basterà seguire il sentiero per fare ritorno)."
Arches Aquarelle cotton paper.
4g potassium bromide
4g sodium chloride
240ml water
Immersed for 3 minutes then dried.
Sensitizer
16g silver
8g citric acid
240ml water
Brushed on one coat then dried. Defiantly needs two or three coats next time.
Exposed in shade for about 7 minutes than bright sun for 1 minute. A nice dark image was observed on the paper prior to salt bath.
Salt bath
10g citric acid
30g salt
1000ml water
Image faded considerably in salt bath wash for about 2 minutes. Then washed in water for 1 hour. Image became dark again during dry down.
Tools of the trade.
I've been really fortunate for getting projects I love. Spent a week in my studio creating graffiti tags and stencil illustrations for a big national client. Excited to share the work when it's done in a few weeks time. Stay tuned.
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part of a personal project- i need to boost the brightness a little, contrast too, dont like that washed out white. yes, clipped highlights and shadows, i know, sue me.