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This is an homage to Edward R. Murrow's epic See It Now broadcasts of the 1950s which helped bring down Senator Joseph McCarthy. Due to the worst days of my recovery from a tooth extraction, I am reduced to playing around.
Created at PhotoFunia.
Raw and processed image of the seagull nebula. All processing / stacking with Photoshop. Image was stretched using levels. The red channel was copied and added using luminance. Finally hue and saturation were adjusted.
One frame from an art piece that will hopefully be projected on a dome screen. Image is created with Processing.
Cookie-cutter company houses of the IXL Flooring company in Hermansville, Michigan, built around the turn of the 20th century. The company (and the town, basically) went out of business in the 1920s. There are dozens of these still standing, in various stages of evolution - mostly of the bad sort. It's amazing what people will do to destroy the character of an old home.
Bre Pettis demonstrates Eric Skiffs method for binary counting on your fingers for use in my binary clock processing sketch.
Escultura marmol de Antonio Canovas (1808) en museo del Hermitage, Sant Petersburgo
Cianotipia sobre papel Montval 300 gr.
I don't know what Nat's character is called so I titled this based on what I did to the photo. I used Topaz Adjust's Dark - Night faded to 65% on the Overlay mode and Nik Software's Color Efex Pro - Pro Contrast / Cross-Processing & Film Grain filters. Light pattern created with MagMod's MagBeam with stencil.
Cosplayer: Nat Archaic
Making the pattern for the face and fur covering.
I got a lot of great tips and help from thisthis tutorial on projectpuppet.com, which is an amazing puppet resource.
Ektachrome 100 from 1995, Zenith E (1980 Olympics model), Görlitz Lydith 30mm lens. Film acceleration process.
from blog post betsybensen.blogspot.com/2012/09/a-number-of-hours-later....
steps involved in making a pair of earrings...
Shot with a Mamiya 645 Pro TL & 80mm f/2.8 lens... Fuji Velvia 50, Cross Processed...Scanned with my Epson 4490
Desenho submerso em recipiente de vidro com água, água sanitária e oxigenada (45 dias de submersão).
Grafite, carvão e pastel seco sobre papel - 2012.
Shannon Slane: Processed
An Exploration of modern food through new sculpture. Sculpture, Senior Exhibition.
The Granite Room
211 Peters St SW
Atlanta, GA 30313
My current work addresses the production of food in modern American society. From factory farming to locally raised produce, I seek to explore what may be one of the most pressing issues of our time in a lighthearted and approachable manner. It is widely acknowledged that the industrialization of food manufacturing has transformed the lives, habits, and bodies of Americans, as well as alerted the way that most of our society thinks-or doesn’t think-about where food comes from and what food is. I create digitally fabricated representations of animals that are engineered and produced, and may have more in common with products or raw materials than other living creatures. These animals, which are designed, fabricated and then placed on assembly lines that guide their existence from inception to processing, include chickens, cows, pigs, and fish. My work is also concerned with edible plants and their role in our lives both historically and presently. Plants as well as animals are now being generated inside laboratories, and travel unimaginable distances to reach our supermarkets and tables. This is a marvel of human technology and global society as well as a complex system that may need re-working if humanity is to move toward a sustainable future.
I hope that I can put what goes onto your plate into your thoughts as well.