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In this image I've tried to experiment with several ideas:
1) I've taken the motif of the first ever photography, "View from the Window at Le Gras," created by Joseph Nicéphore Niépce between 1826 and 1827 in Saint-Loup-de-Varennes, France
2) The theory of creating colour images after James Clerk Maxwell's three-colour method first suggested in a paper on colour vision (1855).
3) The application using a carbon print - an image consisting of a pigment, rather than of silver or other metallic particles suspended in a uniform layer of gelatin invented by Alphonse Poitevin in 1855.
4) The use of the carbon process, as it was was later adapted to colour, through the use of pigments, by Louis Ducos du Hauron in 1868. The carbon process can be used to create colour images by using a three-transfer process with three seperate negatives exposed through red, green, and blue filters. These negatives are then printed on separate sheets of carbon tissue, each containing a different pigment (cyan, magenta, and yellow). The resulting images are transferred one at a time onto a final support, creating a full-colour carbon print.
The Hazard Vipers are an unfriendly bunch, that's probably because unlike Toxo Vipers these guys actually like their jobs. They ran out of subjects for turning into Zombie Vipers, so instead they grabbed up the first unsuspecting soldier for "treatment". He'll never even know that he'd wish that day had been his last!
Processed in Photoshop and Topaz including Impression
Added Textures are my own
Thank you for any comments
Yesterday I found a California Scrub Jay but it was very foggy. The photos were far from ideal but I played around with the processing trying to get something acceptable to me. The fog gave the photos a blue cast or you lost the detail completely. Processing relieved some of that but they ended up darker than I liked.
I was not real happy with any of the photos. If the bird was not so uncommon I would have just scrapped the shots because you never know when you will see another. I will make another attempt to get more photos in better light conditions.
"Why hello there, Mr. Tennis Ball" was pretty much straight outta the camera (made a slight exposure adjustment)...so thought I'd repost this one after I worked through a couple of processing tuts that make the pup and tennis ball pop just a little more. Maybe it's TOO much.
Je pars généralement du fichier RAW. Je règle la balance des blancs, l’exposition, le contraste et les couleurs, puis j’ajuste la netteté et le bruit avant d’exporter l’image.
En argentique, je choisissais la pellicule et sa sensibilité. Après la prise de vue, je développais le négatif dans les bains chimiques, puis je l’agrandissais sur du papier photosensible, en contrôlant le temps d’exposition et le contraste.
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I usually start with the RAW file. I adjust the white balance, exposure, contrast and colors, then refine sharpness and noise reduction before exporting the image.
With film, I chose the type and sensitivity of the film. After taking the photographs, I developed the negative in chemical baths, then enlarged it onto light-sensitive paper, controlling the exposure time and contrast.
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Processed with Flypaper Textures
Exploring my archives I spent the day processing some old shots taken in Florence.My archives are like grandmother' s attic .. you never know how much hidden treasures you can find everytime..;=)
View on Black pressing L button and listen
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This old net loft or processing plant overlooks the small boat harbour of Rough Bay on Malcolm Island. It appears to still be in use to some extent, where others nearby are definitely beyond use as they are or have collapsed over time. This is a working harbour with a long history of fishing and boat building.
One of the most intriguing textiles we saw being made here are the rugs that are fabricated from old used salmon gill nets - possibly out of this net loft. We were told that currently there are only two industrious ladies on island who make these rugs. They are very beautiful and the one lady who had some in her shop wasn’t sure she was ready to sell them yet as the nets she made them from were over 100 years old. They take hours and hours of time and patience to make she said.