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Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
Prioritizing tasks saves time while avoiding to miss deadlines, it is because when you learn to prioritize tasks, you are able to accomplish these tasks on time and with great quality.
We only have 24hours a day, and only seven days a week. As a freelancer, we have a lot of important tasks to accomplish, and sometimes, we don’t know how to handle these tasks and end up stressed and crammed.
We want to share with you these three tips in order to help you prioritize tasks so that you will be on top of your freelancing career.
Learn More: chestersevidalva.wixsite.com/my-site/post/now-you-can-blo...
By Jacob Matham.
Have you ever felt badly for celebrating yourself, prioritizing rest over productivity, showing anger, feeling jealous, or acting on natural desires to have nice things, eat good food, or experience intimacy? If so, you are already acquainted with the Seven Deadly Sins – pride, sloth, wrath, envy, avarice, gluttony, and lust.
Featuring exceptional and rarely seen works from the Museum's collection of early modern prints and drawings, this exhibition showcases northern European depictions of "sinful" women to tell the story of how women became associated with sin, the role art played, and how that history shows up in our lives today.
Bad Girls Only : Women and the Seven Deadly Sins
Montreal Museum of Fine Arts, Québec.
I’ll be prioritizing Arzu Kaprol, Bora Aksu and Zeynap Tosun in Istanbul, while I make sure that my colleagues at Dia cover Burberry, Amanda Wakeley and Osman Yousefzada in London.
Whether it’s style, comfort or versatility you prioritize in dining room furniture, the Teagan 6-piece dining set is an excellent choice. This set’s rich walnut veneers lend a stunning, warm look that will beautify any space, while the table and bench's block-style legs provide a bold statement. Plus, a self-storing leaf gives you room for extra guests.
Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
Every Mind Matters: The Many Dimensions of Mental Illness
The Hill brings together lawmakers, mental health experts, and advocates to discuss these questions and more and explore why prioritizing mental health is intrinsically linked to good health overall.
The United States is facing an unprecedented mental health crisis as two in five American adults reported experiencing symptoms of anxiety and depression in 2021. Fortunately, the country has witnessed a positive sea change in recognizing the importance of mental health and self-care in recent years, but significant work still remains to create a system that recognizes the nuances and needs of those with mental illness.
Schizophrenia, major depressive disorder, generalized anxiety disease, and post-traumatic stress disorder are just some of the many conditions affecting the 1 in 20 Americans experiencing serious mental illness today. The generalization of these disorders extends beyond everyday vernacular as one-size-fits-all policies, drugs and treatments continue to fail patients. Even when services are available, barriers like cost, cultural bias, and inconvenience often prevent people from accessing the care they need.
How can we break down the stigma associated with mental illness? How can we build a comprehensive care system to support all individuals affected by it?
LOCATION
In person at National Press Club Holeman Lounge, 529 14th St. NW, 13th Floor, Washington, DC 20045 & streaming nationally
DATE & TIME
Wednesday, October 18
8:00 AM – 10:00 AM ET
Speakers:
Daniel Gillison, CEO, National Alliance on Mental Illness (NAMI)
Dr. Joshua A. Gordon, Director, National Institute of Mental Health
Susan Gurley, Executive Director, Anxiety & Depression Association of America
Gabe Howard, “Inside Mental Health” Podcast Host, Author, Speaker
Dafna Michaelson Jenet, Colorado State Senator (CO-21)
Rep. Lisa McClain (R-MI), Co-Chair, Task Force on Mental Health & Substance Use Disorder
Rep. David Trone
Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
Kelly Fitzpatrick (1881 - 1953)
The Jug Factory - 1935
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.
.
_______________________________________
See also: www.flickr.com/photos/ugardener/albums/72177720322921517/
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer.'
__________________________________________
"If you’re looking for a vibe, this is where you’ll find it. Spartanburg is one of South Carolina’s most established, respected, progressive, and diverse art communities with everything from the fine arts—ballet, symphonies, and opera—to the cutting edge—street performers, graffiti, and dance mobs.
Experience the Cultural District
Downtown Spartanburg has even been designated as a cultural district by the South Carolina Arts Commission. Within the cultural district, you can walk to and enjoy world-class art galleries, studios, music venues, breweries, culinary arts, local literature publishers, coffee shops, libraries, museums, and more. Regardless of when you visit, you’re likely to encounter live music in the streets, featuring jazz, rock ‘n’ roll, or beach music.
Come experience how we put the art in SpARTanburg."
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
As you buy menthols cigarettes online, prioritize your online security. Ensure the retailer's website has appropriate security measures to protect your personal and financial information.
Official Website: cigsdutyfree.com/
For More Inforation, visit here: cigsdutyfree.com/product-tag/menthol/
Our Profile: www.flickr.com/photos/cigsdutyfree/
More Images:
Today’s “Flight Path to Wellness: Prioritizing Mental Health in Aviation” panel at Communicating For Safety (CFS) 2024 tackled the critical issue of mental health within the aviation industry. The session was moderated by NATCA Executive Vice President Andrew LeBovidge, who has advocated for improving mental health support for aviation professionals. LeBovidge emphasized the importance of overcoming barriers such as fear, lack of trust, and financial uncertainty that often prevent individuals from seeking the care they need.
The panel included Air Line Pilot Association, Int’l (ALPA) Peer Support and Pilot Assistance Chair Travis Ludwig, AMAS Aviation Medical Advisory Service Dr. Kurt McCartney, Allied Pilots Association (APA) Flight Standard First Officer Evan MacPhee, and FAA Federal Air Surgeon Dr. Susan Northrup. They discussed challenges faced by pilots and air traffic controllers, the importance of peer support, and the role of medical professionals in ensuring the well-being of those working in high-stress aviation environments.
This panel underscored the necessity of prioritizing mental health within the aviation industry, offering #NATCACFS 2024 attendees practical strategies to support their own well-being and that of their colleagues.
Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
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Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
Take a moment to prioritize self-care and treat yourself to the luxurious experience of Thyherbs' Arbutin Face Mask. Designed to provide a moment of relaxation and rejuvenation, this face mask invites you to indulge in a pampering session that nourishes both your skin and your spirit. For further information contact us at www.thyherbs.com.
Project with Children International: Community impact strategy developed in 8 prioritized communities in the sector of Rivera Hernández, in San Pedro Sula, which includes the strengthening of community protection mechanisms that respond to changes in the dynamics and strategies of social and territorial control of the armed groups that affect the access of the communities to their fundamental rights. The intervention focuses on strengthening the response and leadership capacities of the youth councils and the support committees that lead the risk participation / mitigation processes / activities in the Youth Community Centers.
Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
Timms Curtain House takes pride in our commitment to customer satisfaction. we prioritize delivering timely and efficient services, from initial consultation to installation. our team of professionals works closely with clients, addressing our unique requirements and providing personalized recommendations. This customer-centric approach has earned them a loyal clientele and a stellar reputation in the industry.
Timms Curtain House is the go-to destination for all curtain needs in Brisbane. our extensive range, personalized service, and unwavering commitment to excellence set them apart. Whether it's enhancing the ambiance of a home or transforming a commercial space, Timms Curtain House has the expertise and resources to create stunning and functional curtain solutions that exceed expectations.
Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.
008
McKinsey Global Infrastructure Initiative Summit
Tokyo, Japan
Wednesday, October 19th, 2022
15:10–15:30
PRIORITIZING THE PATHWAY TO SUSTAINABLE INFRASTRUCTURE
The combined impacts of COVID-19 and net-zero commitments have resulted in an unprecedented disruption of the $11.6 trillion global infrastructure industry. Meeting net-zero targets will require the industry to transform project development and delivery to deliver a global portfolio of projects at an unprecedented scale and pace. What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?
Facilitators:
Tip Huizenga, Senior Partner, McKinsey & Company; Co-chair, GII
Detlev Mohr, Senior Partner, McKinsey & Company; Co-chair, GII
In this interactive session, Detlev and Tip will briefly frame the topic with a few slides to set the context. This will be followed by them asking the question to the audience, “What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?” The audience will be requested to discuss the question for ~7 minutes in their pods, submitting their ideas through the GII app to form a Word Cloud on the screen.
Photograph by McKinsey Global Infrastructure/Stuart Isett
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See also: www.flickr.com/photos/ugardener/albums/72177720322921517/
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer.'
__________________________________________
"If you’re looking for a vibe, this is where you’ll find it. Spartanburg is one of South Carolina’s most established, respected, progressive, and diverse art communities with everything from the fine arts—ballet, symphonies, and opera—to the cutting edge—street performers, graffiti, and dance mobs.
Experience the Cultural District
Downtown Spartanburg has even been designated as a cultural district by the South Carolina Arts Commission. Within the cultural district, you can walk to and enjoy world-class art galleries, studios, music venues, breweries, culinary arts, local literature publishers, coffee shops, libraries, museums, and more. Regardless of when you visit, you’re likely to encounter live music in the streets, featuring jazz, rock ‘n’ roll, or beach music.
Come experience how we put the art in SpARTanburg."
008
McKinsey Global Infrastructure Initiative Summit
Tokyo, Japan
Wednesday, October 19th, 2022
15:10–15:30
PRIORITIZING THE PATHWAY TO SUSTAINABLE INFRASTRUCTURE
The combined impacts of COVID-19 and net-zero commitments have resulted in an unprecedented disruption of the $11.6 trillion global infrastructure industry. Meeting net-zero targets will require the industry to transform project development and delivery to deliver a global portfolio of projects at an unprecedented scale and pace. What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?
Facilitators:
Tip Huizenga, Senior Partner, McKinsey & Company; Co-chair, GII
Detlev Mohr, Senior Partner, McKinsey & Company; Co-chair, GII
In this interactive session, Detlev and Tip will briefly frame the topic with a few slides to set the context. This will be followed by them asking the question to the audience, “What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?” The audience will be requested to discuss the question for ~7 minutes in their pods, submitting their ideas through the GII app to form a Word Cloud on the screen.
Photograph by McKinsey Global Infrastructure/Stuart Isett
008
McKinsey Global Infrastructure Initiative Summit
Tokyo, Japan
Wednesday, October 19th, 2022
15:10–15:30
PRIORITIZING THE PATHWAY TO SUSTAINABLE INFRASTRUCTURE
The combined impacts of COVID-19 and net-zero commitments have resulted in an unprecedented disruption of the $11.6 trillion global infrastructure industry. Meeting net-zero targets will require the industry to transform project development and delivery to deliver a global portfolio of projects at an unprecedented scale and pace. What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?
Facilitators:
Tip Huizenga, Senior Partner, McKinsey & Company; Co-chair, GII
Detlev Mohr, Senior Partner, McKinsey & Company; Co-chair, GII
In this interactive session, Detlev and Tip will briefly frame the topic with a few slides to set the context. This will be followed by them asking the question to the audience, “What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?” The audience will be requested to discuss the question for ~7 minutes in their pods, submitting their ideas through the GII app to form a Word Cloud on the screen.
Photograph by McKinsey Global Infrastructure/Stuart Isett
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer