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My brand spanking new Ultimaker 3D, printing a 3x scale posed US WW2 Soldier.
It is printing PLA at 300mm/s and 0.02mm layer resolution. It will be done in 21 hours. I'll post photos of the results tomorrow.
Yes, I'm still cutting molds, and injecting ABS in the shop, but I wanted something that could make parts at a larger size than my 2.5" x 2.5" injection molds can deliver.
kwerfeldein.de/2015/01/31/printing-landscapes/
Maybe interesting for people with some proficiency in German: an article about analogue printing in the age of digital.
Pulling up the paper after the last run through the press ~ printing the key on the moon and the sky.
I printed with a printing block using green ink and then added the picture on top. I've then added hand embroidery and coloured some of the hearts in with felt pen and watercolour
From the book cover:
The virile and earthy story of a small-time rancher and a roughneck rodeo girl.
"It is simple story of fundamental human yearnings. . . reminiscent of Steinbeck at his best. Wormser makes Lon and Vera Mae so real that you would recognize them on the streets of any dusty little western town. His dialogue is real as a barbed wire fence . . . and there isn't a false note . . ."
-- The New York Times
The strong and icy wind agglomerates small frost particles on the plants stems or the shrubs branches and makes such so particular reliefs. It's a very old additive 3D printing process!
Digital Printing. © Copyright 2019 G Dan Mitchell - all rights reserved.
Wall and sidewalk of a building advertising “digital printing.”
Sometimes I wonder what people must think if they happen to notice me making street photographs. Take this image for example. I was walking with some sense of purpose back towards the 4th and Townsend Caltrain station, where I would pick up a train heading back down the peninsula following a morning of photography in San Francisco. In a location where most people are similarly focused on getting from point A to point B, usually with heads down, I suddenly stopped, stepped off the sidewalk... and photographed the wall of a nondescript building.
This photograph may be the urban equivalent of the "intimate landscape" image — I certainly think of photographs like this as being landscapes, and this one zeroes in on a very small area of a subject that folks overlook. Being a photographer who prints digitally, the "digital printing" sign had caught my eye when I passed by here a few hours earlier. Now I saw the soft light on the scene, the weathered quality of the wall, the geometry of the subject, and the relationship between the blue bar at the top and the blue quality of the light on the sidewalk.
G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
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A small selection of printing blocks that we have hanging in an original frame used to hold original type lettering. We've acquired the blocks over a number of years, purchasing them in antique fairs & other shops as we've seen those that we like. My favourites are the Penguin book logo and the HMV (master & his voice) logo (not shown).
Hope you all had a Happy New Year. I'm off to work now.....
Finding the right combination of rings and adapters to fit a microscope objective to the rest of your stacking gear is often not so evident. A friend of a colleague made an 52mm-RMS adapter for me using a 3D printer.
To make the prototype I gave them an RMS ring and a simple 52mm filter. They were scanned separately. Both 3D images were then assembled and then printed in black plastic.
Of course it doesn't have the feel of a metal adapter, but who cares, it works fine and is far more accurate (no tilt, no shift) than the adapters I made myself :D!
This technique is very flexible and plenty of possibilities emerge to make a wealth of different adapters.
Many thanks to my friends who made this !!
Grenfell. The roaming of the local Aboriginal people became curtailed from 1833 when the first white pastoralist moved into the Grenfell district. He was John Wood squatting beyond the legal areas. It was one of Wood’s shepherds who discovered gold in 1866. He was named Cornelius O’Brien and he registered the find in Young and took out a miners lease. O’Brien went on to sell his lease in 1872 for £32,000 and his mine yielded £370,000 worth of gold over the first five years. Diggers rushed to the area in 1866, many from Lambing Flat fields (Young), when news was released and a settlement named Emu Creek sprang up overnight. On 1st January 1867 the goldfields were renamed Grenfell in honour of John Grenfell the Gold Commissioner of nearby Forbes who was killed by bushrangers in a hold up on 6th December 1866. Before then the Weddin Post Office opened at Emu Creek on 3rd December 1866 and it was changed to Grenfell PO on December 24th. The Weddin Ranges lie just to the west of Grenfell and the shire council is still the Weddin Shire. Thus the first part of Grenfell developed along the curves of Emu Creek as the fields soon had around 20,000 diggers. Buildings - hotels, dance hall and theatres, mainly canvas or wooden in the early years, crowded along the narrow George Street which was the original heart of the town. There were soon 33 licensed hotels in Grenfell. But several major fires destroyed many of the cramped buildings. Today George Street is just a narrow backstreet and the Main Street is the area of commerce, but still with a dogleg curve. The goldfield at Grenfell was a rich one but it provided its bounty for only a short time. Between 1867 and 1869 Grenfell produced over 40,000 ounces (1,100 kilograms) of gold worth over three million pounds. A few buildings of note remain in George Street despite their faded appearance and they include the Oddfellows Hall. The first one was built in 1873 and was replaced with the current building in 1888. Next to it is the old printer’s works. The Mining Record was published from 1866 (marked on the building) but became the Grenfell Record in 1875 when the new owner moved the premises to the Main Street next to the Exchange Hotel.
Among the early gold miners to rush the fields was a Norwegian digger Niels Larsen. On 17th June 1867 Larsen’s wife gave birth in their tent to a baby who they named Henry changing their surname to Lawson at the same time. WE do not know but Lawson built a slab hut so Henry could have been born in that. His mother Louisa made meals and sold them to the diggers for income. Niels Lawson soon moved his family to Mudgee and that is where Henry Lawson spent most of his childhood. For some years young Henry travelled the country out west doing sheep farming work with his father which gave him later inspiration for his outback stories. In 1883 Henry Lawson went to live in Sydney with his mother. Louisa established a suffragette paper for women called Dawn. She had her own printing press and Henry Lawson’s first short stories and prose were printed by his mother. His mother, with Peter Bell, printed the radical journal called the Republican. By this time she had separated from Henry’s father. Henry accepted a newspaper job in Brisbane in 1891. His first story in the Bulletin was published in 1888. By the mid-1890s Henry had taken up drinking. Despite travel and writing and several bouts of depression he persisted with life. After his wife Bertha separated from him in 1920 he took up drinking again and attempted suicide after which he entered a deep depression and downhill slide psychologically. He died alone in 1922. Although Henry Lawson did not spent much of his life in Grenfell the site where the slab hut was built the site was recorded and dedicated in 1924 with Lawson’s wife and daughter attending the ceremony after Henry Lawson’s death. A tree was planted at the site at that time. Grenfell was early in its recognition of Lawson’s contribution to Australian literature and folklore. The town also established the Henry Lawson Festival, which is still held annually, in 1957 when few towns were thinking about attracting tourists to their regions or honouring their prominent citizens. The festival covers music, singing, poetry photography, writing, theatre etc. Lawson is commemorated on our ten dollar note.
Another literary figure with connections to Grenfell was Anthony Trollope, the famous English novelist and social critic and commentator. Trollope is best known for his series of novels called the Chronicles of Barsetshire (Barchester Towers) and 47 novels in all and several travel books. His social commentaries covered Australia, New Zealand, South Africa and North America. Trollope visited Grenfell twice in 1871 to visit his son Frederick who worked on a sheep station near Grenfell. He then travelled parts of QLD and NSW before visiting New Zealand. In total he spent 13 months in Australia and from it he wrote several books on Australia which were serialised in Australian newspapers. Fred Trollope’s ancestors still live in Australia and they have inherited the baronetcy of Casewick Hall from Anthony Trollope and it is currently held by Sir Anthony Trollope a school teacher in Sydney. Trollope accused Melbournians of being loud mouth braggarts but in Adelaide he stayed with Sir Thomas Elder at Birksgate and was dined at the Adelaide Club. Trollope’s acclaimed quotation on Adelaide was: “No city in Australia gives one more fixedly the idea that Australian colonization has been a success, than does the city of Adelaide”. His humour and irony were also evident in his quotes: “The number of sheep at these stations will generally indicate with fair accuracy the mode of life at the head station. A hundred thousand sheep and upwards require a professed man-cook and a butler to look after them; forty thousand sheep cannot be shorn without a piano; twenty thousand is the lowest number that renders napkins at dinner imperative.” And “Australian mosquitoes, of which I had heard much and which I feared greatly, were never so venomous to me as mosquitoes have been in other countries.” Or “The subject of heat is one of extreme delicacy… One does not allude to the heat in a host's house any more than to a bad bottle of wine or an ill-cooked joint of meat… You may call an inn hot, or a court-house, but not a gentleman's paddock or a lady's drawing-room.”
Although not a grand town Grenfell has charm and history. Big changes came to the town when wheat was first grown in the surrounding countryside from 1871 onwards but transport costs were a problem. A spur railway lime from Cowra reached Grenfell in 1901 and agriculture expanded. A flourmill was erected in the 1880s but when it burnt within a few years. It was replaced with the Challenge flourmill in 1901. That mill still stands although not in use. It produced flour only for our troops during the World War Two and it finally closed in the 1960s. The heritage buildings of Grenfell include the Courthouse (1879), the School of Arts (1890) and Wesleyan Church (1888) in Camp Street and the Anglican Church (1877) and Presbyterian Church (1870) in Middle Street etc.
Derge Sutra Printing Temple, is the institution for printing and preserving Tibetan Literature and Buddhist's works. China.
艋舺青山宮
Rollei 35AF
Kodak Double-X 5222 push 1 stop
Ilford LC29 (1+19), 20°C 12 min
ILFORD Multigrade FB Classic 8'' x 10''
Epson V850 Pro
Darkroom printing
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COMBE PRINTING ~ Saint Joseph, Missouri ~ Copyright ©2013 Bob Travaglione ~ ALL RIGHTS RESERVED ~ www.FoToEdge.com
Printing linocuts on Columbian and counterweight Albion iron handpresses for a limited edition graphic novel
This is my entry for the Rebrick "Modular Buildings Anniversary Contest".
Check it out here ;)
"LEGO has included many printed tiles&decorations in their sets in the past. These tiles represent money, pictures, newspapers, etc. But where do they come from? Of course, from the printing office. There isn't a single printing office in LEGO City or in the Modular Buildings line, so I've decided to build one. There is a printing machine, drawer, table, and some shelves in it. I've included it in the first floor of the Brick Bank, because there is a huge open space which I think is too empty."
View to Casamanya-Sorteny from Pal, La Massana, Vall nord, Andorra, Pyrenees
Spring landscape motive of Pal in medium format archive quality: Recommended for LFP (large format printing) and ultra high resolution digital master applications.
More Pal & La Massana parroquia images: Follow the group links at right side.
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About this image:
* Medium format 4x3 (645) high quality image
* Usage: Large format prints optional
* Motive is suitable as symbol pic
* "Andorra authentic" edition (10 years decade 2008-2018)
* "Andorra camis & rutes" active collection
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