View allAll Photos Tagged precisely
Took a walk in the hills at morrongo valley when i came back down their was this guy flying his heli he had two of them he was doing free styje flying took some shot's and then move on to the birding.Big Morongo Canyon Preserve is an internationally-recognized birding site. Several rare or unusual species are known to nest here, and many other species are abundant during the spring and fall migration seasons.
What does it mean to “fly 3D”? All aircraft maneuver in three dimensional space, so what separates 3D flying from just flying? Model helicopters are capable of maneuvers other aircraft, including full sized helicopters can only dream of. A modern “3D” model helicopter is capable of aggressive, accurate and axial flips and rolls. Adding the ability to pirouette, fly backwards and upside down, there is practically no limit to the maneuvers that can be flown. Although aggressive, unbelievable flights may seem wildly out of control to the untrained eye, it takes immense skill, and the models can be flown incredibly precisely with enough practice.
One of the beauties of modern aerobatic helicopter flight, which has come to be known as 3D, is how varied the potential is. Every 3D heli pilot exhibits their own character and style in flight. A 3D flight could be flown freestyle with nothing planned ahead of time, or it could be a highly prepared, choreographed flight put to music for competition. While 3D heli flight is, in essence, simply a combination of flips, rolls , and pirouettes, there is no end to the combinations. Once a heli pilot masters the basics, a continuously evolving world of precision aerobatics awaits. Like a dancer or figure skater, a 3D heli pilot can express style by putting simple moves together in complicated sequences for incredible effect.
Like any sport, art, or specialty, practice makes perfect. Some people learn faster than others, but everybody should try to step gingerly into more complicated and aggressive moves, for safeties sake (not to mention your wallet!). Excellent training tools are available; most notably computer simulators and buddy boxes. Unlike most video games which are intended for play, simulators for model aircraft are designed around one goal, helping people learn how to fly model airplanes and helicopters. Simulators are so accurate a budding pilot can master almost all regimes of flight in a simulated environment which instantly replaces a wrecked model! In real life, a crash cost not only confidence, but time and money to fix the model. By the time the pilot gets back to it, the learning experience from the crash is not fresh, and learning tends to progress slower. On a simulator, a fledgling pilot can take as much time exploring the controls as they want, and learn at their own pace without any down time between crashes.
THIS PIECE TOOK ME PRECISELY 6 HOURS T OD AND IT WAS SUPPOSE TO BE DONE ON NEW YEARS EVE, NO THANKS TO THOSE TFL AND NEW YEARS PARTY ORGANISING IDIOTS !!!
Plus doing it on NEW YEARS DAY WAS A DAY TO LEARN AND PREPARE FOR NEXT TIME TOO
This is my superhero NEW YEARS PIECE filled with Amalgamte characters,BANANAMAN, BLuntman and Chronic and of COURSE ME GIVING YOU AN AFFIRMATIVE MESSAGE
"BE A HERO THIS YEAR!!"
HAVE A GREAT YEAR PEOPLE AND ALWAYS BE POSITIVE TOO !!
Geger Hill Bangkalan
Geger hill is located approximately 30 km southeast of the City Bangkalan, precisely in the village of Geger, District Geger. This hill is located at an altitude of about 150-200 meters above sea level.
According to the folk legend, Geger hill was the first place that had been visited by the first civilian who came in Madura. On 7-8 Century, it was Patih Pranggulan from Mendangkawulan kingdom in the the foothill of Semeru became the first man who landed in Planggirân ( a set of rocks) in Geger hill. At that time he came together with Princess Dewi Ratna Roroagung, the daughter of Mendangkawulan king, and she was pregnant.
Both Patih Pranggulan and Princess Dewi Ratna Roroagung which was called as Putri Koneng or Koneng princess was castaway. At geger hill, the princess Koneng was always did meditation at the edge of the cliff, everyday before the sunset. Now, the rock that seems like chair is being called as Palènggiyân (Madura).
Relating the folk legend above, in geger hill, there are five legendary caves in the form of Madurese language, like Petapan cave (the cave for meditation), Goa Potre (princess cave ), Goa Planangan (men cave), Goa Pancong Pote (white lynch cave) and Goa Olar (Snake Cave).
Up to now, in that location there are some visitors from Madura or the outside Madura come to those sites doing some meditating or praying, the local people call this as Tirakatan.
Geger hill is such a potential destination in Madura, for it has camping ground for those who want to explore more about this hill. Moreover, there is also Acacia forest, Mahogany forest and Teak forest that covering 42 hectares of the hil. We can see the beautiful rice field and some lakes over the sightseeing and a resort on the hilltop of Pelanggiran site. Furthermore, it become more potential to be the tourism destination in Bangkalan because this site is having the historical background of the first founding of Madura.
More info visit
One of the declared Centre of Europe, Rakhiv or more precisely, the village Dilove located close to it (Ukraine).
In 1887, geographers from the Austro-Hungarian Empire set up a historical marker - the Centre of Europe. The inscription on it says: "Locus Perennis Dilicentissime cum libella librationis quae est in Austria et Hungaria confecta cum mensura gradum meridionalium et paralleloumierum Europeum... MDCCCLXXXVII"
There are several well known points in Austria, Belarus, Estonia, Germany, Hungary, Lithuania.
Their location depends on politic, economics and last of all - a methodology of measurement :)
p.s. The methodology of measurement, it is really interesting thing: include or not islands and count continent only, must it be centre of mass like in Lithuania (Mendeleev's methodology) or geometrical and etc.
When I visited Heathrow and, more precisely, Hatton Cross one month ago, I noted the installation at the Atrium Hotel of a sign which suggested to me that it might be opening soon. A walk round the outside today soon dispelled that thought in spite of some very upbeat notices around the perimeter. The website and Facebook page too are very upbeat for somewhere that appears to be going to struggle to open in 'early 2019' depending, I suppose, on your definition of 'early'. Offering 581 rooms and 36 conference rooms, the new arrival describes itself as 'London's latest icon' and uses some pretty flowery language to anticipate the user experience. Bookings are being taken from April 2019 but, significantly, the pool, gym, sauna and steam are, according to the hotel's own website, not available until 1 June 2019. Nor is the 120 space car park. The website gives a Feltham address which, given the amorphous nature of the area, is close enough but one would readily recognise Hatton Cross station, diagonally opposite the unattractive corner site at the junction of Great South West Road and Faggs Road.
TZ30_P1050598CE
"The Great Eclipse of Aug 21, 2017 was a spectacular event in so many ways. Totality in Chester was precisely 1:41 seconds.
That sub 2 minute photo window required a 19 hour day. By the time I had cooked up the idea of adding this event to our summer vacation it was Christmas 2016. Instead of helping with the phenomenal task of prepping for this event I was online trying to book a room in Idaho anywhere close to the path of totality. I was finding 1960 era roadside motel rooms going for $800.00 a night or mass camping in open fields. None of this was going to work, so we ended up 3-1/2 hours away in Bozeman, MT.
The first dip of the moon into the sun didn’t start until 11:19:02 AM, so a 3 hour drive, leave at 7:00, and arrive at 10:00, no problem. We had spent the previous 2 nights in Pocatello, ID and I had scoped out this sight ahead of time. It was perfect, the parking area for Chester Wetlands right on Henry’s Fork where two tributaries of the Snake River meet and 10 miles away from dead center of the line in Rexburg. Birds everywhere. It even had a port-o-potty, which of course we were to find locked the next day.
At about 3:00 AM, I woke up in a panic, my wife already awake said “do you just want to go? “Yes”, and we were out the door in 10 minutes to find traffic already heading south. The road traversed Big Sky and West Yellowstone and with every intersection the traffic grew. We made it with hours to spare, and my wife took a short nap.
I birded 45 species, including a kettle of 4 Osprey, 2 Swainson’s Hawks, 1 Turkey Vulture and 2 Ravens who as the eclipse began covering the sun became sorely confused. Birds that in the morning had flown south were now flying back north.
To take pictures of the sun or a partial eclipse, one needs a solar filter. To take pictures of a full solar eclipse one needs to remove such filter and then get it back on as soon as the sun begins to re-emerge. A lot to do in a short amount of time. Sun is moving, tripod not automated to follow, manual refocus every time filter’s adjusted. I managed a few decent pics, corona extended outside of my frame, and then as quick as it began it was over. With traffic the ride back was 6 hrs. Some food, a cold beer and a long night’s sleep.
Next total solar eclipse in the United States is 3 years from today on April 8th, 2024 and it will centerline right through Buffalo, Rochester, Watertown and Plattsburgh, NY. Some of you will be lucky enough to just step outside, for the rest of us, book early.
Photo of “Eclipse ”, taken by R. Miller, in Chester Wetlands, ID on August 21st, 2016 at 12:36 PM"
precisely ground espresso, ground seconds before, is levelled off by hand in a criscross motion, slightly concave, prior to tamping.
---- ( ---- ---- ) ----
---- ( ---- ---- ) ----
---------------------------------------------------------------------------
--------------------------------------------------------
9 years ... (!) ... I had to wait nine years to relive the excitement of reviewing this imaginative very particular Sicilian popular feast of Fiumedinisi town (Messina): the Sicilian town celebrates it in honor of Her patron saint Virgin Mary Annunciated; Fiumedinisi celebrated it last time in 2007, fortunately I was there and I realized a small report I posted on Flickr. This is a report about the feast of August 14, 2016: it takes place in two stages along an almost straight path that joins two churches, road called precisely '' the road of float" (the same path is achieved by kneeling worshipers during the mystical procession called "of kneelings" or even understood as "travels", that this year, unlike the other editions, was made just the previous evening of this long-awaited edition, also this procession "of kneeling" I described here on Flickr). Initially the Float Feast was celebrated in Fiumedinisi on March 25, when there is the ricorrence of the religious feast of the Annunciation of the Lord, only towards the end of the nineteenth century the feast was moved to August to allow so many emigrants to took part to it. The living float of Fiumedinisi is a heavy votive machine built in wood and iron that is carried on the shoulders of about 150 men (Its curb weight is around 2.8 tons, 12 meters long and 8 meters high), three children take place on it, they personify the Eternal Father, the Archangel Gabriel and the Blessed Virgin Mary, in addition to the archpriest of Fiumedinisi, the bishop of Messina, and other devotees also they have the role of monitoring-reassure very young children who play the role of Angels. The feast of the Annunciation of the Virgin Mary, patron saint of Fiumedinisi, founded in the sixteenth century during the Spanish rule, then it consists of a first part with participants don't wear traditional clothes, which takes place starting around 11:00 am, begins from the square in front of the twelfth-century Sanctuary dedicated to the Virgin Mary Annunciated, to arrive in a little square in front of the church of St. Peter; then in the early afternoon, always along the same path, there is a second part with all devotees who wear the traditional dresses. When all have taken their places, three hammer blows kick off at the start, the very big-heavy float is carried on the shoulder of devotees, while people waving handkerchiefs as he passed; the representation finds its maximum intensity, and closes with a song dialect of great beauty and sweetness, in an atmosphere of complete silence, handed down for centuries, in the form of "dialogue" between the Blessed Virgin Mary and the Archangel Gabriel who is announcing to Mary with his sweet song about the mistery of Conception of Son of God, he is kneeling and gives Her the lily, in memory of the purity that Mary will not never lose (iconography that we find in Sacred Representations).
-------------------------------------------------
9 anni…(!)… ho dovuto aspettare ben 9 anni per rivivere l’emozione di rivedere la immaginifica festa popolare e religiosa Siciliana che la cittadina di Fiumedinisi (Messina) celebra in onore della sua patrona Maria Santissima Annunziata: 9 anni infatti sono passati dall’ultima volta che Fiumedinisi celebrò questa sua festa, io c’ero e vi realizzai un piccolo report che postai qui su Flickr. Questo è un report della festa, realizzata quest’anno il 14 Agosto 2016: essa si svolge in due tempi con “una andata ed un ritorno” lungo un percorso quasi rettilineo che unisce due chiese, chiamata appunto “strada ‘a vara” (lo stesso percorso viene realizzato in ginocchio dai fedeli durante quella processione mistica chiamata “degli inginocchiati” od anche intesa come “i viaggi”, che quest’anno, a differenza delle altre edizioni, è stata realizzata proprio la sera precedente di questa tanto attesa edizione, anche questa processione “degli inginocchiati” ho descritto in un passato post qui su Flickr). Inizialmente la Festa della Vara veniva celebrata a Fiumedinisi il 25 marzo, proprio in concomitanza con la ricorrenza religiosa dell'Annunciazione del Signore, soltanto verso al fine del XIX secolo la Festa venne spostata ad agosto per consentire ai tanti emigrati di prendevi parte. La Vara di Fiumedinisi è una pesantissima macchina votiva costruita in legno e ferro che viene portata in spalla da circa 150 uomini (Il suo peso a vuoto si aggira intorno alle 2,8 tonnellate, lunga m 12 e alta m 8), su di essa prendono posto tre bambini tra i 10 e i 14 anni che impersonano il Padre Eterno, l'Arcangelo Gabriele e la Vergine Maria, oltre all'arciprete di Fiumedinisi, al vescovo di Messina, ed altri devoti che hanno anche il compito di sorvegliare-rassicurare i giovanissimi bimbi che rivestono il ruolo di Angioletti. La festività dell’Annunciazione di Maria Vergine, patrona di Fiumedinisi, istituita nel XVI secolo durante la dominazione spagnola, si compone quindi di una “andata” senza che i partecipanti indossano gli abiti tradizionali, partenza che avviene attorno alle ore 11,00, inizia dalla piazza antistante il Santuario del XII secolo dedicato alla Madonna Annunziata, per giungere nel largo posto davanti la chiesa di San Pietro; poi nel primo pomeriggio, sempre lungo lo stesso percorso vi è un “ritorno con tutti i devoti che, questa volta, indossano gli abiti tradizionali, i portatori sono completamente vestiti di bianco e scalzi, mentre Maria, l’Arcangelo Gabriele ed il Padre Eterno vestono i loro caratteristici costumi. Quando tutti hanno preso posto, ecco che tre colpi di martello danno il via alla partenza, l’enorme vara viene portata in spalla alla volta della chiesa Matrice, mentre la gente sventola fazzoletti al suo passaggio; la rappresentazione trova la sua massima intensità, e si chiude, con un canto dialettale di grande suggestione e dolcezza, in un contesto di assoluto silenzio, tramandato da secoli, in forma di “dialogo” tra la Beata Vergine Maria e l’Arcangelo Gabriele, il quale dopo aver annunciato a Maria col suo dolcissimo canto del concepimento del Figlio dell'Altissimo, inginocchiandosi le porge il giglio, in ricordo della purità che Maria non perderà (iconografia che ritroviamo nelle Sacre Rappresentazioni).
We went out mapping, or more precisely doing aerial photography, flying a digital camera under a nice big green balloon from the green of Goldsmiths University. The MA is Design at Goldsmiths has an option called “Design & Environment” supervised by Prof Jennifer Gabrys. It is a course that initiates students to alternatives design and environmental methods and pratices. This hands-on experiment was lead by Cesar Harada acting both as Goldsmiths tutor and Public Laboratory instructor. The mappers -who are also the authors of this post- were Anuja Uttamrao Borker, Inessa Demidova, Shan-Yu Hsu, Dk Hajah Hazwani Pg Dato Haji Jaberudin, Federica Sterpos, Chian-Yun Yang, Yifan Zhang, Elvira Grob.
Lontong Balap
Lontong balap is one of traditional foods from East Java, precisely from Surabaya. Lontong balap is consist of lontong or sticky rice cake, bean sprout, tofu and lentho. Lentho is more or less like fried cake, which is made by cassava and cowpea, it is tasty and make particular crunchy-ness in Lontong balap. It become more yummy by garlic dressing sauce and hot shrimp paste.
Moreover, when eating Lontong balap, do no forget to complete it with Sate Kerang or scallop satai and coconut ice.
Why this food named by Lontong Balap, because formerly, when the people who sell Lontong Balap they used heavy-barrel-shaped and bear it to the whole city. This barrel make the seller had to walk as fast as they can, seems like someone who taking a race. Balap is taken from Javanese language, balapan, means racing. Recently, we can find Lontong balap in stall or barrow.
We can find some Lontong Balap in all over Surabaya, whether in stall or barrow. Fortunately, the most popular Lontong Balap in Surabaya is located in Kranggan street, there are some stalls over the street that offering Lontong balap as their main menu, but the most special one is belong to Lontong Balap Garuda by Pak Gendut. It becomes famous for the different taste within the ingredients, and that makes Lontong Balap Pak Gendut known by people outside Surabaya.
More info visit:
THIS PIECE TOOK ME PRECISELY 6 HOURS T OD AND IT WAS SUPPOSE TO BE DONE ON NEW YEARS EVE, NO THANKS TO THOSE TFL AND NEW YEARS PARTY ORGANISING IDIOTS !!!
Plus doing it on NEW YEARS DAY WAS A DAY TO LEARN AND PREPARE FOR NEXT TIME TOO
This is my superhero NEW YEARS PIECE filled with Amalgamte characters,BANANAMAN, BLuntman and Chronic and of COURSE ME GIVING YOU AN AFFIRMATIVE MESSAGE
"BE A HERO THIS YEAR!!"
HAVE A GREAT YEAR PEOPLE AND ALWAYS BE POSITIVE TOO !!
Three kilometres from Vanis Kvabi, upstream along the Mtkvari, lies Vardzia. Beyond it, in the depths of a gorge, is the two-naved, richy adorned church of the Mother of God, biult in the eleventh century. Its southern entrance gallery is decorated with three arches. The monks lived nearby in cave cells, and the church, is known as Zeda Vardzia, which is to say Upper Vardzia. Zeda Vardzia is mentioned in the History of Georgia precisely with reference to the building of Vardzia: Tsaritsa Tamar set about constructing a church for the icon of the Virgin of Vardzia, who helped her in her campaigns". Here the chronicler informs us that the monastery was transferred from Zeda Vardzia to Lower Vardzia. The choice of site was conditioned by The fate of Vardzia has been harsh; almost everything which could have described the history of the monastery in detail has perisshed. But Vardzia has at least been fortunate in beiing mentioned in the History of Georgia of which, indeed, it provides one of the most remarkable pages. Thus not only the time of the founding of the monastery, but also that its downfall are known to us. The first stage of construction took place during the reign of Tsar Georghy III (1156-84). The working out of the original plan was linked primarily with his name. It was also then that the first cave dwellings were hewn out near the spring. The second stage of construction was undertaken between the death of Georghy and the marriage of Tamar (1184-86). By order of the tsaritsa, the original plan was partly altered. The centre of the monastery was set up by the spring, in a place where there had previously been cave cells. The large hall church of the Assumption was hewn out of the cliff and adorned through the initiative and at the expense of Rati Surameli, eristavi of Kartalinia. We have been able to clarify this by reading the inscriptions on the portraits of the founders. The third stage of development took place between the complation of work on the church and the battle in the hills of Basiani (1186-1203). Around the church of the Assumption work was finished on the hewing out of the monks' rock houses, a defensive cover, a complex tunnelled water-course and an irrigation canal. The Vardzia monastery was well known from the moment of the consecration of the church, and its popularity grew continuously. Thus by the turn of the thirteenth century, Vardzia was an important political, religious and cultural centre, exerting a powerful influence on the formation of public opinion, and the very word "Vardzia" became the epitome of the spirit of the people of Georgia, with their humanity and love of freedom. The earthquake of 1283 heavily damaged Vardzia. The partial rebuilding of the monastery after this disaster is linked with the fourth stage of construction under Beq Dzhakeli-Tsikhisdzhvareli (1285-1306). In 1578, when Turkish ways took over in Meskheti, the church and its priests were persecuted, the monasteries emptied and the monks sought refuge in Imereti and Kartalinia. The inhabitants left. The caves of Vardzia fell into decay. The monastery ceased t o exist. The nineteen tiers stretched east to west, and all the dwellings were hollowed out into the depth of the cliff from south to north. The construction of Vardzia followed a pre-determined plan: the many-tiered living accommodation was placed around the foca l church of the Assumption, which was situated in the depth of the cliff. The church divides the ensemble into two unequal parts - a western part and an eastern part. The main architectural element of the rock complex, an entrance gallery in front of the house, distinguishes the Vardzia monastery from early cave cells of hermit monks. Short tunnels between the galleries linked the rock houses horizontally along the tiers. Vertical links between the galleries were made by hatches to which wooden ladders we re attached. Besides these, long vertical tunnels were also used, with exits on every tier. Even when a house led straight on to an open terrace, the entrance gallery nevertheless formed a necessary part of the house; it served not only as a link between houses, but also as a room where the monk spent a great part of his day. In Vardzia there were two-roomed, three-roomed and four-roomed cliff dwellings, including two-storeyed ones. In the middle of the Vardzia rock complex is the church of the assumption. The functional centre of the monastery, it also serves as compositional centre. The vault and alter are hewn out of the rock, but the walls are mainly of stone-work. Behind the church is a pool for the spring water, which was considered holy. Near the church, in the rock, are several graves. To the north of the church is a tombstone, on the front face of which are visible the remains of coloured glazed slabs. In the d epths of the cliff are hidden tunnels and secret caves. The artistic value of the Vardzia ensemble is in no small measure dependent on the presence in the church of the Assumption of some unique frescoes.
Vardzia was founded during the time of Rustaveli, when science, literature and art all flourished. In this sense Vardzia reflects the spirit of Rustaveli's poem The Knight in the Tiger's Skin, the firstherald of humanism, a work which permits us to term the Georgian Renaissance a basis for the entire Eastern Renaissance. In the manuscript of "The Knight in the Tiger's Skin" belonging to King Giorgi XI, the artistic borders and the text are made on a whole leaf as a contrast to Persian manuscripts, and the golden ornamentations on each page are quite different by their pattern. The history of manuscripts is one of the most brilliant pages in the whole history of the Georgian culture.
THIS PIECE TOOK ME PRECISELY 6 HOURS T OD AND IT WAS SUPPOSE TO BE DONE ON NEW YEARS EVE, NO THANKS TO THOSE TFL AND NEW YEARS PARTY ORGANISING IDIOTS !!!
Plus doing it on NEW YEARS DAY WAS A DAY TO LEARN AND PREPARE FOR NEXT TIME TOO
This is my superhero NEW YEARS PIECE filled with Amalgamte characters,BANANAMAN, BLuntman and Chronic and of COURSE ME GIVING YOU AN AFFIRMATIVE MESSAGE
"BE A HERO THIS YEAR!!"
HAVE A GREAT YEAR PEOPLE AND ALWAYS BE POSITIVE TOO !!
Think "Holland" and you've probably already conjured the iconic images of tulips and windmills. More precisely, the very specific windmills you're envisioning right now are that of Kinderdijk.
Though it may sound odd for how technical and pragmatic the region proved to be, the name Kinderdijk translates in Dutch to mean "children's dike." According to local legend, after a particularly terrible flood in the 15th century, a lone basket was left floating in an inundated canal. Upon closer inspection, a cat was found bounding from one side of the basket to the other in an effort to keep it balanced, for inside rested an orphaned baby. The cat had kept the babe afloat, safe and sound during its journey… Thus giving the world the folktale "The Cat and the Cradle" in addition to the village of Kinderdijk its name.
Back in the modern day, visitors will find 19 historically authentic windmills scattered across Kinderdijk's canal-riddled landscape. With their sails raised to the skies (coming to rest in formations that communicate across the bogs in a language of semafors), one could be forgiven for believing these are creatures beholden to the air. What history reveals, in fact, is that the Netherlands' famous windmills are well-disguised creatures of the sea, without which the nation's famously innovative water management system would not have been possible.
Sometime in the 13th century, Zuid-Holland's peat rivers ceased to drain as they had been, creating a pattern of flooding that devastated the beautiful landscape at Alblasserwaard, which already existed below sea level. Berms were built to prevent flooding, but pumping stations needed to be constructed to continue water flow from low to high areas; hence, the 19th windmills still seen today.
Nowhere else in the world offers a complete portrait of early water management like that of Kinderdijk, which accounts for UNESCO's inclusion of the site among its World Heritage as of 1997 for its "unique character." Thanks to its truly groundbreaking unification of sea and sky, plus the added bonus of a world-renowned folktale, a visit to Kinderdijk is the sort of treasure that offers something for dreamers and pragmatists alike. www.atlasobscura.com/places/windmills-of-kinderdijk
There is precisely one subfaction-related location, and it's Chrysota's Chapel, a church made up of bug parts. Designed by Christopher Burdett ( www.christopherburdett.com ), as were most hivelings. Just being near this thing results in the weird yet effective venom damage. Lots and lots of venom.
I wonder what services are like...
Photograph taken at an altitude of Nine metres, in the magic of the Golden hour around sunrise at 05:41am, (sunrise was at precisely 06.15am) on Saturday 6th September 2014 off the Patricia Bay Highway 17, on Lochside Drive close to Frost Avenue and the Lochside Waterfront Park, in beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada.
Here, we are looking over towards Mt Baker in Washington State, USA from beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada. Also known as Koma Kulshan, (pronounced kō-ō’mah’ kool-shän’),she is an active glaciated andesitic stratovolcano in the Cascade Volcanic Arc and the North Cascades of Washington State in the United States, standing 3,286 metres tall and was first ascended in 1868, her last eruption recorded in 1880.
The name Mount Baker first appeared in print in Captain Vancouver’s 1798 narrative of his voyage around Vancouver Island. Legend has it that his third-lieutenant, Joseph Baker, was the first to spot the mountain while they sailed into Dungeness Bay on April 30th, 1792. Also known by the Lummi as Kwud-Shad, and Koba (meaning 'high mountain always covered with snow', was the Skagit name.
These Canada Geese, along with many other small groups, fly across the lake from East to West every morning and back again every evening at Sunset, and I love to watch the classic Vee formations and listen to the honking as they pass me by. In flight, a group of Geese are called, a Skein.
.
.
Nikon D800 70mm 1/1000s f/2.8 iso100 RAW (14 bit) Manual focus. Manual exposure. Matrix metering. Auto white balance.
Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
.
.
LATITUDE: N 48d 38m 15.77s
LONGITUDE: W 123d 24m 12.83s
ALTITUDE: 8.0m
RAW (TIFF) FILE SIZE: 103.00MB
PROCESSED (JPeg) SIZE: 6.69MB
.
.
Processing power:
HP Pavillion Desktop with AMD A10-5700 APU processor. HD graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.10.0 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
Exhibition Jean Tinguely - Machine Spectacle 1 Oct 2016 - 5 Mar 2017 in the Stedelijk Museum Amsterdam
Jean Tinguely is famous for his playful, boldly kinetic machines and explosive performances. Everything had to be different, everything had to move. Precisely twenty-five years after his death, the Stedelijk Museum opens a Tinguely retrospective: the largest-ever exhibition of the artist to be mounted in a Dutch museum.
The Swiss artist Jean Tinguely (1925–1991) played a key role in the rise of kinetic art in the fifties. With over a hundred machine sculptures, most of which are in working order, paired with films, photos, drawings, and archive materials, the presentation takes the public on a chronological and thematic journey of Tinguely’s artistic development and ideas, from his love of absurd play to his fascination for destruction and ephemerality.
The presentation features his early wire sculptures and reliefs, in which Tinguely imitated and animated the abstract paintings of artists such as Malevich, Miró, and Klee; the interactive drawing machines and wild dancing installations constructed from salvaged metal, waste materials, and discarded clothing; and his streamlined, military-looking black sculptures.
Tinguely’s self-destructive performances are a special feature of the Stedelijk presentation. The enormous installations Tinguely created between 1960–1970 (Homage to New York, Étude pour une fin du monde No. 1, Study for an End of the World No. 2, and La Vittoria) were designed to spectacularly disintegrate in a barrage of sound. The presentation also spotlights the exhibitions Tinguely organized at the Stedelijk, Bewogen Beweging (1961) and Dylaby (1962), and the gigantic sculptures he later produced: HON – en katedral (“SHE – a cathedral,” 1966), Crocrodrome (1977) and the extraordinary Le Cyclop (1969–1994), which is still on display outside Paris. The survey ends with a dramatic grand finale, the remarkable, room-filling installation, Mengele-Totentanz (1986), a disturbing display of light and shadow never previously shown in the Netherlands. Tinguely realized the work after witnessing a devastating fire, reclaiming objects from the ashes to piece together his installation: scorched beams, agricultural machinery (made by the Mengele company), and animal skeletons. The final piece is a gigantic memento mori, yet also an invocation of the Nazi concentration camps. Its juddering movements and piercing sounds evoke a haunting, grisly mood.
Jean Tinguely created his work as a rejection of the static, conventional art world; he sought to emphasize play and experiment. For Tinguely, art was not about standing in a sterile white space, distantly gazing at a silent painting. He produced kinetic sculptures to set art and art history in motion, in works that animated the boundary between art and life. With his do-it-yourself drawing machines, Tinguely critiqued the role of the artist and the elitist position of art in society. He renounced the unicity of “the artist’s hand” by encouraging visitors to produce work themselves. Collaboration was integral to Tinguely’s career. He worked extensively with artists like Daniel Spoerri, Niki de Saint Phalle (also his wife), Yves Klein, and others from the ZERO network, as well as museum directors such as Pontus Hultén, Willem Sandberg, and Paul Wember. Thanks to his charismatic, vibrant personality and the dazzling success with which he presented his work (and himself) in the public sphere, Tinguely was a vital figure within these networks, acting as leader, inspirator, and connector.
Amsterdam has enjoyed a dynamic history with Tinguely. The exhibitions Bewogen Beweging (1961) and Dylaby (1962), for which Tinguely was (co)curator, particularly underline the extraordinarily close relationship that sprang up between the museum and the artist. Not only did he bring his kinetic Méta machines to the Netherlands, he also brought his international, avant-garde network, leaving an enduring impression on museumgoers who flocked to see these experimental exhibitions. Close relationships with Willem Sandberg, then director of the Stedelijk Museum, and curator Ad Petersen prompted various retrospectives and acquisitions for the collection: thirteen sculptures, including his famous drawing machine, Méta-Matic No. 10 (1959), Gismo (1960), and the enormous Méta
THIS PIECE TOOK ME PRECISELY 6 HOURS T OD AND IT WAS SUPPOSE TO BE DONE ON NEW YEARS EVE, NO THANKS TO THOSE TFL AND NEW YEARS PARTY ORGANISING IDIOTS !!!
Plus doing it on NEW YEARS DAY WAS A DAY TO LEARN AND PREPARE FOR NEXT TIME TOO
This is my superhero NEW YEARS PIECE filled with Amalgamte characters,BANANAMAN, BLuntman and Chronic and of COURSE ME GIVING YOU AN AFFIRMATIVE MESSAGE
"BE A HERO THIS YEAR!!"
HAVE A GREAT YEAR PEOPLE AND ALWAYS BE POSITIVE TOO !!
Photo © Tristan Savatier - All Rights Reserved - License this photo on Getty Images
Share this photo on: facebook • twitter • more...
Cardon Cactus - Echinopsis
I believe this is Echinopsis terscheckii or Echinopsis atacamensis.
These tree-size cactus are growing in the High Desert in North-West Argentina, Chile and Bolivia. I saw this one near Cachi (Argentina). There is another one here
For more information about the Cardón Cactus, read:
- en.wikipedia.org/wiki/Echinopsis_terscheckii
- es.wikipedia.org/wiki/Echinopsis_atacamensis.
If you can precisely identify the species of cactus, please post a comment!
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
@ Internationale Tanzmesse nrw, Düsseldorf
In To the Ones I Love, Thierry Smits places nine dancers of African descent on the stage. More precisely, for this choice is a vital one, he uses nine dancers whose complexions hark back to Africa. In short, they are dark – either black or of mixed race. These dancers have different nationalities but belong to the world, and the fact that they are scattered over several continents proves that the world belongs to them despite the discriminatory reflexes that are incarnated in today’s immigration policies and talk about national identity. The mixing of races and cultures mocks these retreats behind the walls of identity, defies all categorisation, and transmits a troubling, implacable message of change, for tomorrow humankind will be mixed or it will not be.
Thierry Smits’s message is not political, however. It deliberately sets out to be aesthetic and refuses all concessions to exoticism. The principle is to set bodies used to “Western” choreographic techniques but nevertheless shaped by other traditions and dances in motion. They dance in a white decor and are literally transported by Johan Sebastian Bach’s music, by its overflowing generosity and immense virtuosity. The challenge is obviously to manage the unexpected outcomes of the meeting of different cultural references.
In putting nine bodies sculpted and sublimated by dance and music on the stage, Thierry Smits issues a message of love by giving a metaphorical dimension to the difference of the loved one, for the other one whom one loves is, by definition, different from the one of oneself. To celebrate twenty years of choreographic creation, Thierry Smits is treating himself to a moment of immense pleasure whilst offering his audience, family, friends, and lovers this visual gift, proof of a constantly renewed energy and an endless hunger to love passionately.
We went out mapping, or more precisely doing aerial photography, flying a digital camera under a nice big green balloon from the green of Goldsmiths University. The MA is Design at Goldsmiths has an option called “Design & Environment” supervised by Prof Jennifer Gabrys. It is a course that initiates students to alternatives design and environmental methods and pratices. This hands-on experiment was lead by Cesar Harada acting both as Goldsmiths tutor and Public Laboratory instructor. The mappers -who are also the authors of this post- were Anuja Uttamrao Borker, Inessa Demidova, Shan-Yu Hsu, Dk Hajah Hazwani Pg Dato Haji Jaberudin, Federica Sterpos, Chian-Yun Yang, Yifan Zhang, Elvira Grob.
Throughout the vast universe, all celestial bodies move precisely within their own orbits. Under the heavens, mountains, rivers, and lakes all have their boundaries, and all creatures live and reproduce throughout the four seasons in accordance with the laws of life…. This is all so exquisitely designed—is there a Mighty One ruling and arranging all this? Since coming into this world crying we have begun playing different roles in life. We move from birth to old age to illness to death, we go between joy and sorrow…. Where does mankind really come from, and where will we really go? Who is ruling our fates? From ancient times to modern days, great nations have risen up, dynasties have come and gone, and countries and peoples have flourished and perished in the tides of history…. Just like the laws of nature, the laws of humanity's development contain infinite mysteries. Would you like to know the answers to them? The Christian musical documentary The One Who Holds Sovereignty Over Everything will guide you to get to the root of this, to unveil all of these mysteries!
Eastern Lightning, The Church of Almighty Godof Almighty God was created because of the appearance and work of Almighty God , the second coming of the Lord Jesus, Christ of the last days. It is made up of all those who accept Almighty God's work in the last days and are conquered and saved by His words. It was entirely founded by Almighty God personally and is led by Him as the Shepherd. It was definitely not created by a person. Christ is the truth, the way, and the life. God's sheep hear God's voice. As long as you read the words of Almighty God, you will see God has appeared.
We had a complete change this Christmas – we cancelled it! - we went walking in The Lakes, or Wasdale more precisely. We were staying at Irton Hall B & B, they had over 70 in for Christmas dinner but we ate jam bread on the slopes of Sca Fell Pike. Fantastic. We had a front wheel puncture on a run flat tyre on the new car with a 100 mile still to drive on the afternoon of Christmas eve on our way there. I drove straight to the nearest ATS – where I have an account – they shook their heads and directed me to Westhoughton Tyres, the lads there were fantastic and got us on our way in good time. BMW dealer advice was run on the flat tyre and then throw it away - £250! Where I would have got a tyre on the western side of the Lakes over Christmas I don’t know, ATS didn’t have one to sell me.
The weather was forecast good for Christmas day but after a fine start it was raining before we even left the car park in Wasdale. We headed up Lingmell and ran into snow on the summit. The path onto Sca Fell Pike was very icy, snow covered and visibility was low, the snow kept falling. We didn’t linger long, it was too cold to have dinner up there so we dropped down onto the Corridor Route, where we had our dinner. We went that way to stretch the walk out, having originally intended to cross to Great End. The tops were so icy, glazed, with not enough snow to get a grip on that we decide to leave it for another day. From Styhead we headed back to Wasdale and a dull but fine finish to the day. A drink in the bar at Irton Hall was on the radar.
Every morning we headed into Wasdale early, it got colder, icier and sunnier as the days went by. We went up Yewbarrow, it was an icy scramble up and I decided it was too dangerous to go down Stirrup Crag to Dore Head so went back the same way. It turned out to be the right decision as we lingered on the top, going to view points that we wouldn’t have and getting some decent photos. One morning we walked over the Screes tops, Illgill Head and Whin Rigg, dropping down the steep slope to The southern end of Wast Water. Having said that I would never walk the Screes path alongside Wast Water again the memory of how awful it is in the rain had faded. There is only really a quarter of a mile out of three miles that is really bad, every rock was like glass with the potential to break a leg every step. It seemed a long way and I was getting killer looks from Herself.
We made our way onto Sca Fell on a beautiful morning, clear blue sky. The snow line had got lower most nights but we never had the low level snow that caused problems in the rest of the country. I chose a, sometimes, pathless way to the summit, partly because I’d never been that way but also to stay in the sun, to keep the view and to avoid the ways that would be a touch dangerous, it was -4 and seared with ice for the last 600 feet. After 15 minutes on the summit wispy thin cloud came racing in, crossing the Lake District in minutes, the photos show it heading towards us and I was glad to have got the clear photos first. Looking out to sea a great mattress of cloud was heading straight for us. It was calm and sunny one minute and the next we were engulfed in thick cloud with 30 yards visibility at the most. I have never had a clear sky turn to cloud so fast – ever! We were going down to Slightside next which was OK, about a mile following the ridge down, the problem was getting back to Wasdale from there. We needed to get to Great Howe which meant a pathless trek a mile SW across Quagrigg Moss – a bog full of tarnlets, it would be a nightmare in low visibility. After getting some accurate compass bearings and heading down off Slightside we suddenly dropped out of the cloud and could see our target, brilliant, we legged it across the semi frozen bog and finally felt able to rest and grab a sandwich and cup of tea. We had to find our way down Raven Crags, which was interesting – and steep! We needed to get to the footbridge to get onto the Burnmoor Tarn path back to Wasdale. As we got closer to Burnmoor Tarn the light that I had been cursing gave us a gorgeous sunset. I had one eye on a gap in the cloud low down in the sky out at sea and I was hoping the sun would break through, it did. Burnmoor Tarn was like a mirror, reflecting the surrounding mountains, including Yewbarrow and parts of the Mosedale Horseshoe in the far distance. There was just the two of us, we had barely seen a soul all day, it was a fantastic end to a tough day. As we dropped into Wasdale I caught the deep pink and orange of the last of the sun, I was shooting into it but I had nothing to lose. There would have been quite a few tripods at the opposite end of the lake but I think I was in the better place – for a change.
On our final walking day we decided to head up Great Gable. It was clear of cloud for a change but ominously the surrounding tops, including the Sca Fells were cloud covered. Another beautiful but very cold morning, it was going to be very icy up there so we elected to go via Styhead and the tourist track. We would choose a way off once we were up there. Long before we got to the top, although we couldn’t see it, we knew the cloud was swirling in and out on the summit so it was going to be hit and miss for the photos. The cloud was down for the last 500 feet but once on the frozen top it kept clearing briefly – very briefly. There were more people up there than we had seen the entire trip previously. People were getting out after Christmas, many had parked at the top of Honister for the fairly easy walk in across Green Gable, some were not dressed for winter walking it has to be said. We left for an icy scramble down to Arron Slack, up onto Green Gable them we galloped down Arron Slack to Styhead and back to Wasdale.
Todos festejaron el 25 de Octubre...en paz y armonía.
In English for those not familiar with Uruguayan Poltics.
Uruguay, or more precisely the República Oriental del Uruguay (Oriental Republic of Uruguay) is a small country located on the River Plate between Argentina and Brazil.
Since its birth as a modern State in 1830, the Uruguayan Politics has been dominated by two political groups, the Colorados (literally the "reds") and the Blancos (the "whites"). Their names dates to the 1836 Carpinteria Battle , when each side fought using red ponchos and white ponchos to identify themselves. This groups were originally the succesors to the groups that fought during the Argentinean Civil Wars.
Later organized as Political Parties (the Partido Colorado and Partido Nacional) strive for political power on the elections and on the battlefields, creating a historic rivalry that exists until today, and that makes them the oldest political parties in the world.
However, in 2004, and for the first time in our history not the Colorado nor the Blancos won the election. The Frente Amplio triumphed for the first time, and for the first time in more than 170 years Uruguay was ruled by a party different to the traditional Colorado and Nacional parties. Not only that, it also became the first leftist government in our history.
National Elections for President and Parliament were held on October 25. The Frente Amplio obtained the majority on both the Senate and the House of Representatives. However, its candidate, the ex-member of the Tupamaros guerilla, didn´t get enough votes to became President on the First Round. So, a second one will be held on November 29, in which he will compete with the Blanco candidate, and Ex-Presidente, Luis Alberto Lacalle.
In this photo you can see the Celebrations of October 25. The historic rivals that have been involved un many civil wars and conflicts during our history, celebrated peacefuly together. Blancos were celebrating that their candidate could compete in the second round, and the Colorados celebrated the recovery of their Party after the electoral disaster of 2004. Both parties have in common their opposition to the ideas of the Frente Amplio, specially with those of their presidential candidate.
This photo, which represents and example of tolerance and civic virtue, was taken on the night of October 25. Both groups partied together until 1:30 AM at least. The place is Montevideo´s Rambla (Seawalk) one of the landmarks of the city.
📍We are at Milan, precisely Porta Nuova district.
I work an photoproject named: milano 2.0, the future. This is a photo of it. You look at new acchitecture and walking across of it, you breaths of future air and no smog.
I take it with Olympus OMD EM1 and zuiko 12mm F2.0.
Thanks for your appreciation.
OLYMPUS DIGITAL CAMERA
THIS PIECE TOOK ME PRECISELY 6 HOURS T OD AND IT WAS SUPPOSE TO BE DONE ON NEW YEARS EVE, NO THANKS TO THOSE TFL AND NEW YEARS PARTY ORGANISING IDIOTS !!!
Plus doing it on NEW YEARS DAY WAS A DAY TO LEARN AND PREPARE FOR NEXT TIME TOO
This is my superhero NEW YEARS PIECE filled with Amalgamte characters,BANANAMAN, BLuntman and Chronic and of COURSE ME GIVING YOU AN AFFIRMATIVE MESSAGE
"BE A HERO THIS YEAR!!"
HAVE A GREAT YEAR PEOPLE AND ALWAYS BE POSITIVE TOO !!
We went out mapping, or more precisely doing aerial photography, flying a digital camera under a nice big green balloon from the green of Goldsmiths University. The MA is Design at Goldsmiths has an option called “Design & Environment” supervised by Prof Jennifer Gabrys. It is a course that initiates students to alternatives design and environmental methods and pratices. This hands-on experiment was lead by Cesar Harada acting both as Goldsmiths tutor and Public Laboratory instructor. The mappers -who are also the authors of this post- were Anuja Uttamrao Borker, Inessa Demidova, Shan-Yu Hsu, Dk Hajah Hazwani Pg Dato Haji Jaberudin, Federica Sterpos, Chian-Yun Yang, Yifan Zhang, Elvira Grob.
On the eighth day of the winter equinox at precisely 4:01 the Peralta Hoodoo will glow showing those who stand in the Dutchman's track the secret cache of the Lost Dutchman's mine.
The knowing eye of the Hoodoo will cast a beam from its face reflecting into Geronimo's Cave bouncing off of Weaver's Needle. It then will reflect the slightest red light (must have red colored glasses to see) to the Lost Dutchman's Mine. Look closely for the glowing eye!
Just a little of the Indiana Jones in me! :)
Integrity Toys, or more precisely David Buttry, has done a phenomenal job with the Poppys this year. One after another these dolls represent the best in the Poppy Parker line. Their faces have become more than just doll faces, they have come alive. I notice more depth and dimension - more definition. Poppy couldn't be prettier. One after one I am blown away by these Poppys. I hope you are too.
Santuario di Santa Croce / Wallfahrtskirchlein Hl. Kreuz
High above Badia, more precisely the hamlet of Oies - the birthplace of St. Joseph Freinademetz - a lovely little church was built almost 600 years ago. The sanctuary was consecrated in 1484 by the Bishop of Bressanone and dedicated to the Holy Cross. However, savants presume that the Santa Croce Church has once been a pagan cult site, dating back to the time when the Alta Badia has been sparsely populated. The name “Col dei Paternostri” (Paternoster Hill) - referring to a place right in front of the church - could be an indication of this presumption.
It is documented that since 1584 Holy Masses were held in the La Crusc Pilgrimage Church, since 1649 even once a week: from the Feast of the Holy Cross on June 6 to the Feast of St. Francis on October 4. In this document also the adjacent hospice was mentioned for the first time which once hosted the sexton as well as the pilgrims. Nowadays the building houses the well-known Rif. Santa Croce in Badia mountain hut.
Inside the church, still today there is an altar in which numerous relicts of Saints are kept. The steeple, which has been constructed in the 17th century, features three big bells. The popular pilgrims’ path which leads to the sanctuary is accessible from the nearby hamlets of Oies and San Leonardo - from the latter also a funicular starts and takes you into the world of mountains. Furthermore, beautiful hiking paths lead you in summer and winter alike to this ensemble, situated near the Armentara Meadows in the heart of the Fanes-Senes-Braies Nature Park.
THIS PIECE TOOK ME PRECISELY 6 HOURS T OD AND IT WAS SUPPOSE TO BE DONE ON NEW YEARS EVE, NO THANKS TO THOSE TFL AND NEW YEARS PARTY ORGANISING IDIOTS !!!
Plus doing it on NEW YEARS DAY WAS A DAY TO LEARN AND PREPARE FOR NEXT TIME TOO
This is my superhero NEW YEARS PIECE filled with Amalgamte characters,BANANAMAN, BLuntman and Chronic and of COURSE ME GIVING YOU AN AFFIRMATIVE MESSAGE
"BE A HERO THIS YEAR!!"
HAVE A GREAT YEAR PEOPLE AND ALWAYS BE POSITIVE TOO !!
Lontong Balap
Lontong balap is one of traditional foods from East Java, precisely from Surabaya. Lontong balap is consist of lontong or sticky rice cake, bean sprout, tofu and lentho. Lentho is more or less like fried cake, which is made by cassava and cowpea, it is tasty and make particular crunchy-ness in Lontong balap. It become more yummy by garlic dressing sauce and hot shrimp paste.
Moreover, when eating Lontong balap, do no forget to complete it with Sate Kerang or scallop satai and coconut ice.
Why this food named by Lontong Balap, because formerly, when the people who sell Lontong Balap they used heavy-barrel-shaped and bear it to the whole city. This barrel make the seller had to walk as fast as they can, seems like someone who taking a race. Balap is taken from Javanese language, balapan, means racing. Recently, we can find Lontong balap in stall or barrow.
We can find some Lontong Balap in all over Surabaya, whether in stall or barrow. Fortunately, the most popular Lontong Balap in Surabaya is located in Kranggan street, there are some stalls over the street that offering Lontong balap as their main menu, but the most special one is belong to Lontong Balap Garuda by Pak Gendut. It becomes famous for the different taste within the ingredients, and that makes Lontong Balap Pak Gendut known by people outside Surabaya.
More info visit:
Geger Hill Bangkalan
Geger hill is located approximately 30 km southeast of the City Bangkalan, precisely in the village of Geger, District Geger. This hill is located at an altitude of about 150-200 meters above sea level.
According to the folk legend, Geger hill was the first place that had been visited by the first civilian who came in Madura. On 7-8 Century, it was Patih Pranggulan from Mendangkawulan kingdom in the the foothill of Semeru became the first man who landed in Planggirân ( a set of rocks) in Geger hill. At that time he came together with Princess Dewi Ratna Roroagung, the daughter of Mendangkawulan king, and she was pregnant.
Both Patih Pranggulan and Princess Dewi Ratna Roroagung which was called as Putri Koneng or Koneng princess was castaway. At geger hill, the princess Koneng was always did meditation at the edge of the cliff, everyday before the sunset. Now, the rock that seems like chair is being called as Palènggiyân (Madura).
Relating the folk legend above, in geger hill, there are five legendary caves in the form of Madurese language, like Petapan cave (the cave for meditation), Goa Potre (princess cave ), Goa Planangan (men cave), Goa Pancong Pote (white lynch cave) and Goa Olar (Snake Cave).
Up to now, in that location there are some visitors from Madura or the outside Madura come to those sites doing some meditating or praying, the local people call this as Tirakatan.
Geger hill is such a potential destination in Madura, for it has camping ground for those who want to explore more about this hill. Moreover, there is also Acacia forest, Mahogany forest and Teak forest that covering 42 hectares of the hil. We can see the beautiful rice field and some lakes over the sightseeing and a resort on the hilltop of Pelanggiran site. Furthermore, it become more potential to be the tourism destination in Bangkalan because this site is having the historical background of the first founding of Madura.
More info visit
Not exactly the mill precisely. Technically the mill was on the other side but there was no good shot on that side.
As the title suggests: Townsend, MA
left by the imperfect work that the next one can be born. [odilon redon quote]
and i love this quote too :-)
[droid-a-day keeps the doctor away... ]
Design in Motion:
Human design of inanimate objects, assembled, moving with precision synchronously.
Arranged and framed precisely with respect to most visual art rules on beauty both as watch design and as the image as framed.
Subject: approximately 2:1 macro of a 11 Jewel movement see through case back on an Aviator watch.
Technical details:
Nikon D800E
Kenko Macro Extension tubes x 2 sets
Nikon AF 85mm F/1.4 D IF
Hand held, strobe lit
In the second century AD, more precisely between 129 and 131, the temple was finally completed in this configuration by Roman emperor Hadrian, a great admirer of Greek culture.
Hadrian dedicated the temple to Zeus, known in Rome as Jupiter, the king of the gods. He had a chryselephantine statue (in gold and ivory) of Zeus erected in the cell and, not far from it, a statue of him as big as that of the god. However, nothing remains of the interior of the temple, destroyed by the barbarians and used as a stone quarry.
Lontong Balap
Lontong balap is one of traditional foods from East Java, precisely from Surabaya. Lontong balap is consist of lontong or sticky rice cake, bean sprout, tofu and lentho. Lentho is more or less like fried cake, which is made by cassava and cowpea, it is tasty and make particular crunchy-ness in Lontong balap. It become more yummy by garlic dressing sauce and hot shrimp paste.
Moreover, when eating Lontong balap, do no forget to complete it with Sate Kerang or scallop satai and coconut ice.
Why this food named by Lontong Balap, because formerly, when the people who sell Lontong Balap they used heavy-barrel-shaped and bear it to the whole city. This barrel make the seller had to walk as fast as they can, seems like someone who taking a race. Balap is taken from Javanese language, balapan, means racing. Recently, we can find Lontong balap in stall or barrow.
We can find some Lontong Balap in all over Surabaya, whether in stall or barrow. Fortunately, the most popular Lontong Balap in Surabaya is located in Kranggan street, there are some stalls over the street that offering Lontong balap as their main menu, but the most special one is belong to Lontong Balap Garuda by Pak Gendut. It becomes famous for the different taste within the ingredients, and that makes Lontong Balap Pak Gendut known by people outside Surabaya.
More info visit:
Aqueduct of Segovia
From Wikipedia, the free encyclopedia
The Aqueduct of Segovia (or more precisely, the aqueduct bridge) is a Roman aqueduct and one of the most significant and best-preserved ancient monuments left on the Iberian Peninsula. It is located in Spain and is the foremost symbol of Segovia, as evidenced by its presence on the city's coat of arms.
At its tallest, the aqueduct reaches a height of 28.5 m (93 ft 6 in), including nearly 6 m (19 ft 8 in) of foundation. There are both single and double arches supported by pillars. From the point the aqueduct enters the city until it reaches Plaza de Díaz Sanz, it includes 75 single arches and 44 double arches (or 88 arches when counted individually), followed by four single arches, totalling 167 arches in all. The construction of the aqueduct follows the principles laid out by Vitruvius as he describes in his De Architectura published in the mid-first century.
History
As the aqueduct lacks a legible inscription (one was apparently located in the structure's attic, or top portion), the date of construction cannot be definitively determined. The actual date of the Aqueduct's construction has always been considered a mystery although it was thought to have been during the 1st century AD, sometime during the reigns of the Emperors Domitian, Nerva, and Trajan. At the end of the 20th century, a German archaeologist managed to decipher the text on the dedication plaque by studying the anchors that held the now missing bronze letters in place. Using this method, he was able to determine that actually it was the Emperor Domitian (AD 81-96) who ordered its construction. The beginnings of Segovia itself are likewise not definitively known. The people called Vaccaei are known to have populated the place or area before the Romans conquered the city. Roman troops sent to control the area stayed behind to settle there. The area fell within the jurisdiction of the Roman provincial court (Latin conventus iuridici, Spanish convento jurídico) located in Clunia.
We had a complete change this Christmas – we cancelled it! - we went walking in The Lakes, or Wasdale more precisely. We were staying at Irton Hall B & B, they had over 70 in for Christmas dinner but we ate jam bread on the slopes of Sca Fell Pike. Fantastic. We had a front wheel puncture on a run flat tyre on the new car with a 100 mile still to drive on the afternoon of Christmas eve on our way there. I drove straight to the nearest ATS – where I have an account – they shook their heads and directed me to Westhoughton Tyres, the lads there were fantastic and got us on our way in good time. BMW dealer advice was run on the flat tyre and then throw it away - £250! Where I would have got a tyre on the western side of the Lakes over Christmas I don’t know, ATS didn’t have one to sell me.
The weather was forecast good for Christmas day but after a fine start it was raining before we even left the car park in Wasdale. We headed up Lingmell and ran into snow on the summit. The path onto Sca Fell Pike was very icy, snow covered and visibility was low, the snow kept falling. We didn’t linger long, it was too cold to have dinner up there so we dropped down onto the Corridor Route, where we had our dinner. We went that way to stretch the walk out, having originally intended to cross to Great End. The tops were so icy, glazed, with not enough snow to get a grip on that we decide to leave it for another day. From Styhead we headed back to Wasdale and a dull but fine finish to the day. A drink in the bar at Irton Hall was on the radar.
Every morning we headed into Wasdale early, it got colder, icier and sunnier as the days went by. We went up Yewbarrow, it was an icy scramble up and I decided it was too dangerous to go down Stirrup Crag to Dore Head so went back the same way. It turned out to be the right decision as we lingered on the top, going to view points that we wouldn’t have and getting some decent photos. One morning we walked over the Screes tops, Illgill Head and Whin Rigg, dropping down the steep slope to The southern end of Wast Water. Having said that I would never walk the Screes path alongside Wast Water again the memory of how awful it is in the rain had faded. There is only really a quarter of a mile out of three miles that is really bad, every rock was like glass with the potential to break a leg every step. It seemed a long way and I was getting killer looks from Herself.
We made our way onto Sca Fell on a beautiful morning, clear blue sky. The snow line had got lower most nights but we never had the low level snow that caused problems in the rest of the country. I chose a, sometimes, pathless way to the summit, partly because I’d never been that way but also to stay in the sun, to keep the view and to avoid the ways that would be a touch dangerous, it was -4 and seared with ice for the last 600 feet. After 15 minutes on the summit wispy thin cloud came racing in, crossing the Lake District in minutes, the photos show it heading towards us and I was glad to have got the clear photos first. Looking out to sea a great mattress of cloud was heading straight for us. It was calm and sunny one minute and the next we were engulfed in thick cloud with 30 yards visibility at the most. I have never had a clear sky turn to cloud so fast – ever! We were going down to Slightside next which was OK, about a mile following the ridge down, the problem was getting back to Wasdale from there. We needed to get to Great Howe which meant a pathless trek a mile SW across Quagrigg Moss – a bog full of tarnlets, it would be a nightmare in low visibility. After getting some accurate compass bearings and heading down off Slightside we suddenly dropped out of the cloud and could see our target, brilliant, we legged it across the semi frozen bog and finally felt able to rest and grab a sandwich and cup of tea. We had to find our way down Raven Crags, which was interesting – and steep! We needed to get to the footbridge to get onto the Burnmoor Tarn path back to Wasdale. As we got closer to Burnmoor Tarn the light that I had been cursing gave us a gorgeous sunset. I had one eye on a gap in the cloud low down in the sky out at sea and I was hoping the sun would break through, it did. Burnmoor Tarn was like a mirror, reflecting the surrounding mountains, including Yewbarrow and parts of the Mosedale Horseshoe in the far distance. There was just the two of us, we had barely seen a soul all day, it was a fantastic end to a tough day. As we dropped into Wasdale I caught the deep pink and orange of the last of the sun, I was shooting into it but I had nothing to lose. There would have been quite a few tripods at the opposite end of the lake but I think I was in the better place – for a change.
On our final walking day we decided to head up Great Gable. It was clear of cloud for a change but ominously the surrounding tops, including the Sca Fells were cloud covered. Another beautiful but very cold morning, it was going to be very icy up there so we elected to go via Styhead and the tourist track. We would choose a way off once we were up there. Long before we got to the top, although we couldn’t see it, we knew the cloud was swirling in and out on the summit so it was going to be hit and miss for the photos. The cloud was down for the last 500 feet but once on the frozen top it kept clearing briefly – very briefly. There were more people up there than we had seen the entire trip previously. People were getting out after Christmas, many had parked at the top of Honister for the fairly easy walk in across Green Gable, some were not dressed for winter walking it has to be said. We left for an icy scramble down to Arron Slack, up onto Green Gable them we galloped down Arron Slack to Styhead and back to Wasdale.
sometimes, when i'm out with my camera, trying to capture light, i have this overwhelming sense of the uniqueness of the moment, the image, the click. the shot has an infinite possibility until the shutter goes and then it's sealed, locked in to the one frozen moment. completely unique in and of itself and unable to be duplicated ever again.
235:365