View allAll Photos Tagged preamplifier
The little man leaps...
Skippy envisioned his universe with help from the following stellar creations:
HAIKEI's Building and Lamp, which are part of the Take Me Away Collection, available at Kustom9!
Kunst's Tube Amplifier, Tube CD player, Pro Speakers, CD Piles, which are all part of The Audiophile Collection, available at The Arcade!
Kunst's SPA 622 Amplifier, PR 212 Preamplifier, SA 906 Spectrum Analyzer, DRT 160 Tuner, CDP 280 CD Player, Modular system rack, SW 212 Subwoofer, FS 400 Floor Speakers, and WS 400 Wall Speaker, which are all part of the Hi-Fi Music System!
BUENO's Night Table, Chest on Wheels, and Industrial Light, which are all part of the He said/She said Collection, available at The Arcade!
BUENO's Industry Bed!
Soy's Corner Sofa Set and Tetrameric Table, both available at C88!
Soy's Leather Lobby Bench, Safety Pinned Torn Tapestry, Record Shelves, and Turntable!
ChicChica's Pancakes, Waffles, and Orange Juice, which are all part of the Yummy Collection, available at The Arcade!
Kunst's Baseball Bat and Ball!
PewPew!'s Baseball Mitt!
Booger's Henry Bear!
Sorgo's Jieulun Soda Can!
Bueno's Flawless Soda Can!
unKindness's Cheese Pizza Slice!
Zerkalo's Backstreet Hideout Pizza!
Little Branch's Eucalyptus Trees!
Keep shining so bright, my friends!
An electronic city, in a way. :)
Dolby Cat. 240A optical preamplifier module from a CP65 cinema sound processor.
Ramona was the second generation Czechoslovak electronic support measures (ESM) system that uses measurements of time difference of arrival (TDOA) of pulses at three or four sites to accurately detect and track airborne emitters by multilateration.
Ramona's designation was KRTP-81 and it carried the NATO reporting name of Soft Ball. The serial number was derived from the Czech phrase "Komplet radiotechnického průzkumu" meaning "Radiotechnical Reconnaissance Set". A later upgraded version was designated KRTP-81M. Ramona was deployed in 1979 and could semi-automatically track 20 targets simultaneously. It superseded Kopáč.
Each receiver comprised a large spherical radome mounted on the top of a 25 m fixed mast. This radome, made of identical segments of polyurethane foam, contained the radio antennas and the microwave components, intermediate frequency preamplifiers and the two-way communications equipment for communicating between central and side sites. At first glance the system bore a striking resemblance to typical Eastern European water towers.
1975
The dream preamplifier of every hi-fi friend (and me) from the 70s and for many certainly still today.
"Aiming for the highest level of control amplifier, this control amplifier is equipped with excellent basic performance and extensive adjustment functions" is the comment of the "Audio Database" on the CA-3000 from the Sansui "Definition" series.
The structure and the technical design of the heavy preamp (14kg) is uncompromising and built for eternity.
1975
The dream preamplifier of every hi-fi friend (and me) from the 70s and for many certainly still today.
"Aiming for the highest level of control amplifier, this control amplifier is equipped with excellent basic performance and extensive adjustment functions" is the comment of the "Audio Database" on the CA-3000 from the Sansui "Definition" series.
The structure and the technical design of the heavy preamp (14kg) is uncompromising and built for eternity.
1975
The dream preamplifier of every hi-fi friend (and me) from the 70s and for many certainly still today.
"Aiming for the highest level of control amplifier, this control amplifier is equipped with excellent basic performance and extensive adjustment functions" is the comment of the "Audio Database" on the CA-3000 from the Sansui "Definition" series.
The structure and the technical design of the heavy preamp (14kg) is uncompromising and built for eternity.
Patches at 1.5 years of age.
Patches likes to lie on the warm amplifier. In an attempt to keep her off of the equipment, I bought a hot water bottle for her to lie on, but she wasn't interested in it.
This terracotta fragment, the oldest piece in our collection, dates back to the late Roman period in Sardis, Turkey. Measuring just over 2 inches in length, its original purpose is unknown - perhaps it was part of a small sculpture, ornament, or even a toy. While it may not be valuable, I find its weathered beauty fascinating. Captured using my Micro Nikkor 105mm 1:2.8G lens on the black surface of my stereo preamplifier, with natural light filtering in through the Venetian blind above.
Vintage Teac Vacuum Tube Preamplifiers
Camera: Calumet C1 (8x10 IN. large format)
Lens: Schneider - Kreuznach Symmar-S 300mm f/5,6
Film: Ilford FP4 Plus at ISO 100 developed in Rodinal 1+50
· ▸ HIFI System includes:
ㅤㅤ• Stereo Tuner
ㅤㅤ• CD Player SL
ㅤㅤ• Cassete Deck
ㅤㅤ• Stereo Equalizer
ㅤㅤ• Preamplifier
ㅤㅤ• Power Amplifier
ㅤㅤ• P-Amplifier
ㅤㅤ• HIFI Rack
ㅤㅤ• HIFI System · Linkset
ㅤㅤ• HIFI System HUD
· ▸ 9 Prim
· ▸ HIFI System is fitted for:
· ▸ Copy
· ▸ Modify
· ▸ No Transfer
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the old vinyl and record player, I still listen to it for its warm and natural sound. Warning: Be sure you are old enough to comment...just kidding.
Just getting everything in place after a major living room remodel. Soooo glad to get it back.. Just a quick shot with the doors open. Going clockwise from the top left.. Rega P3-24 with great old Audio Technica cartridge and several upgrades - Rega TT-PSU speed control - Graham Slee V Era Gold phono preamp - Bluesound Node 2022 - VPI Scout II - Rega Exact II cartridge - Apple TV - Parasound P6 preamplifier - Parasound HCA-1500A amplifier - Rega Apollo CD player - Sony blue-ray player - hidden behind the right door is a TiVo antenna only unit. All that equipment is powering a pair of KEF R3s fed with Kimber 8VS cables, with a pair of REL HT-1205 subwoofers. TV is wall mounted above it all.
I have since added my Schiit Jotunheim headphone amp and Schiit Bifrost II DAC to the top of the cabinet.
Camera: Canon Powershot G3
Turntable: Systemdek IIX
CD Player: Creek CD43
Digital Player: iPhone 4S
Preamplifier: Crimson Elektrik 510 Preamplifier
Power Amplifiers: HH Electronic AM8/12
Speakers: Linn Kan MKI
1978
The C-4 preamplifiers characterized by the use of high quality components. The properties are responsible for the Yamaha "Natural Sound" at its time and until today. In addition, I've got it after 40 years of operation, a complete recapping. All condensers / capacitors were replaced by new low-ESR capacitors.
The phono section flexible was already at that time a selling reason. Two MM and one MC input with variable sensitivity / impedance matching standard until today. The tone control with transition selection offers plenty of options for sound adjustment. 2 amp outputs make it a universal preamplifier. The sale price was very reasonable at USD 1.000.
I like the clear independent cosmetic Yamaha design with fine workmanship, such as haptics to enjoy the “Natural Sound”.
1978
The C-4 preamplifiers characterized by the use of high quality components. The properties are responsible for the Yamaha "Natural Sound" at its time and until today. In addition, I've got it after 40 years of operation, a complete recapping. All condensers / capacitors were replaced by new low-ESR capacitors.
The phono section flexible was already at that time a selling reason. Two MM and one MC input with variable sensitivity / impedance matching standard until today. The tone control with transition selection offers plenty of options for sound adjustment. 2 amp outputs make it a universal preamplifier. The sale price was very reasonable at USD 1.000.
I like the clear independent cosmetic Yamaha design with fine workmanship, such as haptics to enjoy the “Natural Sound”.
Sony A7 - Carl Zeiss Planar T* 1,4/50
1978
The C-4 preamplifiers characterized by the use of high quality components. The properties are responsible for the Yamaha "Natural Sound" at its time and until today. In addition, I've got it after 40 years of operation, a complete recapping. All condensers / capacitors were replaced by new low-ESR capacitors.
The phono section flexible was already at that time a selling reason. Two MM and one MC input with variable sensitivity / impedance matching standard until today. The tone control with transition selection offers plenty of options for sound adjustment. 2 amp outputs make it a universal preamplifier. The sale price was very reasonable at USD 1.000.
I like the clear independent cosmetic Yamaha design with fine workmanship, such as haptics to enjoy the “Natural Sound”.
Circa 1975 Sony PS-4750 Turntable with Shure V15V-MR Cartridge is still enjoyed, a daily driver, now powered by a Schitt Mani Phono Preamplifier. It get's all there is in the groove to get, but without features which make cartridge alignment at all easy, I don't use this turntable for cartridge evaluation. It just takes too many hours to get precision alignment of cartridge, so cartridge evaluation is performed using a Technics SL-1210GR.
1975
Optonica was the high-end brand of Sharp in seventies.
The Optonica SM-3000 presents full features: preamplifier outputs, phono 1 attentuator -6dB, for phono 2 three-stage impedance matching. Bass/treble variable turnover control. Lowpass and highpass filters and -20dB muting adjustment.
An underrated amplifier that can compete with major brands like Sansui, Pioneer, Sony, Marantz & co.
The 45 watts per channel integrated amp is unusual solidly constructed for long life and guarantees fun for the vintage amp owner.
Sony A7 - Carl Zeiss Planar T* 1,4/50
1978
The C-4 preamplifiers characterized by the use of high quality components. The properties are responsible for the Yamaha "Natural Sound" at its time and until today. In addition, I've got it after 40 years of operation, a complete recapping. All condensers / capacitors were replaced by new low-ESR capacitors.
The phono section flexible was already at that time a selling reason. Two MM and one MC input with variable sensitivity / impedance matching standard until today. The tone control with transition selection offers plenty of options for sound adjustment. 2 amp outputs make it a universal preamplifier. The sale price was very reasonable at USD 1.000.
I like the clear independent cosmetic Yamaha design with fine workmanship, such as haptics to enjoy the “Natural Sound”.
1975
Optonica was the high-end brand of Sharp in seventies.
The Optonica SM-3000 presents full features: preamplifier outputs, phono 1 attentuator -6dB, for phono 2 three-stage impedance matching. Bass/treble variable turnover control. Lowpass and highpass filters and -20dB muting adjustment.
An underrated amplifier that can compete with major brands like Sansui, Pioneer, Sony, Marantz & co.
The 45 watts per channel integrated amp is unusual solidly constructed for long life and guarantees fun for the vintage amp owner.
Also my Phono Preamplifier is nothing too fancy from this French Audio Company, which makes exquisite Preamps, Power Amps and CD-Players. ( The CD 50 or better the CD 100 as upgrade to my old Denon CD Player....)
Connected to the Tube Pre-Amp via Goldkabel Overture Cinch-Cable
Camera: Canon Powershot G3
Turntable: Systemdek IIX
Preamplifier: Crimson Elektrik 510 Preamplifier
Power Amplifiers: HH Electronic AM8/12
1975
The state of the art preamp from the Sansui "Definition Series" CA-3000. Massive construction and selected components made this unit to legend. It sounds superb until today.
I'm so happy to got this dream amp in a good condition
-
Dieser State of the Art Vorverstärker CA-3000 war das Topmodell aus der Sansui "Definition Serie"
Der professionelle Aufbau mit selektierten Elementen und die massive Haptik hat den Vorverstärker zur Legende gemacht.
Der Verstärker ist in sehr gutem technischen und optischen Zustand - und so klingt er auch.
Mit viel Glück konnte ich mir diesen Traum erfüllen.
1979
High End Preamp from the late 70's. It's the improved "B" version of the Model 3250. Very fine phono section.
The model 3250B incorporates a built-in MC (Moving Coil) phono preamp, a feature rarely seen in vintage audio pieces. Exceptional user comfort with all sounded controller options.
Sounds and looks good in mint shape.
-
Der 3250B Vorverstärker markierte Ende der 70er den High End Stand der Dinge bei Marantz. Das Modell mit ausgezeichnetem Phonoeingangsmodul und war bereits für MC-Tonabnehmer vorbereitet, eine zu dieser Zeit noch selten gesehene Ausstattung. Der Bedienungskomfort einschliesslich der Klangregeloptionen ist überragend. Die "B" Version markierte den Nachfolger den Modells 3250. Dieser Klassiker im Mint-Zustand sieht so gut aus, wie er klingt.
My Audio Note AN-E/SPe HEs have finally arrived after being ordered this spring and I'm blown away at what they are capable of straight out of the box. Just incredible.
My sofa finally arrived from California after six-weeks of waiting. Getting all that cloth, leather and wood into the space is a huge help in room acoustics, I just need to get the drapes made to really help deaden the room as it is still too hot on some freqs.
Here is my husband's hi-fi and HT system
Digital Source: Marantz SuperAudio CD Player SA-11 S1
Stereo Preamplifier: Electrocompaniet EC 4.8 Reference Preamplifier
Power Amplifier: Electrocompaniet AW 2x120
Electrostatic Headphones Tube Amplifier: STAX SRM T-1
Electrostatic Headphones: STAX Lambda Nova Signature & STAX SR-Sigma Professional
Loudspeakers: Totem Acoustic Forest
Audio Server: Olive Audio 4HD (2 TB)
Digital Transport: Wadia 170i
DAC: Cambridge Audio DAC Magic
Interconnection Cables: NORDOST Heimdall (Balanced XLR connectors)
Digital Cable: Analysis Plus Digital Oval
Speaker Cables: NORDOST Heimdall (Bi-Wiring)
Plasma TV: Pioneer Kuro PDP-LX508D
Blu-Ray Player: Pioneer BDP LX70A
Multichannel AV Preamplifier: Marantz AV8003
Multichannel Main Amplifier: Marantz MM8003
Front Channels: Totem Acoustic Mite on Totem Stands
Center Channel: Totem Acoustic Mite-T Center
Rear Channels: Totem Acoustic Mite-T on Totem Stands
Subwoofer: Totem Acoustic DreamCatcher Sub
HT Interconnection Cables: Cambridge Audio 900 Series
HT Loudspeakers cables: NORDOST Super FlatLine (Front and Center), QED Ultra-Flat (Rear)
HDMI cables: QED Reference HDMI
Energy Distributor: Systems & Magic Eight
Mains Cables: Systems & Magic Blackwire and Electrocompaniet Power Cord
Mains Filters: Systems & Magic Blacknoise 500
Multimedia HD: LaCie LaCinema Classic HD (1 TB)
Media Player: Western Digital WD HD TV Live
Tweaks: Totem Acoustic Beaks
1979
High End Preamp from the late 70's. It's the improved "B" version of the Model 3250. Very fine phono section.
The model 3250B incorporates a built-in MC (Moving Coil) phono preamp, a feature rarely seen in vintage audio pieces. Exceptional user comfort with all sounded controller options.
Sounds and looks good in mint shape.
-
Der 3250B Vorverstärker markierte Ende der 70er den High End Stand der Dinge bei Marantz. Das Modell mit ausgezeichnetem Phonoeingangsmodul und war bereits für MC-Tonabnehmer vorbereitet, eine zu dieser Zeit noch selten gesehene Ausstattung. Der Bedienungskomfort einschliesslich der Klangregeloptionen ist überragend. Die "B" Version markierte den Nachfolger den Modells 3250. Dieser Klassiker im Mint-Zustand sieht so gut aus, wie er klingt.
Microsoft Surface Book 2 (Intel Core i7, 16GB RAM, 1TB) - 13.5"
Rain Design mStand Laptop Stand, Silver (Patented)
Anker® USB 3.0 7-Port Hub + 2 Charge-Only Ports
2 - ASUS PB287Q 28-Inch Screen LED-Lit 4K Monitor
Code Mechanical Keyboard - Cherry MX Clear
Logitech MX Master 2S Wireless Mouse
Zalman Accessory AMP1000 Mouse Pad
Logitech Multimedia Speaker System Z533
Logitech BRIO – Ultra HD Webcam
2 - 3 in 1 Reflector Clip Clamp Holder
2 - LED Dimmable Ultra High Power Panel Digital Camera / Camcorder Video Light
Sony MDR7506 Professional Large Diaphragm Headphone
Apt Corporation Holman Audio Preamplifier - ASIS Preamp
Herman Miller Embody Chair - Graphite Frame/Black Balance Textile
1978
The C-4 preamplifiers characterized by the use of high quality components. The properties are responsible for the Yamaha "Natural Sound" at its time and until today.
The phono section fexible was already at that time a selling reason. Two MM and one MC input with variable sensitivity / impedance matching standard until today. The tone control with transition selection offers plenty of options for sound adjustment. 2 amp outputs make it a universal preamplifier. The sale price was very reasonable at 1.000 USD.
I like the clear independent Yamaha design with fine workmanship, such as haptics to enjoy the “Natural Sound”.
-
Der C-4 Vorverstärker zeichnet sich durch die Verwendung hochwertiger Bauteile aus. Die Eigenschaften sind verantwortlich für den Yamaha „Natural Sound“ seinerzeit und bis heute.
Die flexible Phono Section war bereits seinerzeit ein Kaufargument. Zwei MM- und ein MC-Eingang mit variabler Empfindlichkeit/Impedanz Anpassung setzt noch heute einen Standard. Die Tonregelung mit Übergangswahl bietet ausreichend Möglichkeiten zur Klanganpassung. 2 Endstufenausgänge machen ihn zum universellen Vorverstärker. Der Verkaufspreis lag bei bei sehr günstigen DM 1.250.
Mir gefällt das eigenständige klare Yamaha Design bei edler Verarbeitung wie Haptik.
1978
The C-4 preamplifiers characterized by the use of high quality components. The properties are responsible for the Yamaha "Natural Sound" at its time and until today. In addition,
The phono section fexible was already at that time a selling reason. Two MM and one MC input with variable sensitivity / impedance matching standard until today. The tone control with transition selection offers plenty of options for sound adjustment. 2 amp outputs make it a universal preamplifier. The sale price was very reasonable at 1.000 USD.
I like the clear independent Yamaha design with fine workmanship, such as haptics to enjoy the “Natural Sound”.
-
Der C-4 Vorverstärker zeichnet sich durch die Verwendung hochwertiger Bauteile aus. Die Eigenschaften sind verantwortlich für den Yamaha „Natural Sound“ seinerzeit und bis heute.
Die flexible Phono Section war bereits seinerzeit ein Kaufargument. Zwei MM- und ein MC-Eingang mit variabler Empfindlichkeit/Impedanz Anpassung setzt noch heute einen Standard. Die Tonregelung mit Übergangswahl bietet ausreichend Möglichkeiten zur Klanganpassung. 2 Endstufenausgänge machen ihn zum universellen Vorverstärker. Der Verkaufpreis lag bei bei sehr günstigen DM1.250.
Mir gefällt das eigenständige klare Yamaha Design bei edler Verarbeitung wie Haptik.
Here is my husband's upgraded hi-fi and HT system
Digital Source: Marantz SuperAudio CD Player SA-11 S1
Stereo Preamplifier: Electrocompaniet EC 4.8 Reference Preamplifier
Power Amplifier: Electrocompaniet AW 2x120
Loudspeakers: Totem Acoustic Element Earth
Digital Streamer: Linn Audio Akurate DS
Digital Transport: Wadia 170i
DAC: Cambridge Audio DAC Magic
Interconnection Cables: NORDOST Heimdall (Balanced XLR connectors)
Digital Cable: Analysis Plus Digital Oval
Speaker Cables: NORDOST Heimdall (Bi-Wiring)
Plasma TV: Pioneer Kuro PDP-LX508D
Universal Player: Oppo Digital BDP-95EU by Oppo Tubes (Labtek mod)
Blu-Ray Player: Pioneer BDP LX70A
Multichannel AV Preamplifier: Marantz AV8003
Multichannel Main Amplifier: Marantz MM8003
Front Channels: Totem Acoustic Mite on Totem Stands
Center Channel: Totem Acoustic Mite-T Center
Rear Channels: Totem Acoustic Mite-T on Totem Stands
Subwoofer: Totem Acoustic DreamCatcher Sub
HT Interconnection Cables: Cambridge Audio 900 Series
HT Loudspeakers cables: NORDOST Super FlatLine (Front and Center), QED Ultra-Flat (Rear)
HDMI cables: QED Reference HDMI
Energy Distributor: Systems & Magic Eight
Mains Cables: Systems & Magic Blackwire and Electrocompaniet Power Cord
Mains Filters: Systems & Magic Blacknoise 500
Multimedia HD: LaCie LaCinema Classic HD (1 TB)
Media Player: Western Digital WD HD TV Live
Tweaks: Totem Acoustic Beaks
1979
High End Preamp from the late 70's. It's the improved "B" version of the Model 3250. Very fine phono section.
The model 3250B incorporates a built-in MC (Moving Coil) phono preamp, a feature rarely seen in vintage audio pieces. Exceptional user comfort with all sounded controller options.
Sounds and looks good in mint shape.
-
Der 3250B Vorverstärker markierte Ende der 70er den High End Stand der Dinge bei Marantz. Das Modell mit ausgezeichnetem Phonoeingangsmodul und war bereits für MC-Tonabnehmer vorbereitet, eine zu dieser Zeit noch selten gesehene Ausstattung. Der Bedienungskomfort einschliesslich der Klangregeloptionen ist überragend. Die "B" Version markierte den Nachfolger den Modells 3250. Dieser Klassiker im Mint-Zustand sieht so gut aus, wie er klingt.
About 9 years ago I bought this NAP110 power amplifier together with a NAC42XO preamplifier. The preamplifier turned out to be in working order, but the power amplifier was not. I tried to fix it myself, but my skills were not good enough. In the end I converted it into a power supply for a NAC12 preamplifier, using an Avondale TPR2 module. That's how it's been working all these 9 years. However, recently a hi-fi audio designer unexpectedly offered me his services to repair this amplifier. It took him about an hour to make the repair, and some more time to reassemble the unit and order and install new capacitors in the power supply. And now the unit is back in business.
Thank you, Anton!
If you're interested, here's a link to the website of this audio equipment designer. You might like some of their products:
1979
High End Preamp from the late 70's. It's the improved "B" version of the Model 3250. Very fine phono section.
The model 3250B incorporates a built-in MC (Moving Coil) phono preamp, a feature rarely seen in vintage audio pieces. Exceptional user comfort with all sounded controller options.
Sounds and looks good in mint shape.
-
Der 3250B Vorverstärker markierte Ende der 70er den High End Stand der Dinge bei Marantz. Das Modell mit ausgezeichnetem Phonoeingangsmodul und war bereits für MC-Tonabnehmer vorbereitet, eine zu dieser Zeit noch selten gesehene Ausstattung. Der Bedienungskomfort einschliesslich der Klangregeloptionen ist überragend. Die "B" Version markierte den Nachfolger den Modells 3250. Dieser Klassiker im Mint-Zustand sieht so gut aus, wie er klingt.
TV is gone, deeper stand to accommodate the Audio Note Oto Line SE amplifier (and coming Audio Note M1 RIAA phono stage) with my lounger in the middle of the room while I await the new sofa and coffee table I ordered. The Harbeth M30.1s like being closer together as well, the soundstage has deepened in the 3D Z-axis considerably.
1978
The C-4 preamplifiers characterized by the use of high quality components. The properties are responsible for the Yamaha "Natural Sound" at its time and until today.
The phono section fexible was already at that time a selling reason. Two MM and one MC input with variable sensitivity / impedance matching standard until today. The tone control with transition selection offers plenty of options for sound adjustment. 2 amp outputs make it a universal preamplifier. The sale price was very reasonable at 1.000 USD.
I like the clear independent Yamaha design with fine workmanship, such as haptics to enjoy the “Natural Sound”.
-
Der C-4 Vorverstärker zeichnet sich durch die Verwendung hochwertiger Bauteile aus. Die Eigenschaften sind verantwortlich für den Yamaha „Natural Sound“ seinerzeit und bis heute.
Die flexible Phono Section war bereits seinerzeit ein Kaufargument. Zwei MM- und ein MC-Eingang mit variabler Empfindlichkeit/Impedanz Anpassung setzt noch heute einen Standard. Die Tonregelung mit Übergangswahl bietet ausreichend Möglichkeiten zur Klanganpassung. 2 Endstufenausgänge machen ihn zum universellen Vorverstärker. Der Verkaufpreis lag bei bei sehr günstigen DM1.250.
Mir gefällt das eigenständige klare Yamaha Design bei edler Verarbeitung wie Haptik.