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The Practical Encyclopedia of Good Decorating and Home Improvement, Greystone Press
"The same basic elements... are here assembled in a different way. Dark walls, a grouping of pictures, and a skin rug create another dark brown setting. But the sofa becomes the focal point because it is covered in a strikingly patterned fabric...[for] a mellow, masculine mood.
Please see our previous photo for our proposed changes to this room.
Blog blog.ounodesign.com
Etsy shop www.ouno.etsy.com
Practical Householder magazine, August 1957; the little lady is laying the table, while the man of the house has his tool-box out and is doing something useful....
Clock designed and built by Rick Hale after reading Clayton's "Practical Guide to Wooden Wheeled Clock Design" available at www.lisaboyer.com
Collage for possible xmas card this year. My face looks very pale though. I need a few more mince pies and hot toddies obviously.
Photos by Practical Hacks. Read the Practical Hacks review of the Synapse: www.practicalhacks.com/2011/03/29/review-tom-bihn-synapse...
Practical Car and Van Rental is the fourth largest vehicle rental company in the United Kingdom with over 170 rental locations situated all over the UK. They have over 27 years experience of self drive hire and pride themselves on delivering an exceptional service using quality rental vehicles at highly competitive rates.
There are hire cars to suit every requirement, from 3 door economy up to large estate vehicles. There are people carriers (mpv), 6/7 seaters, executive cars and convertibles. Automatic vehicles, diesel variants, child seats and satellite navigation systems are also available on request.
Their UK commercial van rental fleet extends from small courier vans through to refrigerated units and 7.5 ton lorries. Intermediate vans range from the short wheel base (swb) van, through to medium wheel base (mwb) and up to long wheel base(lwb) and extra long (xlwb). Additionally other sized lorries and Luton vans with and without tail lift are available. Long term rentals may attract preferential rental rates as would Customer Own Insurance (COI) rentals.
They provide airport car and van hire at most international and regional airports. These include London Heathrow, London Gatwick, Liverpool, Aberdeen, Inverness, East Midlands, Exeter, Birmingham, Cambridge, Newcastle, Leeds Bradford, Edinburgh, Glasgow, Southampton and Manchester.
Customers can choose the rental vehicle and book online using their sophisticated booking engine which allocates a vehicle in real time! No stress or disappointments with a 3 step easy booking process. Unlike some other rental companies you are guaranteed a vehicle when you book and should anything drastic happen and if we are given enough time, they can cover any bookings with a widespread support network. With this reassurance in mind try out their booking service now. It's second to none and won't let you down! They provide UK wide search facilities to include location and vehicle finders so you can locate a Practical outlet near you to fulfil all your requirements what ever the type.
Deliveries to train, coach stations and bus depots can also be arranged as well as hotels, guest houses, business and private addresses. Check with your supplying rental location for more information.
Roundtable Event on Partnerships in Global Cancer Care. Practical Arrangements Signing Ceremony between the International Atomic Energy Agency signed by Director General Rafael Mariano Grossi, and the 11 partner groups in the area of radiation oncology, imaging, and medical physics held at the Agency headquarters in Vienna, Austria. 6 December 2022
The IAEA works in partnership with professional societies to support radiation medicine activities in the Member States and to bring together resources and partners that will help countries to establish or scale up radiation medicine programmes. The new Practical Arrangements will support many IAEA research and education activities, and the Rays of Hope initiative.
Photo Credit: Dean Calma / IAEA
Professional Societies:
Mr. Daniel Bourland, President, the American Association of Physicists in Medicine
AAPM
Mr. Marcos Santos, President, Ibero Latin American Radiation Oncology Association
ALATRO
Mr. Sami Khatib, President, Arab Medical Association Against Cancer
AMAAC
Ms. Rose Anorlu, President, African Organisation for Research and Training in Cancer
AORTIC
Ms. Geraldine Jacobsen, Chair of the Board of Governors, American Society for Radiation Oncology
ASTRO
Ms. Jolie Ringash, President, Canadian Association of Radiation Oncology
CARO
Ms. Chiara Gasparotto, Deputy CEO, of the European Society for Radiotherapy and Oncology
ESTRO
Mr. Shyam Shrivastava, Past-President, of the Federation of Asian Organizations for Radiation Oncology
FARO
MsNina Wendling, Executive Director, International Cancer Expert Corps
ICEC
Mr. Keen Hun Tai, Vice-President, Royal Australian and New Zealand College of Radiologists
RANZCR
Ms. Katharine Halliday, President, Royal College of Radiologists
RCR
IAEA:
Rafael Mariano Grossi, IAEA Director-General
Hua Liu, IAEA Deputy Director-General and Head of the Department of Technical Cooperation
May Abdel-Wahab, IAEA Director, Division of Human Health, Department of Nuclear Sciences and Applications (Moderator)
WFP is taking practical steps to improve the nutrition and food security of the most vulnerable. Nearly half a million malnourished children have been treated with locally-produced products in this community-based programme, which has seen high recovery rates. Photo: WFP/Amjad Jamal
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in the Sicilian city of Randazzo, is Celebrated in mid-August day, hits principal feast of the "living vara" that evokes the mystery of the faith of the Assumption of Mary into Heaven with soul and body, for this reference She is call Mary Assumption; the feast may be originated around the sixteenth century; the "vara" (Sicilian name Refers to "float"), it's a "votive machine" about 20 meters high, made of a structure in iron and wood, decorated with gilding, mirrors, colored coatings, Whose allegorical meaning Seems To have inspirations from the figures reproduced in a painting by John Caniglia of 1548 (you can admire it inside the Crucifix chapel of the Basilica of St. Mary in Randazzo), machine consisting about several plans and rotating, with hand-operated mechanisms, and making reference to the rotation of the heavens of the medieval conception. The first low part of the "machine-float" is the Tomb of Mary, full of flowers, but as She got to the Sky also with Her Body, it's an empty tomb, a bit higher up we find St. Thomas in prayer, still more on we find St. Michael the Archangel with a sword, surrounded by singing Angels; on the highest level it finally takes place the Virgin Mary. Various "young actors", present on float are children of various age, which intone chants turned to Virgin Mary, each with its own role, each surrounded by a iron structures for own security. Up to 1960 different "human figures" were all male, included Maria Assunta; in ancient times the fast of the children was strictly Observed (even now, more for practical reasons to stay on the float, Which for devotional Reasons); in ancient times the float at the end of the procession was always assaulted from the faithful, taking with them the precious souvenirs of the event, considering That like relics; to the end of the 18th century the traditional feast He had a decline, abolished in 1795, then restored in the Second Half of 1800, again suppressed the first in 1911 for the raging cholera, then to the events linked to the First and Second World War, than the feast started again in 1952, at first once every 5 years, then every three years finally annually since 1973. During the trip the children receive from Inhabitants leaning out of windows and balconies, candies, biscuits, sweets of various genre, so this "rain of sweets" shows a more happy and picturesque manifestation, but so the children "are distracted" being from "hanging" in several meters from the soil (likeably who is finding down, he may be "bombarded" by a shower of candies and chocolates).
PS: This report, which I have Made 15 August 2016 in the town of Randazzo, to whom I gave the name of the movie "for love, only for love", I dedicate it to my friend professional nurse Guido, whose its universal love for people and animals was opposed by those who are unable to understand his greatness, has meant that he decided yesterday to get out of life scenes.
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nella città siciliana di Randazzo, si celebra nel giorno di Ferragosto 15 agosto, la sua principale festa della "vara vivente" che rievoca il mistero di fede dell'Assunzione di Maria in Cielo sia in anima che in corpo, per questo riferimento viene chiamata Maria Assunta, festa che sembra abbia avuto origine attorno al XVI secolo; la "vara" (nome siciliano riferito al fercolo), è una “macchina votiva” alta circa 20 metri, composta da una struttura in ferro e legno, abbellita da dorature, specchi, rivestimenti colorati, il cui significato allegorico sembra ricalcare i motivi ascensionali riprodotti in un quadro di Giovanni Caniglia del 1548 (dipinto che si può ammirare nella cappella del Crocifisso della basilica di Santa Maria, in Randazzo), macchina costituita da diversi piani sovrapposti ruotanti, con meccanismi azionati a mano, che fanno riferimento alla rotazione dei cieli di concezione medioevale. Alla base della “macchina-vara” c’è il sepolcro di Maria, pieno di fiori ma, poiché Ella è salita in cielo anche col suo corpo, tale sepolcro è vuoto, un po’ più in alto troviamo S.Tommaso in preghiera, ancora più su troviamo S.Michele Arcangelo con in pugno la sua spada, attorniato da Angeli, sul livello più alto infine prende posto la Vergine Maria. Le varie figure, presenti sulla vara sono bimbi di varie età, dai più piccoli ai più grandicelli, che intonano canti rivolti alla Madonna, ognuno col proprio ruolo di figurante, ognuno cinto da una struttura in ferro che lo assicura alla macchina votiva: fino agli anni ’60 i vari personaggi erano tutti di sesso maschile, inclusa Maria Assunta, il digiuno dei bimbi era rigorosamente osservato (anche adesso, più per motivi pratici di permanenza sulla vara, che per motivi devozionali); in passato la vara alla fine della processione veniva presa d’assalto dai fedeli, che letteralmente la spogliavano, portando con se un prezioso ricordo della manifestazione, considerandola al pari di una reliquia; alla fine del 18° secolo la tradizionale festa ebbe un declino, soppressa nel 1795, poi ripristinata nella seconda metà del 1800, nuovamente soppressa prima nel 1911 per l’imperversare del colera, successivamente per le vicende legate alla prima ed alla seconda Guerra Mondiale, la festa riprese vita solamente nel 1952, dapprima una volta ogni 5 anni, poi ogni tre anni, infine annualmente dal 1973. Durante il tragitto i bimbi ricevono dagli abitanti affacciati alle finestre ed ai balconi, caramelle, biscotti, dolciumi di vario genere, che ripongono a mò di bottino dentro delle sacche di tela, delle quali ognuno è fornito, questo da un lato rende ancora più gaia e pittoresca la manifestazione, dall’altro lato i bimbi “vengono distratti” dal trovarsi “appesi” a svariati metri dal suolo (simpaticamente chi si trova sotto, può venire “bombardato” da una pioggia di caramelle e cioccolatini).
P.S. questo report, che ho Realizzato il 15 Agosto 2016 nel paese di Randazzo, al quale ho dato il nome del film "per amore, solo per amore", io lo dedico all'infermiere professionale e mio amico Guido, il cui Amore Universale per le persone e per gli animali, osteggiato da chi è incapace di capirne la sua grandezza, ha fatto si che egli decidesse ieri di uscire dalle scene della vita.
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From Practical Encyclopedia of Good Decorating and Home Improvement.
Threw this in because: it was under the "efficient utilization of space" examples (NOT) and what's up with the skunk pelts?
From the August 2016 return trip to Siem Reap and the Angkor complex:
I love the Angkor complex, Siem Reap, and the Cambodian people so much that I returned again for about a week to photograph as much of the “non-major” sites as I could. Some of them are slightly far from Angkor Wat (by that, I mean to say more than 10 kilometers away), and usually require a little more money to get to. Also, some of the sites (Beng Mealea, Phnom Kulen) are not included in the Angkor ticket price and have an additional admission fee.
I don’t know if there’s a set number of how many sites belong in the Angkor complex, though I’m sure it would vary. (Do you only count the major sites like Angkor Wat, Bayon, Ta Prohm? Do you add the sites that aren’t included in the standard “Angkor Pass,” but are clearly of the same era? Do you include sites that aren’t even named (as are one of the sites in this series)? All in all, I’ll put a very rough number at…50 sites in the Siem Reap area, and that includes the sites that are about 100 km away. Of those, I would say I’ve been to all but 5-10 now. All are included here with the exception, obviously, of the sites that I didn’t visit. (Off the top of my head, I can say they include Koh Ker & that respective group, which is about 120 km ENE of Siem Reap; Phnom Krom, one of the three “mountains” with temples; Ta Prohm Kel; and Mangalartha.)
In practical terms, I’m afraid that with the volume of shooting (about 1,500 frames in the past 7 days), photos will start to look redundant to those who don’t have the same interest in ancient/historical architecture or Angkor as I do. That being said, there are a few things besides temples here. The Old Market area (now Night Market/Pub Street) is represented – a little – and Phnom Kulen has a pretty nice waterfall which is also in this series. Also, I tried to catch a few people in here, though didn’t get as many as I would’ve liked.
I had my friend Mao (tuktuk driver) take me around for 5 of these 7 days this time around. As I mentioned last time, he may cost a little more than what you can arrange through a hotel/guesthouse, but he’s well worth the money (and, in the grand scheme of things, not too expensive; I paid less than $200 for the five days, two of which were “long” trips). He loves his country and heritage, he knows what he’s showing you, he’s flexible, he gives you enough ice water to keep you hydrated, and he’s just a good guy. (He even bought me a birthday cake for cryin’ out loud…) Anyway, I highly recommend Mao. You can find him here: www.facebook.com/mao.khvan (or on Trip Advisor: www.tripadvisor.com/Attraction_Review-g297390-d10726821-R... )
Now that shameless plugs and other assorted rhetoric are out of the way, it’s time to get on to the temples, ruins, and other miscellany.
Today is really the excuse that I used to come back to Siem Reap for a week. Mao was nice enough not to schedule any other customers for today since it’s my 43rd birthday, and also for Saturday. (Another reason, I think, is that I wanted to see all of the non-major sites and most everyone else is only interested in the major ones. So…thanks to Mao for giving up a few bucks from others just to make sure I got to see all that I wanted these two days.)
Mao came to pick me up around 10:00 in the morning with his wife and adorable daughter. Today, we pretty much followed the small loop tour that we did yesterday (and that most tourists do). However, we skipped every spot from yesterday (Banteay Kdei, Ta Prohm’s main temple, Ta Keo, Thommanon, Chao Say Tevoda, Bayon) and opted for the others along the same route.
The first stop of the morning was Prasat Kravan. This is a particularly interesting – and small – temple that consists mainly of one building with a central tower, but five chambers lined up in a row. Prasat Kravan was built in the early 10th century (consecrated in 921) and is built of brick. It was built during the short reign of Harshavarman I. The name is the modern name (though I don’t know the original name) and means “cardamom sanctuary,” for a tree that once stood here. From an architectural standpoint, what is most interesting – and what caught my attention – is the brick bas-reliefs here. They are the only known representation of these in Khmer art and are reason alone to visit here. The central tower has a statue of Vishnu and the northernmost has a statue of his consort, Lakshmi.
After 15-20 minutes at Prasat Kravan, Mao took me to Bat Chum, which was quite near. (It wasn’t on my list, so kudos to Mao for adding a few stops that I otherwise wouldn’t have seen; as I said, the man knows the territory, and I highly recommend him to anyone who comes here.) Bat Chum is a very, very small site (under restoration, though it looks like even the restoration has been forgotten) a few hundred meters due south of Sra Srang, and a few hundred meters east of the road from Angkor Wat to Banteay Kdei. When Bat Chum was built in 960, there were houses and a Buddhist monastery nearby, which have long since vanished. This temple was built by the lone Khmer architect whose name we know: Kavindrarimathana. He also built the palace of the East Mebon and Sra Srang. This is a temple with three brick towers. There are stone lions and interesting inscriptions here as well.
From Bat Chum, we returned to the main road, skirted along the eastern and northern sides of Banteay Kdei’s outer wall, then along the southern and western sides of Ta Prohm’s outer wall. Most people enter Ta Prohm from the western gate (as evidenced by the massive throng of tuktuks here) or the eastern gate (where you will find a slew of souvenir vendors). As far as I can tell, there is no southern gate – as I imagine you’d see it flying by on the road. (Banteay Kdei does have a northern gate, though people don’t seem to stop here.) Ta Prohm does have a rather charming and rarely visited northern gate that I was unaware of. Again…thanks, Mao. Just stop on the road at the northwest corner of Ta Prohm’s outer wall and walk east along the north wall for about five minutes to find the northern gate, surrounded by jungle.
Next up on today’s tour is a very small site that, from what I know, doesn’t even have a name. (Mao didn’t even know the name of the place, so it’s just titled ‘Unnamed Site’ here.) It’s very small, almost an afterthought, but still worth a look. It’s on the road heading due north from Ta Prohm’s west gate about 100-200 meters south of where it heads to the west to Ta Keo. It’s barely 50 meters off the road, so is very easy to visit in 10 minutes or so.
Right at the point where the road takes a 90 degree turn to head west to Ta Keo, you have the option of going straight (down a fairly bumpy dirt road) to Ta Nei. This is actually a larger temple, but unlike the others nearby, it hasn’t gone under extensive restoration yet, so it isn’t visited very often. It’s 800 meters north of Ta Keo, set back in the woods, and is 200 meters west of the Eastern Baray’s western border. It was built by Jayavarman VII in the late 12th century. The highlights of coming here are simply the setting, the pediments, and the overall lack of visitors.
After half an hour or so at Ta Nei, Mao and I hopped back in the tuktuk and returned to the main road, heading west past Ta Keo before veering north and making a very quick stop at the Hospital Chapel that is 150 meters due west of Ta Keo (slightly north). This is a very quick – 5 minute – stop that interested me simply because it was/is part of a hospital that’s close to a thousand years old now. It was built by Jayavarman VII (like so many of the Angkor sites) in the late 12th century. This sandstone monument is one of four that were on site here (and, from what I’m reading, one of 102 that were found throughout the empire). Honestly, seeing this just makes me wonder about 12th century medicine. What would a Khmer hospital at the turn of the 13th century have been like?
Moving north from the Hospital Chapel, the road takes another 90 degree turn to the west. Before entering the Victory Gate of Angkor Thom, you pass Thommanon and Chao Say Tevoda (bypassed, as already mentioned), and then Spean Thma, near a bridge that crosses the Siem Reap River. (The Siem Reap River, today, is more like a gentle stream, though it was used to transport the quarried rock from Phnom Kulen to Angkor to build these massive temples a thousand years ago.) That aside, I decided to bypass Spean Thma for now.
Once inside the Victory Gate, which I mistakenly called the East Gate in May (it is on the eastern wall), we turned south on a dirt path about 100-200 meters inside Angkor Thom and traveled south, parallel to the wall. After less than 5 minutes, you arrive at the road that runs directly east from Bayon to the East Gate, otherwise known as the Slaves’ Gate or Gate of the Dead. (From the names, obviously, if anyone who didn’t belong to the royal family saw this gate…bad news for them.) According to Mao, the slaves were marched out this gate on the way to their execution. Grim history aside, it’s a rather nice gate, well-restored, with some good angles for shooting. It’s certainly worth a visit, especially since it’s so easily accessible – and there are rarely many people around.
After this quick stop, we took the road due west to the heart of Angkor Thom – Bayon – then headed up the road towards the North Gate, where the majority of Angkor Thom sites are located (just north of Bayon). Passing by Baphuon, Phimeanakas, the Elephant Terrace, Terrace of the Leper Kings (all on the west side of the main road), and the Kleangs and Suor Prat Towers (east side of the main road, with the towers being bisected by the road heading east through the Victory Gate), we turned off just north of the Terrace of the Leper Kings to the west to see Tep Pranam – very briefly – and Preah Pilalay.
Tep Pranam is simply a statue of a giant seated sandstone Buddha, still in use for worship today, that was built around the 16th century. If this were in an out-of-the-way place, it may not be worth the time. However, it’s in the heart of Angkor Thom and it’s impossible to go to Preah Pilalay without seeing it if you come by tuktuk. (This isn’t a complaint by any means; it’s rather nice.) Preah Pilalay is in the northwest section of Angkor Thom and is fairly remote (given the amount of tourists that the other nearby sites see). Its main features are a tall chimney-like structure, a few nagas, and its setting in the forest. It was built in either the 13th or 14th century, possibly by Jayavarman VIII or, perhaps, by Jayavarman VII. It’s about 200 meters north of the royal enclosure (Phimeanakas). Some of the larger trees that used to tower over the temple have been hewn resulting in a very different feel. However, it was a pleasant side trip.
Hopping back in the tuktuk and going directly across the road, the last stop for the day inside Angkor Thom was the Preah Pithu group. This is a collection of five temples/ruins in the northeastern section of Angkor Thom that is in a delightful wooded setting. If you can see them in early morning or late afternoon, you should get some wonderful lighting. You can spend as little as 15 minutes here or as much as an hour or two. They probably weren’t designed to be one cohesive group, though it’s not possible to say with certainty. They were built in the 13th century. (Though I mention this as the last stop, I’ve also included the North Kleang and Northern Suor Prat Towers here. Though I didn’t explore those in depth, I am giving them their own set here – Kleangs and Suor Prat Towers.)
On the way out of Angkor Thom, via the South Gate, we stopped outside the moat for a few pictures. Directly south of Angkor Thom are a few temples that I wanted to see: Thma Bay Kaek, Prasat Bei, and Baksei Chamkrong.
We visited them in that order. Thma Bay Kaek is nearest the road about 50 meters southwest of the bridge over the southern moat. All that remains here are the ruins of a square brick tower. It’s probably the remains of one of many temples that were here in the Bakheng area. It was built in the 10th century by Yasovarman I.
About a five minute walk - -if that – due west of Thma Bay Kaek is Prasat Bei (“Three Towers”). Unlike Thma Bay Kaek, these towers are still standing, so obviously, slightly more photogenic. They would probably be best photographed in early morning. The trees block it from the west in late afternoon. It, too, was built by Yasovarman I in the 10th century.
The last of the three temples in this area, Baksei Chamkrong, is the most impressive of the three. It’s from the early and middle 10th century (rededicated in 948) and was built by Harshavarman. This is a pyramid temple at the foot of Phnom Bakheng. The name means “the bird with sheltering wings,” though – like most temples here – this is a modern appellation that the builders wouldn’t have recognized. This tower is a single brick tower on a pyramidal base.
Finally, to finish up the day, Mao dropped me at Phnom Bakheng. It’s about a 20 minute walk up the hill around a winding path. This is considered to be one of the best places to watch sunset over Angkor Wat because of its panoramic view from the peak of the hill. However, everyone knows this, and this is the only place all day that was too crowded for my liking. In addition to its being under restoration to the point of making it a bit of an eyesore (for the time being), it was easily my least favorite place of the entire day. After waiting in line for 20 minutes and barely moving an inch, I decided to call it a day, taking 1-2 pictures (that you see here), and heading back down the hill.
Mao had disappeared into the throngs of people eating at restaurants. Fortunately for me, he spotted me. On the way back to the guesthouse, he stopped and picked up a birthday cake which we shared with the folks who happened to be at the guesthouse. All in all, it was a wonderful birthday. Tomorrow, too, would be just me and would include the lesser-visited sites on the Grand Tour Loop, in addition to 1-2 others.
As always, I hope you enjoy this set. I appreciate you taking time to look. If you have any questions, please feel free to send me a message or leave it via comment.
The Flickr Lounge-Start With The Letter P
I learned this little trick when using parchment paper. I crumble it up really good and lay it into the pan. This is so much easier than trying to put an uncrumpled sheet into a baking pan. This works so good. Then cut off the excess and bake.
Sometimes when lions sleep other lions paint them up to look like zebras and other animals as practical jokes...
AT SEA (Sept. 3, 2018) - A team of Philippine Coast Guardsmen ride a Rigid Hulled Inflatable Boat during Visit, Board, Search, and Seizure practical scenario training as part of Southeast Asia Cooperation and Training (SEACAT) 2018. This is the 17th annual SEACAT exercise and includes participants from the U.S., Brunei, Bangladesh, Thailand, Philippines, Singapore, Vietnam, Malaysia and Indonesia. (U.S. photo by Mass Communication Specialist 1st Class Micah Blechner) 180903-N-QV906-0023
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We like a girl who wears comfy shoes. That's Stephanie Lennon, the new Mary from Dungloe, in her Uggs.
The Shard, also referred to as the Shard of Glass, Shard London Bridge and formerly London Bridge Tower, is a 72-storey skyscraper, designed by the Italian architect Renzo Piano, in Southwark, London, that forms part of the Shard Quarter development. Standing 309.6 metres (1,016 feet) high, the Shard is the tallest building in the United Kingdom, and the seventh-tallest building in Europe. It is also the second-tallest free-standing structure in the United Kingdom, after the concrete tower of the Emley Moor transmitting station. It replaced Southwark Towers, a 24-storey office block built on the site in 1975.
The Shard's construction began in March 2009; it was topped out on 30 March 2012 and inaugurated on 5 July 2012. Practical completion was achieved in November 2012. The tower's privately operated observation deck, The View from The Shard, was opened to the public on 1 February 2013. The glass-clad pyramidal tower has 72 habitable floors, with a viewing gallery and open-air observation deck on the 72nd floor, at a height of 244 metres (801 ft). The Shard was developed by Sellar Property Group on behalf of LBQ Ltd and is jointly owned by Sellar Property (5%) and the State of Qatar (95%). The Shard is managed by Real Estate Management (UK) Limited on behalf of the owners.