View allAll Photos Tagged postprocessing
Postprocessing: image brightened (I accidentally underexposed it) but otherwise as shot. Shot at Melbourne Camera Club Portrait Group.
There's something menacing about this gull ... I think maybe he was an extra in a Hitchcock movie
Thanks to les brumes for the use of Texture 16
If you like this photo please fave it and or leave a comment. If you find there is anything I could have done better when taking this foto, then
please let me know as well via a comment. Feel free to invite the photo to any group you feel it would fit.
The photo is with no postprocessing at all, no cropping no photoshop, simply out of camera (SOOC).
Please note that this picture is available unter a Creative Commons License for public use, please adhere to the terms and conditions.
Many thanks in advace! And enjoy my pictures!
Original Filename: DSC08934.JPG
Posted: Nov 10, 2014
The previous shot, edited as follows:
1. Create a duplicate layer
2. Apply the "increase contrast" colour curve preset to the top layer
3. Blend the two layers in Multiply mode, at 65% opacity.
4. Cropped
Spotted at Ascot Railway station while waiting for the steam train to arrive.
Taken during the Steamtrain Sunday Flickr Meet at Ascot.
I've posted these before, but had the opportunity to post process using Adobe Lightroom 5. I really like the outcome of both. Please- critique. I am always open to learn new teqniques!
Statue of Sir Thomas Jackson and the Hong Kong and Shanghai Bank Building at Central (Post-Processed)
Original Photo Here
Original photo by +graemetric-.
Edited for PostProcess group. See this thread for other people's interpretations of the same image.
Gear: Canon 40d with 50mm 1.8 cheapie but goodie and pocket wizards
Strobist Info: 3 White Lightning 800s, one camera right and above model with beauty dish, one snooted camera left 1/2 power, one camera right at 1/4 power. Fired optically. Lighting setup by Kevin Gliner and Steven Noryenko
About: Every now and then you run through a shoot where with one particular setup and one particular model nothing came back the way you liked it, but you sure as hell wish you had something to work with. This was the case here. The lighting's effect on the floor was phenomenal, but the effect on the model was less than desirable. Samantha has stronger features that can lend to hard-edged cast lines and very strong shadows. The goal here was to salvage the photo to a point that displayed a "sexy athlete" look and retain as much of a "photo" appearance as possible.
While there are purists who say they only like photos that come 100% from the camera, 99% of what you see in publications goes through one form of this or another.
Check the notes and see it original size
These floor tiles are very sparkly and eye catching despite their greyness. This image was shot in Hipstamatic for fun (see next image on here), then post-processed in Hipstamatic/Enlight to bring it back to something resembling its actual colouring
This is my attempt at creating the effect from the hipstamatic iPhone app. Let me know what you think
Photography
www.facebook.com/FabrizioAianaPhotography
for
EMS Exclusive Model Sharing Cagliari 13-01-2013
Event creator and artistic director Anna Lapa
Event coordinator Alessio Soro
Set supervisors and lights directors Andrea Ledda, Daniele Grecu
Make up artist
Assistant make up Carla Moro Roberta Picciau
Hair Styling Antonio Murtas
Model Clothes by ELES italia
Wardrobe stylist Gabriella Pontis
Cinematographer Daniele De Muro
Assistant camera operator Damiano Picciau
Backstage reporter The invisible man Alessandro Corongiu
Model:
Julia Piras mua Roberta Masia
-----DO NOT use my pictures without my written permission, these images are under copyright. Contact me if you want to buy or use them.
台北單車臨界量 | Critical Mass Taipei
台灣城市單車聯盟/潘建儒攝影
2014年4月19日
台灣，台北
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Taiwan Urban Bicycle Alliance/funkyruru
April 19th, 2014
Taipei, Taiwan
w/b 2/3 - The picture is an old warehouse by the docks in Ramsey, Isle of Man. I really liked the battered look of the building when I was there, and was disappointed with the original shot (see comments as usual).
This one took quite a bit of time for quite a subtle effect, but I'm quite pleased with the result...:
- Used the Perspective tool to add width to the top of the building
- Used the pinch and whirl tool to correct the resulting buldge
- Used the scale tool to give some hight back (it had started to look a bit chubby!)
- Adjusted the levels and saturation to bring the colours out and add some contrast
- Added a new layer with the sky on (from the same day to keep the lighting as accurate as possible)
- Selected out the blown-out sky and turned the inverse into a mask
- Tweaked the edges of the mask (this is the bit that took the time) using the airbrush to try and make it look as natural as possible
- Tweaked the colour balance to remove some of the blue cast (still visible on the white building the the right)
- Sharpened using the un-sharp mask filter
- Cropped to remove some of the distractions left and right.
Phew!