View allAll Photos Tagged postprocessing
Copyright 2005-2009 AlexEdg AllEdges (www.alledges.com)
Nikon D70s, Lensbaby 2.0. Photoshop CS3.
Date: 2008.11.17
Some coastal areas have one or more sets of dunes running parallel to the shoreline directly inland from the beach.
it was difficult to deal with light pollution environment .
sometimes we can't control the environment but we can control our post processing
"Life is like a box of chocolates. Cheap, thoughtless, perfunctory gift that nobody ever asks for. Unreturnable because all you get back is another box of chocolates. So you’re stuck with this undefinable whipped mint crap that you mindlessly wolf down till there’s nothing left to eat. Sure, once in a while there’s a peanut butter cup, or an English toffee, but they’re gone too fast and taste is fleeting. So you end up with nothing but broken bits filled with hardened jelly and teeth shattering nuts. And if you’re desperate enough to eat those all you’re left with is an empty box filled with useless brown paper wrappers." - CGB Spender
On our trip to Toronto, Matt and I lucked into finding these Sideshow X-Files figures at Silver Snail Comics on Queen Street. I've wanted them for a while but online they cost a fortune. I bought Mulder and Matt bought the Cigarette Smoking Man (CGB Spender). I shot this last night as an experiment. I can't wait to take them outdoors and get a fog machine or something. :D
Setup: Two black t-shirts draped on a table and box. SB-600 shot from behind and through some burning incense wafted around in the air. I had Matt hold a small lantern camera right to light his face a little so it wasn't just a solid silhouette. Post-processed a bunch.
Tuesday 7th April 2009
Thank you!!! Brad and I were stunned when we got home and read all your messages of support!! I am so lucky to have such kind and supportive friends! I am very grateful - more than I can express.
I will visit all your streams ASAP. I apologize that I'm taking longer than I expected to settle back into a routine and I'm so behind with everything!
I haven't had time to take photos since returning to Perth so I'm cheating by using photos I took in Adelaide: The window display of the the Antique Market, Grote Street, Adelaide for this week's Pretty Pink Tuesday theme: Spring, and Pretty Pinkisms theme: Happy Easter!
So HPPT everyone!!!
boeing 747. originally photographed on 35mm film in the mojave airport boneyard. digital post-processing with adobe photoshop and after effects.
Multiple images merged into one.
I've never really been fascinated by birds, leave alone something of nondescript coloring sinisterly hovering overhead, like something out of "Omen". However that was then. Ever since I've acquired my mechanical 3rd-eye, I've begun to "watch" birds casually (feels like "stalking", sometimes) - and for the common ones in my neighborhood, I am learning much simply by observing them endlessly
As for the Common Brown Hawk (CHEEL in Bengali), I find they are, by most counts, gentle and non-confrontational. And, instead of finding them ominous, I find them incredibly graceful as they soar the farthest, longest and swoop down with incredible speed and precision.
This is my 3rd upload on flickr where I have merged several shots of the bird's graceful gliding movements in one frame.
[EN below]
Voici une des photos que je n’aurais jamais espérée. Rassembler mes parents, dans leur naturel qui a toujours été simple, avant qu’ils ne partent.
D’autant plus inespéré qu’avec une vie comme la mienne qui ne fût pas très rectiligne, il ne m’a pas toujours été facile de faire comprendre mes choix, mes attentes.
Il aura fallu de mon côté beaucoup plus de maturité, et pour eux des accidents de santé importants, pour que nous puissions petit à petit parler, sans crainte d’un jugement trop catégorique.
Il existe un moment dans la vie où finalement il nous revient d’être les parents de nos parents, quand nous devons veiller sur eux beaucoup plus.
Dans cet esprit d’ouverture que je recherchais avec eux, je leur ai parlé encore une fois de mon hobby photo et du bien qu’il me procurait à plusieurs niveaux … Aussi de mes souhaits et de mes visions …
Mes parents me soutiennent maintenant, m’accompagnent maintenant partout où je fais des photos …
Cette photo est la première avec mon nouvel appareil D5300, et une nouvelle acquisition dans la famille de mes objectifs.
Lors d’une visite à mes parents pour leur montrer mes nouvelles acquisitions, j’ai eu l’immense privilège de rassembler papa et maman sur la même photo, chez eux, dans leur naturel … 149 années de vie à eux deux, 75 pour lui et 74 pour elle.
Une photo qui me tient à cœur énormément, en premier car j’ai encore la chance de les avoir tous les deux, et parce que je vois dans leur yeux le plaisir qu’ils ont à voir leur fils enfin heureux dans un hobby. Ils l’auront vu de leur vivant …
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Here is a photo that I never expected. Take a shot of my parents, in their natural behavior, that has always been simple, before they leave.
Even more unexpected that with a life like mine, which was not very straight, it has not always been easy for me to explain my choices, my expectations.
I had to become a lot more mature, and on their side many heavy health accidents, so that we can gradually speak without a fear of categorical judgment.
There is a time in life when we finally play the role of parent of our parents, when we have to take care of them a lot much.
This is in this spirit of openness I was looking for with them, that I explained them once again my hobby for photography and all the benefit I gain at various levels from this practice ... We alo exchange on my wishes and my visions.
My parents support me now, and they accompany me wherever I take pictures.
This is the first picture with my new D5300 camera, and a new acquisition in my lenses family.
During a visit to my parents to show them my new acquisitions, I had the privilege to gather mum and dad on the same photo, at home in their natural environment... 149 years of life between them, 75 for him and 74 for her.
A photo very emotional, first because I still have the chance to have both of them, and because I see in their eyes they have the pleasure to see their son finally happy in a hobby. They will have seen this in their lifetime.
*Technical Info*
Appareil | Camera: Nikon D5300 ; Tamron 70.0-200.0mm f/2.8 ;
Prise de vue | Shoot : 70 mm ; f/3.2; 1/30 s ; ISO Auto 720 ;
Logiciel | Post processing Software: LightRoom 5.4; PS; Silver Efex Pro 2;
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© Didier Hannot - #DH523 21.05.2014
*Find me on*
Facebook: www.facebook.com/DidierHannotPhotography
Just me playing around in PS with a shot that didn't really work out how I wanted it to. I had thought at the time I took it how I wished I had my holga with me instead.
Focus52/2012, week 13: stack
Gorgeous and simply perfect mugs from my favourite pottery in Konstanz. Two more pictures on my blog
Pittsburgh, PA | blog.peteyphotography.com
Tonight we did some headshots of the 40/60 crew for the website and while we were at it, we were taking photos of everyone else! This is one of Jess. She's the MAU and Special Effects tech. She helped us out a ton the last time we were all in Pittsburgh with the zombie shoot.
Conor has a few other shots up on his stream as well so check his!
The final shots from a session with a female model. The client (a Swedish ad agency and their client, a manufacturer) wanted to show their hair styling products and tools, and how to use them. So I set up for a very white and soft light with light shadows.
The main part of the session we spent trying out the most natural looking way of holding the stuff, who knew that that part would be the hardest?
Lighting info
Main light from a Profoto ComPact 600R fitted with a Softlight Reflector camera left angled down towards the model's face. Below flash and in front of camera is a Photoflex LitePanel (white) to create some fill. On both sides of the model I placed large paper walls to reflect some light. Behind model there are 2 Profoto ComPacts in Striplight softboxes (one with grid, one without) for lighting the background and act as both rimlight and hairlight.
Minor adjustments in Lightroom and then some minor treatment in Photoshop.
For more of everything: www.stefantell.se
I want to make it look surreal. So I did some post processes for this photo.
This image is a merge of two layers with little displace of position. The top layer was desaturated and add some green tint. And the second layer is black and white.
台北單車臨界量 | Critical Mass Taipei
台灣城市單車聯盟/潘建儒攝影
2014年4月19日
台灣，台北
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Taiwan Urban Bicycle Alliance/funkyruru
April 19th, 2014
Taipei, Taiwan
I took this during the extreme fog that we had this week and then fiddled with every imaginable slider in LIghtroom
The other night, before Doug and Erin came to visit, I was bored and took another dandelion fluff photo. Then I played on Ipiccy with post processing and got the above.
Doug saw it and liked it and asked if I'd posted it. I said no and he said, "Post it, I like it." So blame Doug.
Tuesday 27th January 2009 HPPT!
The Frog Prince ... a cautionary tale about the risks associated with breaking promises, ruthlessly exploiting others, and making superficial judgements about frogs based on appearances alone ... *heavy*
Wording based on The Frog Prince
......... #33 ........ (for 100 possibilities project)
plain elliptical bumper sticker til i got my hands on it ~grin~
ok, channeling continues. yesterday's shot
#ds556 Make a high-key photograph today.
CMWD_blue
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for slider sunday. this started out being one of those elliptical bumper stickers with a glass on top of it.......began by making the glass as high key as i could. noticed that there were some what appeared to be fingerprint smudges on the lower parts of the R. in an attempt to get them gone, i slid the sliders and came up with this.
A sample from a casual fashion shoot with some friends early this year. I'm trying my hand at heavy postprocessing, a weak attempt at imitating Manny Librodo's style. Thanks to Chelsie, a very cooperative and game model. She is also a store manager for women clothing and accessories.
www.amandamcnealphotography.com
Nashville Newborn Photographer
I LOVE THIS IMAGE but it wasn't ready to present SOOC so I tweaked it just a bit. It took about two minutes but wow - what a difference.
1. Take the red out of the face only using Keri Meyers Take The Red Out.
2. Clean up facial blemishes and smooth skin. Then mask out the eyes, nostrils and lips so they pop.
3. Lighten curves on body and basket only using a mask.
4. Clean up stray twigs, marks on floor.