View allAll Photos Tagged postprocess
This week I wanted to find something colorful so that I could really play with the post processing tools introduced in this weeks lesson. I thought the mural surrounding this window did the trick. I struggled with whether or not the window is the focal point of the photo. At first glance I would say no, but as you spend more time with the image and realize that the window is the only "real" item in the image I think it becomes the true focal point. Also I had to make some framing choices, to balance the fireplace I had to include just a bit of the sleeve of a person framed out of the photo. Similarly the image may not appear horizontally balanced but that is the mural painting, closer inspection will show the window is horizontal. Also this was a bit of a challenge because this building was located on a busy road, so to get my shot I had to run out into the middle of the road with my camera and tripod, get the shot and run back before cars came, then do it again and again and again until I got the shot I wanted.
Tried revamping this too blurrish picture by adjusting contrast and brightness. Not really good at it but I guess better than deleting them away.
This started out as a spiral decoration at a circus exhibit. I used a Photoshop CS3 plug-in filter to create a kaleidoscope version and also fiddled with gradient layers to develop the color combination.
Auto levels in PSE actually did a pretty darned good job. It makes adjustments on each of the red, green, and blue color channels and gives you a mild blue in the sky and a reasonable amont of contrast. You can tweak things further by sliding the luminance levels adjustment (all channels) by adjusting the shadow slider up to about 30 to further improve contrast. What I did in this actual photo though was use the Nik Color Efex Pro 3.0 color grad filter effect to give a nice blue sky. I rotated the grad effect so that it was level with the landscape, and then set it to lessen the effect as it got closer to the landscape edge for a nice halo effect. What I also did in the lunch discussion was to use the smart selector or magic wand tool to select only the sky portion, create a new fill layer, and then filled it with an opaque sky blue. There's lots of ways to do the same or similar things. If you wanted to make a big print of this, you could spend another hour or so cloning out the remaining glare from the gondola windows. In this example after everything was done I still wanted to push the highlights a bit more, so a final levels adjustment pulling the highlight slider back from 255 to about 220-230 really livened things up.
Photos taken at Sherrard Point on Larch Mt. , Oregon. July 2008.
Upper left: Single exposure.
Upper right: HDR composite of three exposures.
Lower left: Single exposure, cropped.
Lower right: Single exposure, cropped, split tone colors added, blue highlights, brown shadows
Apperception
IMPORTANT NOTICE: Copyright of these images solely belongs to JUDE ERWIN LIM also known as acutepsychomale, hereafter mentioned as the OWNER. These images may NOT be stored, printed, exhibited, downloaded, uploaded, blogged, or used in any form or in any format without a WRITTEN EXPRESSED PERMISSION from the OWNER. Copyright infringements may and WILL RESULT to CRIMINAL LIABILITIES. For permission requests, kindly send an email to acutepsychomale-photography@yahoo.com.
I took this photo during a morning walk around The Bristol, an apartment complex in Greenville, SC. There was a lot of bamboo around the complex, held back by a black chainlink fence.
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Experimental postprocess using a motion blur on my own texture, exposing the subject with a vignetted mask and added a dark edge vignette over that. Critique is both welcomed and appreciated.
I went back and forth with this one. Wasn't sure if I wanted to post it. I did a few different ones, using different techniques and decided on this one. Still not sure if I should be posting it but here it is.