View allAll Photos Tagged postprocess
Original photo taken at the Toronto Zoo and blended with a texture from "ground*floor " using Photoshop.
On our way to Nyksund, about 10 kilometres (6.2 mi) away from Myre, Øksnes (Nordland), Norway. It is located on the northwestern part of the island of Langøya, which is a part of the traditional region of Nordland county, Norway, Vesterålen.
It lies within the Arctic Circle (one of the five major circles of latitude that mark maps of the Earth). In 2012, it is the parallel of latitude that runs 66° 33′ 44″ (or 66.5622°) north of the Equator.
This is a a re-imagined black and white square portrait of Cheetah. It is similar to that of 1939 style by Studio Harcourt.
Photographed with a Canon Digital Rebel through a Kodak Duaflex.
I post processed this in Canon Digital Photo Professional to increase saturation and contrast.
Some shots from a little exploration shoot we did the other day. More to come as soon as this horrible homework burden of mine disappears!
© 2011 Andrew Sutter
Post processed shots from the Vancouver Strobist photoshoot of the Sweet Soul Burlesque troupe at the Dollhouse Studios.
Shot in the Studio4Fun/BoothPhoto booth at the dclic Photo and Video show. I was invited to use the mini studio for a few hours. I had the pleasure to work with Vincent Lamoureux.
Only 1 light was used, near the model, on the right. The barn doors were adjusted to limit the spill
Model is Maude from Mannequin Direct and we met at the show.
Strobe info: Aurora Mini200 with barn doors on the right at 60% power, aiming slightly down.
Demolition of 153-213 Petershill Drive, the first of the notorious Red Road Flats.
There's approx 1 second between each frame
Presenting the blue team!
Strobist: Each frame was shot with a tightly snooted Vivitar 285HV over each player's head to look like a spotlight. The images were combined in PS using the Layers->Lighten mode.
Copper motor winding's, taken using the Toy Camera setting on the Canon SX220 HS, which gives it a lomo lo-fi look
This is not mine-it's a touchup for a flickr member. I didn't realise I messed up her arm-I can fix that...
post-processed: bw done entirely in ufraw, a bit of drawing done in gimp.
yes, this is the same photo: www.flickr.com/photos/73003003@N07/7904903874/in/photostream
theme: Philip Glass - Symphony N.9
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Philippines License.
So, something new I learned today - manual color correction.
It was done via "Color -> Levels" tool in GIMP.
I think I will review my photo-collection in near future. ((:
On the right side you can see the original post-processed photo without color correction although I adjusted saturation and contrast in Rawtherapee.
More information about photo: flic.kr/p/pxk1bv
I never was the biggest hockey fan; just can't grab the idea behind paying millions to people to put a rubber disk into a net but... It is now the Series fever. With the Montreal Canadians behind the Philadelphia Flyers 0-2, it is time more than ever to cheer for them! They are the Cinderella team of the season as they were not expected to make the Series, then not expected to beat the highest rank team (Washington's Capitals), then not expected to beat last year's Stanley Cup champions (Pittsburgh's Penguins), so why would the Flyers stop them here, right?
The model is Kate Allen, the most genuine smile I met that day who said she normally stands behind the camera but by the look of the 115 shots I took, has as much fun in front of the lens.
Strobist info: 540ez at 1/128th 10ft above the ground, slightly behind to provide shine on the hair, SB28 through umbrella on the right and 430ex strait on the left.
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Philippines License.
50s muscle car in central Havana.
Original camera: Panasonic DMC-FX5. Postprocessed using Polagen (http://polagen.deviantart.com/).
I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.
This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)