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São Paulo, Brazil, 2024
Possible geometries for an impossible daily life
Collection: The poetry of invisible movements: It is inevitable, points of conflict, lines of organization and insurrection, invisibility. Time passes... over. A look, a step, a gesture, the lines of the city or any detail, completed by the look, creating a poetics in the movements that only exist in the encounter between bodies, photographer, place, people photographed and who sees the photo, and this can generate a power of presence, a static dance.
Geometrias possíveis para um cotidiano impossível
Coleção: A poesia dos movimentos invisíveis: É inevitável, pontos de conflito, linhas de organização e insurreição, invisbilidades. O tempo passa... por cima. Um olhar, um passo, um gesto, as linhas da cidade ou um detalhe qualquer, completados pelo olhar, criando uma poética nos movimentos que só existem no encontro entre corpos, fotógrafo, local, pessoas fotografados e quem vê a foto, e isso pode gerar uma potência de presença, uma dança estática.
Folow me on Instagram too / Me siga no Instagram também: Contemplatives: www.instagram.com/yuribittar/
Street: www.instagram.com/yuribittar/
We were rather too early to take coffee in the pretty little Atherton Tableland town of Yungaburra. All of the shops and centre of town were in this mould. A lovely town to visit.
Notice the COVID QR check in on the door. As Queensland tourist spots open up over the next two months, people in towns like this will need to ensure they are ready for an influx of lockdown weary southerners, some bearing gifts we do not want. Being vaccinated, continuing to check in and also wearing masks where social,distancing is not possible will be very important.
1952 Chevrolet Styleline DeLuxe Series KK 2100 Model 2134 Convertible Coupé Customized (Fisher body)
^)(^ SORRY: I have to "slow down" (probably fewer photos, fewer input in groups, fewer comments and slower responses, etc.) for the next coming weeks, because we renovate our house ♫♪
I am very sorry about possible inconveniences ...
In every possible way
And my dreams it's never quiet as it seems
'Cause you're a dream to me, dream to me !
Dreams - The Cranberries
Obrigada por todas as visualizações e pelo carinho!
“So, what are you worried about, Sky?” Asked Barnaby as the bears gathered around for the man to take their photograph.
“Quite a lot, Barnaby. Honey supplies for a start.”
“Honey supplies, Sky? What is the problem?” Asked Bertie also looking concerned.
“It all comes down to the man. He is trying different places where he gets his food from using the complonker. He uses new digits to order and while I have watched and think I have the new ones I was not sure.”
“Sky, the man had the usual van deliver his things last week, I saw it there and was waiting for our stuff but it did not come.” Said Posh Bear.
“No, it is all getting confusing. The man seems to be ordering from both the new one and the old one, which makes it difficult for me to know which one to add our things to. Anyway, I think the man is going bonkers.” Said Sky.
“I quite agree, Sky, but then we have always thought that.” Said Bertie smiling.
“No, I mean totally bonkers, Bertie. When the man had a friend around here recently, I noticed that they were both talking to a green growing plant his has. He has even given it a name and was calling it Vera and he was saying hello to it. It didn’t answer, and his friend even tried but the plant ignored them.”
“Are you sure, Sky?” Asked Posh Bear looking worried.
“Yes, they both kept on saying hello Vera to this plant. Is that weird or what? Then he starts ordering his things from two suppliers.”
“That is very strange behaviour, Sky, I agree. I wonder why he called it Vera? Why not Sky, Bertie, Theo, or Posh, like we are called? Why give the green thing that grows a name at all? All very strange, but not that important to us bears. Now, the possible lack of honey, well that is different.” Said Posh Bear.
“Luckily Posh, we have a genius at the helm of ordering, and I have taken measures to make certain that we still can order from now on.”
“Sky is such a genius.” Said Barnaby looking in admiration at his friend.
“I know, Barnaby, but as I was saying.” Said Sky
“So modest with it too.” Chimed in Bertie giggling.
“As I was saying, I am now ordering from both suppliers, however, there is a slight problem in that if they both supply, we may have a little more than normal.”
“You say a little more, Sky, roughly how much more?” Asked Posh Bear.
“Well, just in case one supplier did not send us what we ordered, I added extra to both orders. Well, I think I did for I was never much good at numbers, so, well I think we had better make extra room to store what comes.”
“So, is it fair to say that you do not know what you ordered then, Sky?” Asked Bertie.
“Well, I am not totally sure, Bertie, but if you need to know I am sure that Vera would know for she was looking at the screen as I did the ordering. So, do you speak green growing thingy, Bertie?”
“Time will tell, Bertie, we will soon find out.” Said Posh Bear smiling.
This was basically a house money shot. I had already accomplished the scenic "wow" shots of this train, as it trundled back to Trona I debated not even taking this picture. Nothing special... but the light was great so why not. Well, good thing I ignored the impulse to be a moron, because this exact shot is no longer possible. TRC 2007 and 2009 have been cut up this past week and will never again ply the desert. Acquired in 2002, Trona would end up with 3 former UP SD40-2's. The deck was stacked against them from the beginning. To start, they were already ratty looking and were replacing some gorgeous looking SD45-2's, painted in a resplendent red and silver scheme. Then of course, they weren't as neat as the former SP units on property still sporting their scarlett and grey. Third, a more common locomotive there was not. Union Pacific rostered 1,079 SD40-2's at one time, part of the staggering 4,029 produced by EMD between 1972 and 1989. At some point though, they transcended being mundane and entered the realm of cool again. In the age of GE dominance and Tier 4 nonsense, Trona's 7 EMD's became the rock against which progress gnashed its teeth. Watching these ugly beasts climb the grade, roaring through a hellish landscape on only two steel rails as they climb nearly vertical out of the basin.... I guess they aren't so mundane after all.
A view of the entrance to the Louvre via the Louvre Pyramid designed by the Chinese-American architect I. M. Pei. Where I was standing to take the photo was as near as possible to get to the building. I liked the two black cubes either side of the photo but I can't remember what they were for? Bins perhaps? You can also see to the right the red metal things. They had what appeared to be powerful lights on the top. Again, not sure what that was all about, perhaps floodlighting? I appreciated the touch of red. :-)
January 25 marks the 270th anniversary of Moscow State Lomonosov University.
Moscow State University was founded in 1755 and rightfully considered to be the oldest Russian university. Its establishment in Moscow was made possible thanks to the tireless efforts of Mikhail Vasilyevich Lomonosov, a prominent scientist and Russian academician (1711–1765), after whom it was named.
* The image was captured during the season of fall.
Possible geometries for an impossible daily life.
Sao Paulo, Brazil, 2023
Geometrias possíveis para um cotidiano impossível
São Paulo SP, 2023
[Chorus]
When your dreams come alive you're unstoppable
Take the shot, chase the sun, find the beautiful
We will glow in the dark turning dust to gold
And we'll dream it possible
High Brown Fritillary - Argynnis adippe
This large, powerful butterfly is usually seen flying swiftly over the tops of bracken or low vegetation in woodland clearings. In flight, the males are almost impossible to separate from those of the Dark Green Fritillary, which often share the same habitats. However, both species frequently visit flowers such as thistles and Bramble where it is possible to see their distinctive underside wing markings. The Dark Green lacks the orange ringed 'pearls' on the underside of the hindwing.
The High Brown Fritillary was once widespread in England and Wales but since the 1950s has undergone a dramatic decline. It is now reduced to around 50 sites where conservationists are working to save it from extinction.
Size and Family
Family: Fritillaries
Size: Large
Wing Span Range (male to female): 60-67mm
Conservation status
Section 41 species of principal importance under the NERC Act in England
Section 42 species of principal importance under the NERC Act in Wales
UK BAP: Priority Species
Butterfly Conservation priority: High
European status: Not threatened
Fully protected in Great Britain under the 1981 Wildlife and Countryside Act
Caterpillar Foodplants
Common Dog-violet (Viola riviniana) is used in all habitats, but Hairy Violet (V. hirta) is also used in limestone areas. It may occasionally use Heath Dog-violet (V. canina) and Pale Dog-violet (V. lactea).
npirl.blogspot.com/2008/07/get-in-touch-with-your-quirkin... - Many thanks to four Yip and Naxos Loon for the LM
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Possible geometries for an impossible daily life.
Sao Paulo, Brazil, 2017
Geometrias possíveis para um cotidiano impossível
São Paulo SP, 2017
Folow me on Instagram too / Me siga no Instagram também: Contemplatives: www.instagram.com/yuribittar/
Street: www.instagram.com/yuribittar/
Possible source for the original sword in the stone story...the noble knight Galgano Guidotti renounced his warlike calling and wealth and resolved to live the life of poverty and prayer in the wilderness. I has been said that he had no Crucifix for his devotions so he thrust his sword in to the rock as a cross. More info on this interesting spot here www.traveltuscany.net/tourism-in-tuscany/places/san_galga...
doing ordinary things by interpreting them in your own way and with your own personal vision :-)
Louis Stettner
HPPS! Justice Matters! No one is above the law!
balloon flower, sarah p duke gardens, duke university, durham, north carolina
Possible geometries for an impossible daily life
Sao Paulo, Brazil, 2023
Geometrias possíveis para um cotidiano impossível
São Paulo SP, 2023
Folow me on Instagram too / Me siga no Instagram também: www.instagram.com/yuribittar/
Possible my last photo taken from the Queens Building roof garden. The scheduled IL-62 flight to Tashkent taxies out in the evening sun.
São Paulo, Brazil, 2024
Possible geometries for an impossible daily life
Collection: The poetry of invisible movements: It is inevitable, points of conflict, lines of organization and insurrection, invisibility. Time passes... over. A look, a step, a gesture, the lines of the city or any detail, completed by the look, creating a poetics in the movements that only exist in the encounter between bodies, photographer, place, people photographed and who sees the photo, and this can generate a power of presence, a static dance.
Geometrias possíveis para um cotidiano impossível
Coleção: A poesia dos movimentos invisíveis: É inevitável, pontos de conflito, linhas de organização e insurreição, invisbilidades. O tempo passa... por cima. Um olhar, um passo, um gesto, as linhas da cidade ou um detalhe qualquer, completados pelo olhar, criando uma poética nos movimentos que só existem no encontro entre corpos, fotógrafo, local, pessoas fotografados e quem vê a foto, e isso pode gerar uma potência de presença, uma dança estática.
Folow me on Instagram too / Me siga no Instagram também: Contemplatives: www.instagram.com/yuribittar/
Street: www.instagram.com/yuribittar/
What day and all I have to do is sit by my window! So lucky to be here. The kitten was oblivious to me and intent on the birds using the feeders, even when I went out and stood behind it. No-one in this area has cats but there are wild cats around (allegedly), the kitten could be a hybrid.
Santa arrived one day early and I got to try out my present. Sony's new A1 II has added pre-capture which made this sequence of shots possible for this old timer.
Glad there not gone and so much to pick from
Visit this location at PrimPossible 1 Prim Mesh Furniture Store LOW PRIM Furniture in Second Life
El brillo de las rocas. (Lloret - Costa Brava - Cataluña)
La brillantó de les roques. ( Lloret - Costa Brava . Catalunya)
Historia de la foto:
Estaba realizando sedas con el filtro de densidad neutra pero con su efecto me quitaban el brillo que habia en las rocas, por lo que quité el filtro ND cambié los parametros de la cámara, para realizar unas sedas suaves y conseguir el brillo de las rocas mojadas, todo ello aprovechando la luz baja y cálida de la puesta de sol.
Espero que os guste apreciados amigos. Antoni
Datos técnicos:
Cámara : Nikon D800
Objetivo: Nikon 28 mm. (Para abarcar un escenario mayor).
Diafragma. f/20 ( Para disparar a velocidad muy lenta).
Velocidad: 8 segundos. (Para tener el obturador el mayor tiempo posible abierto y conseguir medias sedas)
Iso: 100 (Para disparar a velocidad más lenta).
Trípode: Si (Para ganar nitidez).
Filtros: No
Un abrazo amigos. Antoni.
Photo Story:
I was making silks with the neutral density filter but with its effect they took away the shine that was in the rocks, so I removed the ND filter and changed the parameters of the camera, to make soft silks and get the shine of the wet rocks , all this taking advantage of the low and warm light of the sunset.
I hope you like it dear friends. Antony
Technical data:
Camera: Nikon D800
Objective: Nikon 28mm. (To cover a larger scenario).
Diaphragm. f/20 (For shooting at very slow speed).
Speed: 8 seconds. (To have the shutter open as long as possible and get half silks)
Iso: 100 (For shooting at a slower speed.)
Tripod: Yes (To gain sharpness).
Filters: No
A hug friends. Antoni.
If possible I try to make the subject match with the background. In this case the colours couldn't be better.
This boat is a "must" to be photographied if you go for a Sunrise at Delta de l'Ebre. Usually the water is very calm because it's located in a closed bay, and the colours of the sunrise (specially in winter) are amazing.
The photo has just some basic contrast/saturation and light tones adjustments. The photo has been taken with a big stopper and a 1.2 ND filter.
Before exploring Lüderitz and Kolmanskop, we drove all the way south to the second largest canyon in the world: Fishriver Canyon. I didn't even know about this canyon before this trip, and since we still had a few days left after our initial rough planning, we both agreed to go there. We looked at the possible accommodations and found a government-run campground on the south side and a lodge on the north rim. As we hadn't read the best things about government-run campsites and were planning to camp most of the time anyway, we opted for the lodge and didn't regret it.
The drive there changed from paved roads to gravel roads, which had some sandy sections the further we got. At one point, we had to drive up a small hill and back down a steeper section that led to a narrow gravel road that crossed a dried up river a few times. We drove on and on, wondering if we were still on the right 'road', but a glance at the offline GPS map showed that we were heading in the right direction. After driving through some really impressive wide open landscapes, we crossed an “airfield” (which was basically a flat gravel field) before finally reaching the parking lot of Fishriver Lodge after a little over 3 hours of driving. As we entered the main building, we noticed the really beautiful glass façade which gave a breathtaking view of the canyon as the lodge is situated right on the canyon rim. We were then asked onto the terrace where we were given a welcome drink, enjoyed the view and thought about using the pool, but we both felt it wasn't quite warm enough (as it was winter there, the temperatures were moderate).
We then checked in, got the keys to our cabin right next to the rim and carried all our stuff from the car to our room (which was quite funny as we had all our stuff in cardboard boxes covered with plastic bags to protect it a bit from the sand that got into the back of our car during the drive, unlike all the other guests who arrived in fancy clothes and with normal suitcases). We then made ourselves a coffee and enjoyed it on our terrace while taking in the stunning views. I then wandered around the area a bit looking for possible sunset compositions, but as the sun got lower, I realized that its angle was far from optimal as the sidelight left most of the canyon in shadow and only illuminated a small upper portion.
At a certain point, I noticed that the colors on the side facing away from the canyon began to explode. I quickly ran to our cabin and told my girlfriend to get her camera. In the rush, we even forgot our tripods, ran around like headless chickens (as Mads Peter Iversen would put it) looking for compositions and found this lone quiver tree. The colors became more and more intense, and I can tell you: I have never seen colors like these before. Apart from one cloud that I cloned out as it was right behind the tree, I didn't edit this image at all (which is quite rare as raw files are usually very flat and require some contrast adjustments). The show went on for quite a long time as there were no mountains in the distance that could block the sunlight, but eventually we went to dinner and enjoyed one of the best meals we had on this trip. After dinner, we went back to our room and realized that the curtains were different than when we left. We thought that someone might have broken into our room, but when we went to bed we realized that the staff had brought warm water bottles as it can get chilly at night (which they hadn't told us). With that, we ended our day and couldn't be happier as we stood right on the edge of the second largest canyon in the world and witnessed one of the most colorful sunsets we had ever seen. I hope you like it!
Ben Flynn known professionally as Eine, is an English graffiti writer and vandal based in London.
- excerpt Wikipedia
Shoreditch, London
27th May, 2018
Another picture of the supercell over Aduard on 5 June, 2015. Unfortunately the quality of the photograph is subpar due to the variations in lighting levels along the length of the panorama.
Clearly visible is a mesocyclone in the form of a rotating wall cloud in the centre, which minutes previously had been much more prominent and, according to reports, reached about 70% to the ground.
Also clearly visible is an inflow tail and an RFD to the right, as well as a general inflow cloud, here coming in from the north/the right side of the picture. You can also see what is possible a sattelite rotation here.
Social media makes it possible for us to see the latest fashions and styles instantly as soon as they go viral. Flickr for Second Life is one such media,
Everyone is looking for ways to style their SL wardrobe with these latest trending fashions. One fashion statement that many people are going crazy for is the criss-cross crop top.
This gorgeous [Gossip] Mora Top exemplifies this look. You can pair this top with black jeans for a date night or wear it with shorts for a more sultry and sexy vibe.
This [Gossip] Mora Top fits Legacy, Maitreya, and Reborn (+Waifu} mesh bodies. Its Fatpack boasts 14 colors for the body of the top plus 12 different colors for its lace trim.
Gossip Main Store Taxi: maps.secondlife.com/secondlife/Ferrera/144/56/22
Owner fb: www.facebook.com/yanny.vu.5
Gossip store flickr: www.flickr.com/photos/192969680@N05/
Facebook page: www.facebook.com/Gossipwomensl
Blogger manager fb : www.facebook.com/AiramDankworth/
Site of 2 Forts that were important to early American history :
Fort Bowyer was constructed by the U.S. Army during 1813 to guard against possible British attack. This small log and sand fortification was attack twice by the British during the War of 1812. The first attack made by four British warships and a combine force of British Royal Marines and Creek Indians came on September 15, 1814. The ensuing battle was total American victory. One warship, the H.M.S. Hermes was sunk and the marines and Creek Indians were forced to withdraw. During a second battle which took place during early February 1815, a combine British land and naval force forced the vastly outnumbered American troops to surrender the fort. By the terms of the treaty that ended the War of 1812, the British had to return Fort Bowyer to the United States. Fort Bowyer defended Mobile Point until the early 1820's.
Fort Morgan was seized by troops of the State of Alabama on January 4, 1861. Turned over to the Confederate Army in March of 1861, the fort served as the first line of defense for the city of Mobile and provided protection for blockade runners entering Mobile Bay. On the morning of August 5, 1864, Union naval forces fought their way past the Fort Morgan and defeated a Confederate naval squadron which included the C.S.S. Tennessee, one of the most powerful ironclads constructed in the South during the war. Union land forces commenced siege operations against Fort Morgan on August 9th. On the morning of August 22nd, Union artillery began one of the most intense bombardments of a single fort recorded during the Civil War. The Confederate's losses were 17 men killed. The Confederate garrison's 581 men were forced to surrender the next morning.
No uses mis fotografías en Páginas Web, blogs, RRSS o cualquier medio de comunicación digital o impreso, sin mi autorización explicita. Si estas interesado en mi trabajo y quieres utilizar mis fotografías, contacta conmigo en el email jespor@yahoo.es y te contestare a la mayor brevedad posible.
Do not use my photographs on Websites, blogs, social networks or any means of digital or printed communication, without my explicit authorization. If you are interested in my work and want to use my photographs, contact me at the email jespor@yahoo.es and I will answer you as soon as possible.
2022 - © All rights reserved.
Enlaces a mis RR.SS.:
Instagram ….…. www.instagram.com/jesus_portal_photo/
Facebook……... www.facebook.com/jesus.portal.52
Blog personal.… jesusportalphoto.blogspot.com.es/
Possible geometries for an impossible daily life
Geometrias possíveis para um cotidiano impossível
São Paulo, Brazil, 2023
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Coleção: A poesia dos movimentos invisíveis
É inevitável, pontos de conflito, linhas de organização e insurreição, invisbilidades. O tempo passa... por cima.
A poesia dos movimentos invisíveis: um olhar, um passo, um gesto, as linhas da cidade ou um detalhe qualquer, completados pelo olhar, criando uma poética nos movimentos que só existem no encontro entre corpos, fotógrafo, local, pessoas fotografados e quem vê a foto, e isso pode gerar uma potência de presença, uma dança estática.
[ENGLISH]
Collection: The poetry of invisible movements
It is inevitable, points of conflict, lines of organization and insurrection, invisibility. Time passes... over.
A look, a step, a gesture, the lines of the city or any detail, completed by the look, creating a poetics in the movements that only exist in the encounter between bodies, photographer, place, people photographed and who sees the photo, and this can generate a power of presence, a static dance.
On this small, crowded island of our's it's still possible to get away from it all...i like to slip the chain and get out there!!
- Paulo Coelho.
|| insta || blog || photostream ||
Posting images of slot canyons, especially from Antelope slot canyons, always gives me a lot of engagement on social media. So much that I consider them cheat posts. I suspect the dramatic changes in light and color grades create a visual impact even as thumbnails that they attract a large audience. This remarkable play of light and shadows, while impressive to behold, was challenging for me to master. When I first visited a slot canyon, I solely relied on HDR photography to capture the scene. While images looked good, it felt like something was missing. As I spent more time looking at slot canyon images, both mine and other talented artists, one thing became clear. It’s the shadows that make these images click. That’s why the HDR images looked ordinary, as they often by default lift the shadows. It also meant that I had to get it close in camera rather than relying on post-processing.
Here are a few strategies that helped me. First, Avoid the sky as much as possible in compositions as the light difference is too much to make sense in a slot canyon image. There are exceptions, but it is better to shoot the sky separately and blend it in later in those scenarios. Secondly, pick your bright areas carefully and balance them with the shadow areas. ETTR or exposing to the right is super helpful here, I often meter at the brightest spot in a scene and push setting until the highlights clip. A quick tip: You can usually push your raw images a little more than what your camera histogram suggests. And the last tip is to white balance correctly, have a grey card or a microfiber cleaning cloth with you, and get the correct white balance. Because the light is limited in a slot canyon, even the best cameras struggle to judge white balance correctly, and it’s hard to get it right in post-processing; at least, that’s my experience. On the other hand, the difference is extraordinary when you get the colors right in a slot canyon. And there it is, all my tips for shooting in a slot canyon.