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When the camera opens , the clown's portrait pops out with a squeaky sound , and the tongue is stuck out .
The background is a 5cm-graduated cutting board. Hopefully you can work out the approximate sizes in Imperial from that.
The most difficult bit is getting the "tail" to have a tight fit in the hotshoe because this is what ensures it stays on the camera. Experiment on some scrap binder plastic first.
A veces la tentación del modo macro es demasiado fuerte. Y tampoco es que saliera nada realmente interesante del experimento.
Images taken during the Fujifilm Pop Up Camera Bar with Bedford Camera in Tulsa, OK at the Dust Bowl Lounge.
Buffala - there is something similar now outside White Spot. I hope these become permanent.
Restaurants in BC are currently required to serve only takeout, delivery or patio customers. Indoor dining is no longer permitted.
On the Penguin trail at Wigram Airforce Museum.January 2021 Christchurch New Zealand.
Over Term Two and Three in 2020, we had 65 schools from across the city and surrounding towns take part in the Pop Up Penguins Learning Programme. This wasn’t an easy time for students and teachers as Term Two began in the midst of New Zealand’s lockdown period! And yet, with resilience and determination, the schools signed up to take part in this citywide art project.
The Pop Up Penguins Learning Programme has been supported by an amazing line up
of organisations: the International Antarctic Centre, Antarctica New Zealand, the Council of Managers of National Antarctic Programs, Gateway Antarctica and the College of Education, Health and Human Development at the University of Canterbury.
The Learning Partners shared their vast knowledge and expertise within the Learning Programme resource pack and educators from International Antarctic Centre, Gateway Antarctica and the College of Education, Human Development and Health delivered a bespoke Pop Up Penguins themed presentation to over 50 of the schools registered on the Learning Programme.
Students across our city have learned about penguin conservation, Christchurch’s global significance as one of five Gateways to Antarctica and kaitiakitanga, guardianship and protection of the environment. As you find the little penguins in displays around the city, learn about the themes that inspired them.
For More Info: popuppenguins.co.nz/popup-waddles/
The Air Force Museum of New Zealand, formerly called The Royal New Zealand Air Force Museum, is located at Wigram, the RNZAF's first operational base, in Christchurch, in the South Island of New Zealand.
For More Info: en.wikipedia.org/wiki/Air_Force_Museum_of_New_Zealand
Flashback
Photo by Dan Scott
AmericanImageGallery.com
Exhibition Dates: September 14 – October 31, 2007
Open Saturdays and by appointment
Exhibition Dates: September 14 – October 31, 2007
Photo by AmericanImageGallery.com
CarlBergGallery.com
Becster.org
PhantomGalleriesLA.com
Phantom Galleries LA is pleased to present Slices, a solo exhibition of work by Rebecca Niederlander. The exhibition will run from September 14-October 31, 2007. A reception will be held on Friday, September 14, 6-9 p.m. at 269 N. Beverly Drive, Beverly Hills, CA. This event will be free and open to the public. The exhibition will be open to the public on Saturdays from 11-6 and by appointment.
“Mobiles are sensitive symbols of Nature, of that profligate Nature which squanders pollen while unloosing a flight of a thousand butterflies; of that inscrutable Nature which refuses to reveal to us whether it is a blind succession of causes and effects, or the timid, hesitant, groping development of an idea." --Jean-Paul Sartre, writing about Alexander Calder’s Mobiles, 1946
Rebecca Niederlander’s sculptures have always reflected an interest in the processes of perception and interpretation, and in the discovery of particulars that often go unnoticed in the rush of events. Though early forms often sat solidly grounded, her later work regularly hovers, floats, or hangs suspended above a surface. The most recent Family Tree series originated in an installation featuring a room-sized vellum mobile that she describes as an attempt to reflect on individual's place in the continuum. All elements in A Family Tree are connected, each bit's activity modulated by the activity of the whole. The 6,000+ small, fluttering forms were created using a Japanese paper cutting technique called Kirigami, which westerners know as "making paper snowflakes." After creating that piece, Niederlander began to experiment with wire because of more complex and abstracted forms that medium makes possible. Also fascinating is the relationship between the lines of the wire forms and their alter-ego shadows.
Many suspended sculptures, and mobiles in particular, lack manageability. They start from a place of equilibrium, but from that point on it’s their nature to shift, to become, to reinvent. Their mutability also makes them a kind of dream space into which viewers can enter or onto which they can project their own discoveries and interpretations. The protean qualities mean that their creator can plan only so far in terms of how they will evolve. She must let go and allow them to find their own form. In this way, a mobile can be seen as a placeholder for the experience of living, perhaps in particular for the process of parenting (an identity Niederlander is still acclimating herself to). By the way, many of the pieces were designed to be effective pull-toys!
Rebecca Niederlander received her MFA from UCLA, and her BFA from California College of the Arts (formerly CCAC). She is represented by Carl Berg Gallery 6018 Wilshire Blvd, Los Angeles, CA 90036: 323 931 6060 www.carlberggallery.com/ carl@carlberggallery.com
In conjunction with Slices, there will be onewindow installation each by David McDonald (davidmcdonaldart.com), Alexis Weidig (alexisweidig.com) and
MORE ABOUT PHANTOM GALLERIES LA
Phantom Galleries LA is a Los Angeles County-based organization that transforms unoccupied storefronts and spaces into temporary art galleries. Exhibits are curated by local arts organizations, Los Angeles-based galleries, independent curators, and Los Angeles-based artists. The project promotes the creative communities of Los Angeles to a broader audience. The spaces are lit and on view 24 hours a day.
Phantom Galleries offers a special thank you to the City of Beverly Hills Economic Development Office for their continued support and assistance in launching the Beverly Hills Phantom Galleries LA program. "In Beverly Hills we believe that a vital economy needs an active art and cultural core." – Alison Maxwell, Director of Economic Development and Marketing for the City. For more about the City of Beverly Hills's Public Art Program see www.beverlyhills.org.