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en) Polychrome terracotta bust of Saint John by Anonymous from Florence, first half of the 16th century, National Museum in Warsaw. From the collection of Karol Smólski in Paris, who bequeathed the sculpture to the Museum on April 25, 1933.
fr) Buste de Saint Jean en terre cuite coloriée par anonyme de Florence, première moitié du XVIe siècle, Musée national de Varsovie. De la collection de Karol Smólski à Paris, qui a légué la sculpture au musée le 25 avril 1933.
pl) Polichromowane popiersie z terakoty świętego Jana, rzeźbiarz szkoły florenckiej, pierwsza połowa XVI-go wieku, Muzeum Narodowe w Warszawie. Z kolekcji Karola Smólskiego w Paryżu, który 25 kwietnia 1933 przekazał rzeźbę do muzeum.
See also: artinpoland.weebly.com
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Looking east down the chancel, together with the church a 15c rebuild, in the Perpendicular style, of an earlier building dedicated by Bishop Branscombe of Exeter in 1261.
The early 15c east window has flamboyant stonework with flowing tracery. The stained glass showing 10 scenes from the life of Jesus, was painted in 1889 by Beer of Exeter and possibly designed by J. L. Pearson, who was responsible for much of the 19c design here.
The gilded reredos is also attributed to Pearson, a painted and gilded tryptych, shows ’Christ in Majesty’ flanked by panels of angels and saints. .
Covered by curtains, the wall behind was lined with highly coloured polychrome tiles of 1888
North of the altar is the ornate tomb of judge Sir John Whyddon of Whiddon who bought the manor in the reign of Queen Elizabeth l from the Copplestones
- Church of St Michael, Chagford Devon
Picture with thanks - copyright John Eeles www.google.com/local/imagery/report/?cb_client=local_phot...
Polychrome Glacier is a cirque glacier in the Alaska Range. Denali National Park and Preserve, Alaska.
Polychrome painted tin-glazed earthenware dish with a sailing-ship, Pickleherring Pottery, Southwark, 1663. Commemorates marriage of John Garway, freeman of the Haberdashers' Company, and Mary Holgrave of Dunkirk
Alexander McQueen
Dress, autumn/winter 2006-7
Cream and polychrome silk brocade
On background of Portobello Wallpaper
On electrum gilded paper by the de Gournay
Taken in the 'China: Through the Looking Glass' exhibition (May-September 2015).
This exhibition explores the impact of Chinese aesthetics on Western fashion and how China has fueled the fashionable imagination for centuries. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion is juxtaposed with Chinese costumes, paintings, porcelains, and other art, including films, to reveal enchanting reflections of Chinese imagery.
From the earliest period of European contact with China in the sixteenth century, the West has been enchanted with enigmatic objects and imagery from the East, providing inspiration for fashion designers from Paul Poiret to Yves Saint Laurent, whose fashions are infused at every turn with romance, nostalgia, and make-believe. Through the looking glass of fashion, designers conjoin disparate stylistic references into a pastiche of Chinese aesthetic and cultural traditions.
The exhibition features more than 140 examples of haute couture and avant-garde ready-to-wear alongside Chinese art. Filmic representations of China are incorporated throughout to reveal how our visions of China are framed by narratives that draw upon popular culture, and also to recognize the importance of cinema as a medium through which to understand the richness of Chinese history.
[Exhibition description]
In the Metropolitan Museum of Art, 5th Avenue, New York
Abstract colour landscape symbolism. A revision of maxima with the original Southern Cross device rotated (in the Sky) to place a larger Alpha Crucis in the canton corner as a feature, while portraying a 'size/brightness' hierarchy down to Epsilon the smallest, with reference to earlier versions of the Australian flag.
©2015 mpathesii CC NC ND This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Australia License creativecommons.org/licenses/by-nc-nd/3.0/au/
Zhejiang Provincial Museum, Gushan Branch on West Lake, Hangzhou, China. Complete indexed photo collection at WorldHistoryPics.com.
Jésus polychrome de l'Association Saint-Thiomas d'Aquin installé il y a quelques décennies dans la cathédrale
Zhejiang Provincial Museum, Gushan Branch on West Lake, Hangzhou, China. Complete indexed photo collection at WorldHistoryPics.com.
23/08/05 - Polychrome Point, Denali National Park. Up at 4.15am and out at 5am, we head for the Park entrance to catch the 5.30 bus for our visit through the park. The early morning light and clouds silhouetting the mountains are amazing. On our way into the park we see tiny specks, Caribou on a distant hillside. When we return another herd is crossing the wide river bed below Polychrome Point.