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És una poderosa descàrrega electrostàtica natural produïda durant una tempesta elèctrica. La descàrrega elèctrica precipitada del llamp és acompanyada per l'emissió de llum, causada pel pas de corrent elèctrica que ionitzar les molècules d'aire. L'electricitat o el corrent elèctric que passa a través de l'atmosfera escalfa i s'expandeix ràpidament a l'aire, produint el soroll característic del tro del llampec.

MEC: the ultimate sport store.

Fuentes queretanas con movimiento

lembrancinhas das poderosas, com jujubas e porta recados.

Listas. Dispuestas. Firmes. Quietas. Preparadas. Poderosas. Bonitas. Esbeltas. Brillantes. Atractivas. Rugientes. Tronadoras. Rápidas. Voladoras. Divertidas. Rebel Master RM. 125, 140, 160, 190 -_-_-_-_-_-_-_-_-_-_-_-_-_-_-_ #motos #cross #pitbike #pitcross #dirtbike #rebelmaster #rm125 #rm140 #rm160 #braaap #regalo #gasolina #4tiempos bit.ly/2HJzo5D

Nosso encontro de fim de ano -2006

lembrancinha meninas super poderosas com jujubas...

Aspectos generales de la décima etapa de la LI Vuelta al Tachira en Bicicleta 2016, recorrido de 151,2 Kms. Circuito (3 Vueltas) Plaza Bolivar de Urena - Redoma de San Antonio del Tachira, con llegada al Velódromo J.J. Mora Figueroa en San Cristobal, estado Tachira, Venezuela, 17 de enero de 2016 (Gennaro Pascale Caicedo / ATC - ASOCIACION TACHIRENSE DE CICLISMO)

From the exhibition

  

Graciela Iturbide: Shadowlines

(June - September 2024)

 

Discover the world of Mexican photographer Graciela Iturbide (b. 1942, Mexico City) which she presents in black and white - or as she describes it, as "an abstraction of the mind.".

Widely recognised for the poetry and introspection of her images, Graciela Iturbide captures her subjects with depth and sensitivity. Her photography offers a unique perspective on Mexican society, often exploring themes of Mexican culture, identity and belonging, by combining a documentary and humanist approach with an imaginative quality of image making.

Throughout her career, Iturbide has documented the lives of Indigenous people of Mexico, often living closely with them for months. She offers a glimpse into their rituals, traditions and struggles, capturing the resilience and dignity of her subjects.

The exhibition includes works from several of her most iconic series, including Juchitán de las Mujeres (1979-1989), focusing on the matriarchal society of the Zapotec people of Tehuantepec, south-eastern Mexico. Having immersed herself in their lives for a decade, her photographs show the strength and vitality of the Juchitán women.

Iturbide has travelled extensively, producing work in different areas in Mexico, Germany, Spain, Ecuador, Japan, the United States, India, Madagascar, Argentina, Peru and Panama.

Gradually, Iturbide's images have become devoid of people and her attention has focussed on materials, textures, nature and light. Whatever her subject, Iturbide has continued tracking the sunlight with her camera and experimenting with “shadow lines.”

[*The Photographers' Gallery]

 

Taken in the Photographers' Gallery

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