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Where my ladies at,
I say where my ladies at
Let's find somewhere we can go crazy at,
And for you baby I'll be your maniac
Hey Hey Hey Hey
And you don't have to worry about nothing
Cause every time I see you, baby you'll be rolling with me
I I'll be on the side lines
Rootin for my dime
Holdin up my sign
Preparing to take off from Phoenix and back to Los Angeles, but found this group of trees behind my trailer. They have these clumps of what I believe are seed pods. I squeezed one and they're fairly hard, thought of biting one, but hell, they may be poisonous. 111 degrees fahrenheit right now, LA's not sounding so bad. Maybe some place with mountains after that.
A dried seed pod on a bloom stalk cut from my backyard.
Mamiya C330 c. 1971
Mamiya-Sekor ƒ2.8 80mm - wide open or nearly so
Hoya HMC Y[K2]
Kodak Tri-X 400
LegacyPro EcoPro 1+1 - frozen for the last eight months
General Electric PR-1 exposure meter c. early 1960's
Explored November 18, 2021 at No. 383
Por vezes, até pode parecer que carrego o mundo nos ombros.
Por vezes, até pode parecer que não vou conseguir.
Pode dar vontade de desistir.
Mas o peso, não é o verdadeiro motivo da dor.
É a forma como olhamos para ele.
Se num dia é um peso
No outro será o apoio.
Neste suporte, muito se pode aparar.
Os abraços de saudade
As lágrimas de alegria
Os momentos de tristeza.
O sufoco de um grito
O silêncio de uma noite.
O despertar de um novo dia.
A água do chuveiro.
O tempo que passou
E as marcas que deixou.
Mas só assim, fará sentido
Só assim terá valor.
Pois desejo que nunca seja
Um copo vazio
Uma flor que murchou
Um barco ancorado
Uma gaivota em terra
Uma cama sem gente
Um poema sem voz
Um beijo sem lábios.
Um amor sem partilha
Que nunca seja...
Um ombro sem amparo.
VitorHugo.
Eve is a 9 year old rescue greyhound. She is a local girl that raced in Alberta for the last 9 years. I (and Hallbadorn) have had her for 1 week now. She is slowly adjusting to house life, but really only feels safe when she is in her crate. To help with the adjustment we thought she should have a crate buddy. So Paulie the Polar Bear is now her new friend.
Here is Eve Large in all her Glory!!
As to the shot, I was finding it surprisingly difficult to get a decent photo of Eve. Ultimately I had to pull out the Alien Bee strobe to light the shot. Not my best work, but my Mom wanted to see her so up the photo goes!
All comments and feedback are greatly appreciated!
I'm always amazed at the beautiful detail nature can provide in common things if you take the time to look closely. Dandelion seed pod.
With wild Black-eyed Susans providing a golden background, I thought this green, about-ready-to-pop thistle seed pod really provided an attractive subject...
Mirar profundamente el diente de leon, se siente una gran relajación.
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©*Mis fotografías están protegidas por derechos de autor. Todos los derechos reservados. Ninguna de estas fotos pueden ser reproducidas y / o utilizadas en cualquier tipo de publicación, impresa o Internet sin mi permiso por escrito...
Small pods for moving chunks of mining ore from asteroid belts to orbital smelters.
++++++++++++++++++++++++++++++++++++++++++++++++++++
Inspired by this image from Jarlan Perez on Artstation.
Background image from NASA.
New living pods, juxtaposed with the old waterfront pier, will soon be ready to rent at the terminus of the Trans Canada Hwy in Tofino, Vancouver Island, BC
El Colegio de San Gregorio de Valladolid es la sede principal del Museo Nacional de Escultura. Es uno de los mejores ejemplos de la arquitectura del periodo de los Reyes Católicos. En particular, su patio y su portada son célebres por su refinada ornamentación, las elegantes proporciones y una ostensible simbología del poder.
Igualmente interesante es su historia como institución docente. Destinado a colegio de Teología para frailes dominicos, adquirió una notable autoridad doctrinal y actuó como un semillero espiritual y político de la España renacentista y barroca.
La Universidad de Valladolid fue fundada en el siglo XIII durante el reinado de Alfonso X el Sabio; como en otros países se potenció la aparición de centros colegiales, de modo que tardíamente se creó el Colegio de San Gregorio, que actuaron en paralelo o complementariamente con relación a la vida universitaria. En Valladolid se creó además el Colegio de Santa Cruz también a finales del siglo XV
La creación del Colegio, bajo la advocación del doctor de la Iglesia San Gregorio, fue obra del dominico Alonso de Burgos, obispo de la diócesis de Palencia y confesor de los Reyes Católicos. Alonso de Burgos condicionó su fundación a la obtención de la comunidad dominica de San Pablo de los terrenos para la construcción de su propia capilla funeraria, que serviría igualmente para el alumnado del Colegio. Tal petición se vio satisfecha en 1487: consigue el espacio necesario, lo cual fue confirmado por el Papa Inocencio VIII.
Las obras se iniciaron en 1488 aunque se había comenzado ya la construcción de la capilla funeraria, cuya puerta de entrada se percibe en el crucero sur de la Iglesia conventual de San Pablo.
La fachada fue concebida como un telón o estandarte (arquitectura suspendida). Su compartimentación se organiza con elementos vegetales que evocan los arcos triunfales construidos con madera y enramada, reforzándose su carácter civil y urbano. Dada su significación simbólica, la explicación de los diferentes motivos y elementos que la integran ofrece una gran dificultad, tanto individualmente como en su totalidad y en la relación entre los diferentes elementos.
En el tímpano principal y sobre el dintel decorado con flor de lis aparece la dedicatoria y la ofrenda del Colegio por parte del fraile dominico Alonso de Burgos a san Gregorio Magno en presencia de San Pablo y Santo Domingo.
Destacan las figuras de hombres silvestres cubiertos, o no, de pelo, y con garrotes y escudos; o bien aluden a la costumbre cortesana de disfrazar escuderos con ocasión de fiestas, o bien representan la imagen mítica del «hombre natural», tal como se discutió por esas fechas y entran en diálogo visual con esculturas de caballeros, vestidos con armaduras y portando lanzas y escudos, encarnando la Virtud.
La parte central superior está ocupada por un pilón hexagonal, rebosante de agua, que puede evocar la especulación intelectual como Fuente de la Vida. En torno al pilón, se arremolinan parejas de niños y de él arranca el tronco de un granado, en posible alusión a la Fuente de la Vida y al Árbol de la Ciencia, aparte de la celebración de la reciente conquista del Reino de Granada. Todo el relieve central de la fachada se constituye con esta representación simbólica de un microcosmos, a imagen del Paraíso, lugar hacia donde deberían dirigirse los hombres mediante el conocimiento de las Artes y la Teología.
La presencia del escudo de los Reyes Católicos, sostenido por leones y por el águila de San Juan podría tener una significación política o podría ser una alusión a la dedicación del edificio a la Monarquía, a la que Alonso de Burgos nombró heredera y patrona del Colegio.
El patio del Colegio es de planta cuadrada y representa una de las joyas de estilo hispanoflamenco. Sus dos pisos se levantan sobre pilares helicoidales decorados sus capiteles con medias bolas y lises separados ambos por el tema de la cadena.
En las arquerías del piso superior se encuentra toda la decoración mediante calados pretiles de tracería gótica y cortinas pétreas que al abrirse originan arcos geminados de guirnaldas y follaje, entre los que juguetean niños, concebido con una talla muy plana próxima al estilo renacentista. Un friso de yugos y flechas y las gárgolas es lo único que se conserva de su antiguo coronamiento.
El acceso al piso superior se realiza a través de una sola escalera con pretiles góticos a los que se suceden los paramentos almohadillados de su caja decorada también con el timbre heráldico del fundador y con un artesonado mudéjar, en cuyo friso se pueden observar las iniciales de los Reyes Católicos y que cierra todo su ámbito.
es.wikipedia.org/wiki/Colegio_de_San_Gregorio
es.wikipedia.org/wiki/Museo_Nacional_de_Escultura
The Colegio de San Gregorio is an Isabelline style building located in the city of Valladolid, in Castile and León, Spain, it was formerly a college and now is housing the Museo Nacional de Escultura museum. This building is one of the best examples of the architectural style known as Isabelline, which is the characteristic architectural style of the Crown of Castile region during the Catholic Monarchs' reign (late-15th century to early-16th century).
Among other sections highlights its courtyard and its facade for its refined decoration, elegant proportions and the number of symbologies. It was founded as a teaching institution. Aimed at College of Theology for Dominican friars, it has acquired a doctrinal authority and acted as a spiritual and political hotbed in the Central region of Spain's Renaissance and Baroque periods.
The University of Valladolid was founded in the 13th-century during the Alfonso X of Castile the Wise's reign; as in other countries, the emergence of college centers was potentiated, then belatedly was created the Colegio de San Gregorio, who performed in parallel or complementarily in relation to university life. In Valladolid the Colegio Mayor Santa Cruz was also created also in late 15th-century.
The creation of the College, under the title of the Doctor of the Church Saint Gregory the Great, was work of Dominican Alonso de Burgos, the Catholic Monarchs's confessor and Bishop of the dioceses of Córdoba, Cuenca and Palencia. The foundation of the college was confirmed by with Papal Bull of Pope Innocent VIII in 1487, and accepted as Royal patronage by Queen Isabella the Catholic in 1500, after the founder's death.
It attached to the Convento de San Pablo, which Friar Alonso had been its prior, its foundation was subject to the assignment of the Capilla del Crucifijo (Crucifix's chapel), attached to the Epistle's arm of the Dominican church, to become his own funeral chapel, which later acquired dual function to also serve as a chapel for college.
Work began in 1488 in a process from the inside to outside, being the main facade the last in lift. The Royal shields in the corners of the Large courtyard still do not present the Granada's symbol suggests that this part would be completed before 1492. The building is assumed to completed in 1496.
The facade, plain facing and topped with a crest, stands out above all for its spectacular main facade, which by its stylistic features it sets regarding the workshop of Gil de Siloé, a Flemish origin artist, who was at that time in Burgos dealing with the royal sepulchers of the Miraflores Charterhouse and is known to have been commissioned to make the defunct altarpiece of the chapel, very in connection with which the sculptor had made in the Conception's chapel or of Bishop Acuña in the Cathedral of Burgos and has obvious similarities to the upper of the main facade of San Gregorio.
Perhaps evoking the triumphal arches of the architectures at that time were developing in Central Europe, or perhaps the Islamic Madrasas, architects of this building applying an individually decorated of the Castilian late-Gothic (Isabelline), it has a complex symbolic significance in that mix contemporary figures, saints, allegories, wild men, abundant symbolic of power, etc.
It has two bodies framed by two buttresses. The lower hosts a vain lintel decorated with fleur-de-lys, the founder's symbol repeated often enough, covered with three-centered arch in turn covered by another ogee trefoil.
It draw attention to the "savage men" of the jambs and buttresses, a total of sixteen. Theories about the significance of these figures, present in many buildings of 15th-century, are varied and should be put in relation to the context in which these appear. One of its functions would be simple heraldry sculptures. It is also said that, dressed with shield and mace, were the guardians of the building, beastmen guaranteeing security. Or these could allude to the custom of disguising the squires and lackeys in Court (nobility) festivities in which it presented the "savage" as inferior, in relation, for example, the chivalric romances, which mentions hair covered wild men, degraded men, estranged from the civilized world, not Christianized, and could here be in visual confrontation with the knights who also appear on the main facade, with armor, spears and shields, that would be interpreted as allegories of Virtue. On the contrary, these could also be a positive allusion, the mythical image of man in nature, unpolluted, symbol of purity that evokes the time in a perfect and happy world, with prototype to John the Baptist.
Those on the lower part, flanking the main facade, are completely covered with long hair, carrying weapons and the shields are decorated with demonic figures except in one, which has a Knight order of Calatrava's cross, the same motifs of the soldiers's shields of the second floor, the same iconography already seen for over a century.
However, in the top of the main facade are completely different, with the same attributes but without hair on the body and even two hairless, with a more human aspect, and there are authors who consider the oldest representation in Castile of an American Native, reflecting the effect of the Americas's arrival in the European imagination.
The tympanum, on a lintel, seems to represent the offering of the college by Friar Alonso de Burgos to Saint Gregory the Great in the presence of Saints Dominic and Paul, patrons of the neighboring Dominican convent, a somewhat disconcerting scene, unbalanced, with disproportion between the figures and Saint Paul with a cruciferous nimbus, an exclusive attribute of Christ. It seems to be earlier work than the rest, or even reused from other site.
The upper body is divided into three sections, with the center occupied by a hexagonal pylon which starts a pomegranate tree, referring to the Nasrid Kingdom of Granada's conquest in 1492, swirling around putti playing and jumping. It could be a Fountain of Eternal Youth's representation, hence the children, of the Tree of Knowledge, in relation to the building dedicated to the study, an allegory of the Paradise, the place to which men aspire to reach through the knowledge, an allegory of the Golden Age, in relation to the historical moment that was occurring to the Spanish monarchy.
The pomegranate tree is topped by a big shield of the Catholic Monarchs with the St. John's eagle held by two attitude lions and below the Catholic Monarchs's symbols also appear: the beam and arrows. And the use of the royal heraldry with propaganda purposes in this period reached prominence hitherto unknown, present not only in buildings directly promoted by the Catholic Monarchs but also in many that of their closest collaborators, in that way showing participation and acceptance in the political project undertaken by Isabella I and Ferdinand II in relation to the establishment of a modern state with which to control and organize all their territories under their unique power.
Upper body's side sections have the founder's heraldic decoration and two kings of arms placed at height of the central shield.
Distributed among the distributed arboured throughout the main facade are seen multiple scenes related to the defects to be overcome with the study, in relation to the search for truth and rejection of heresy, the triumph of intelligence over force or the strength to overcome temptation.
(Large courtyard) The Patio Grande was the access to the most important stays of the set. It considered a Hispanic-Flemish (Isabelline) gem, is set in relation to Juan Guas for its similarities to Palacio del Infantado in Guadalajara, although have also located abundant motifs that Bartolomé Solórzano, an active artist at that time in the area, used in the Cathedral of Palencia, seat of the Friar Alonso's bishopric.
It is square with two floors, the lower with slender pillars, perhaps a Solomonic reference in relation to a building as a "temple of wisdom", with capitals of average balls and fleur-de-lis sustaining segmental arches, and the upper with one of the most decorative Isabelline galleries, with parapets openwork with Gothic tracery and geminare arches riddled with garlands and foliage among those appears children playing and where already shown Renassaince influence, of midpoint and a form that goes be more flat.
Then follows a frieze of yokes and arrows on highlighting the imaginative gargoyles.
It has abundant emblems of the Catholic Monarchs and the kingdoms of Navarre and Granada, incorporated into the Crown of Castile during the erection of the building.
The only staircase that connects both floors is rectangular of two sections, Isabelline base, decorated walls with padding of Renaissance influence with the founder's heraldry; an impressive Mudéjar roof on a frieze with the Catholic Monarchs's initials; and neo-Gothic parapets with same trace that the base, added in works in the 1860s to replace the wooden fence that had.
en.wikipedia.org/wiki/Colegio_de_San_Gregorio
en.wikipedia.org/wiki/Museo_Nacional_de_Escultura,_Vallad...
Sycamore Seed Pod
All Rights Reserved - No Usage Allowed in Any Form Without the Written Consent the photographer
On my Edgewater walks
Edgewater by Del Webb
Elgin, Illinois, USA - Near 42.0109, -88.3477
December 19, 2024
COPYRIGHT 2024, 2025 by JimFrazier All Rights Reserved. This may NOT be used for ANY reason without written consent from Jim Frazier.
20241231cz30for20241219-05061366x768
Seen from the shore at Richardson Beach Park, Kalanianaole Ave, Hilo, Island of Hawaii [Big Island], Hawaii.
Info: A group of dolphins is called a pod. A pod usually is formed of around 12 dolphins, and it is the usual social group of dolphins. > www.dolphins-world.com/what-is-a-group-of-dolphins-called/
Nespresso pods. I love coffee, always will. I know that it's something like creazy to shoot things like this, but for me, this objects are just perfect looking, like all the Nespresso stuff by the way. Strobe : 1 * 1/4 top through small softbox triggered by cactus V5, white reflectors front left and right.
Don't spam my photo thread! Comments with awards or photos will be removed!
Another experiment with Mecabricks' rendering service. I used a night sky HDR lighting, as this seemed to be the most similar to the sort of background that I had in mind. Edited in Adobe PhotoShop Elements 6.0 that I bought years ago.
The milkweed seed pods in my garden are now ripening and bursting open, releasing their brown seeds. The seeds are attached to white fluffy filaments, called silk or fluff, which carry the seeds aloft on breezes, scattering the seeds for future plants. Backyard photography.
Seed Pods. © Copyright 2023 G Dan Mitchell.
Seed pods from wildflowers in the San Francisco Bay Area hills.
This is a very subtle photograph, with a small range of tones and nothing hat is quite pure white or even close to black. The light in the early evening here was quite soft, and I almost decided not to try to photograph this subject — the colors were so subtle, the light was low, and I was working handheld. But there I was, there the seed pods were, so I decided to give it a try.
The pods belong to some very tall wild grasses that grow along a trail that I frequently hike. Perhaps only weeks ago this would have been a very green subject, but here in California we move pretty quickly from the green of April to the brown, tan, and golds of the warmer portion of the year.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
I have an earlier shot of these from further away - came back a couple of weeks later and decided to risk climbing down the slope off the track for a closer shot.
Whilst Catherine was swimming I amused myslef with my camera's macro function. This seed pod made an interesting subject.
These shipping Containers are based on Scotty's design,
www.flickr.com/photos/onetruescotty_photos/49688637378/in...
But I've made them 16x8 so they tie in with my Pod system, I like the way they can all stack neatly together
The X shape is from L E G O Z ;)
www.flickr.com/photos/185841992@N03/50195614717/in/pool--...