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This has been an endless process! I am trying to complete Season 3 of Young Dolls In Love so that I can start a new doll drama - Legacy! These are, hopefully, FINAL visual concepts for some of the characters. This has a smaller cast and the first season is already plotted at least for the most part! The sets and cast has been the bigger challenge!
BTW I'm getting a lot of flack from everyone I know about the working title of this one! I've been told it very 1980's and cheesy and I need to change it! Personally, I'm okay with 1980's cheese! Opinions and suggestions are welcome!
Charlotte, staring at freedom...
Looks good against a black background... 'Plotting her escape...' On Black
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This is part of my project on the culture of Prestbury a village on the outskirts of Cheltenham, UK.
Shot on Kodak Portra 400 120
Mamiya M645 1000S 80mm Sekkor
Part of www.flickr.com/photos/danwye_photography/sets/72157630731...
Even in winter, the east wind gusting, I like to be on the plot, thinking about the ground and what it will grow.
The plot in summer flic.kr/p/L5X9xY
Empty plots like the one in this shot are somewhat abundant in the 'old town', right at the centre of Valencia. This is the other face of the city, hidden in the official propaganda brochures, a face, however, the startled tourist takes no time at all to discover.
(Incidentally, the graffiti artwork is splendid; best seen large)
It once dawned on me (a few years back) that the only way to keep the mind going more or less fine in this particular place I happen to live is not to take the place seriously. The only way to get along and not to lose one's marbles is to realize and to firmly believe that nothing ever happening here matters. How could one otherwise avoid going mental in a place where people drive as if playing a video game, cars are raucous, four-wheeled loudspeakers (and a few are periodically burned every weekend just for the fun of it), traffic-lights are useless, colourful street ornaments (some people flippantly claim there's a hidden code associated with the colours though its meaning remains utterly unknown), zebra-crossings are parking places (a property also shared by bike trails and wheelchair ramps formerly designed to ease the handicapped daily struggle around the city), lifts are smoking rooms, litter bins are largely neglected (and the few days they receive attention, which accurately match traditional festivities, it is to be either detached from the locations they hang on - traffic-lights, walls or lamp-posts; as part of their ornamental accessories, so to speak - burned, or both), youngsters are more and more aggressive each day - and at increasingly earlier ages - smoking pot is the number one activity among teenagers to the point that its massive use seems to them absolutely essential to make the world go round, football matches (everything football in fact) are TV screen savers, good manners and education are utopias, noise is our everyday's companion (and taken for granted), rubbish carpets the pavement, local television is disgusting - to say the least (reality shows and sensationalist journalism devoted to air all sort of pathetic gossip columns play the role of educational programs whose aim is to enhance dormant feelings such as self-confidence, solidarity or freedom while achieving in the process a non-negligible standardization of the language skills and cultural level), politicians don't often measure up, and the identity of the native language seems condemned to be a recurrent issue forever and ever, to give but a few examples?
Probably more expensive than Plot 33 down the hill. This one has a view of downtown Oakland, San Francisco, and both the Golden Gate and Bay bridges.
Memories of bonfire night 2012
"Don't you Remember,
The Fifth of November,
'Twas Gunpowder Treason Day,
I let off my gun,
And made'em all run.
And Stole all their Bonfire away." (1742)
"Guy Fawkes Night, also known as Guy Fawkes Day, Bonfire Night and Firework Night, is an annual commemoration observed on 5 November, primarily in Great Britain. Its history begins with the events of 5 November 1605, when Guy Fawkes, a member of the Gunpowder Plot, was arrested while guarding explosives the plotters had placed beneath the House of Lords. Celebrating the fact that King James I had survived the attempt on his life, people lit bonfires around London, and months later the introduction of the Observance of 5th November Act enforced an annual public day of thanksgiving for the plot's failure.
Within a few decades Gunpowder Treason Day, as it was known, became the predominant English state commemoration, but as it carried strong religious overtones it also became a focus for anti-Catholic sentiment. Puritans delivered sermons regarding the perceived dangers of popery, while during increasingly raucous celebrations common folk burnt effigies of popular hate-figures, such as the pope. Towards the end of the 18th century reports appear of children begging for money with effigies of Guy Fawkes and 5 November gradually became known as Guy Fawkes Day. Towns such as Lewes and Guildford were in the 19th century scenes of increasingly violent class-based confrontations, fostering traditions those towns celebrate still, albeit peaceably. In the 1850s changing attitudes eventually resulted in the toning down of much of the day's anti-Catholic rhetoric, and in 1859 the original 1606 legislation was repealed. Eventually, the violence was dealt with, and by the 20th century Guy Fawkes Day had become an enjoyable social commemoration, although lacking much of its original focus. The present-day Guy Fawkes Night is usually celebrated at large organised events, centred around a bonfire and extravagant firework displays."
Source: Wikipedia
A candidate plots points on a map he must find at a night land navigation course during the Expert Field Medical Badge competition in Grafenwoehr, Germany, Sept. 8. Before the EFMB candidates take the actual testing they all must go through the standardization phase. During this portion the service members are taught what they must do at each of the different lanes so they understand what to expect before the actual testing phase. Passing rates for the badge range from 5-25 percent of candidates, making the EFMB a distinctive mark in a Soldier's records. About us: U.S. Army Europe is uniquely positioned to advance American strategic interests across Eurasia and has unparalleled capability to prevent conflict, shape the environment and, if necessary, win decisively. The relationships we build during 1000 theater security cooperation events in more than 40 countries each year lead directly to support for multinational contingency operations around the world, strengthen regional partnerships, and enhance global security. (photo by Sgt. Michael Reinsch, U.S. Army Europe Public Affairs)
The Roland DXY-990 plotter with an "op-art" plot. The program that generated the plot is in C, and is based on a version in BASIC that was published in Personal Computer World in the early 1980s.
on the grave of his wife and another son Hugh.
Lt. Col. Edward SHERSON
N.Z.F.A. Auckland
Late Major 2nd Battalion
Auckland Reg. N.Z.E.F.
Beloved husband of
Alice M SHERSON
Killed in Action at Crevecoeur
Sept 30th 1918
Aged 51 years
Alice Mary
Loved wife of the late
Lt. Col. E. SHERSON
Died 10th May 1939
Aged 72 years
Also of
Arthur Noel
Third son of the above
Lost at sea in the S.Y. Aurora
About June 1917 Aged 18 years
Hugh
Beloved son of
Alice M SHERSON
And the late
Lt. Col. SHERSON
Died result of motorbus
Accident June 8th 1921
Aged 24 years
“Till the day breaks and the shadows flee away”
ANGLICAN DIVISION G Row 3, Plot 36
**********************************************
EDWARD
Occupation before enlist: Sanitary inspector
Awarded the Colonial Auxiliary Forces’ Officers’ decoration [10]
New Zealand Herald, Volume LV, Issue 16982, 16 October 1918, Page 8
Major Edward Sherson, T.D., who has been killed in action, was a well-known Auckland officer. He joined "A" Battery nearly thirty years ago, and passed through every rank in turn from gunner to lieutenant-colonel, commanding the Auckland Field Artillery Brigade, being a commissioned officer for over twenty years. He held the Colonial Auxiliary Forces Officers' Decoration and the Long Service Medal. At the outbreak of the war, although over military age, he offered to serve in any capacity the authorities desired. He was offered an appointment in the infantry with the rank of major, which he accepted, and left New Zealand in command of the twentieth reinforcements in December, 1916. Major Sherson took up his new duties so thoroughly that he quickly qualified for and was appointed to the position of chief musketry instructor in Sling camp, England, where he was kept till April last, when he crossed to France. There he joined the Second Battalion, Auckland Infantry, with which he was serving at the time of his death. Major Sherson leaves a widow and had four sons and one daughter, the youngest son being 14 years of age and the daughter 10. The two eldest sons are serving with the artillery in France, while the third was on the Antarctic ship Aurora when that vessel disappeared in the Pacific last year. [2]
Auckland Star, Volume XLIX, Issue 251, 21 October 1918, Page 10
On September 30 1918, killed in action somewhere in France, Major Edward Sherson late Lieut-Col of Field Artillery Brigade NZEF also Major Twelfth Reinforcements and Second Auckland Infantry Battalion beloved husband of Alice M SHERSON and dearly loved father of Gunners Eric and Hugh Sherson on active service also Noel of missing S.Y. Aurora aged 51 years.
He died for us.[1]
Edwards Cenotaph database record with a splendid portrait photo:
muse.aucklandmuseum.com/databases/Cenotaph/14342.detail?O...
HUGH
Born c1897[7]
Gunner
Service Number: 66031
Occupation before enlist: Stationer
Occupation at death: Traffic inspector
SHERSON.— On the 5th June, accidentally killed in Khyber Pass Road, Hugh Sherson, second son of Mrs. A. M. Sherson, and the late Lieut.-Colonel E. Sherson, of 14, Haydn Street; aged 24 years. Funeral will leave his late residence, 14, Haydn Street, on Sunday, inst., at 2 p.m.[12]
CHAR-A-BANC CAPSIZES.
COLLISION WITH TRAMCAR.
MAN DIES OF INJURIES.
FIVE OTHER PEOPLE HURT.
A sensational accident, with fatal consequences, occurred in Khyber Pass Road at 10 o'clock yesterday morning, when a large char-a-banc, loaded with passengers for the races at Ellerslie, struck a tramcar and capsized, throwing the passengers into the roadway. Six persons sustained injuries necessitating medical attention, one of them succumbing to his injuries several hours later in the Auckland Hospital. Those who received injuries are: Mr. Hugh Sherson, aged 24. Assistant traffic inspector to the City Council, who resided at 14, Hayden Street, fatal injuries.
Mr. Frank Houser, a married man, aged 28, residing at King's Court, injuries to face and right arm.
Mr. Leonard Brokenshire, a young man residing at Avondale, bruises to face and hands.
Seaton Hammond, a child whose parents reside in Grey Lynn, injuries to right foot.
Delphio Jackson, a thirteen-year-old child, of Te Aroha, injuries to right leg.
Mr. Houser was admitted to the hospital, but the other four mentioned as receiving minor injuries were able to proceed to their homes. Another man, whose name was not ascertained, also received slight injuries, which were treated at the hospital before he went home.
Descent of Park Road Slope.
The char-a-banc, carrying a full complement of passengers, and driven by the owner, Mr. Frederick Charles Cleal, carrier, of Victoria Street West, was proceeding down the slope of Park Road with the engine cut off, when a tramcar, which had stopped immediately above the junction of the road with Khyber Pass Road, moved on again down Khyber Pass toward Newmarket. On seeing the tramcar, the driver of the motor-vehicle instantly applied the brakes, but the slope of the road and the heavy passenger load made a checking of speed and, though the vehicle swerved to avert a collision, it struck the rear of the tramcar and overturned. The passengers were thrown in all directions- Mr. Sherson was said to have been standing on the footboard by the driver's side when the vehicle capsized. The driver himself escaped injury. Dr. A. McG. Grant was summoned to the scene of the accident, and ordered Mr. Sherson, who was suffering from serious internal injuries, to be removed to the hospital. The injured man, however, succumbed at about 4.33 p.m. The char-a-banc sustained damage to the bonnet and minor breakages. The impact as it capsized tore the hood completely off. The vehicle was one of the largest of its class, and was insured. The tramcar, comprising two coupled cars, escaped all other damage than a broken side panel.
View Obscured by Hoarding.
The driver of the char-a-banc, Mr. Cleal, stated yesterday that his view of the tramcar was obscured at first by a large advertising hoarding situated at the side of the car-stop. On noticing the car moving out from the stop he sounded the horn frequently and applied the brakes, but they had no effect in stopping the vehicle's progress. A complaint regarding the same locality was made recently at a meeting of the Grammar School Board of Governors, when it was pointed out that a similar hoarding on the opposite side of the road constituted a danger to traffic emerging from Mountain Road into Khyber Pass.
The record of the family has been a somewhat tragic one, the father having been killed in action during the war, and the youngest of the three sons having lost his life on the Antarctic ship Aurora which disappeared in the Pacific in 1917.
Mr. Hugh Sherson was born in Auckland, and was educated at the Beresford Street School and the Auckland Grammar School. He went to the front in 1918 as a gunner in the 9th Battery, New Zealand Field Artillery. On his return after the armistice he undertook traffic inspector's duties for the City Council. Deceased's father, Major Edward Sherson, a well-known Auckland officer, left for the front in 1916, in command of the 20th served with the Second Battalion, Auckland Infantry, and was killed at Crevecoeur in October, 1918. Before the war he was a lieut.-colonel in the Field Artillery, The eldest son served with the artillery in France, and is now a purser on the Paloona.[13]
ARTHUR
Born c 1898[6]
“Aurora” Antarctic Relief Expedition (report of the proceedings of the)
atojs.natlib.govt.nz/cgi-bin/atojs?a=d&d=AJHR1917-I.2...
Auckland Star, Volume XLIX, Issue 142, 15 June 1918, Page 6
The Lost Aurora
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&d=AS...
Son Eric’s Cenotaph database record:
muse.aucklandmuseum.com/databases/Cenotaph/75520.detail?O...
Eric died 31 March 1969 aged 73 and is buried at Waikumete Cemetery [3]
********************************************************
Other SHERSON children:
Other son Harold born c1902[4] appears to have died as an infant on 15 February 1902[5]
Other son Elliott born c1903[9]
Elliott died c1987[11]
Daughter Joy born c1908 [8] According to this site, married Len HOLMES
www.nzlendrums.co.nz/book-two-the-lendrum-daughters/angel...
SOURCES:
[1]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[2]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[3]
waitakere.govt.nz/cnlser/cm/cemeterysearch/cemeterydetail...
[4]
NZ Department of Internal Affairs: Birth registration 1902/842
[5]
waitakere.govt.nz/cnlser/cm/cemeterysearch/cemeterydetail...
[6]
NZ Department of Internal Affairs: Birth registration 1898/9813
[7]
NZ Department of Internal Affairs: Birth registration 1897/4621
[8]
NZ Department of Internal Affairs: Birth registration 1908/345
[9]
NZ Department of Internal Affairs: Birth registration 1903/6702
[10]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[11]
NZ Department of Internal Affairs: Death registration1987/52851
[12]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[13]
11:00:02 up 4 days, 16:19, 0 users, load average: 0.52, 0.61, 0.66 | temp=41.2'C | Start
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07:00:02 up 2 days, 13:47, 0 users, load average: 0.82, 0.66, 0.68 | temp=47.6'C | Start
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Per Thunell / Filthy Christians (Falun, Sweden) - 1988
Live at
Autonomes Kulturzentrum Metzgerstrasse Hanau
.
SQUAT - SOUNDS
AUTONOMES KULTURZENTRUM HANAU
(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).
Photographs 1987-1994
- Please scroll down for english and german info) -
The Squat - Photos:
www.flickr.com/photos/sterneck/sets/72157627799174125
Squating the Parliament (1988):
www.flickr.com/photos/sterneck/sets/72157627923787960
Concert-Photos 1987-1988:
www.flickr.com/photos/sterneck/sets/72157627799191443
Concert-Photos 1989-1990:
www.flickr.com/photos/sterneck/sets/72157627923799072
Concert-Photos 1991-1992:
www.flickr.com/photos/sterneck/sets/72157627923811302
Concert-Photos 1993-1994:
www.flickr.com/photos/sterneck/sets/72157627923815978
- Concert-Photos 1987-1988:
Culture Shuck (Warminster, England) - 1987+1988
Die Trottel (Budapest, Hungary) - 1988
Fear Of God (Zurich, Switzland) - 1988
Filler (Nottinghamshire, Engand) - 1989
Filthy Christians (Falun, Sweden) - 1988
Generic (Newcastle, England) - 1988
Heresy (Nottingham, England) - 1988
Karma Sutra (Luton, England) - 1988
Lärm (Amersfoort, Netherlands) - 1988
Loveslug (Amsterdam, Netherlands) - 1988
Milgram Experiment (Hanau, Germany) - 1987
Open Session - 1987
Negazione (Turin, Italy) - 1988
Rich Kids on LSD (Santa Barbara, USA) - 1988
Spermbirds (Kaiserslautern, Germany) - 1988
The Plot (Amsterdam, Netherlands) - 1988
UFD - Uncounted Faces of Death (Hanau, Germany) - 1988
Yeastie Girlz (San Francisco, USA) - 1988
5Les (Brussel, Belgium) - 1988
..... and Friends and .....
.........
There were a lot more bands playing in the squat.
If you have photographs or recordings - please get in contact:
contact@sterneck.net
Thanx! *
- * -
THE SQUATED AUTONOMOUS CULTURE CENTER
METZGERSTRASSE / HANAU
In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.
Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.
The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.
At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:
- The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.
- The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.
- The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.
In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.
If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.
The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.
Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.
But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.
Wolfgang Sterneck, 2001.
Autonomes Kulturzentrum
Metzgerstrasse 8, D-63450 Hanau, Germany.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:
- www.sterneck.net/john-cage/metzgerstrasse-e
- * -
SUBVERSIVE SOUNDS *
Konzerte im Autonomen Kulturzentrum Hanau.
Das besetzte Haus
Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.
Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.
Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen 'Internationale Solidarität', Antifaschismus und 'Soziale Veränderung'.
Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.
Selbstbestimmte Kultur ohne Kommerz
Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes ('Do it Yourself') werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.
Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.
Freiräume statt Parkplätze
Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.
Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.
In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.
Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.
Wolfgang Sterneck, September 2011.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:
Freiräume entwickeln - Das besetzte autonome Kulturzentrum Metzgerstraße Hanau
- www.sterneck.net/squat/metzgerstrasse-d
English Info:
The squated Autonomous Culture Center Metzgerstrasse Hanau
- www.sterneck.net/squat/metzgerstrasse-e
Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:
- * -
A Coat to die for - and that's NOT a clue, in this case. Paolo Cavara's Plot of Fear. My briefest of rambles : giallo-tshirts.blogspot.com/
Plotter sketches for a new series. Studio Mode graciously let me use their CNC cutter to do these.
These particular ones are a revisit of the Ornament pieces I did for Darkness Descends. They're not intended for final production since I already have a good format for that series.
Nelder plot experiment.
Photo by Fiston Wasanga/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
This plot shows the data from the skysensor device measuring the all sky brightness in the range from full daylight to deep-sky. The local time runs from left to right, the day from bottom to top. Black points represent datagaps. You might notice the sinusodial shape, which can be explained by the equation of time. Midnight is on the left, noon is in the middle of this plot. The data from January and February seems to be darker, this could have been caused by snow-coverage of the sensor.
Trying out some superellipses around the outside of an existing plotter drawing. The ring of small circles takes too long to plot, though. 4:30 just on its own, about 8 minutes for the whole plot.
19:00:01 up 1 day, 1:47, 0 users, load average: 1.22, 0.85, 0.78 | temp=47.6'C | Start
19:00:09 up 1 day, 1:48, 0 users, load average: 1.57, 0.94, 0.81 | temp=48.7'C | SID plot Finished
gasket cutter plotter machine
carton box sample maker cutting machine work Principle
Processed through a professional software contains the actual carton box graphics files indentation linear, linear cutting (corrugated paper / cardboard / paper), and may also include dimensions note etc. (cardboard / paper film etc.), according to the actual carton box sample maker cutting machine need to install different cutting tool,different pressure line creasing wheels and different drawing tools, then transfer some CAD file to the carton box sample maker cutting machine through the network or a data cable.the machine will Automatic Identification CAD file, choose the appropriate range of linear and tools (knife / roller / pen) according to the corresponding parameter settings, such as working speed, tool type, blade cutting depth, the depth of indentation and other work to complete the box-like or drawing. Bizarre cartoons, puzzles, etc need to die cut model to make samples in the past. In the past some three-dimensional box-like, objects can not get the real result soon, need to repeatedly go through the changes, assembly to achieve real results.But consumer market competitive changing very fast, carton box sample maker factory need to constantly competing for their own development space. Carton box sample maker cutting machine can shorten the carton box sample maker design cycle to one day. Instead of several weeks in the past. Carton box sample maker customer market need product quality as well as sample maker delivery spped, to win more orders.Stabilizing old customer,expanding and developing new customers as soon as possible, so that carton box maker factory can become stronger and stronger.
E-mail: aokecut@163.com
MSN aokecut@163.com
SKPYE :aokecut
Mobile phone :+0086-15916997282
contact person Mrs betty
Cdt. Peter Barstad, Benedictine University, plots points and determines the best route to proceed along in order to locate points during land navigation training July 21 at Fort Knox; Ky. Cadets are in a group of two and must work together to find three out of four points given to them. Photo by Kasey Ricketts
21:00:01 up 27 days, 2:53, 0 users, load average: 0.48, 0.43, 0.42 | temp=43.3'C | Start
21:00:06 up 27 days, 2:53, 0 users, load average: 0.52, 0.44, 0.42 | temp=43.3'C | SID plot Finished
Cdt. Roueke Lenz, University of Wisconsin Madison, plots points and determines the best route to proceed along to locate points during land navigation training July 21 at Fort Knox, Ky. Cadets are in a group of two and must work together to find three out of four points given to them. Photo by Kasey Ricketts
the life of an indoor cat
always wanting to get out
but when she gets out?
many times
she gets scared and runs back in
where she knows it's safe