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The advanced technology of war entertains civilians in vast arenas, where hundreds of automations fight for the glory of their creator teams.
-could look a bit better but I had this fella standing around my table since like a year, so here he is:)
Male Harp Player (Early Spedos Type, Cyclades, Greece), 2700–2300 B.C.E., marble, 35.8 x 9.5 x 28.1 cm (The J. Paul Getty Museum)
This is my tribute to music. I took this at the American Folk Festival in Bangor, Maine in 2006. I wish that I knew the musician's name.
NOTE: All images are Copyrighted by Greg A. Hartford. No rights to use are given or implied to the viewer. All rights of ownership and use remain with the copyright owner.
Shot in the Union Square metro stop from the NQRW uptown platform, singer/guitar player on the downtown platform. He finished his song, I was the only one that clapped. Caught a few strange looks but it was nice to hear a southern drawl between the thirty tons of steel on steel grinding to a halt.
Male Harp Player (Early Spedos Type, Cyclades, Greece), 2700–2300 B.C.E., marble, 35.8 x 9.5 x 28.1 cm (The J. Paul Getty Museum)
An event where future chess players gather. I saw it on my way to work on a holiday, but if I had time, I would like to watch it slowly.
I don't play shogi recently.
Gare Anvers-Central, Anvers, Belgique
Antwerp-Central, Antwerp, Belgium
Antwerpen-Centraal, Antwerpen, Belgie
Group of several fragments with the depiction of a lyre player. These pieces has been recovered by the Carabinieri Command for the Protection of the Cultural Heritage and Swiss authorities in the free-port of Geneva.
Group of several adjoining fragments recomposing what remains of the upper part of a plaque with representation of a lyre player. The upper frieze consists of a meander line between multi-colored stripes quite similar to the previous plaques even in the decorative motifs of the squares.
The lyre player, with a brown skin tone outlined in a dark brown contour, is seen in profile facing left. He wears a “tutulus” with the lower edge divided into two bands by two brown lines, with sideburns and wavy hair on the neck sticking out of it. The bust, whose left shoulder is the only part preserved, appears naked. The face shows a receding forehead, a nose with a curly nostril and a large almond-shaped eye with red iris and white pupil, surmounted by a rather arched eyebrow. The lips are painted red.
Only the ends of the vertical arms of the lyre are preserved, together with part of the crosspiece with the upper end of nine ropes painted in red. Behind the character there is a portion of two overlapping "fan” decorations, probably a schematic representation of a plant element.
Source: Exhibition Catalogue
Fragmentary painted terracotta plaque
H. 39 cm., L. 53 cm.
530 - 520 BC
Exhibition “Colors of the Eruscans” - Cat N. 55
Rome, Centrale Montemartini
Statue from Michal Gabriel at the beach of the Belgian coastal region De Panne
From a visit at the Belgium coast with Leuni during the Beaufort04 art works.
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