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Working out of the Westbury outstation on July 2nd 2018, e200 44520 YX62DVM is seen making its way out of service between Terry Hill and Writhlington to begin its day working the 179 between there and Bath.
This was about 0645 and the sun was just illuminating the ripening crops in the fields.
Mack SuperLiner 685 'Quin Dog' truck & trailer combination seen tipping off 10mm stone at Gunlake Concrete in Silverwater, NSW.
Work continues in various sections of the Highway 5 corridor. Drivers should expect reduced speed limits and varying traffic patterns. For more information, visit the BC Highway 5 Recovery project website: www2.gov.bc.ca/gov/content/transportation-projects/bc-hig...
My family owns a Bakery/Patisserie and a Restaurant. Yesterday, my aunt Maria and I cooked up stuff for a cocktail we were catering to, and these are the results!
...well the "placement" of my "driftwood" in this shot leaves much to be desired...i blame it on excitement, seeing as i was actually out taking some pics :o). cheers to everyone for their comments on my last image...hopefully you like this one to. i'm just stoked that i managed to get some colour going on in a controlled manner :o).
i've also noticed that my processing times have increased considerably but i'm hoping they will come down with a bit of practice.
0.4s | f/8 | 10mm | iso100 | single raw
anyway two more days until i the weekend and a few more until i enter the dirty thirties...my wife is making plans and won't let me in on them :o)
u-ziq...foo fighters | echoes silence patience & grace
embiggen to fight compression...press L
Tonight I tried a little product photography experiment. Basically all I used was 4 sheets of white ink jet printer paper stuck together to form a curved white background. Placing the items individually on the shot and holding a Canon 580 EX II directly above and to the left triggered remotely.
Click off a few shots at 1/200th, ISO100 with varying f-stops ranging from f/8 to f/11. Import the images into photoshop, remove the non white background parts of the image with the marquee and delete tool and then simply apply a highlight dodge to the remaining sections of the image to give it an all white look.
Place on the frame together, serve to flickr contacts, await feedback.
View LARGE!!!!
Sandstone and cement. Historic Gun placements on Middle Head, overlooking the strategic waterways of Sydney Harbour.
Tone
Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows, and highlights can result in a very realistic rendition of the image.
Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stump, tissue, a kneaded eraser, a fingertip, or any combination of them. A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.
Shading techniques that also introduce texture to the drawing include hatching and stippling. There are a number of other methods for producing texture in the picture: in addition to choosing a suitable paper, the type of drawing material and the drawing technique will result in different textures. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture will be more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones in close proximity; a light edge next to a dark background will stand out to the eye, and almost appear to float above the surface.
### ........must view as slide show.......##
Then we ended up in Chesterfield a/e and saw that East Midlands Ambulance have also placed poppies on their vehicles too!
I work for Yorkshire Ambulance Service in and around the city of Sheffield in South Yorkshire.
It’s a great job and I feel very honoured to be able to help people at their point of need.
Check out the website for all sorts of info re YAS and the work we do.
www.yas.nhs.uk/our-services/emergency-ambulance-service-999/
In their 1858 Greensward Plan, Frederick Law Olmsted and Calvert Vaux called the architectural heart of the Park "The Water Terrace," for its placement beside the Lake and the grand fountain in the center. Once the Angel of the Waters fountain was unveiled in 1873, however, the area became forever known as Bethesda Terrace. One of the most photographed fountains in the world, The Angel of Waters, know commonly referred to as Bethesda Fountain, was the only sculpture commissioned as part of the original design of the Park. The artist, Emma Stebbins, was the first woman to receive a commission for a major public work in New York City; the fact that she was the sister of Col. Henry G. Stebbins, the President of the Central Park Board of Commissioners, does not detract from her accomplishment or talent.
The sculpture, is a neoclassical winged female figure who symbolically blesses the water of the fountain with her one hand and carries a lily, the symbol of purity, in the other. The four figures below represent Peace, Health, Purity, and Temperance. The fountain celebrates the opening of the Croton Aqueduct, which brought fresh water to New Yorkers in 1842. Stebbins likened the healing powers of the angel to that of the clean and pure Croton water, delicately cascading down the fountain, that brought health to the people of New York City.
At the dedication, the artist's brochure quoted the Biblical verse from the Gospel of St. John 5:2-4: "Now there is at Jerusalem by the sheep market a pool, which is called… Bethesda…whoever then first after the troubling of the waters stepped in was made whole of whatsoever disease he had."
Central Park was designated a scenic landmark by the New York City Landmarks Preservation Commission in 1974.
National Historic Register #66000538 (1966)