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Google Pixel C arrived

Zupi`s Art & Design Conference in Memorial da Amériica Latina.

 

More than 3 thousand artists and professionals, live painting, live music, break-dancing and lectures!

12 edição - fotos by Rafael Neddermeyer / Getty Images

12 edição - fotos by Rafael Neddermeyer / Getty Images

A DNA-like structure made from Pixelblocks.

Pixel and Isis :)

 

Not sure if I took this, we have this camera that just goes around the house and take random animal shots, but it will make a fine addition to the cat set.

 

A short video of them, they totally love each other: www.youtube.com/watch?v=SRPHCaVmWT8

Another example of the algorithm.

12 edição - fotos by Rafael Neddermeyer / Getty Images

12 edição - fotos by Rafael Neddermeyer / Getty Images

Le stage "Pixel plage" invite les enfants à imaginer les vacances de demain. Ils aménagent leurs plages avec des bâtiments étonnants, innovants ou amusants : un hôtel sous-marin, un port de bateaux solaires ou même une ferme aquatique. A la fin du stage, les maquettes sont présentées sous la forme d'une installation collective, intitulée "Pixel plage". Toutes les réalisations, chacune de la taille d'un pixel géant, forment ensemble l'image unique de la plage du futur.

 

Stage pour les 9-14 ans animé à la Cité par Pauline de Divonne, architecte, du 24 au 26 octobre 2016.

12 edição - fotos by Rafael Neddermeyer / Getty Images

Before my grand daughters game..She wanted a picture with Pixel...but wouldn't come out to the side..So here is my #88.

Por: Fotocabinet Pixel Live Group / Liveteen

Degi Hari.- Imagen tomada en una finca proxima a rehabilitacion en el barrio de Velluters sobre un graffiti de muy grandes dimensiones que ocupa la fachada en un 50%. Impresionante verlo de lejos y verlo de cerca. he de volver.

 

enlace a un video sobre estas imágenes

www.youtube.com/watch?v=DY655_A9Z-

 

Imagenes tomadas con la Harinezumi2.

 

enlace a pagina de Flickr de PIXEL PANCHO

www.flickr.com/photos/pixelpancho/

  

enlace a un video corto tomado en este lugar y con más cosas sobre Pixel Pancho:

www.youtube.com/watch?v=iWvwwV46Nk4

  

* Don't use this image on websites, blogs or other media without my permission.

No use esta imagen sobre sitios web, blogs u otros medios de comunicación sin mi permiso. © All Rights Reserved

Shot on a Pixel 3 in Night Sight mode, and edited in Lightroom for Android.

A great achievement, and it looks so good!

Pixel and Debbie all rough and tumble. No one was harmed in the shooting of this photograph :)

Artist: Pixel Pancho, Dray Walk, Shoreditch, London

Same rainbow square, sideways with light coming through. It's so pretty!

12 edição - fotos by Rafael Neddermeyer / Getty Images

On a large plexiglass screen suspended in space, an ongoing imaging process is visualized. A sudden burst of energy scrambles the visual coherency of an image, picture elements careening off into the far reaches of a three-dimensional virtual matrix. The pixel or “basic unit of programmable color” as Graham Harwood calls it, is for a brief moment freed from its representational burden, traversing space, becoming nothing but pure chromatic value and geometrical coordinate, caught up in a turbulent, expansive moment.

 

For media theorist Friedrich Kittler, the addressability of the pixel provides the conditions of possibility for what he calls the virtualization of optics. Where the physical camera lens once embodied the laws of optics in order to model and extend the human eye, software now simulates the camera and all other forms of optical hardware. The pixel’s implied receptacle, the two-dimensional Cartesian grid, acts as an invisible placeholder, an organizing principle intimating neighbor relationships that provide affordances for all manner of filtering, processing and image recognition proper to computer vision and computer graphics, the analysis and synthesis of the technical image.

 

Over time, certain points from this bustling jumble slowly drift back, drawn once again toward the center of the screen. Pixels langorously position themselves in relation to one another, contiguous colors gradually forming small surfaces. Little by little a new image takes shape. Once the last pixel is in place, the operation repeats anew.

 

What one sees are the latest photographs of breaking news in real time. The news agencies’ transcription and transmission of these events, as information, forms the background for both Addressability and its linguistic counterpart, Disambiguation. A dialogue is created across the two works, words and pixels becoming discrete components in combinatory play : depiction poetically reconfigured in one, description visually permutated in the other.

 

Installation view at La Criée Centre d'Art Contemporain, Rennes, France, 2011

 

Photo - Benoît Mauras

  

english - www.guess.fr/artwork/addressability/en/

français - www.guess.fr/projets/addressability/fr/

pixel art

12 edição - fotos by Rafael Neddermeyer / Getty Images

Pixel Art made in GIMP of Mario from Super Mario Bros.

Cartel Graphics + Núcleo Urbanóide customizam uma kombi no Pixel Show 2011 em Porto Alegre.

 

JOTAPE / SANDRÉ SARRETA/ YARA PANSANI/ RONALDO SABIN / MARCOLINO WOS

 

Photos: Celso Bazuca / Fábio Szortyka

 

Agradecimento especial para fámilia Kunsler que disponibilizou a Kombi.

12 edição - fotos by Rafael Neddermeyer / Getty Images

16x24 pixel avatar from the nu-produkt.net (RIP) days long since past...there's loads more of these so brace yourself as i'll be dragging them all out sooner of later.

Morning Morgantown

For Free

Conversation

Ladies of the Canyon

Willy

The Arrangement

Rainy Night House

The Priest

Blue Boy

Big Yellow Taxi

Woodstock

The Circle Game

 

12 edição - fotos by Rafael Neddermeyer / Getty Images

Pixel hanging over the central heating, getting a nice warm tummy

An edit by Stuart Bannocks (POI) & Alexandra Lychagina

The big noise festival 2015

The Coronet Theatre London

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