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This is my first attempt at oil painting. My technique, or lack thereof, is really more of a learning process and I will be uploading steps as I move along to the finished painting. I am using only black and white Artisan, Water Mixable Oils on a 16x20 canvas. I began this as a class project and now I'm just trying to finish it. The cello is my favorite instrument in the orchestra, one I hope to learn how to play someday.
Here you can see the basic shapes. They are not perfect, though it shouldn't matter terribly. Everything will be outlined in white during Phase 3.
This is the world at the end of phase one. Deducing the only card in the processor is not a tough job here...
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This is the phase margin for our project, a magnet levitating a weight. The phase margin is the angle of the phase above -180 degrees when the magnitude crosses unity. By using lead compensation, the positive phase margin was achieved.
Carried away is an online project by Sara Arnald in collaboration with Phase One.
During the period 20 dec -- 25 february, Sara Arnald travels through Southeast Asia and Australia, posting one or more photos per day. The project will result in a photo exhibition.
For more information about Sara Arnald, see www.saraarnald.com
The next phase of house building has started with demolition..
Today's task was to remove the asbestos cement roofing from the garage and to bag it up. A fun job considering the bunny suit I had to wear...
blogged here: tinyhaus.blogspot.com/2011/04/day-4-5-finished.html
It's in partial shade... can I do raspberries here? Or maybe asparagus?
August 20/22
22-630386
Toronto,
Mixed-use Development,
CIBC Square Phase II,
141 Bay St,
Ivanhoé Cambridge,
Hines,
50s,
Wilkinson Eyre Architects,
Adamson Associates Architect,
April 30/22
Toronto
Residential/Commercial
Riverside Square Phase II
677 Queen Street East
Streetcar Developments
14s
Dream Unlimited
RAW Design
Giannone Petricone Associates
Debrecen, Hungary, 03.12.2024, Women handball game between Romania vs Serbia ( 27 - 25 ) - Women's EHF EURO 2024 - Group phase
Built in phases between 1911 and 1959, this Prairie and Organic Modern-style house and office were designed by Frank Lloyd Wright to serve as his family residence and studio, with two fires leading to substantial reconstruction of the house in 1914 and 1925. The house, which is named “Taliesin”, Welsh for “Shining Brow” or “Radiant Brow”, referring to the hill upon which it is situated, is a long and rambling structure with multiple sections built at different times, with the building serving as a living laboratory for Wright’s organic design philosophy, as well as growing with Wright’s family, wealth, and business. The house sits on a hill surrounded by fields, but is notably located below the top of the hill, which Wright saw as being such a significant feature of the landscape that it should remain untouched by the house’s presence. The house’s westernmost wings served as the home of livestock and farm equipment, as well as a garage, later becoming housing for the Taliesin Fellowship, where aspiring architects apprenticed with Frank Lloyd Wright. The central wing served as the Frank Lloyd Wright studio, where Wright and his apprentices and employees worked on projects for clients, as well as where Wright often met with clients. The eastern wing served as the Wright family’s residence, and was rebuilt twice, in 1914 and 1925, after being destroyed by fire, and is overall the newest section of the complex, though some portions of the west and central wings were added after the main phase of construction of the residence was complete.
The house is clad in stucco with a wooden shingle hipped and gabled roof, with stone cladding at the base and on piers that often flank window openings, large casement windows, clerestory windows, outdoor terraces and balconies, stone chimneys, and glass french doors, all of which connect the interior of the building to the surrounding landscape. The interior of the buildings feature vaulted ceilings in common areas, stone floors, stone and plaster walls, decorative woodwork, custom-built furniture, and multiple decorative objects collected by Wright during his life. The exterior of the house has a few areas distinctive from the rest of the structure, with a cantilevered balcony extending off the east facade drawing the eye towards the surrounding landscape from the living room of the residence, next to a large set of glass doors that enclose the living room and adjacent bedroom from a shallower cantilevered terrace, while to the west of the residence, and south of the central wing, is a landscaped garden, which rests just below the crest of the hill.
The building was the full-time home of Wright from 1911 until 1937, when Wright began to spend his winters at Taliesin West in Phoenix, Arizona, due to the effects of the Wisconsin winters on his health. For the rest of Wright’s life, the house was the summer home of Wright and the Taliesin Fellowship, and following his death, the house was deeded to the Frank Lloyd Wright Foundation, which operated and maintained the house as a museum and the home of multiple programs until 1990. Since 1990, the house has been under the stewardship of the nonprofit Taliesin Preservation Inc., which operates the house in conjunction with the Frank Lloyd Wright Foundation. The building is a contributing structure in the Taliesin Historic District, listed on the National Register of Historic Places in 1973, and designated a National Historic Landmark in 1976. Taliesin was one of eight Frank Lloyd Wright buildings listed as The 20th-Century Architecture of Frank Lloyd Wright World Heritage Site by UNESCO in 2019. Today, Taliesin is utilized as a museum, offering tours and interpretation of Frank Lloyd Wright’s life and work.