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March 2017: Under guidance from the architect, the next phase of construction on the VTC is to add the walls to the first floor frame.

Built in phases between 1911 and 1959, this Prairie and Organic Modern-style house and office were designed by Frank Lloyd Wright to serve as his family residence and studio, with two fires leading to substantial reconstruction of the house in 1914 and 1925. The house, which is named “Taliesin”, Welsh for “Shining Brow” or “Radiant Brow”, referring to the hill upon which it is situated, is a long and rambling structure with multiple sections built at different times, with the building serving as a living laboratory for Wright’s organic design philosophy, as well as growing with Wright’s family, wealth, and business. The house sits on a hill surrounded by fields, but is notably located below the top of the hill, which Wright saw as being such a significant feature of the landscape that it should remain untouched by the house’s presence. The house’s westernmost wings served as the home of livestock and farm equipment, as well as a garage, later becoming housing for the Taliesin Fellowship, where aspiring architects apprenticed with Frank Lloyd Wright. The central wing served as the Frank Lloyd Wright studio, where Wright and his apprentices and employees worked on projects for clients, as well as where Wright often met with clients. The eastern wing served as the Wright family’s residence, and was rebuilt twice, in 1914 and 1925, after being destroyed by fire, and is overall the newest section of the complex, though some portions of the west and central wings were added after the main phase of construction of the residence was complete.

 

The house is clad in stucco with a wooden shingle hipped and gabled roof, with stone cladding at the base and on piers that often flank window openings, large casement windows, clerestory windows, outdoor terraces and balconies, stone chimneys, and glass french doors, all of which connect the interior of the building to the surrounding landscape. The interior of the buildings feature vaulted ceilings in common areas, stone floors, stone and plaster walls, decorative woodwork, custom-built furniture, and multiple decorative objects collected by Wright during his life. The exterior of the house has a few areas distinctive from the rest of the structure, with a cantilevered balcony extending off the east facade drawing the eye towards the surrounding landscape from the living room of the residence, next to a large set of glass doors that enclose the living room and adjacent bedroom from a shallower cantilevered terrace, while to the west of the residence, and south of the central wing, is a landscaped garden, which rests just below the crest of the hill.

 

The building was the full-time home of Wright from 1911 until 1937, when Wright began to spend his winters at Taliesin West in Phoenix, Arizona, due to the effects of the Wisconsin winters on his health. For the rest of Wright’s life, the house was the summer home of Wright and the Taliesin Fellowship, and following his death, the house was deeded to the Frank Lloyd Wright Foundation, which operated and maintained the house as a museum and the home of multiple programs until 1990. Since 1990, the house has been under the stewardship of the nonprofit Taliesin Preservation Inc., which operates the house in conjunction with the Frank Lloyd Wright Foundation. The building is a contributing structure in the Taliesin Historic District, listed on the National Register of Historic Places in 1973, and designated a National Historic Landmark in 1976. Taliesin was one of eight Frank Lloyd Wright buildings listed as The 20th-Century Architecture of Frank Lloyd Wright World Heritage Site by UNESCO in 2019. Today, Taliesin is utilized as a museum, offering tours and interpretation of Frank Lloyd Wright’s life and work.

December 24, 2015:.

15-487768.

Mississauga,

Residential Development,

"Mirage Condos Phased II (335 Rathburn Rd W, Conservatory Group, 22s, Richmond Architects)"

The honeymoon phase is undoubtedly over after months or years of marriage. Then you start seeing some of the flaws of your better half. You are most likely to get annoyed with the little acts of your partner and a lot of other things.

topsitenet.com/article/581662-is-my-marriage-worth-fighti...

November 18, 2016:.

133A9408a.

Toronto

The Kip District

Residential

The Kip District: Phase 1

20 Thomas Riley Rd

Concert Properties

28s

Page + Steele / IBI Group Architects

Trevor kicked my ass. This is what it looks like to lose at 2am.

16.1.2008

17.1.2008

20.1.2008

21.1.2008

22.1.2008 - full moon

 

photo: Dar2

July 31, 2018:.

18-542616.

Toronto

The Kip District

Residential

The Kip District: Phase 1

20 Thomas Riley Rd

Concert Properties

28s

Page + Steele / IBI Group Architects

Sterling silver unmatched earrings set

Misluo

Facebook FP

This evening's work, lots of stuff in place ready for refinement and carrying on with the sculpt!

Lunar phases are an interesting market anomaly

Best time to buy is around the new moon and best time to sell is around the full moon.

Cause of this effect? Most of the literature claims the cause of the effect is "depressed mood at full moon"

Maybe from an evolutionary perspective fear is at its peak when the night sky is darkest?

 

RSI might be able to capture similar overbought/oversold conditions without being rigid on the exact timing.

A few papers has been published on this:

www.bus.umich.edu/pdf/mitsui/workshopdocs/ZhengMoonstruck...

 

www.theidiotandthemoon.com/moontrading.html

 

Research on this effect in the Indian markets indicates that

the effect is significant for nifty/energy but not statistically significant for banks/realty/finance. Apparently tech/pharma weren't tested in this paper.

www.ijarcsms.com/docs/paper/volume2/issue2/V2I2-0022.pdf

 

This AFL is straight from the AFL library.

No idea whether this effect will persist. Haven't traded this particular effect.

Walking with the pans to the competition stage. It takes a small army to move these large steel orchestras.

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