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Licenciada en Farmacia (1971), Técnico Bromatólogo (1976) y Doctora en Farmacia (1980).
Catedrático de Nutrición y Bromatología del área de Nutrición y Bromatología desde abril de 1986. Dpto. Nutrición y Bromatología II. Bromatología. Facultad de Farmacia. UCM.
Doctor Honoris causa de la Universidad Nacional de Asunción (Paraguay) – 2003.
Académico Correspondiente de la Real Academia Nacional de Farmacia – 2015.
Miembro de la Comisión de Aguas Minerales y Mineromedicinales de la Real Academia Nacional de Farmacia. Miembro de la Comisión Deontológica del Colegio Oficial de Farmacéuticos de Madrid.
Directora de la Cátedra José Casares Gil de “Alimentación y Enología” del Ateneo Científico, Literario y Artístico de Madrid, desde mayo de 2009.
Directora del grupo “Alimentación y salud” de la Sociedad Española de Ciencias Hortícolas, desde 2012.
Coordinadora Internacional del Postgrado en “Ciencias de los alimentos” que se imparte en la Facultad de Ciencias Químicas de la Universidad Nacional de Asunción (Paraguay) desde mayo de 2004.
Experiencia en organización de actividades. Creación, diseño y planificación de seminarios, jornadas, cursos y mesas redondas científicos-tecnológicos.
DOCENCIA en las Licenciaturas, Diplomaturas y Grados de: Farmacia, Ciencia y Tecnología de los alimentos, Nutrición Humana y Dietética, en la UCM. Postgrado: Doctorado, Master en Farmacia y Nutrición, así como en Títulos propios en la UCM.
Docencia en otras Universidades españolas y extranjeras (América del sur).
Dirección de trabajos de investigación a alumnos de Pregrado, Postgrado y Doctorado nacionales e iberoamericanos.
INVESTIGACIÓN. Principales áreas: Estudio de la composición y valor nutritivo de alimentos, preferentemente de origen vegetal: leguminosas, frutas y hortalizas. Estudio de las modificaciones por la maduración y/o los procesos. Características de aguas mineromedicinales. Aspectos históricos y sociales de la alimentación. Los alimentos y su importancia para la salud.
En proyectos financiados por entidades públicas y privadas.
Publicaciones en revistas científicas Nacionales e Internacionales, así como capítulos de libros.
This guy is our Lynnwood Road resident homeless person (PC for bum). He lost his job at Van Schaiks Bookstore many years ago, and has just stayed in the area since.
Sometimes he is happy and sometimes he is really pissed off!! I shot him on a good day.
16.08.2009 gg. 15 Uhr Am Wiesenhaus 9 .
Berlin Gatow.
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Erst fiel ein einsames Handtuch auf, dann sahen mehrere Personen einen Körper treibend im Wasser. .
Die Helfer des DLRG leiteten sofort Rettungsmaßnahmen ein. Ein Großaufgebot der Berliner Feuerwehr, sowie der Wasserwacht suchten nach der Person. Auch viele Besucher halfen bei der Absuche. Die Person wurde vorerst nicht gefunden. .
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Foto zeigt: Badegäste helfen spontan bei der Absuche. Der Rettungshubschrauber ist im Landeanflug..
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Foto: ANDREAS MARKUS.
Fotoauswahl: ANNE MEYER
TEXT: ANNE MEYER / ANDREAS MARKUS
Astrid Karlsson, Agnes Karlsson, Eina Bergman, August Karlsson, Gösta Bergman, sönerna Nisse och Hasse från Runsättra.
" PEOPLE PERSON "
60 IN X 36 IN X 1.5 ON CANVAS
ARTISTS- SKI & 2ESAE
MEDIUMS-SCREENPRINT,SPRAYPAINT,ACRYLIC
NEW YORK TIMES COLLAGE.
AVAILABLE AT POP INTERNATIONAL GALLERY
473 West Broadway
New York, NY 10012
(212) 533-4262
Cerco un posto in cui restare, forse un silenzio che non sia attesa ma soltanto lento ascolto…
Cerco un posto in cui si possa svasare pensieri, sterrarne le radici e rinvigorirle di luce ed aria per poi insediarle in nuove terre…
Cerco un posto in cui la voce non sia urlo, ma libero commercio di sorrisi, semplice espressione di parole…
Cerco un posto in cui il cielo sia condiviso da ogni sguardo, e dove ogni sguardo sia allargato dalla costante meraviglia del respiro…
(A. Andreotti)
From left to right:
Maria-Soledad Cisternas Reyes, Chair of Committee on the Rights of Persons with Disabilities
Luis Almagro, OAS Secretary General
Date: December 7, 2016
Place: Washington DC
Credit: Juan Manuel Herrera/OAS
Some of you may have noticed that, unfortunately, owing to the fact that a certain person who sells truck photos on eBay commercially has been lifting my images from this album and selling them I have had to remove 2300 photos that didn't have a watermark. I have now run around 1700 through Lightroom and added a watermark with the intention of bulk uploading them again. Rather than watermark the existing (hidden) files in Flickr one at a time it will be easier to do it this way. I definitely won’t be adding individual tags with the make and model of each vehicle I will just add generic transport tags. Each photo is named after the vehicle and reg in any case. For anyone new to these images there is a chapter and verse explanation below. It is staggering how many times I get asked questions that a quick scan would answer or just as likely I can’t possibly answer – I didn’t take them, but, just to clarify-I do own the copyright- and I do pursue copyright theft.
This is a collection of scanned prints from a collection of photographs taken by the late Jim Taylor A number of years ago I was offered a large number of photographs taken by Jim Taylor, a transport photographer based in Huddersfield. The collection, 30,000 prints, 20,000 negatives – and copyright! – had been offered to me and one of the national transport magazines previously by a friend of Jim's, on behalf of Jim's wife. I initially turned them down, already having over 30,000 of my own prints filed away and taking space up. Several months later the prints were still for sale – at what was, apparently, the going rate. It was a lot of money and I deliberated for quite a while before deciding to buy them. I did however buy them directly from Jim’s wife and she delivered them personally – just to quash the occasional rumour from people who can’t mind their own business. Although some prints were sold elsewhere, particularly the popular big fleet stuff, I should have the negatives, unfortunately they came to me in a random mix, 1200 to a box, without any sort of indexing and as such it would be impossible to match negatives to prints, or, to even find a print of any particular vehicle. I have only ever looked at a handful myself unless I am scanning them. The prints are generally in excellent condition and I initially stored them in a bedroom without ever looking at any of them. In 2006 I built an extension and they had to be well protected from dust and moved a few times. Ultimately my former 6x7 box room office has become their (and my own work’s) permanent home.
I hope to avoid posting images that Jim had not taken his self, however should I inadvertently infringe another photographers copyright, please inform me by email and I will resolve the issue immediately. There are copyright issues with some of the photographs that were sold to me. A Flickr member from Scotland drew my attention to some of his own work amongst the first uploads of Jim’s work. I had a quick look through some of the 30 boxes of prints and decided that for the time being the safest thing for me to do was withdraw the majority of the earlier uploaded scans and deal with the problem – which I did. whilst the vast majority of the prints are Jims, there is a problem defining copyright of some of them, this is something that the seller did not make clear at the time. I am reasonably confident that I have since been successful in identifying Jims own work. His early work consists of many thousands of lustre 6x4 prints which are difficult to scan well, later work is almost entirely 7x5 glossy, much easier to scan. Not all of the prints are pin sharp but I can generally print successfully to A4 from a scan.
You may notice photographs being duplicated in this Album, unfortunately there are multiple copies of many prints (for swapping) and as I have to have a system of archiving and backing up I can only guess - using memory - if I have scanned a print before. The bigger fleets have so many similar vehicles and registration numbers that it is impossible to get it right all of the time. It is easier to scan and process a print than check my files - on three different PC’s - for duplicates. There has not been, nor will there ever be, any intention to knowingly breach anyone else's copyright. I have presented the Jim Taylor collection as exactly that-The Jim Taylor Collection- his work not mine, my own work is quite obviously mine.
Unfortunately, many truck spotters have swapped and traded their work without copyright marking it as theirs. These people never anticipated the ease with which images would be shared online in the future. I would guess that having swapped and traded photos for many years that it is almost impossible to control their future use. Anyone wanting to control the future use of their work would have been well advised to copyright mark their work (as many did) and would be well advised not to post them on photo sharing sites without a watermark as the whole point of these sites is to share the image, it is very easy for those that wish, to lift any image, despite security settings, indeed, Flickr itself, warns you that this is the case. It was this abuse and theft of my material that led me to watermark all of my later uploads. I may yet withdraw non-watermarked photos, I haven’t decided yet. (I did in the end)
To anyone reading the above it will be quite obvious that I can’t provide information regarding specific photos or potential future uploads – I didn’t take them! There are many vehicles that were well known to me as Jim only lived down the road from me (although I didn’t know him), however scanning, titling, tagging and uploading is laborious and time consuming enough, I do however provide a fair amount of information with my own transport (and other) photos. I am aware that there are requests from other Flickr users that are unanswered, I stumble across them months or years after they were posted, this isn’t deliberate. Some weekends one or two “enthusiasts” can add many hundreds of photos as favourites, this pushes requests that are in the comments section ten or twenty pages out of sight and I miss them. I also have notifications switched off, I receive around 50 emails a day through work and I don’t want even more from Flickr. Other requests, like many other things, I just plain forget – no excuses! Uploads of Jim’s photos will be infrequent as it is a boring pastime and I would much rather work on my own output.
I took this with a camera made of an empty paint can.
Yay pinhone photography, and yay art camp!
model: me
Miles de personas demandaron igualdad legal en Día del Orgullo en Chile . (26 de junio de 2010)
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Un peak de 10 mil personas, cerca de 200 artistas y variadas organizaciones asistieron a la actividad que en Chile involucra a distintos sectores discriminados y no sólo a la diversidad sexual. La demanda central del evento, donde se distinguió a tres personas por su aporte a la sociedad , fue la igualdad legal para todas y todos.
Miles de personas y cerca de 200 artistas conmemoraron por décimo año consecutivo en Chile el Día Internacional del Orgullo Lésbico, Gay, Bisexual y Transexual, evento organizado por el Movimiento de Integración y Liberación Homosexual (Movilh) en el Parque Forestal de Santiago.
Toda la información aquÍ:
Loading systems is specialised in total solutions for loading and unloading service on dock equipment and industrial doors
La Sala CAI Luzán acoge la exhibición de dos belenes, uno tradicional y otro aragonés, que se han elaborado de forma artesanal por alrededor de 20 personas de la Asociación Amigos del Belén de Zaragoza, durante un año de trabajo.
El público puede contemplarlos desde este viernes hasta el jueves, 5 de enero, en horario de 11.30 a 13.30 y de 18.00 a 21.00 en la Sala CAI Luzán, que se ubica en el Paseo de la Independencia 10 de Zaragoza, y que forma parte de la programación de Navidad de la entidad de ahorro.
La directora de la Obra Social de CAI, María González, y la presidenta de la Asociación Amigos del Belén de Zaragoza, Isabel Garcés, han presentado ambos nacimientos que suponen uno de los atractivos de la programación navideña de CAI que se extiende desde en año 1995.
María González ha elogiado el trabajo y el empeño de los miembros de la Asociación en elaborar los belenes sobre lo que ha recordado que cada año se reúnen para abordar la confección de los belenes del año próximo. "Pasadas las Navidades se piensa en el siguiente ejercicio y en el espacio que va a ocupar para disponer de tiempo suficiente porque todo, excepto algunas piezas que se compran, se hace de forma artesanal por los voluntarios de la asociación".
Isabel Garcés ha detallado que la mayoría de las piezas están elaboradas en polietileno expandido como las construcciones, mientas que las figuras están confeccionadas con barro cocido.
Una de las novedades que ofrece el belén aragonés en esta edición es la réplica del Ayuntamiento de Cariñena, en cuyo tejado se han colocado más de 2.000 tejas de barro en miniatura, y delante figura la fuente por la que mana vino el día de la Fiesta de la Vendimia.
En el belén tradicional los visitantes podrán contemplar todas las escenas bíblicas de un nacimiento como la anunciación de los pastores, la natividad, la adoración de los Reyes Magos y la huída hacia Egipto por el desierto.
Este belén, denominado clásico hebreo, tiene más de 55 metros cuadrados, 2,50 metros de altura y 250 figuras policromadas realizadas en barro y resina. En su montaje, la Asociación ha invertido más de 500 horas y ha empleado en su construcción básicamente , corcho, musgo, tierras coloreadas y otros elementos habituales en este tipo de recreaciones.
Es un belén didáctico y todas las escenas incluyen rótulos para hacer más fácil su interpretación al público. Además, estrena nuevas figuras que han sido confeccionadas por los prestigiosos talleres artesanos de José Luis Mayo (Madrid) y José Joaquín Pérez (Jerez de la Frontera -Cádiz-).
El belén aragonés consta de dos partes, la primera (en el lado derecho) está dedicada a la época italiana del pintor Mariano Barbasán y en la parte central se contempla el nacimiento y hacia la izquierda se localiza la reproducción del Ayuntamiento de Cariñena.
Este nacimiento tiene 35 metros cuadrados y ha sido diseñado y realizado por los socios de la Asociación. Las 85 figuras que lo componen han sido creadas por el artesano Ignacio Fernández Chocarro y están ataviadas con trajes típicos aragoneses "documentados" ha precisado Garcés.
Este belén comenzó a formarse en 2001 y, por su naturaleza, es único en el mundo belenista. Las escenas se recrean con casas y figuras que representan paisajes y tipos de todo Aragón como el llano, la ribera y la montaña. La gran foto que ilustra y complementa el fondo del paisaje pertenece a los municipios de Trasmoz y el Moncayo.
Dado el éxito de las ediciones anteriores, por tercer año se ha instalado en la sala un taller para mostrar a los visitantes las principales técnicas y materiales para construir belenes, así como cuatro vitrinas con belenes caseros
Michael Emerson as Finch, Kevin Chapman as Fusco, Taraji P. Henson as Carter and Jim Caviezel as Reese. PERSON OF INTEREST has its second season premiere Thursday, Sept. 27 (9pm ET/PT) on the CBS Television Network.
Photo: © 2012 Frank W Ockenfels 3/CBS
Job hunting concept - resume, newspaper advertisement, and notes. Concepts of looking for a job, preparing for the interview.
I am now posting 2 photos taken 47 years apart. The first one I scanned today as currently I am scanning all my old slides. It was really bad - could hardly see it and all gone purple/lavender. This result is the best I could do.
In 1961 my good mate and I bought the same shirt which I am wearing in the first photo. At his place, he took this photo of me but I have no idea how he did it, something like a half exposure each. It was a slide. Over the years it has deteriorated so badly.
I still have that shirt. I have worn it maybe 3 or 4 times since my teen years but not for ages now. It is in excellent condition and still fits me comfortably. LOL. The label is still on it but a few letters are missing so I can't read it properly. It does say "Fashioned by Ace" and "all cotton" and "MP????ID fabric".
The second photo taken earlier today is me in the shirt and I apologise for my belly (boohoo) which increased this year through being inactive because of the torn shoulder in March and my knees. (It's not quite as bad as the photo makes out!!!) My legs look funny because they have been shaved for the knee arthroscopes 4 weeks ago. Sorry about the mess in the room. I am always getting into trouble for being untidy (which I am not. :-) )
I wish I could be like 1961 when I could run fast and do all my sports and had more hair and better eyes . . . .
Late entry:- I just realised those shorts I have on are sagging at the front because they don't stay up (too big for me) and I did not have a belt!! lol. That's what makes me look bad. :-) :-) I might redo that photo with better shorts.