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Covent Garden (/ˈkɒvənt/) is a district in London on the eastern fringes of the West End, between St. Martin's Lane and Drury Lane. It is associated with the former fruit and vegetable market in the central square, now a popular shopping and tourist site, and the Royal Opera House, which is also known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum.
Though mainly fields until the 16th century, the area was briefly settled when it became the heart of the Anglo-Saxon trading town of Lundenwic. After the town was abandoned, part of the area was walled off by 1200 for use as arable land and orchards by Westminster Abbey, and was referred to as "the garden of the Abbey and Convent". The land, now called "the Covent Garden", was seized by Henry VIII, and granted to the Earls of Bedford in 1552. The 4th Earl commissioned Inigo Jones to build some fine houses to attract wealthy tenants. Jones designed the Italianate arcaded square along with the church of St Paul's. The design of the square was new to London, and had a significant influence on modern town planning, acting as the prototype for the laying-out of new estates as London grew. A small open-air fruit and vegetable market had developed on the south side of the fashionable square by 1654. Gradually, both the market and the surrounding area fell into disrepute, as taverns, theatres, coffee-houses and brothels opened up; the gentry moved away, and rakes, wits and playwrights moved in. By the 18th century it had become a well-known red-light district, attracting notable prostitutes. An Act of Parliament was drawn up to control the area, and Charles Fowler's neo-classical building was erected in 1830 to cover and help organise the market. The area declined as a pleasure-ground as the market grew and further buildings were added: the Floral Hall, Charter Market, and in 1904 the Jubilee Market. By the end of the 1960s traffic congestion was causing problems, and in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. The central building re-opened as a shopping centre in 1980, and is now a tourist location containing cafes, pubs, small shops, and a craft market called the Apple Market, along with another market held in the Jubilee Hall.
Covent Garden, with the postcode WC2, falls within the London boroughs of Westminster and Camden, and the parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. The area has been served by the Piccadilly line at Covent Garden tube station since 1907; the journey from Leicester Square, at 300 yards, is the shortest in London.
Early history
The route of the Strand on the southern boundary of what was to become Covent Garden was used during the Roman period as part of a route to Silchester, known as "Iter VII" on the Antonine Itinerary. Excavations in 2006 at St Martin-in-the-Fields revealed a Roman grave, suggesting the site had sacred significance. The area to the north of the Strand was long thought to have remained as unsettled fields until the 16th century, but theories by Alan Vince and Martin Biddle that there had been an Anglo-Saxon settlement to the west of the old Roman town of Londinium were borne out by excavations in 1985 and 2005. These revealed Covent Garden as the centre of a trading town called Lundenwic, developed around 600 AD, which stretched from Trafalgar Square to Aldwych. Alfred the Great gradually shifted the settlement into the old Roman town of Londinium from around 886 AD onwards, leaving no mark of the old town, and the site returned to fields.
Around 1200 the first mention of an abbey garden appears in a document mentioning a walled garden owned by the Benedictine monks of the Abbey of St. Peter, Westminster. A later document, dated between 1250 and 1283, refers to "the garden of the Abbot and Convent of Westminster". By the 13th century this had become a 40-acre (16 ha) quadrangle of mixed orchard, meadow, pasture and arable land, lying between modern-day St. Martin's Lane and Drury Lane, and Floral Street and Maiden Lane. The use of the name "Covent"—an Anglo-French term for a religious community, equivalent to "monastery" or "convent" —appears in a document in 1515, when the Abbey, which had been letting out parcels of land along the north side of the Strand for inns and market gardens, granted a lease of the walled garden, referring to it as "a garden called Covent Garden". This is how it was recorded from then on.
The Bedford Estate (1552–1918)
After the Dissolution of the Monasteries in 1540, Henry VIII took for himself the land belonging to Westminster Abbey, including the convent garden and seven acres to the north called Long Acre; and in 1552 his son, Edward VI, granted it to John Russell, 1st Earl of Bedford. The Russell family, who in 1694 were advanced in their peerage from Earl to Duke of Bedford, held the land from 1552 to 1918.
Russell had Bedford House and garden built on part of the land, with an entrance on the Strand, the large garden stretching back along the south side of the old walled-off convent garden. Apart from this, and allowing several poor-quality tenements to be erected, the Russells did little with the land until the 4th Earl of Bedford, Francis Russell, an active and ambitious businessman, commissioned Inigo Jones in 1630 to design and build a church and three terraces of fine houses around a large square or piazza. The commission had been prompted by Charles I taking offence at the condition of the road and houses along Long Acre, which were the responsibility of Russell and Henry Carey, 2nd Earl of Monmouth. Russell and Carey complained that under the 1625 Proclamation concerning Buildings, which restricted building in and around London, they could not build new houses; the King then granted Russell, for a fee of £2,000, a licence to build as many new houses on his land as he "shall thinke fitt and convenient". The church of St Paul's was the first building, begun in July 1631 on the western side of the square. The last house was completed in 1637.
The houses initially attracted the wealthy, though when a market developed on the south side of the square around 1654, the aristocracy moved out and coffee houses, taverns, and prostitutes moved in. The Bedford Estate was expanded in 1669 to include Bloomsbury, when Lord Russell married Lady Rachel Vaughan, one of the daughters of the 4th Earl of Southampton.
By the 18th century, Covent Garden had become a well-known red-light district, attracting notable prostitutes such as Betty Careless and Jane Douglas. Descriptions of the prostitutes and where to find them were provided by Harris's List of Covent Garden Ladies, the "essential guide and accessory for any serious gentleman of pleasure". In 1830 a market hall was built to provide a more permanent trading centre. In 1913, Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000.
Modern changes
Charles Fowler's 1830 neo-classical building restored as a retail market.
The Covent Garden Estate was part of Beecham Estates and Pills Limited from 1924 to 1928, after which time it was managed by a successor company called Covent Garden Properties Company Limited, owned by the Beechams and other private investors. This new company sold some properties at Covent Garden, while becoming active in property investment in other parts of London. In 1962 the bulk of the remaining properties in the Covent Garden area, including the market, were sold to the newly established government-owned Covent Garden Authority for £3,925,000.
By the end of the 1960s, traffic congestion had reached such a level that the use of the square as a modern wholesale distribution market was becoming unsustainable, and significant redevelopment was planned. Following a public outcry, buildings around the square were protected in 1973, preventing redevelopment. The following year the market moved to a new site in south-west London. The square languished until its central building re-opened as a shopping centre in 1980. An action plan was drawn up by Westminster Council in 2004 in consultation with residents and businesses to improve the area while retaining its historic character. The market buildings, along with several other properties in Covent Garden, were bought by a property company in 2006.
Geography
Historically, the Bedford Estate defined the boundary of Covent Garden, with Drury Lane to the east, the Strand to the south, St. Martin's Lane to the west, and Long Acre to the north. However, over time the area has expanded northwards past Long Acre to High Holborn, and since 1971, with the creation of the Covent Garden Conservation Area which incorporated part of the area between St Martins Lane and Charring Cross Road, the Western boundary is sometimes considered to be Charring Cross Road. Shelton Street, running parallel to the north of Long Acre, marks the London borough boundary between Camden and Westminster. Long Acre is the main thoroughfare, running north-east from St Martin's Lane to Drury Lane.
The area to the south of Long Acre contains the Royal Opera House, the market and central square, and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum; while the area to the north of Long Acre is largely given over to independent retail units centred on Neal Street, Neal's Yard and Seven Dials; though this area also contains residential buildings such as Odhams Walk, built in 1981 on the site of the Odhams print works, and is home to over 6,000 residents.
Governance
The Covent Garden estate was originally under the control of Westminster Abbey and lay in the parish of St Margaret. During a reorganisation in 1542 it was transferred to St Martin in the Fields, and then in 1645 a new parish was created, splitting governance of the estate between the parishes of St Paul Covent Garden and St Martin, both still within the Liberty of Westminster. St Paul Covent Garden was completely surrounded by the parish of St Martin in the Fields. It was grouped into the Strand District in 1855 when it came within the area of responsibility of the Metropolitan Board of Works.
In 1889 the parish became part of the County of London and in 1900 it became part of the Metropolitan Borough of Westminster. It was abolished as a civil parish in 1922. Since 1965 Covent Garden falls within the London boroughs of Westminster and Camden, and is in the Parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. For local council elections it falls within the St James's ward for Westminster, and the Holborn and Covent Garden ward for Camden.
Economy
The area's historic association with the retail and entertainment economy continues. In 1979, Covent Garden Market reopened as a retail centre; in 2010, the largest Apple Store in the world opened in The Piazza. The central hall has shops, cafes and bars alongside the Apple Market stalls selling antiques, jewellery, clothing and gifts; there are additional casual stalls in the Jubilee Hall Market on the south side of the square. Long Acre has a range of clothes shops and boutiques, and Neal Street is noted for its large number of shoe shops. London Transport Museum and the side entrance to the Royal Opera House box office and other facilities are also located on the square. During the late 1970s and 1980s the Rock Garden music venue was popular with up and coming punk rock and New Wave artists.
The market halls and several other buildings in Covent Garden were bought by CapCo in partnership with GE Real Estate in August 2006 for £421 million, on a 150-year head lease. The buildings are let to the Covent Garden Area Trust, who pay an annual peppercorn rent of one red apple and a posy of flowers for each head lease, and the Trust protects the property from being redeveloped. In March 2007 CapCo also acquired the shops located under the Royal Opera House. The complete Covent Garden Estate owned by CapCo consists of 550,000 sq ft (51,000 m2), and has a market value of £650 million.
Landmarks
The Royal Opera House, often referred to as simply "Covent Garden", was constructed as the "Theatre Royal" in 1732 to a design by Edward Shepherd. During the first hundred years or so of its history, the theatre was primarily a playhouse, with the Letters Patent granted by Charles II giving Covent Garden and Theatre Royal, Drury Lane exclusive rights to present spoken drama in London. In 1734, the first ballet was presented; a year later Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premières here. It has been the home of The Royal Opera since 1945, and the Royal Ballet since 1946.
The current building is the third theatre on the site following destructive fires in 1808 and 1857. The façade, foyer and auditorium were designed by Edward Barry, and date from 1858, but almost every other element of the present complex dates from an extensive £178 million reconstruction in the 1990s. The Royal Opera House seats 2,268 people and consists of four tiers of boxes and balconies and the amphitheatre gallery. The stage performance area is roughly 15 metres square. The main auditorium is a Grade 1 listed building. The inclusion of the adjacent old Floral Hall, previously a part of the old Covent Garden Market, created a new and extensive public gathering place. In 1779 the pavement outside the playhouse was the scene of the murder of Martha Ray, mistress of the Earl of Sandwich, by her admirer the Rev. James Hackman.
Covent Garden square
Balthazar Nebot's 1737 painting of the square before the 1830 market hall was constructed.
The central square in Covent Garden is simply called "Covent Garden", often marketed as "Covent Garden Piazza" to distinguish it from the eponymous surrounding area. Laid out in 1630, it was the first modern square in London, and was originally a flat, open space or piazza with low railings. A casual market started on the south side, and by 1830 the present market hall was built. The space is popular with street performers, who audition with the site's owners for an allocated slot. The square was originally laid out when the 4th Earl of Bedford, Francis Russell, commissioned Inigo Jones to design and build a church and three terraces of fine houses around the site of a former walled garden belonging to Westminster Abbey. Jones's design was informed by his knowledge of modern town planning in Europe, particularly Piazza d'Arme, in Leghorn, Tuscany, Piazza San Marco in Venice, Piazza Santissima Annunziata in Florence, and the Place des Vosges in Paris. The centrepiece of the project was the large square, the concept of which was new to London, and this had a significant influence on modern town planning in the city,[56] acting as the prototype for the laying-out of new estates as the metropolis grew. Isaac de Caus, the French Huguenot architect, designed the individual houses under Jones's overall design.
The church of St Paul's was the first building, and was begun in July 1631 on the western side of the square. The last house was completed in 1637. Seventeen of the houses had arcaded portico walks organised in groups of four and six either side of James Street on the north side, and three and four either side of Russell Street. These arcades, rather than the square itself, took the name Piazza; the group from James Street to Russell Street became known as the "Great Piazza" and that to the south of Russell Street as the "Little Piazza". None of Inigo Jones's houses remain, though part of the north group was reconstructed in 1877–79 as Bedford Chambers by William Cubitt to a design by Henry Clutton.
Covent Garden market
The first record of a "new market in Covent Garden" is in 1654 when market traders set up stalls against the garden wall of Bedford House. The Earl of Bedford acquired a private charter from Charles II in 1670 for a fruit and vegetable market, permitting him and his heirs to hold a market every day except Sundays and Christmas Day. The original market, consisting of wooden stalls and sheds, became disorganised and disorderly, and the 6th Earl requested an Act of Parliament in 1813 to regulate it, then commissioned Charles Fowler in 1830 to design the neo-classical market building that is the heart of Covent Garden today. The contractor was William Cubitt and Company. Further buildings were added—the Floral hall, Charter Market, and in 1904 the Jubilee Market for foreign flowers was built by Cubitt and Howard.
By the end of the 1960s, traffic congestion was causing problems for the market, which required increasingly large lorries for deliveries and distribution. Redevelopment was considered, but protests from the Covent Garden Community Association in 1973 prompted the Home Secretary, Robert Carr, to give dozens of buildings around the square listed-building status, preventing redevelopment. The following year the market relocated to its new site, New Covent Garden Market, about three miles (5 km) south-west at Nine Elms. The central building re-opened as a shopping centre in 1980, with cafes, pubs, small shops and a craft market called the Apple Market. Another market, the Jubilee Market, is held in the Jubilee Hall on the south side of the square. The market halls and several other buildings in Covent Garden have been owned by the property company Capital & Counties Properties (CapCo) since 2006.
Theatre Royal, Drury Lane
The current Theatre Royal on Drury Lane is the most recent of four incarnations, the Second of which opened in 1663, making it the oldest continuously used theatre in London. For much of its first two centuries, it was, along with the Royal Opera House, a patent theatre granted rights in London for the production of drama, and had a claim to be one of London's leading theatres. The first theatre, known as "Theatre Royal, Bridges Street", saw performances by Nell Gwyn and Charles Hart. After it was destroyed by fire in 1672, English dramatist and theatre manager Thomas Killigrew engaged Christopher Wren to build a larger theatre on the same spot, which opened in 1674. This building lasted nearly 120 years, under leadership including Colley Cibber, David Garrick, and Richard Brinsley Sheridan. In 1791, under Sheridan's management, the building was demolished to make way for a larger theatre which opened in 1794; but that survived only 15 years, burning down in 1809. The building that stands today opened in 1812. It has been home to actors as diverse as Shakespearean actor Edmund Kean, child actress Clara Fisher, comedian Dan Leno, the comedy troupe Monty Python (who recorded a concert album there), and musical composer and performer Ivor Novello. Since November 2008 the theatre has been owned by composer Andrew Lloyd Webber and generally stages popular musical theatre. It is a Grade I listed building.
London Transport Museum
The London Transport Museum is in a Victorian iron and glass building on the east side of the market square. It was designed as a dedicated flower market by William Rogers of William Cubitt and Company in 1871, and was first occupied by the museum in 1980. Previously the transport collection had been held at Syon Park and Clapham. The first parts of the collection were brought together at the beginning of the 20th century by the London General Omnibus Company (LGOC) when it began to preserve buses being retired from service. After the LGOC was taken over by the London Electric Railway (LER), the collection was expanded to include rail vehicles. It continued to expand after the LER became part of the London Passenger Transport Board in the 1930s and as the organisation passed through various successor bodies up to TfL, London's transport authority since 2000. The Covent Garden building has on display many examples of buses, trams, trolleybuses and rail vehicles from 19th and 20th centuries as well as artefacts and exhibits related to the operation and marketing of passenger services and the impact that the developing transport network has had on the city and its population.
St Paul's Church
St Paul's, commonly known as the Actors' Church, was designed by Inigo Jones as part of a commission by Francis Russell in 1631 to create "houses and buildings fitt for the habitacons of Gentlemen and men of ability". Work on the church began that year and was completed in 1633, at a cost of £4,000, with it becoming consecrated in 1638. In 1645 Covent Garden was made a separate parish and the church was dedicated to St Paul. It is uncertain how much of Jones's original building is left, as the church was damaged by fire in 1795 during restoration work by Thomas Hardwick; though it is believed that the columns are original—the rest is mostly Georgian or Victorian reconstruction.
Culture
The Covent Garden area has long been associated with both entertainment and shopping, and this continues. Covent Garden has 13 theatres, and over 60 pubs and bars, with most south of Long Acre, around the main shopping area of the old market. The Seven Dials area in the north of Covent Garden was home to the punk rock club The Roxy in 1977, and the area remains focused on young people with its trendy mid-market retail outlets.
Street performance
Street entertainment at Covent Garden was noted in Samuel Pepys's diary in May 1662, when he recorded the first mention of a Punch and Judy show in Britain. Impromptu performances of song and swimming were given by local celebrity William Cussans in the eighteenth century. Covent Garden is licensed for street entertainment, and performers audition for timetabled slots in a number of venues around the market, including the North Hall, West Piazza, and South Hall Courtyard. The courtyard space is dedicated to classical music only. There are street performances at Covent Garden Market every day of the year, except Christmas Day. Shows run throughout the day and are about 30 minutes in length. In March 2008, the market owner, CapCo, proposed to reduce street performances to one 30-minute show each hour.
Pubs and bars
The Covent Garden area has over 60 pubs and bars; several of them are listed buildings, with some also on CAMRA's National Inventory of Historic Pub Interiors; some, such as The Harp in Chandos Place, have received consumer awards. The Harp's awards include London Pub of the Year in 2008 by the Society for the Preservation of Beers from the Wood, and National Pub of the Year by CAMRA in 2011. It was at one time owned by the Charrington Brewery, when it was known as The Welsh Harp; in 1995 the name was abbreviated to just The Harp, before Charrington sold it to Punch Taverns in 1997. It has been owned by the landlady since 2010.
The Lamb and Flag in Rose Street has a reputation as the oldest pub in the area, though records are not clear. The first mention of a pub on the site is 1772 (when it was called the Cooper's Arms – the name changing to Lamb & Flag in 1833); the 1958 brick exterior conceals what may be an early 18th-century frame of a house replacing the original one built in 1638.[94] The pub acquired a reputation for staging bare-knuckle prize fights during the early 19th century when it earned the nickname "Bucket of Blood". The alleyway beside the pub was the scene of an attack on John Dryden in 1679 by thugs hired by John Wilmot, 2nd Earl of Rochester, with whom he had a long-standing conflict.
The Salisbury in St. Martin's Lane was built as part of a six-storey block around 1899 on the site of an earlier pub that had been known under several names, including the Coach & Horses and Ben Caunt's Head; it is both Grade II listed, and on CAMRA's National Inventory, due to the quality of the etched and polished glass and the carved woodwork, summed up as "good fin de siècle ensemble". The Freemasons Arms on Long Acre is linked with the founding of the Football Association in 1896; however, the meetings took place at The Freemasons Tavern on Great Queen Street, which was replaced in 1909 by the Connaught Rooms.
Other pubs that are Grade II listed are of minor interest, they are three 19th century rebuilds of 17th century/18th century houses, the Nell Gwynne Tavern in Bull Inn Court, the Nag's Head on James Street, and the White Swan on New Row; a Victorian pub built by lessees of the Marquis of Exeter, the Old Bell on the corner of Exeter Street and Wellington Street; and a late 18th or early 19th century pub the Angel and Crown on St. Martin's Lane.
Cultural connections
Covent Garden, and especially the market, have appeared in a number of works. Eliza Doolittle, the central character in George Bernard Shaw's play, Pygmalion, and the musical adaptation by Alan Jay Lerner, My Fair Lady, is a Covent Garden flower seller. Alfred Hitchcock's 1972 film Frenzy about a Covent Garden fruit vendor who becomes a serial sex killer, was set in the market where his father had been a wholesale greengrocer. The daily activity of the market was the topic of a 1957 Free Cinema documentary by Lindsay Anderson, Every Day Except Christmas, which won the Grand Prix at the Venice Festival of Shorts and Documentaries.
Transport
Covent Garden is served by the Piccadilly line at Covent Garden tube station on the corner of Long Acre and James Street. The station was opened by Great Northern, Piccadilly and Brompton Railway on 11 April 1907, four months after services on the rest of the line began operating on 15 December 1906. Platform access is only by lift or stairs; until improvements to the exit gates in 2007, due to high passenger numbers (16 million annually), London Underground had to advise travellers to get off at Leicester Square and walk the short distance (the tube journey at less than 300 yards is London's shortest) to avoid the congestion. Stations just outside the area include the Charing Cross tube station and Charing Cross railway station, Leicester Square tube station, and Holborn tube station. While there is only one bus route in Covent Garden itself—the RV1, which uses Catherine Street as a terminus, just to the east of Covent Garden square—there are over 30 routes which pass close by, mostly on the Strand or Kingsway.
The "Rheinbahn AG" (until 2005 "Rheinische Bahngesellschaft AG") is a transport company founded in 1896 and headquartered in Düsseldorf. It is a member of the Rhine-Ruhr Transport Association (VRR) and operates almost all light rail, streetcar and bus lines of the local public transport system in the cities of Düsseldorf and Meerbusch as well as in large parts of the district of Mettmann. The backbone is formed by an approximately 346 kilometer long rail network extending to Neuss, Krefeld, Mülheim an der Ruhr, Duisburg and Ratingen, with eleven light rail lines and seven streetcar lines, some of which run underground, supplemented by 114 bus lines.
Source: wikipedia.de
Update, PERMANENTLY RETIRED, Mar-20 after 31 years in service.
Still in non-standard white c/scheme 4 years after delivery but now with amended titles.
VERY complicated history... it took me a while...
This aircraft was delivered to Japan Leasing and leased to Air Europe as G-BRJD in Apr-89. It was sub-leased to Spanish subsidiary Air Europa with the temporary registration EC-349 in Oct-89. It was re-registered EC-ESC in Jan-90.
The aircraft was returned to Air Europe as G-BRJD in Oct-90. Air Europe ceased trading in Mar-91 and the aircraft was repossessed by the lessor (Air Europa continued in operation).
In May-91 the aircraft was leased to Air 2000 as G-OOOS. It was wet-leased to Spanair between Nov/Dec-99. It was stored at Bournemouth, UK in Dec-03 and returned to the lessor in Jan-04.
The aircraft was leased to Greece Airways (a new company) as SX-BLW in Apr-04 and operated on behalf of Air Scotland (a 'paper' airline) on holiday flights out of Scottish Airports. The aircraft had many technical problems (lack of spares) and suffered some spectacular delays.
The aircraft was returned to Greece Airways and the lessor in Nov-05. However, it was leased to Greece Airways again two weeks later at the end of Nov-05 and operations continued until it returned to the lessor in Apr-06.
The aircraft was sold to The Dart Group PLC as G-LSAD in Jun-06 and leased to Jet2.com in Aug-06. it was permanently retired at Kemble, UK in Mar-20 after 31 years in service. Updated (Apr-20).
Road map of our trip and some info: www.southernscenicroute.co.nz/
Photos from our road trip down the South Island of New Zealand in January.
After such a beautiful day yesterday today is overcast and mild and by the afternoon the rain came down.. so pleased we visited Arrowtown before the rain. January 26, 2015 New Zealand.
Arrowtown is a historic gold mining town in the Otago region of the South Island of New Zealand. Arrowtown is located on the banks of the Arrow River.
The Arrow Basin was formed when the great glaciers carved out the Wakatipu Basin.
Local Maori passed through the area on seasonal trips to hunt native birds and extract pounamu (greenstone). Waitaha, the first tribe, were later joined by Kati Mamoe who were driven south after fighting with Kai Tahu. By the 1700s the three tribes were locked together by marriages and peace alliances.
It was not the silver look of the river but the gold it contained that saw Arrowtown evolve. Jack Tewa, a shearer for Rees, was the first to discover gold around May 1861, followed by either William (Bill) Fox or the team of Thomas Low and John MacGregor late in 1862. It is unclear who was next. Being a forceful character, Fox took credit for the discovery and for a while the town was called Fox’s.
Gold eventually became harder to extract and the opening up of the West Coast goldfields in 1865 saw European miners heading for the riches there. This impacted on the Otago economy and in an attempt to restimulate it the Otago Provincial Government invited Chinese miners to come to the Otago goldfields. The Chinese created a separate settlement in Arrowtown, remaining until 1928.
Arrowtown continued to survive after the gold ran out by becoming a farm service town. Although the permanent population declined, during the 1950s it gained a reputation as a popular holiday destination. This saw New Zealand holiday makers restoring the historic cottages and building holiday houses. Most of these have now become permanent residences.
By the turn of the 21st Century Arrowtown had become a popular visitor destination and one of the fastest growing towns in New Zealand.
For More Info: www.arrowtown.com/arrowtown/history/
PictionID:43811443 - Title:Dassault Mirage 2000 NK 346 4-AL EC 1-4 'Dauphine' Nellis AFB 23Jun92 RJF - Catalog:17 - Filename:17.S_000369.tif - ---------Image from the René Francillon Photo Archive. Having had his interest in aviation sparked by being at the receiving end of B-24s bombing occupied France when he was 7-yr old, René Francillon turned aviation into both his vocation and avocation. Most of his professional career was in the United States, working for major aircraft manufacturers and airport planning/design companies. All along, he kept developing a second career as an aviation historian, an activity that led him to author more than 50 books and 400 articles published in the United States, the United Kingdom, France, and elsewhere. Far from “hanging on his spurs,” he plans to remain active as an author well into his eighties.-------PLEASE TAG this image with any information you know about it, so that we can permanently store this data with the original image file in our Digital Asset Management System.--------------SOURCE INSTITUTION: San Diego Air and Space Museum Archive
No serás feliz si no vuelas al doble de la velocidad del sonido.
Alzo mi mano para sentir confort,
dulce sensación, ¡me fascina!
Color, mucho color,
cálido agrado, música y cielo.
Lo siento; un instante de utopía.
Perenne deseo, plasmé mi huella en tu esencia, permanente y natural cielo.
Alabo la naturaleza,
música, color, firmamento.
[...]
Eterno color,
inmortal música,
ahora sí, lo siento duradero,
me siento mecida,
me siento tocando el cielo.
Att: Happy New York
The Royal Courts of Justice was opened by Queen Victoria in 1882 and became the permanent home of the Supreme Court. The history of the administration of justice in England and Wales spans many centuries. By the mid-19th century‚ a number of separate courts had come into existence at different times and to meet different needs. Many anomalies and archaisms had arisen and it was recognised that this state of affairs was unacceptable‚ and‚ in consequence‚ the Judicature Acts of 1873-75 reconstituted all the higher courts. The Judicature Acts abolished the former courts and established in their place a Supreme Court of Judicature‚ the name of which was changed in 1981 to the Supreme Court of England and Wales.
The Supreme Court consists of two courts: the High Court of Justice and the Court of Appeal. The High Court consists of three Divisions dealing mainly with civil disputes: the Chancery Division (which took over the work of the old High Court of Chancery)‚ the Queen’s Bench Division (which incorporated the jurisdiction of the three former common law courts: the Court of King’s Bench‚ the Court of Common Pleas and the Court of Exchequer) and the Probate‚ Divorce and Admiralty Division which took over the former Court of Admiralty‚ Court of Probate and Court for Divorce. This last division has itself been replaced by the Family Division which was created in 1970.
When Queen Victoria opened the Royal Courts of Justice on 4th December 1882 she was drawing a line under a long and difficult effort to achieve a home for the Supreme Court for England and Wales.
Before 1875‚ courts had been housed in Westminster Hall‚ Lincoln’s Inn and various other buildings around London and pressure had been mounting for a grand new building and in 1866 Parliament announced a competition for the design.
The eleven architects competing for the contract for the Law Courts each submitted alternative designs with the view of the possible placing of the building on the Thames Embankment. The present site was chosen only after much debate.
In 1868 it was finally decided that George Edmund Street‚ R.A. was to be appointed the sole architect for the Royal Courts of Justice and it was he who designed the whole building from foundation to varied carvings and spires.? Building was started in 1873 by Messrs. Bull & Sons of Southampton.
There was a serious strike of masons at an early stage which threatened to extend to other trades and caused a temporary stoppage of the works. In consequence‚ foreign workmen were brought in - mostly Europeans. This aroused bitter hostility on the part of the men on strike and the newcomers had to be specially protected by the police and were housed and fed in the building.? However‚ these disputes were eventually settled and the building took eight years to complete and was officially opened by Queen Victoria on the 4th of December‚ 1882. Sadly‚ Street died before the building was opened.
Parliament paid ?1‚453‚000 for the 7.5 acre site. It was reported that 4‚175 people lived in 450 houses. In two houses in Robin Hood Court 52 people had their abode‚ in Lower Serle’s Place 189 people slept in 9 houses. The site also housed the Kit Kat Club.
The building was paid for by cash accumulated in court from the estates of the intestate to the sum of ?700‚000. Oak work and fittings in the courts cost a further ?70‚000 and with decoration and furnishing the total cost for the building came to under a million pounds.
The dimensions of the building (in round figures) are: 470 feet (approx.143 metres) from East to West; 460 feet (approx.140 metres) from north to south; 245 (approx 74 metres) feet from the Strand level to the tip of the fleche.
Entering through the main gates in the Strand one passes under two elaborately carved porches fitted with iron gates. The carving over the outer porch consists of heads of the most eminent Judges and Lawyers. Over the highest point of the upper arch is a figure of Jesus Christ; to the left and right at a lower level are figures of Solomon and Alfred; that of Moses is at the northern front of the building. Also at the northern front‚ over the Judges entrance are a stone cat and dog representing fighting litigants in court.
The walls and ceilings (of the older‚ original Courts) are panelled in oak which in many cases is elaborately carved. In Court 4‚ the Lord Chief Justice’s court‚ there is an elaborately carved wooden royal Coat of Arms.? Each court has an interior unique to itself; they were each designed by different architects.
There are‚ in addition to the Waiting Rooms‚ several Arbitration and Consultation Chambers together with Robing Rooms for the members of the Bar.
The ladyboy's been wearing bras and camis for so long, she's starting to form permanent bra marks on her body. But what choice does she have? What else will hold up those pair of 32C's?
with the bra unhooked, the slut better be supporting her boobs with her two hands. Those can be pretty heavy!
Mit permanent Make up sind Sie in jeder Lebenslage perfekt geschminkt!
Die meisten Frauen legen großen Wert auf ihr Äußeres und verbringen jeden Morgen nicht unbeträchtliche Zeit im Bad, um sich zu stylen. Ist dann der Tag vorüber, geht es ans Abschminken, was wiederum Zeit in Anspruch nimmt. In ...
Replacing an earlier scanned photo with a better version 25-May-17 + DeNoise AI 28-Sep-22.
This aircraft was delivered to the ITEL Group and leased to Air Florida as N37AF in Jan-79. It was sub-leased to Transavia Holland between May/Oct-81 and again between May/Oct-82.
The aircraft returned to the lessor in Sep-84 and was leased to AirCal the following month as N458AC. Air Cal was merged into American Airlines in Jul-87. American sub-leased it to Braniff Airlines Inc in Feb-89 and repossessed it when Braniff ceased operations in Nov-89.
In May-90 the aircraft was sub-leased to Aloha Airlines as N809AL. It was returned to American Airlines and the lessor in Dec-92 and stored at Phoenix, AZ, USA. Aloha Airlines leased it again in Oct-94. It was returned to the lessor in Mar-03 and permanently retired at Goodyear, AZ, USA.
Hexham Abbey is a Grade I listed place of Christian worship dedicated to St Andrew, in the town of Hexham, Northumberland, in Northeast England. Originally built in AD 674, the Abbey was built up during the 12th century into its current form, with additions around the turn of the 20th century. Since the Dissolution of the Monasteries in 1537, the Abbey has been the parish church of Hexham. In 2014 the Abbey regained ownership of its former monastic buildings, which had been used as Hexham magistrates' court, and subsequently developed them into a permanent exhibition and visitor centre, telling the story of the Abbey's history.
There has been a church on the site for over 1300 years since Etheldreda, Queen of Northumbria made a grant of lands to St Wilfrid, Bishop of York c.674. Of Wilfrid's Benedictine abbey, which was constructed almost entirely of material salvaged from nearby Roman ruins, the Saxon crypt still remains; as does a frith stool, a 7th/8th century cathedra or throne. For a little while around that time it was the seat of a bishopric.
In the year 875, Halfdene (Halfdan Ragnarsson) the Dane ravaged the whole of Tyneside and Hexham Church was plundered and burnt to the ground.
About 1050, one Eilaf was put in charge of Hexham, although as treasurer of Durham, he probably never went there. Eilaf was instructed to rebuild Hexham Church, which then lay in utter ruin. His son Eilaf II completed the work, probably building in the Norman style.
In Norman times, Wilfrid's abbey was replaced by an Augustinian priory. The current church largely dates from c.1170–1250, built in the Early English style of architecture. The choir, north and south transepts and the cloisters, where canons studied and meditated, date from this period.
The east end was rebuilt in 1858. The Abbey was largely rebuilt during the incumbency of Canon Edwin Sidney Savage, who came to Hexham in 1898 and remained until 1919. This mammoth project involved re-building the nave, whose walls incorporate some of the earlier church, and the restoration of the choir. The nave was re-consecrated on 8 August 1908.
The church was recorded as Grade I listed in 1951. In 1996 an additional chapel was created at the east end of the north choir aisle; named St Wilfrid's Chapel, which offers a place for prayer or quiet reflection.
Four of the stained glass windows in the Abbey are the work of Jersey-born stained glass artist Henry Thomas Bosdet who was commissioned by the Abbey. The east window was the first project and was installed about 1907. Two smaller windows followed and the large west window was installed in 1918.
The crypt is a plain structure of four chambers. Here were exhibited the relics which were a feature of Wilfrid's church. It consists of a chapel with an ante-chapel at the west end, two side passages with enlarged vestibules and three stairways. The chapel and ante-chapel are barrel-vaulted. All the stones used are of Roman workmanship and many are carved or with inscriptions. One inscription on a slab, partially erased, is:
IMP •CAES •L •SEP • • •
PERTINAX •ET •IMPC • •
AVR •ANTONINV • • • •
VS • • • • • • • • •
• • • •HORTE • • •
VEXILLATION • • • • •
FECERVNT SVB • • • • •
Translated, this means The Emperor Lucius Septimus Severus Pius Pertinax and his sons the Emperor Marcus Aurelius Antoninus Pius Augustus and Publius Geta Caesar the cohorts and detachments made this under the command of ….. The words erased are of great interest: after the Emperor Geta was murdered by his brother Caracalla, an edict was made at Rome ordering that whenever the two names appeared in combination that of Geta was to be erased. This so-called damnatio memoriae was carried out, but so poorly that the name can still be read.
The first diocese of Lindisfarne was merged into the Diocese of York in 664. York diocese was then divided in 678 by Theodore of Tarsus, forming a bishopric for the country between the Rivers Aln and Tees, with a seat at Hexham and/or Lindisfarne. This gradually and erratically merged back into the bishopric of Lindisfarne. Eleven bishops of Hexham followed St. Eata, of which six were saints.
No successor was appointed in 821, the condition of the country being too unsettled. A period of disorder followed the Danish devastations, after which Hexham monastery was reconstituted in 1113 as a priory of Austin Canons, which flourished until its dissolution under Henry VIII. Meantime the bishopric had been merged in that of Lindisfarne, which latter see was removed to Chester-le-Street in 883, and thence to Durham in 995.
The tombstone of Flavinus is one of the most significant Roman finds in Britain. It can be found in the Abbey in front of a blocked doorway at the foot of the Night Stair. Flavinus was a Roman cavalry officer who died aged 25 in the first century. The slab is thought to have once stood near the fort of Coria near Corbridge and was brought here as a building stone in the 12th century. The slab was laid face-upward in the foundations of the cloister and was rediscovered in 1881.
In 1833 a hoard of approximately 8000 stycas were discovered whilst a grave was being dug in the Campey Hill area close to the north transept. The Hexham Hoard was concealed circa 850. It was composed of coins from the reigns of Eanred, Aethelred II and Redwulf, as well as coins of two archbishops Eanbald and Wigmund.
Hexham is a market town and civil parish in Northumberland, England, on the south bank of the River Tyne, formed by the confluence of the North Tyne and the South Tyne at Warden nearby, and close to Hadrian's Wall. Hexham was the administrative centre for the Tynedale district from 1974 to 2009. In 2011, it had a population of 13,097.
Smaller towns and villages around Hexham include Corbridge, Riding Mill, Stocksfield and Wylam to the east, Acomb and Bellingham to the north, Allendale to the south and Haydon Bridge, Bardon Mill and Haltwhistle to the west. Newcastle upon Tyne is 25 miles (40 km) to the east and Carlisle 37 miles (60 km) to the west.
Toponym
The name Hexham derives from the Old English Hagustaldes ea and later Hagustaldes ham from which the modern form (with the "-ham" element) derives. Hagustald is related to the Old High German hagustalt, denoting a younger son who takes land outside the settlement; the element ea means "stream" or "river" and ham is the Old English form of the Modern English "home" (and the Scots and Northern English "hame").
History
Hexham Abbey originated as a monastery founded by Wilfrid in 674. The crypt of the original monastery survives, and incorporates many stones taken from nearby Roman ruins, probably Corbridge or Hadrian's Wall.
The Anglo-Saxon Chronicle (Manuscript D: Cotton Tiberius B IV) records the murder of King Ælfwald by Sicga at Scythlecester (which may be modern Chesters) on 23 September 788:
This year Alfwald, king of the Northumbrians, was slain by Siga, on the ninth day before the calends of October; and a heavenly light was often seen on the spot where he was slain. He was buried at Hexham in the church.
Her wæs Alfwald Norðhymbra cyning ofslægen fram Sigan on .viiii. Kalendas Octobris, 7 heofonlic leoht wæs lome gesewen þær þær he ofslægen wæs, 7 he wæs bebyrged on Hagustaldesee innan þære cyrican.
Like many towns in the Anglo-Scottish border area and adjacent regions, Hexham suffered from the border wars between the kingdoms of Scotland and England, including attacks from William Wallace who burnt the town in 1297. In 1312, Robert the Bruce, King of Scotland, demanded and received £2000 from the town and monastery in order for them to be spared a similar fate. In 1346 the monastery was sacked in a later invasion led by King David II of Scotland.
In 1464 during the Wars of the Roses, the Battle of Hexham was fought somewhere to the south of the town; the actual site is disputed. The defeated Lancastrian commander, Henry Beaufort, 3rd Duke of Somerset, was executed in Hexham marketplace. There is a legend that Queen Margaret of Anjou took refuge after the battle in what is known as The Queen's Cave, where she was accosted by a robber; the legend formed the basis for an 18th-century play by George Colman the Younger (The Battle of Hexham); but it has been established that Queen Margaret had fled to France by the time the battle took place. The Queen's Cave in question is on the south side of the West Dipton Burn, to the southwest of Hexham.
Until 1572, Hexham was the administrative centre of the former Liberty or Peculiar of Hexhamshire.
In 1715, James Radclyffe, 3rd Earl of Derwentwater, raised the standard for James Francis Edward Stuart in Hexham Market place.
"Hexham" was used in the Borders as a euphemism for "Hell". Hence the term "To Hexham wi' you an' ye’r whussel!", recorded in 1873, and the popular expression "Gang to Hexham!". "Hexham-birnie" is derived from the term and means "an indefinitely remote place".
Hexham riot
In 1761, the Hexham Riot took place in the Market Place when a crowd protesting about changes in the criteria for serving in the militia were fired upon by troops from the North Yorkshire Militia. Some 45 protesters were killed, earning the Militia the sobriquet of The Hexham Butchers.
Notable buildings
Hexham's architectural landscape is dominated by Hexham Abbey. The current church largely dates from c. 1170–1250, in the Early English Gothic style of architecture. The choir, north and south transepts and the cloisters, where canons studied and meditated, date from this period.
The abbey stands at the west end of the market place, which is home to the Shambles, a covered market built by Sir Walter Blackett in 1766; it is a Grade II* listed building.
At the east end of the market place stands the Moot Hall, originally commissioned as a gatehouse that was part of the defences of the town. The Moot Hall, which is considered one of the best examples of a medieval courthouse in the north of England, is a Grade I listed building.
The Old Gaol, behind the Moot Hall on Hallgates, was one of the first purpose-built jails in England. It was built between 1330 and 1333 and is a Grade I listed building.
The Leazes on Shaws Lane is a Grade II listed mansion built in 1853 by John Dobson for William Kinsopp.
Hexham Library and the Queen's Hall Art Centre can both be found in the Queen's Hall, completed in 1866. The building contains the Brough Local Studies Collection which is the second-largest local history collection in the county.
Dare Wilson Barracks, the home of X Company, 5th Battalion, The Royal Regiment of Fusiliers, was completed in 1891.
Governance
Hexham is in the parliamentary constituency of Hexham. Guy Opperman has been the Conservative member of parliament for Hexham since May 2010. In 2023 Joe Morris was selected to stand as the Labour Party candidate at the next General Election. The town comes under Northumberland County Council and contains three wards: Hexham Central with Acomb, Hexham East and Hexham West.
The Hexham Courant is the local newspaper, serving Hexham and Tynedale since 1864. It was first launched by J. Catherall & Co., and at that time espoused the Liberal cause. It later absorbed the Conservative-supporting Hexham Herald. In 1977, CN Group acquired the newspaper.
From within the Hexham Courant office a webcam overlooking Hexham Abbey can be viewed on the following website: Hexham Courant
Local news and television programmes are provided by BBC North East and Cumbria and ITV Tyne Tees.
Hexham's local radio stations are BBC Radio Newcastle on 103.7 FM, Capital North East on 105.8 FM, Heart North East on 96.4 FM, Smooth North East on 101.2 FM and Metro Radio on 103.2 FM.
Horse racing from the town's course on Yarridge Heights is regularly featured on telecasts by Racing UK and other selected broadcasters. Regular sound broadcasts of cricket commentary for Tynedale CC can be heard via the internet during summer on Spreaker Internet Radio.
Education
Hexham is served by state first, middle and high schools and uses the three-tier system as does the rest of Northumberland. Queen Elizabeth High School, partly located in a former hydropathic hotel, is the town's major educational centre. The nearest private school is Mowden Hall School, a prep school located 10 miles (16 km) away in Stocksfield.
Awards
Hexham won the town award in the 2005 Britain in Bloom awards. In the same year, it was also named England's Favourite Market Town by the magazine Country Life.
Hexham was voted the happiest place to live in Britain, 2019 and 2021.
Economy
The major employer in Hexham is Egger (UK) Limited.
Hexham had been long famous for its manufacture of leather. Wright (1823) gives some statistics
77 men & boys employed as Leather dressers and Glove-cutters, 40 boys employed as Dusters and 1,111 women employed as Sewers. Skins dressed annually were 80,000, and 18,000 skins of dressed leather were imported. From these were made and exported annually 23,504 dozens of pairs of gloves. Dutch Oker was used in the processing, but local fell clay could be used if necessary.
Tanning was a necessary allied industry and there were four tanneries, employing a score of men. In a year they dealt with 5,000 hides and 12,000 calf skins. They supplied local saddlers, bootmakers and cobblers.
Hexham also had 16 master hatters, and the trade employed 40 persons. There were two woollen manufactories, worked by steam power, and two rope manufactories. There were corn water mills below the bridge. A windmill on the Sele was ruinous, but there was one still working on Tyne Green. It was, and still is a flourishing market, including a mart for cattle and other farm animals.
In Hexham the Subskimmer was designed and made by Submarine Products. The town is also the site of a chipboard factory owned by the Austrian firm Egger Retail Products GmbH, which vents steam which can be seen from miles away.
Botanical brewery Fentimans is based in Hexham.
Shopping
Hexham has many shops commonly found in other English market-towns, with five central supermarkets (Tesco, Aldi, Lidl, Marks and Spencer and Waitrose), multiple clothes shops, charity shops, banks, estate agents, antique shops and chemists. Cafes and coffee shops are also common in Hexham, from commercial chains (Costa) to family run independents.
Sport
Hexham's racecourse is at Yarridge Heights in the hills above the town, with National Hunt (steeplechase) races throughout the year.
Tynedale Cricket Club
The town is also home to Tynedale Cricket Club, who play their home matches on Prior's Flat. (NE46 3EW)
Founded in 1888, the club has had its most successful period over the most recent 40 years when they dominated the Northumberland County League, before starting the 21st century by winning several championships in the newly created Northumberland & Tyneside Senior Cricket League.
In late 2017 Tynedale CC became a founder member of the new Northumberland & Tyneside Cricket League (NTCL), formed when a merger between NTSCL & Northumberland Cricket League was voted through by constituent clubs at the inaugural AGM held at Kingston Park Rugby Ground.
This new league will comprise six divisions with divisions 5 and 6 regionalised into north and south sections.
Twin towns
Germany Metzingen, Germany
France Noyon, France
copyright: © FSUBF. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.
I once made the mistake of tripping the intruder alarms at TQ Express. I was still fiddling with the alarm panel frantically trying to put the right PIN in when two machine gun armed Police beckoned to me through the door. But then they only had to leap round from the unit next door. They are a discreet little team (normally) with no fixed signs to show a special Police unit is based there, but today three fast pursuit cars were a bit of a giveaway. But, for TQ Express, we appreciate the additional security so close to home.
96/365 Permanent Construction
Poznan, Poland
Autumn
Not quite permanent, but it sure does feel like it since this has been being built for the last fiver years. Looking forward to seeing it not being built and I think most of the city feels the same way. Why is it taking so long?
Join me on my personal websiteErik Witsoe or on Facebook
I still think it's a hippie clothes line.
More formally, sculptor Alejandro Propate came from Argentina to hang it out at Tamarama, although according to the statement 'this installation is dedicated to the sunrise at Bondi' .
Revolta Permanent taldea, Durangoko Azokan (Ahotsenea), Kimera disko berria aurkezten. Argazki gehiago / Mas fotos
...permanently stooped, while her friends walk tall, she is the most extrovert, personable and self assured woman of them all: a portrait from the streets of a small town in Madyha Pradesh, Central India
(© Handheld Films 2014)
EKH 552J
There are a few old vehicles parked up at the Royal Albert Dock Liverpool that appear to be permanent fixtures as they always seems to be there, even at night.
This Citroën HY was a new addition to the area. My camera doesn't do the colour scheme justice - the orange was VERY bright.
I have to say, I've never seen a caterer specialising in Cheese on Toast before!
Bu tipik Karadeniz evlerine bir örnek. Altı taş, üst katı ahşap. Bu civarda birçok yerde bu tarzda yapılmış evlere rastlanıyor. Ne yazık ki "modern" olmadıkları için yıkıp yerine bina dikiyorlar. Bu arada Ayder'de tepelerde hep sis var. Çoğu zaman da yağmur yağıyor. Yağmurun Karadeniz'de sürekli olmasının nedeni, çay.
The houses here are typical of Black Sea architecture: the top floors made of wood and the first floors of hewn rock. Unfortunately this kind of architecture is diminishing since "modern" structures are built instead of them. Meanwhile the hills are always foggy in Ayder and it often rains here. The reason for the almost permanent rain in the region is tea.
La grande salle du musée Cernuschi après la rénovation du parcours permanent des collections
Dans la grande salle du musée, la rénovation de la présentation des collections a dégagé le Bouddha Amida qui était auparavant adossé à une cloison noire. La statue est toujours dans la même position face à la baie vitrée mais elle apparaît maintenant dans la continuité des statues de Bouddhas et de Bodhisattvas de différents styles, périodes et zones géographiques qui sont exposées sur la mezzanine (à droite sur la photo).
La salle principale du musée retrouve son volume et son éclairage ce qui est une amélioration indéniable. L'essentiel du nouveau parcours est chronologique, ce choix muséographique facilite sa compréhension. Quelques vitrines restent thématiques notamment sur la route de la soie, les céramiques ou les peintures qui bénéficient d'un espace dédié.
Après plusieurs mois de travaux pour rénovation, le musée Cernuschi a ouvert le 4 mars 2020 juste avant le confinement, il a presque aussitôt été fermé, le musée vient à nouveau d'être accessible au public.
Seuls les dispositifs numériques, prévus pour moderniser la médiation, restent éteints pour raisons sanitaires car ils sont tous tactiles, on peut temporairement s'en passer car tous les cartels ont été refaits.
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Cette grande statue de Bouddha Amida provient d’un petit temple du quartier de Meguro à Tokyo, le Banryûji . Ce temple dépendait d’un monastère, le Enzanji, de la secte Jôdo du bouddhisme amidiste.(extrait du site des amis du musée)
La statue date de l'ère Tenpô (1829-1844)
Elle est aujourd'hui présentée dans la salle principale du musée Cernuschi à Paris
www.cernuschi.paris.fr/fr/collections/collections-japonaises
La notice sur la statue d'Amida dans la base de données des collections de la ville de Paris
www.parismuseescollections.paris.fr/fr/musee-carnavalet/o...
Notice de référence
www.cernuschi.paris.fr/fr/collections/collections-japonai...
L'ouvrage de Théodore Duret sur Gallica (on peut y lire la manière dont Henri Cernuschi et Théodore Duret ont acquis la statue du Bouddha)
gallica.bnf.fr/ark:/12148/bpt6k5408633w/f6.image.r=th%C3%...
Built in 1923, this Renaissance Revival-style twenty-story skyscraper was designed by George B. Post and Sons to house the Buffalo Statler Hotel, part of the Statler Hotel chain that was headquartered in Buffalo. The second permanent hotel that the Statler family built in Buffalo, the building replaced an earlier hotel that stood on the site, housed in the former Millard Fillmore mansion, known as the Castle Inn, and an earlier flagship Statler Hotel, which was built in 1907, and located at the southeast corner of Swan Street and Washington Street in a building that was heavily influenced by the nearby Guaranty Building. Ellsworth Milton Statler, whom owned the business, had started in the hospitality industry with a restaurant in the basement of the Ellicott Square building in 1896, expanding with a 2,000-room temporary hotel at the 1901 Pan-American Exposition in Buffalo, and a 2,200 room hotel at the 1904 Louisiana Purchase Exposition in St. Louis, which were so successful that Statler, a former bellhop, decided to re-enter the Hotel business permanently. The present building was the flagship hotel for the chain, which was based in Buffalo, but had hotels all around the United States, which featured amenities that are commonly expected today, including private bathrooms, telephones in each room, and free stationery and newspapers, and were priced at a moderate cost for more average travelers, rather than being targeted at wealthy clientele. Statler also wanted to attract the city’s elite to his establishment, and thus bought the nearby Iroquois Hotel, a longstanding center of social life for Buffalo’s elite and business class, in 1923, and closed it a day after his new hotel opened. Arguably, the original Hotel Statler was more architecturally significant, as it was one of the largest ever Art Nouveau buildings constructed in the United States, and featured a far more unique and distinctive interior and exterior, as well as being the first hotel to have all the innovative features that Statler became known for. Like the similarly significant Larkin Building, however, the original Statler Hotel Buffalo was demolished in 1968 to make way for a “shovel-ready” development site, with no regard for the non-monetary value of the building. Private development never materialized on the site, and it sat as a barren parking lot until a baseball stadium and plaza were built on the site in the late 20th Century.
The building features a tripartite composition, with a four-story base, which extends to the rear (east) of the tower along Genesee Street and Mohawk Street to Franklin Street, which contains many of the hotel’s major public spaces, including meeting rooms, ballrooms, lobbies, and retail spaces. Above the base rises a tower, twenty stories tall and E-shaped, with two light wells on the western side of the building that extend deep into the block to the east, with a largely unadorned red brick-clad section between the sill line of the windows on the sixth floor to the sill line of the windows on the eighteenth floor, forming the “shaft” of the composition. At the top is a more richly detailed three-story section of the building, forming the “capital” of the composition, drawing the eye upwards and emphasizing the verticality of the building. The first floor is clad in stone with rustication, with the second and third floors sharing large window bays with decorative surrounds, which include decorative keystones, broken pediments with cartouches, triple arched window openings flanked by doric pilasters and recessed niches on the western facade, paired arched windows facing Niagara Square, separated by doric pilasters, and smaller windows at the east end of the building along Franklin Street and Mohawk Street. Above the arched window bays are low-slope roofs enclosed by decorative balustrades, with smaller window openings on the fourth floor featuring decorative stone trim, with the window bays around the perimeter of the base of the tower portion of the building being flanked by doric pilasters, with an architrave with triglyphs and decorative reliefs above the pilasters, and a cornice featuring modillions running around the sill line of the fifth floor windows, marking the base of the transition from the base to the shaft. The fifth floor features windows with decorative surrounds and keystones with busts, and is topped with a cornice, which is the last strong horizontal datum before the building becomes an unadorned brick shaft for the next twelve floors. The building features double-hung and fixed windows, some of which are original, and others of which are replacements, with two-over-two windows being predominant between the sixth and eighteenth floors. On the eighteenth floor, the sill line of the windows is a line of stone belt coursing, with decorative window trim at the window openings, and a cornice with dentils above the windows, originally extending further out from the facade, but having been chiseled away due to structural issues in the late 20th Century. The nineteenth and twentieth floors feature decorative trim once again, with the outermost bays of the individual north and south facades, as well as the west facade, featuring single windows flanked by doric pilasters with decorative window trim, including busts on the keystones, and the middle bays being recessed, flanked by ionic pilasters, with copper spandrel panels. The top of the twentieth floor windows is a line of belt coursing, above which are a few courses of brick, with decorative reliefs above the doric pilasters on the east and west facades, which sits below the building’s cornice, which features brackets, and runs around the base of the brick parapet that encloses the building’s low-slope roof. Atop the parapet above the doric pilasters are decorative urns. The rear of the building also features a large circulation tower, housing the building’s main stairways and elevators, which features a largely unadorned facade with four oxeye openings with stone trim at the top, with this being the least detailed section of the building’s exterior.
Inside, the building features many original semi-public spaces that have been partially preserved from the original period of construction and function as a hotel. These include the “palm room”, the main lobby that is themed after a tropical garden, which sits just outside the hotel’s main dining room, a two-story space with a vaulted ceiling, decorative archways, paired arched second-story openings with balustrades and columns, arched windows above the dining room entrance, an entrance portico at the dining room with ionic columns, a decorative cornice, a broken pediment with a cartouche, and a decorative balustrade atop the portico, and a fountain surrounded by greco-roman statues. There is also the Terrace Room, which features a decorative beam ceiling, ionic columns, and a section of the ceiling that is vaulted, the golden ballroom, formerly the hotel’s main dining room, which features a cantilevered second-story balcony with ionic columns featuring capitals and accents clad in gold leaf, decorative trim and panels clad in gold leaf, a wooden parquet floor, and a vaulted ceiling, and a room in the mezzanine with well-preserved carved wood paneling and black marble fireplace surrounds. Other spaces, including the lounge, tea room, cafeteria, swimming pool, and turkish baths, have not been preserved in as intact of a condition.
The hotel began to see a decline in occupancy with the onset of the Great Depression, with several of its 1,100 rooms regularly sitting vacant. As a result, it began to see portions of its interior converted into office space, which accelerated after the opening of the WBEN TV studio in the building. The Statler hotel chain was bought out by Hilton in 1954, which continued to use the Statler brand on hotels that the chain had already built, but eventually phased it out. The hotel finally shuttered in 1984, with the building being renamed the Statler Towers. The building became largely vacant, with only the lower floors being occupied, with the highest occupancy being in the street-facing retail spaces. In the 2000s, the building was slated for conversion into a hotel and condominium, but this proved unsuccessful when the entity that owned the building went bankrupt, leading to a foreclosure and the building being threatened with demolition. Preservationists worked hard to save the building, leading to it being auctioned to a developer in 2010, whom started to stabilize the structure and address its deferred maintenance, reopening the event spaces on the lower floors in 2011, with plans to eventually renovate the rest of the building with an incremental, multi-phased approach. After that developer died, the building was sold to another developer, whom has announced plans to convert the base into a combination of parking, meeting and event space, amenity space, and retail space, with 600 apartments on the upper levels, with work being well underway in 2022.
Replacing an earlier scanned slide with a better version 12-May-15, plus Topaz DeNoise AI 03-Dec-23.
Built as a Beech AT-11 Kansan, this aircraft was delivered to the US Army Air Forces serialled 42-36966 in 1942 and used for aircrew basic training.
It was converted to Beech C-45H Expeditor standard in 1953 and re-serialled 52-10610. It was sold into the civil aviation market as N9597Z (date unknown),
The aircraft was sold to LAVCO, the Libyan Aviation Company as N176L around 1968 and operated on oil well support, based in Tripoli, Libya.
It was sold to ATC Inc (USA) in Mar-75. The registration was cancelled in Oct-86, presumably it was permanently retired.
Taken with a Canon 60mm USM Macro lens. Type L for a better view.
Our Daily Challenge - Natural Texture - 10/19/11
GM36-S312 both around their 50 year marks roll up and down the hills out of Maroona pulling over 2,000 tonnes of Mineral Sands on 7769V El Zorro Hopetoun to Hamilton Mineral Sands train - 24/1/2012
As part of our Wonderbot project, I am building a small puppet theater in my studio, to experiment with poetic robots and interactive storytelling. Before building out a permanent framework, I am testing a few ideas, to best combine physical objects with digital images and sounds. In this test, the projector is pointing down from the ceiling so that characters can stand in front of the projected image without blocking it. With the projector about five feet away from the back wall, it can beam a backdrop that’s about 4 feet wide by 3 feet high.
We are creating a short story around Violet and Indigo, two ‘wonder ducks’ created by Natalina, which we’ve turned into 'poetic robots’. We’re now starting to write a loose script to guide their interactions, with dialog, music, sound effects, props and backdrops. We hope this fairy tale will inspire which features to give these duckbots (e.g.: respond to each other’s calls, approach or avoid one another). Our goal is to capture the best scenes on video and edit it all together into a compelling story at the end of this project. I can’t wait to see how far we can go with this.
To track our progress, bookmark our Wonderbots photo album: bit.ly/wonderbot-photos