perishable photos on Flickr

"Campo De Color" by Sonia Falcone II [Venice - 7 September 2013] by Doc. Ing.

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(2013)

The spices installation "Campo de Color" ("Colour Field") by Sonia Falcone spreads out like a landscape of sensations and provokes synesthetic perceptions. Sweet blue, fiery red and a bitter gold give off a swirl of fragrances; an intense irradiation of all the qualities of matter. As in its original meaning, aesthetics is in this installation, "Campo de Color", a sensation. Throughout history, spieces have motivated marine exploration and trading routes and here inspire the creation of a new landscape. Falcone covered the floor with hundreds of clay pots filled with cocoa, cayenne, chili, achiote, pepper, cinnamon, turmeric, thyme, mjustard, curry, paprika and more... a rich variety of spices to create a minimalist composition in the colour field style. Unlike the smooth cold, surfaces of North American minimalism, Falcone's visual feast displays reliefs composed of pulverised flavours, as hot as Latin American chinli or as sweet as Oriental cinnamon. While the routes of the spieces linked Asia to the ports of Venice in the Middle Ages, "Campo de Color" completes the cartographic picture by drawing in the palette of flavours from the New World. Landscape, banquet, market and altar; these earthbound elements trigger heady sensations and at the same time recall the body's perishable limitations, the ephemeral nature of sensory pleasure and - ultimately - the fleeting nature of life.

Cambodia - Angkor Wat - 03 by Manfred Sommer

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Angkor Wat or "Capital Temple" is a temple complex in Cambodia and the largest religious monument in the world. It was first a Hindu and later a Buddhist temple. It was built by the Khmer King Suryavarman II in the early 12th century in Yaśodharapura, present-day Angkor, the capital of the Khmer Empire, as his state temple and eventual mausoleum.

Breaking from the Shiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. As the best-preserved temple at the site, it is the only one to have remained a significant religious center since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple, based on early Dravidian architecture, with key features such as the Jagati. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls.

The modern name, Angkor Wat, means "Temple City" or "City of Temples" in Khmer; Angkor, meaning "city" or "capital city", is a vernacular form of the word nokor (នគរ), which comes from the Sanskrit word nagara (नगर). Wat is the Khmer word for "temple grounds" (Sanskrit: वाट vāṭa ""enclosure").

HISTORY

Angkor Wat lies 5.5 kilometres north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. It is in an area of Cambodia where there is an important group of ancient structures. It is the southernmost of Angkor's main sites.

According to one legend, the construction of Angkor Wat was ordered by Indra to act as a palace for his son Precha Ket Mealea.

According to the 13th century Chinese traveler Daguan Zhou, it was believed by some that the temple was constructed in a single night by a divine architect. The initial design and construction of the temple took place in the first half of the 12th century, during the reign of Suryavarman II (ruled 1113-C. 1150). Dedicated to Vishnu, it was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as "Varah Vishnu-lok" after the presiding deity. Work seems to have ended shortly after the king's death, leaving some of the bas-relief decoration unfinished.

In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon respectively) a few kilometers to the north.

In the late 13th century, Angkor Wat gradually moved from Hindu to Theravada Buddhist use, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was somewhat neglected after the 16th century it was never completely abandoned, its preservation being due in part to the fact that its moat also provided some protection from encroachment by the jungle.

One of the first Western visitors to the temple was António da Madalena, a Portuguese monk who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of."

In the mid-19th century, the temple was visited by the French naturalist and explorer, Henri Mouhot, who popularised the site in the West through the publication of travel notes, in which he wrote:

"One of these temples - a rival to that of Solomon, and erected by some ancient Michelangelo - might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged."

Mouhot, like other early Western visitors, found it difficult to believe that the Khmers could have built the temple, and mistakenly dated it to around the same era as Rome. The true history of Angkor Wat was pieced together only from stylistic and epigraphic evidence accumulated during the subsequent clearing and restoration work carried out across the whole Angkor site. There were no ordinary dwellings or houses or other signs of settlement including cooking utensils, weapons, or items of clothing usually found at ancient sites. Instead there is the evidence of the monuments themselves.

Angkor Wat required considerable restoration in the 20th century, mainly the removal of accumulated earth and vegetation. Work was interrupted by the civil war and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period other than the theft and destruction of mostly post-Angkorian statues.The temple is a powerful symbol of Cambodia, and is a source of great national pride that has factored into Cambodia's diplomatic relations with France, the United States and its neighbor Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863. From a larger historical and even transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937. Angkor Wat's aesthetics were also on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from C. 1880 to the mid-1920s. The splendid artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country that had been under Siamese (Thai) control since 1351 AD (Manich Jumsai 2001), or by some accounts, 1431 AD. Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since that time.

ARCHITECTURE

SITE AND PLAN

Angkor Wat, located at 13°24′45″N 103°52′0″E, is a unique combination of the temple mountain, the standard design for the empire's state temples and the later plan of concentric galleries. The temple is a representation of Mount Meru, the home of the gods: the central quincunx of towers symbolises the five peaks of the mountain, and the walls and moat the surrounding mountain ranges and ocean. Access to the upper areas of the temple was progressively more exclusive, with the laity being admitted only to the lowest level. Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the east. This has led many (including Maurice Glaize and George Coedès) to conclude that Suryavarman intended it to serve as his funerary temple.Further evidence for this view is provided by the bas-reliefs, which proceed in a counter-clockwise direction - prasavya in Hindu terminology - as this is the reverse of the normal order. Rituals take place in reverse order during Brahminic funeral services. The archaeologist Charles Higham also describes a container which may have been a funerary jar which was recovered from the central tower. It has been nominated by some as the greatest expenditure of energy on the disposal of a corpse. Freeman and Jacques, however, note that several other temples of Angkor depart from the typical eastern orientation, and suggest that Angkor Wat's alignment was due to its dedication to Vishnu, who was associated with the west.

A further interpretation of Angkor Wat has been proposed by Eleanor Mannikka. Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, she argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honor and placate the deities manifest in the heavens above." Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles. She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.

STYLE

Angkor Wat is the prime example of the classical style of Khmer architecture - the Angkor Wat style - to which it has given its name. By the 12th century Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are of sandstone blocks, while laterite was used for the outer wall and for hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested. The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity and style." Architecturally, the elements characteristic of the style include: the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, and on pediments extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.

FEATURES

OUTER ENCLOSURE

The outer wall, 1024 by 802 m and 4.5 m high, is surrounded by a 30 m apron of open ground and a moat 190 m wide. Access to the temple is by an earth bank to the east and a sandstone causeway to the west; the latter, the main entrance, is a later addition, possibly replacing a wooden bridge. There are gopuras at each of the cardinal points; the western is by far the largest and has three ruined towers. Glaize notes that this gopura both hides and echoes the form of the temple proper. Under the southern tower is a statue of Vishnu, known as Ta Reach, which may originally have occupied the temple's central shrine.Galleries run between the towers and as far as two further entrances on either side of the gopura often referred to as "elephant gates", as they are large enough to admit those animals. These galleries have square pillars on the outer (west) side and a closed wall on the inner (east) side. The ceiling between the pillars is decorated with lotus rosettes; the west face of the wall with dancing figures; and the east face of the wall with balustered windows, dancing male figures on prancing animals, and devatas, including (south of the entrance) the only one in the temple to be showing her teeth. The outer wall encloses a space of 820,000 square metres, which besides the temple proper was originally occupied by the city and, to the north of the temple, the royal palace. Like all secular buildings of Angkor, these were built of perishable materials rather than of stone, so nothing remains of them except the outlines of some of the streets. Most of the area is now covered by forest. A 350 m causeway connects the western gopura to the temple proper, with naga balustrades and six sets of steps leading down to the city on either side. Each side also features a library with entrances at each cardinal point, in front of the third set of stairs from the entrance, and a pond between the library and the temple itself. The ponds are later additions to the design, as is the cruciform terrace guarded by lions connecting the causeway to the central structure.

CENTRAL STRUCTURE

The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. Mannikka interprets these galleries as being dedicated to the king, Brahma, the moon, and Vishnu.

Each gallery has a gopura at each of the points, and the two inner galleries each have towers at their corners, forming a quincunx with the central tower. Because the temple faces west, the features are all set back towards the east, leaving more space to be filled in each enclosure and gallery on the west side; for the same reason the west-facing steps are shallower than those on the other sides.

The outer gallery measures 187 by 215 m, with pavilions rather than towers at the corners. The gallery is open to the outside of the temple, with columned half-galleries extending and buttressing the structure. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (the "Hall of a Thousand Gods"). Buddha images were left in the cloister by pilgrims over the centuries, although most have now been removed. This area has many inscriptions relating the good deeds of pilgrims, most written in Khmer but others in Burmese and Japanese. The four small courtyards marked out by the cloister may originally have been filled with water.

North and south of the cloister are libraries.

Beyond, the second and inner galleries are connected to each other and to two flanking libraries by another cruciform terrace, again a later addition. From the second level upwards, devatas abound on the walls, singly or in groups of up to four. The second-level enclosure is 100 by 115 m, and may originally have been flooded to represent the ocean around Mount Meru.

Three sets of steps on each side lead up to the corner towers and gopuras of the inner gallery. The very steep stairways represent the difficulty of ascending to the kingdom of the gods. This inner gallery, called the Bakan, is a 60 m square with axial galleries connecting each gopura with the central shrine, and subsidiary shrines located below the corner towers. The roofings of the galleries are decorated with the motif of the body of a snake ending in the heads of lions or garudas. Carved lintels and pediments decorate the entrances to the galleries and to the shrines. The tower above the central shrine rises 43 m to a height of 65 m above the ground; unlike those of previous temple mountains, the central tower is raised above the surrounding four. The shrine itself, originally occupied by a statue of Vishnu and open on each side, was walled in when the temple was converted to Theravada Buddhism, the new walls featuring standing Buddhas. In 1934, the conservator George Trouvé excavated the pit beneath the central shrine: filled with sand and water it had already been robbed of its treasure, but he did find a sacred foundation deposit of gold leaf two metres above ground level.

DECORATION

Integrated with the architecture of the building, and one of the causes for its fame is Angkor Wat's extensive decoration, which predominantly takes the form of bas-relief friezes. The inner walls of the outer gallery bear a series of large-scale scenes mainly depicting episodes from the Hindu epics the Ramayana and the Mahabharata. Higham has called these, "the greatest known linear arrangement of stone carving".

From the north-west corner anti-clockwise, the western gallery shows the Battle of Lanka (from the Ramayana, in which Rama defeats Ravana) and the Battle of Kurukshetra (from the Mahabharata, showing the mutual annihilation of the Kaurava and Pandava clans). On the southern gallery follow the only historical scene, a procession of Suryavarman II, then the 32 hells and 37 heavens of Hindu mythology.

On the eastern gallery is one of the most celebrated scenes, the Churning of the Sea of Milk, showing 92 asuras and 88 devas using the serpent Vasuki to churn the sea under Vishnu's direction (Mannikka counts only 91 asuras, and explains the asymmetrical numbers as representing the number of days from the winter solstice to the spring equinox, and from the equinox to the summer solstice). It is followed by Vishnu defeating asuras (a 16th-century addition). The northern gallery shows Krishna's victory over Bana (where according to Glaize, "The workmanship is at its worst"). and a battle between the Hindu gods and asuras. The north-west and south-west corner pavilions both feature much smaller-scale scenes, some unidentified but most from the Ramayana or the life of Krishna. Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewelry and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.

CONSTRUCTION TECHNIQUES

The stones, as smooth as polished marble, were laid without mortar with very tight joints that are sometimes hard to find. The blocks were held together by mortise and tenon joints in some cases, while in others they used dovetails and gravity. The blocks were presumably put in place by a combination of elephants, coir ropes, pulleys and bamboo scaffolding. Henri Mouhot noted that most of the blocks had holes 2.5 cm in diameter and 3 cm deep, with more holes on the larger blocks. Some scholars have suggested that these were used to join them together with iron rods, but others claim they were used to hold temporary pegs to help manoeuvre them into place. The monument was made out of millions of tonnes of sandstone and it has a greater volume as well as mass than the Great Pyramid of Giza in Egypt. The Angkor Wat Temple consumes about 6 million to 10 million blocks of sandstone with an average weight of 1.5 tons each. In fact, the entire city of Angkor used up far greater amounts of stone than all the Egyptian pyramids combined, and occupied an area significantly greater than modern-day Paris. Moreover, unlike the Egyptian pyramids which use limestone quarried barely half a km away all the time, the entire city of Angkor was built with sandstone quarried 40 km (or more) away. This sandstone had to be transported from Mount Kulen, a quarry approximately 40 km to the northeast. The route has been suggested to span 35 kilometres along a canal towards Tonlé Sap lake, another 35 kilometres crossing the lake, and finally 15 kilometres upstream and against the current along Siem Reap River, making a total journey of 90 kilometres. However, Etsuo Uchida and Ichita Shimoda of Waseda University in Tokyo, Japan have discovered in 2012 a shorter 35-kilometre canal connecting Mount Kulen and Angkor Wat using satellite imagery. The two believe that the Khmer used this route instead.

Virtually all of its surfaces, columns, lintels even roofs are carved. There are miles of reliefs illustrating scenes from Indian literature including unicorns, griffins, winged dragons pulling chariots as well as warriors following an elephant-mounted leader and celestial dancing girls with elaborate hair styles. The gallery wall alone is decorated with almost 1000 square metres of bas reliefs. Holes on some of the Angkor walls indicate that they may have been decorated with bronze sheets. These were highly prized in ancient times and were a prime target for robbers. While excavating Khajuraho, Alex Evans, a stonemason and sculptor, recreated a stone sculpture under 1.2 m, this took about 60 days to carve. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. The labor force to quarry, transport, carve and install so much sandstone must have run into the thousands including many highly skilled artisans. The skills required to carve these sculptures were developed hundreds of years earlier, as demonstrated by some artifacts that have been dated to the seventh century, before the Khmer came to power.

ANGKOR WAT TODAY

The Archaeological Survey of India carried out restoration work on the temple between 1986 and 1992. Since the 1990s, Angkor Wat has seen continued conservation efforts and a massive increase in tourism. The temple is part of the Angkor World Heritage Site, established in 1992, which has provided some funding and has encouraged the Cambodian government to protect the site. The German Apsara Conservation Project (GACP) is working to protect the devatas and other bas-reliefs which decorate the temple from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed restoration of the north library of the outer enclosure in 2005. World Monuments Fund began conservation work on the Churning of the Sea of Milk Gallery in 2008 after several years of conditions studies. The project restored the traditional Khmer roofing system and removed cement used in earlier restoration attempts that had resulted in salts entering the structure behind the bas-relief, discoloring and damaging the sculpted surfaces. The main phase of work ended in 2012, and the final component will be the installation of finials on the roof of the gallery in 2013. Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration and radiation resistant filamentous cyanobacteria can produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan. Angkor Wat has become a major tourist destination. In 2004 and 2005, government figures suggest that, respectively, 561.000 and 677.000 foreign visitors arrived in Siem Reap province, approximately 50% of all foreign tourists in Cambodia for both years. The site has been managed by the private SOKIMEX group since 1990, which rented it from the Cambodian government. The influx of tourists has so far caused relatively little damage, other than some graffiti; ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance - as of 2000 approximately 28% of ticket revenues across the whole Angkor site was spent on the temples - although most work is carried out by foreign government-sponsored teams rather than by the Cambodian authorities. Since Angkor Wat has seen significant growth in tourism throughout the years UNESCO and its International Co-ordinating Committee for the Safeguarding and Development of the Historic Site of Angkor (ICC), in association with representatives from the Royal Government and APSARA, organized seminars to discuss the concept of "cultural tourism". Wanting to avoid commercial and mass tourism, the seminars emphasized the importance of providing high quality accommodation and services in order for the Cambodian government to benefit economically, while also incorporating the richness of Cambodian culture. In 2001, this incentive resulted in the concept of the "Angkor Tourist City" which would be developed with regard to traditional Khmer architecture, contain leisure and tourist facilities, and provide luxurious hotels capable of accommodating large amounts of tourists. The prospect of developing such large tourist accommodations has encountered concerns from both APSARA and the ICC, claiming that previous tourism developments in the area have neglected construction regulations and more of these projects have the potential to damage landscape features. Also, the large scale of these projects have begun to threaten the quality of the nearby town's water, sewage, and electricity systems. It has been noted that such high frequency of tourism and growing demand for quality accommodations in the area, such as the development of a large highway, has had a direct effect on the underground water table, subsequently straining the structural stability of the temples at Angkor Wat. Locals of Siem Reap have also voiced concern over the charming nature and atmosphere of their town being compromised in order to entertain tourism. Since this charming local atmosphere is the key component to projects like Angkor Tourist City, local officials continue to discuss how to successfully incorporate future tourism without sacrificing local values and culture. At the ASEAN Tourism Forum 2012, both parties have agreed Borobudur and Angkor Wat to become sister sites and the provinces will become sister provinces. Two Indonesian airlines are considering the opportunity to open a direct flight from Yogyakarta, Indonesia to Siem Reap.

WIKIPEDIA

C505-8179=BM3 Goulburn 16-5-93 by John

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Victorian C class have been regular visitors to NSW on two occasions, the first in their V-line corporate livery as seen here during the early nineties. Of course, two decades later, nine of the ten in the class are permanently based in NSW operating export wheat services, and C501 even appears on loan with the smaller private operations.

Seen here C505 leads EMD cousin 8179 southbound out of Goulburn enroute to Melbourne with an express rake of perishables.

Choctaw lightning bird, Melatha ..... by Tim Williams

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Thunder and lightning were made manifest in two great birds. The female, Heloha (thunder) would lay her giant eggs in the clouds and they would rumble as they rolled around atop the clouds. Despite his size, her mate Melatha (lighting) was extremely fast and left a trail of sparks as he streaked across the sky.

To protect himself from evil spirits and assure success in battle, each Choctaw male, upon reaching his manhood, created for himself a totem or medicine bag, which he carried upon his person at all times. Each medicine bag was different, being made, up of items the individual felt would word off evil or bring good fortune ... such as a claw from his first bear kill, a bit of earth from his house, etc. The warrior would never reveal to another the contents of his medicine bag, and if asked what the bag contained, he would probably, answer "You would not be any wiser thereby." If a Choctaw's medicine bag were ever,stolen, destroyed or lost, his effectiveness as a warrior, a hunter, a digger, a builder or whatever his profession was gone and he could not operate until he had found or built himself a new totem.

To Live

We both have our hands to give

Take mine I shall lead you afar

I have lived several times my face hasw changed

With every threshold I have crossed and every hand

clasped Familial springtime was reborn

Keeping for itself and for me its perishable snow

Death and the betrothed

The future with five fingers clenched and letting go

My age always gave me

New reasons for living through others

For having the blood of man other's heart in mine

Oh the lucid fellow I was and that I am

Before the pallor of frail blind girls

Lovelier than the delicate worn moon so fair

By the reflection of life's ways

A trail of moss anf trees

Of mist and morning dew

Of the young body which does not rise alone

To its place on earth

Wind cold and rain cradle it

Summer makes a man of it

Presesence is my virtue in each visible hand

Only death is solitude

From delight to fury from fury to clarity

I make myself whole through all beings

Through all weather on the earth and in the clouds

Through the passing seasons I am young

And strong for having lived

I am young my blood rises over my ruins

We have our hands to entwine Nothing can ever seduce better

Tahn our bonding to each other a forest

Returning earth to sky and the sky to night

To the night which prepares an unending day.

--Paul Eluard

The Reeks and Purple Mountain by Charles Augustus

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Had to clone out vignetting from the cp mounted on the wide-angle filter holder - it is such a nuisance at the widest lengths of the 17-40mm lens! Driving home with a few kilos of gigantic, juicy, but very perishable Beara blackberries (picked within sound of the sea), but had to stop for the light several times. They survived the delays, and are now turned into blackberry jelly for scones and toast. So much processing - fruit and RAW files, but RAW files keep fresh for simply ages!

A Sign of Hope by Robb Wilson

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This was what Ralphs looked like four days ago. There wasn't this mad dash to grab everything perishable off the shelves. We were not experiencing a zombie apocalypse, nor a nuclear threat where everyone had to stock their bomb shelters at the last minute. The idea, of course, is to buy as much as one needs for a couple of weeks so they don't have to venture out every day, or every other day for groceries. Yes, this panic buying did just that for most of us, myself included. And to expose myself to any possible virus just to make sure I have not just enough food but enough toilet paper is counter-productive to dealing with this crisis. And, I still haven't found any place where I can buy a mask or rubber gloves to wear when I do have to go out.

Angkor Thom - Nokor Thom, Cambodia. by PHOTOGRAPHY by DM & DBM.

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Angkor Thom located in present-day Cambodia, was the last and most enduring capital city of the Khmer Empire. It was established in the late twelfth century by King Jayavarman VII. 170 It covers an area of 9 km², within which are located several monuments from earlier eras as well as those established by Jayavarman and his successors. At the centre of the city is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north. The site is one of the major tourist attractions of southeast Asia.

Angkor Thom (Khmer: អង្គរធំ) is the transform name from another alternative name of Nokor Thom (Khmer: នគរធំ), which is believed to be the correct one, due to neglect of calling it in incorrect pronunciation. The word Nokor (Khmer: នគរ, Nôkô) is literally derived from Sanskrit word of Nagara (Devanāgarī: नगर), which means City, combining with Khmer word Thom (Khmer: ធំ, Thum), which means Big or Great so as to form Nokor Thom then being altered to current name of Angkor Thom.

Angkor Thom was established as the capital of Jayavarman VII's empire, and was the centre of his massive building program. One inscription found in the city refers to Jayavarman as the groom and the city as his bride.: 121

Angkor Thom seems not to be the first Khmer capital on the site, however. Yasodharapura, dating from three centuries earlier, was centred slightly further northwest, and Angkor Thom overlapped parts of it. The most notable earlier temples within the city are the former state temple of Baphuon, and Phimeanakas, which was incorporated into the Royal Palace. The Khmers did not draw any clear distinctions between Angkor Thom and Yashodharapura: even in the fourteenth century an inscription used the earlier name.: 138 The name of Angkor Thom—great city—was in use from the 16th century.

The last temple known to have been constructed in Angkor Thom was Mangalartha, which was dedicated in 1295. Thereafter the existing structures continued to be modified from time to time, but any new creations were in perishable materials and have not survived.

The Ayutthaya Kingdom, led by King Borommarachathirat II, sacked Angkor Thom, forcing the Khmers under Ponhea Yat to relocate their capital southeast to Phnom Penh.: 29

Angkor Thom was abandoned some time prior to 1609, when an early western visitor wrote of an uninhabited city, "as fantastic as the Atlantis of Plato".: 140 It is believed to have sustained a population of 80,000–150,000 people.

The Poem of Angkor Wat composed in Khmer verse in 1622 describes the beauty of Angkor Thom.

Angkor Thom is in the Bayon style. This manifests itself in the large scale of the construction, in the widespread use of laterite, in the face-towers at each of the entrances to the city and in the naga-carrying giant figures which accompany each of the towers.

The city lies on the west bank of the Siem Reap River, a tributary of Tonle Sap, about a quarter of a mile from the river. The south gate of Angkor Thom is 7.2 km north of Siem Reap, and 1.7 km north of the entrance to Angkor Wat. The walls, 8 m high and flanked by a moat, are each 3 km long, enclosing an area of 9 km². The walls are of laterite buttressed by earth, with a parapet on the top. There are gates at each of the cardinal points, from which roads lead to the Bayon at the centre of the city. As the Bayon itself has no wall or moat of its own, those of the city are interpreted by archaeologists as representing the mountains and oceans surrounding the Bayon's Mount Meru.[8]: 81 Another gate—the Victory Gate—is 500 m north of the east gate; the Victory Way runs parallel to the east road to the Victory Square and the Royal Palace north of the Bayon. It is around 30 minutes from central Siem Reap.

The faces on the 23 m towers at the city gates, which are later additions to the main structure, take after those of the Bayon and pose the same problems of interpretation. They may represent the king himself, the bodhisattva Avalokiteshvara, guardians of the empire's cardinal points, or some combination of these. A causeway spans the moat in front of each tower: these have a row of devas on the left and asuras on the right, each row holding a naga in the attitude of a tug-of-war. This appears to be a reference to the myth, popular in Angkor, of the Churning of the Sea of Milk. The temple-mountain of the Bayon, or perhaps the gate itself,: 82 would then be the pivot around which the churning takes place. The nagas may also represent the transition from the world of men to the world of the gods (the Bayon), or be guardian figures. The gateways themselves are 3.5 by 7 m, and would originally have been closed with wooden doors.: 82 The south gate is now by far the most often visited, as it is the main entrance to the city for tourists. At each corner of the city is a Prasat Chrung—corner shrine—built of sandstone and dedicated to Avalokiteshvara. These are cruciform with a central tower, and orientated towards the east.

Within the city was a system of canals, through which water flowed from the northeast to the southwest. The bulk of the land enclosed by the walls would have been occupied by the secular buildings of the city, of which nothing remains. This area is now covered by forest.

Most of the great Angkor ruins have vast displays of bas-relief depicting the various gods, goddesses, and other-worldly beings from the mythological stories and epic poems of ancient Hinduism (modified by centuries of Buddhism). Mingled with these images are actual known animals, like elephants, snakes, fish, and monkeys, in addition to dragon-like creatures that look like the stylized, elongated serpents (with feet and claws) found in Chinese art.

But among the ruins of Ta Prohm, near a huge stone entrance, one can see that the "roundels on pilasters on the south side of the west entrance are unusual in design."

What one sees are roundels depicting various common animals—pigs, monkeys, water buffaloes, roosters and snakes. There are no mythological figures among the roundels, so one can reasonably conclude that these figures depict the animals that were commonly seen by the ancient Khmer people in the twelfth century.

37177 Broxbourne Charringtons 290987 (6M20) by Michael Hart

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37177 is seen waiting to depart from Broxbourne Charrington's, on Tuesday September 29th 1987 with 6M20, the 1238 Speedlink coal service, which was formed of empty HEAs, whilst on the left is an Interfrigo refrigerated ferry van, for the transport of perishable goods.

The ferry van had originated in Italy, travelled via the Dover train ferry & the Speedlink network, conveying grapes for a group of Italian's at Rye House, to brew their own wine! There was still ice in the roof of the wagon, when it arrived, but the smell was rather strong, when the doors were opened!!!

Operation Christmas Drop by U.S. Indo-Pacific Command

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PACIFIC OCEAN - Tech. Sgt. Magen Harger, 36th Medical Support Squadron medical lab technician, pushes a box of supplies to islanders Dec. 11, 2014, over the Pacific Ocean. Operation Christmas Drop, which has occurred since 1952, is the world's longest humanitarian airlift mission. Each year the operation supplies residents from more than 50 islands with boxes that contain donations to include non-perishable food items, clothing, medical supplies, tools, toys and other various items. (U.S. Air Force photo by Senior Airman Katrina M. Brisbin) 141211-F-EP111-229

** Interested in following U.S. Pacific Command? Engage and connect with us at www.facebook.com/pacific.command and twitter.com/PacificCommand and www.pacom.mil/

Marazion, Mount's Bay, Cornwall, England. by PHOTOGRAPHY by DM & DBM.

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Marazion is a civil parish and town, on the shore of Mount's Bay in Cornwall, England, United Kingdom. It is 2 miles (3.2 km) east of Penzance and the tidal island of St Michael's Mount is half-a-mile offshore. At low water a causeway links it to the town and at high water passenger boats carry visitors between Marazion and St Michael's Mount. Marazion is a tourist resort with an active community of artists who produce and sell paintings and pottery in the town's art galleries.

Marazion lies within the Cornwall Area of Outstanding Natural Beauty (AONB). Almost a third of Cornwall has AONB designation, with the same status and protection as a National Park. On the western side of the town is Marazion Marsh, a RSPB reserve and a Site of Special Scientific Interest (SSSI).

History of Marazion

Remains of an ancient bronze furnace, discovered near the town, tend to prove that tin smelting was practised here at an early period. Marazion was not recorded in the Domesday Book of 1088. Its only charter was granted by Queen Elizabeth I.

Medieval history

The charter attributed to Robert, Count of Mortain granted lands and liberties to St Michael's Mount opposite Marazion and included a market on Thursdays. This appears to have been held from the first on the mainland. From it is probably derived the Marghasbighan (Parvum Forum, lit. "small marketplace") of the earlier and the Marghasyewe (Cornish: "Thursday Market") or Marketjew (Forum Jovis) of the later charters. It may be added that a Jewish origin has been erroneously ascribed to the place from the name Marketjew.

It is certain that Richard, Earl of Cornwall provided that the three fairs, on the two feasts of St Michael and at Mid-Lent, and the three markets which had hitherto been held by the priors of St Michael's Mount on land not their own at Marghasbighan, should in future be held on their own land at Marchadyou. He transferred in fact the fairs and markets from the demesne lands of the Bloyous in Marazion to those of the prior. Its earliest known charter was granted in 1257.

To remedy the loss incurred by this measure Ralph Bloyou in 1331 procured for himself and his heirs a market on Mondays and a fair on the vigil, feast, and morrow of St Andrew at Marghasyon. In Leland's time the market was held at Marhasdeythyow (Forum Jovis), and both Norden (1582) and Carew (1602) tell us that Marcajewe signifies the Thursday's market, which, whether etymologically sound or not, shows that the prior's market had prevailed over its rival. In 1595, Queen Elizabeth granted to Marazion a charter of incorporation. This ratified the grant of St Andrew's fair, provided for another on the Feast of St Barnabas and established a market on Saturdays.

The corporation was to consist of a mayor, eight aldermen and twelve capital burgesses. This corporation continued to administer the affairs of the borough until it was dissolved under the Municipal Corporations Act 1883. The chairman of the commissioners retains possession of the regalia. Of the fairs, only the Michaelmas fair has survived and all the markets have gone. The seal of the borough of Marazion was On a shield the arms three castles triple turreted, with the legend "Semper Eadem".

It is stated that Marazion formerly had the right of returning two members to parliament. Dr Borlase gives the name of two, who in 1658, were re-elected: Richard Mlyll, Esq and Thomas Westlake, Esq; but the inhabitants petitioned against them taking their seats because they were unable to pay expenses for their attendance.

Modern history

Under the Commonwealth an attempt was made to secure or recover the right, and two members are said to have been returned, but they were not allowed to take their seats. Marazion was once a flourishing town, owing its prosperity to the throng of pilgrims who came to visit St Michael's Mount (this ceased at the time of the Reformation). During the first half of the 16th century it was twice plundered; first by the French, and later by Cornish rebels. The rise and progress of the neighbouring borough of Penzance in the 17th century marginalised Marazion.

Penwith is believed to be the last part of Cornwall to speak Cornish as a community language. Dolly Pentreath, the last recorded speaker came from Paul in Penwith. A year following the death of Dolly Pentreath, Barrington received a letter, written in Cornish and accompanied by an English translation, from a fisherman in Mousehole named William Bodinar stating that he knew of five people who could speak Cornish in that village alone. Barrington also speaks of a John Nancarrow from Marazion who was a native speaker and survived into the 1790s.

The graveyard of Gulval church is home to the remains of local pirate and smuggler John 'Eyebrows' Thomas of Marazion.

The West Cornwall Railway opened Marazion railway station on 11 March 1852 and its goods yard handled a large volume of perishable traffic – fish, fruit, and vegetables – from the surrounding farms and harbours. Marazion station closed to passenger traffic in October 1964 and to freight in December 1965. For many years the site of the closed station was home to Pullman railway carriages which were used as camping coaches. The site, though not conveniently located, is on Cornwall's still-operating passenger main-line, so there are aspirations to re-open it.

The Royal National Lifeboat Institution opened a 'Marazion Lifeboat Station' in 1990, although the D-class (EA16) inshore lifeboat was actually kept in a shed on the quayside on St Michael's Mount. The station was closed on 31 October 2001 as it was proving difficult to find enough volunteer crew members. The boat was transferred to the neighbouring Penlee Lifeboat Station at Newlyn on the other side of Mounts Bay where there is a larger population to draw the crews from.

At the end of the Second World War a number of naval vessels, the most famous of which was the battleship HMS Warspite were broken up on the beaches at Marazion. HMS Warspite was beached and broken up in 1947.

The A394 road between Marazion, Helston and Penryn was once run by Helston Turnpike Roads Trust, which charged tolls for using the road. On 1 November 1880 the Trust put up for auction the toll houses at Marazion and Wendron as well as ″materials″ such as granite posts, chains, gates, etc. The charging of tolls ended on 7 November 1880 and the road came under the management of the County (note:Cornwall County Council was not formed until 1889).

From 1894 to 1974, Marazion was part of West Penwith Rural District and in a reorganisation of local government in 1974 became part of Penwith District Council. Following the 1974 reorganisation Marazion parish regained its town status and right to elect a Mayor from the Marazion Town Council. As an historical oddity the civic regalia of the Mayor is still held by the Marazion Town Trust: for a Mayoral election in Marazion it is still a requirement for the Mayor-Elect to be appointed the Chairman of the Trust before the actual appointment can take place (this is reflected in the process of the Mayor choosing ceremony where two nominations take place for two separate offices). Cornwall Council is now the principal local authority in the area (since April 2009). The coat of arms of the town of Marazion appears on the seal as three castles triple turreted and the motto is "Semper eadem" (Always the same). Marazion made an outsider bid for city status in 2021.

The population in 2011 was 1,440 and the electoral ward population which includes surrounding villages was 4,625

Marazion Town Hall

The lack of notable or historic buildings led Nikolaus Pevsner to omit the town entirely from the first edition of his Buildings of England account of Cornwall. In the second edition Marazion is described as "attractive as a whole" and he says of the area near the ferry port: the "cobbled pavements and old houses .. give a look of Lyme Regis to the old centre of the town". Nevertheless, several notable architectural buildings lie in the eastern part of Marazion including Chymorvah House and the Mount Haven Hotel next to it, once one of the most haunted hotels in Cornwall, with views of the mount from its terrace. Also of note are Marazion Town Hall and the Marazion War Memorial.

The Old Manor House on Fore Street is a Grade II listed building. The Listing states that it was built circa 1775 for William Cornish a former mayor; extensions were added in the mid 19th century at the rear and the east side of the building. During an unstated number of years in the 1800s, this was the home of noted architect James Piers St Aubyn. The property was listed for sale in 2019. The listing report stated that the house included "original slate floors, open fireplaces, sash windows, exposed beams, intricate cornices and wood panelling" and featured views of St Michael's Mount.

Churches

The original parish church is at St Hilary. In Marazion there was a chapel of ease dedicated to St Hermes (recorded in 1308): by 1735 it had become ruinous and was rebuilt. In 1861 a new church (dedicated to All Saints) was built on the same site which became a parish church in 1893. The architect was J. P. St Aubyn. The Methodist church is a classical revival building of 1862 with galleries and Pevsner mentions one grand Georgian house at the west end of the town.

Media

Local TV coverage is provided by BBC South West and ITV West Country. Television signals are received from the Redruth TV transmitter and one of the two local relay transmitters (Gulval and Alverton).

Local radio stations are BBC Radio Cornwall on 103.9 FM, Heart West on 107.0 FM, Pirate FM on 102.8 FM and Coast FM (formerly Penwith Radio), a community based station which broadcasts on 96.5 and 97.2 FM.

The town is served by the local newspaper, The Cornishman.

Sport

Marazion Blues are an association football team, founded in 1906, and disbanded in 2017 because of a lack of players. They were members of the Cornwall Combination League from 1961 to 2004, twice champions in 1978 and 1980 and cup winners in 1972 and 1979. The Blues restarted in July 2018 and will play in the Trelawny League.

Cornish wrestling

Cornish wrestling tournaments, for prizes, have been held in Marazion at the Rookery Gardens, Marazion Green and in the field adjoining Marazion Bridge.

Cambodia - Temples Of Angkor - Banteay Kdei - 13d by Manfred Sommer

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