View allAll Photos Tagged perception

Lyla, Thelma, and Pearl on a swing

Key element - color

Key principle - emphasis

Basic edit

Shallow depth of field

Light from the west

Perceptions in SecondLife located at the following Link: maps.secondlife.com/secondlife/LEA29/193/237/1006

model: Karolina

photography & make up by Justinas Vilutis

clothing: models own

I like the difference of color of the house from behind the sunglasses.

Selected photos from the February 16, 2017 opening reception for "Perception", an exhibit by Carole Feuerman at 55 Broadway in New York City's Financial District.

Comment with what emotion you see!

More delicate and dark, but it is still my eye. Hard shot to take.

Walking under Fluorescent tubes above concrete ground, perceiving artificial colors and synthesized sounds

 

Jack Namaste : www.facebook.com/Jacknamaste

The reason I believe that the Chinese garden is a positive place on the uni grounds is because it is very peaceful and relaxing. This area is far away from the hustle and bustle of uni life and gives individuals a place to escape and think about what is going on in their lives.

A girl looks into the light installation, creatively made from light and stacked wooden crates.

Olympus OM-D EM-5Claire Murray

Rose Frantzen’s work examines how society influences the concept of identity. Perceptions, Misperceptions, and Other (Im)Possibles is a collection of large-scale figurative paintings that explore the journey of representation that began with art history and remains in how we convey individuality in the digital age. Frantzen creates serial and allegorical artworks that incorporate a multi-dimensional style that is both realistic and transcendent. These paintings address the spaces we inhabit within history, memory and culture so that we might recognize the distinction between what we convey and how we are portrayed.

The division between two paths, manifested both internally and externally, presents one with an ambiguous perception of life. These paths are comfortable and morbid, painful and prospective, bearing hazed reflections of the past and hopeless sights into the future.

Oil on canvas, 24"x30"

Nikon F-501 : Ilford HP5 : iso400

In-Class Figure Drawing

India Ink

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